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Vitry-Sur-Seine Septembre 2015 Graffiti Scroll
Otam / Brok / Sinck / Takt /Nadib Bandi / Kalees / Sueb / Tacos / Fans / Lost / Vitryartderue
Soundtrack by "TRD BEATZ" : soundcloud.com/trd-beatz
#Graffiti #Scroll #Paris #Bandi #Geneva #Brok #Otam #NOK #Sinck #Kalees #3HC #Takt #Sueb #NadibBandi #Tacos #TP #FANS #GF #LOST #MCZ
Wedding invitation scroll with a Japanese paper wrap. The design is really simple but the quality of the paper makes it, and the ribbon (sheer with satin edges) finishes it off nicely.
[Unidentified soldier in Union cavalry uniform with percussion cap pistol carbine, attached stock, and cavalry saber]
[between 1861 and 1865]
1 photograph : ninth-plate ambrotype, hand-colored ; 7.4 x 6.1 cm (case)
Notes:
Title devised by Library staff.
Case: Leather scroll.
Gift; Tom Liljenquist; 2010; (DLC/PP-2010:105).
Subjects:
United States.--Army--People--1860-1870.
Soldiers--Union--1860-1870.
Military uniforms--Union--1860-1870.
Handguns--1860-1870.
Daggers & swords--1860-1870.
United States--History--Civil War, 1861-1865--Military personnel--Union.
Format: Portrait photographs--1860-1870.
Ambrotypes--Hand-colored--1860-1870.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Ambrotype/Tintype filing series (Library of Congress) (DLC) 2010650518
Liljenquist Family collection (Library of Congress) (DLC) 2010650519
More information about this collection is available at hdl.loc.gov/loc.pnp/pp.lilj
Persistent URL: hdl.loc.gov/loc.pnp/ppmsca.26969
Call Number: AMB/TIN no. 2117
This is the scroll part of a very old violin that my Mom had as a kid. I guess it was old even when she got it. She had it repaired and restrung a few years back and it is playable, but nobody in our family plays the violin. I have it setting on top of my computer where I can see it everyday.
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Ab Ostern gilt in Berlin Alarmstufe Rot, jedenfalls im Bikini. Die schicke Mall ist Schauplatz für eine Ausstellung, wie sie die Stadt noch nicht gesehen hat. Der Londoner Fotograf Thomas Knights hat die heißesten rothaarigen Männer der ganzen Welt fotografiert. Und wer jetzt darüber stolpert, die Worte heiß und rothaarig in einem Zusammenhang zu finden, der kennt Knights‘ Bilder noch nicht.
Für die Ausstellung, die bereits in London, New York und Sydney für großes Aufsehen sorgte und nun in Berlins schickster Mall, dem Bikini, gezeigt wird, hat Thomas Knights nicht einfach nur Models porträtiert. Wie er im Herbst dem Magazin MÄNNER sagte, wurde er als Kind und Jugendlicher wegen seiner roten Haare gemobbt – ein Schicksal, das viele Leidensgenossen teilen. „Rote Haare wurden als etwas Schlimmes angesehen. Kinder picken sich ja immer den heraus, der anders ist. Und Rothaarige haben keine Community, auf deren Unterstützung sie zurückgreifen können.“ Darum wollte Knights etwas schaffen, worauf Ginger Men, wie sie in England heißen, stolz sein können. „Aus roten Haaren eine coole Marke machen - das war der Anstoß für die Ausstellung.“ Das hat er binnen kürzester Zeit erreicht.
Das Buch „RED HOT 100“ erschien im September 2014 (Bruno Gmünder) und hat wegen des großen Erfolgs bereits die 3. Auflage erreicht. Die gleichnamige Ausstellung kommt nun endlich nach Berlin. Auf einer 400 qm großen Ausstellungsfläche werden über 100 faszinierende Bilder gezeigt.
Das Grand Opening findet Ostersamstag, 04. April 2015, von 16 Uhr bis 20 Uhr, in der Bikini Concept Mall statt.
Für Musik sorgen Brodanse. Die berühmten DJ-Brüder, natürlich rothaarig, bespielen Clubs und Festivals in Europa und Asien.
Außerdem haben sich angesagt: die RED HOT-Models Ken Beck, der auf dem Cover provokant seine Zunge zeigt, sowie Jake Hold und natürlich der Fotograf selber, Thomas Knights.
„Die attraktivsten Rothaarigen, die wir je gesehen haben“, jubelte die australische ELLE über seine Fotos. Und SPIEGEL ONLINE schwärmte: „Wir brauchen einen rothaarigen James Bond.“
Die Ausstellung RED HOT : BERLIN dauert vom 04. April 2015 bis zum 03. Mai 2015.
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OPENING RED HOT:BERLIN - A city sees red, 2015
From Easter, Berlin will be on red alert, at least at Bikini. The chic mall is the setting for an exhibition the likes of which the city has never seen before. London photographer Thomas Knights has photographed the hottest red-haired men in the world. And anyone who stumbles across the words hot and ginger in the same context has not yet seen Knights' pictures.
For the exhibition, which has already caused a sensation in London, New York and Sydney and is now being shown in Berlin's chicest mall, the Bikini, Thomas Knights has not just taken portraits of models. As he told MÄNNER magazine in autumn, he was bullied as a child and teenager because of his red hair - a fate shared by many of his fellow sufferers. ‘Red hair was seen as something bad. Children always pick out those who are different. And redheads don't have a community to fall back on for support.’ That's why Knights wanted to create something that ginger men, as they are known in England, could be proud of. ‘Turning red hair into a cool brand - that was the impetus for the exhibition.’ He achieved this in a very short space of time.
The book ‘RED HOT 100’ was published in September 2014 (Bruno Gmünder) and has already reached its 3rd edition due to its great success. The exhibition of the same name is now finally coming to Berlin. Over 100 fascinating pictures will be shown on a 400 square metre exhibition space.
The Grand Opening will take place on Easter Saturday, April 4, 2015, from 4 p.m. to 8 p.m., in the Bikini Concept Mall.
Music will be provided by Brodanse. The famous DJ brothers, redheaded of course, play clubs and festivals in Europe and Asia.
Also in attendance: the RED HOT models Ken Beck, who provocatively shows his tongue on the cover, as well as Jake Hold and of course the photographer himself, Thomas Knights.
“The most attractive redheads we've ever seen,” exclaimed Australia's ELLE about his photos. And SPIEGEL ONLINE raved: “We need a red-headed James Bond.”
The exhibition RED HOT: BERLIN lasts from April 4th, 2015 to May 3rd, 2015.
During the lunch break at my recent studio portraiture workshop, I took the time to have a wander round Lacock Abbey. These couple of shots are of the rather ornate gates to the abbey, with their beautiful scrolls.
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Konzert GRAUSAME TÖCHTER + SIVA SIX + Enter Tragedy im Frannz Club, Berlin - 26. Februar 2017
GRAUSAME TÖCHTER produzieren elektronische Musik, um emotionale Kälte zu verbreiten.
Die zugrunde liegende Musik passt in keine Schublade, enthält Elemente aus Industrial, Ebm, Klassik, Punk, Soundtrack und vieles mehr. Sie ist eine dreckige Melange vom Schrottplatz vergangener Kultur. Die Texte zelebrieren Gier, Geilheit und Egomanie und wollen böses ausdrücken. Für Menschen von Menschen, um unbekannte Wege in die eigene Psyche zu gehen.
GRAUSAME TÖCHTER sind durch ihre aussergewöhnliche Show absolut sehens- und erlebenswert.
Die Band:
Kiara Kazumi, Kasimira Ratke, Valeria Ereth (Gitarre), Era Kreuz (Bass), Arnaud Vansteenkiste (Drums) sowie als SPECIAL GUEST Sonja Firker (Violine) und am Mikrophon Aranea Peel.
+ SIVA SIX
Berühmte Athener Dark Electro / Industrial Band
(2016 nach Leipzig / Deutschland umgezogen)
+ Enter Tragedy
Dark Rock und Dark Metal Band aus Guben / Brandenburg (Deutschland)
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Concert GRAUSAME TÖCHTER + SIVA SIX + Enter Tragedy at Frannz Club, Berlin - February 26, 2017
GRAUSAME TÖCHTER produce electronic music to spread emotional coldness.
The music can not be pigeonholed, they include elements from Industrial, EBM, classical, punk, soundtrack and more.
It is a dirty melange junkyard bygone culture. The lyrics celebrate greed, lust and egomania and want to express evil. For people of people, to unknown paths in their own psyche.
GRAUSAME TÖCHTER are characterized by their exceptional show absolutely worth seeing and experiencing.
The Band:
Kiara Kazumi, Kasimira Ratke, Valeria Ereth (guitar), Era Kreuz (bass), Arnaud Vansteenkiste (drums), SPECIAL GUEST Sonja Firker (violin) and on the microphone Aranea Peel.
+ SIVA SIX
Athens infamous Dark Electro / Industrial band
(relocated to Leipzig / Germany in 2016)
+ Enter Tragedy
Dark rock and dark metal band from Guben / Brandenburg (Germany)
Scroll of bass for Soutyh Africa Tour. I don't believe the neck and Scroll were original to bass body. Looked like from another bass to me.
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Das einzige klassische Fetischkonzert der Welt (in Zusammenarbeit mit Folsom Europe und dem BLF e.V.) - Eine Benefizveranstaltung des Veranstalters Tyrone Rontganger.
Zwölf-Apostel-Kirche Berlin - 08. September 2016
Einladungstext von Tyrone Rontganger:
In Kooperation mit FOLSOM EUROPE und dem BLF, möchte ich Dich zum weltweit einzigen fetisch-klassischen Konzert einladen! Am Donnerstag, den 8. September, 20-22 Uhr, kurz vor Folsom Europe in Berlin.
Professionelle, qualifizierte und sogar international ausgezeichnete Musiker werden Euch verschiedene klassische ‚Hits‘ vorspielen – in ihren Fetischklamotten für ein Fetischpublikum! Dresscode-Infos auf unserer Webseite! Ein einzigartiger Event für alle Liebhaber der klassischen Musik und Fetischkleidung.
Da die Musiker aus verschiedenen Ländern kommen (Deutschland, Polen, Frankreich, Österreich, Neuseeland, Großbritannien und den USA) wollen wir auch damit ein Zeichen setzen: Musik überwindet nationale Grenzen und bringt verschiedene Kulturen näher, auch in schwierigen Zeiten ...
Der Überschuss vom Kartenverkauf, also nach Abzug der Kosten, wird der Berliner Aidshilfe e.V. und dem Hospiz Tauwerk gespendet.
____________________________________________________
Classic meets Fetish, Berlin 2016
The only classical fetish concert in the world (in collaboration with Folsom Europe and BLF e.V.) - A charity event by the organizer Tyrone Rontganger.
Twelve Apostles Church Berlin - September 8, 2016
Invitation text from Tyrone Rontganger:
In cooperation with FOLSOM EUROPE and the BLF, I would like to invite you to the world's only fetish-classical concert! On Thursday, September 8th, 8-10 p.m., just before Folsom Europe in Berlin.
Professional, qualified and even internationally awarded musicians will play you various classic 'hits' - in their fetish clothes for a fetish audience! Dress code information on our website! A unique event for all lovers of classical music and fetish clothing.
Since the musicians come from different countries (Germany, Poland, France, Austria, New Zealand, Great Britain and the USA), we also want to set an example: Music overcomes national borders and brings different cultures closer, even in difficult times...
The surplus from ticket sales, after deducting costs, will be donated to Berliner Aidshilfe e.V. and the Tauwerk hospice.
____________________________________________________
Programm:
*** Teil / Part 1 ***
Widor: Toccata
Martin L. Carl, Orgel/organ
Georg Friedrich Abel: Arpeggio
Captain Tobias Hume: 'Good again'
Georg Kroneis, Viola da Gamba
Debussy: Clair de Lune
Gregory Winn, Klavier/piano
Brahms: IV. Vivace - 3rd & 4th movements from Clarinet Sonata No. 1, op. 120/ 1
Sean Barker, Klarinette/clarinet
Denis Chevalier, Klavier/piano
Jack Parton: Cello Sonata
Paul, Cello/cello
Dirk Caber, Klavier/piano
*** Teil / Part 2 ***
Schubert: Impromptu in E-flat Major, D. 899
Denis Chevalier, Klavier/piano
C. Saint-Saens/F. Liszt - "Danse macabre" op. 40
Gregory Winn, Klavier/piano
Borne: Fantasie Brillante sur 'Carmen'
Ash Hodge, Querflöte/flute
Sean Barker, Klavier/piano
J. S. Bach: III. Allegro - 3rd movement from Organ Concerto, BWV 593
Martin L. Carl, Orgel/organ
Jack Parton: Bagatelles and Morceaux for piano solo
1. Bagatelle IV.
2. Morceau X.
3. Étude III. Staccato
4. Bagatelle VII.
5. Barcarolles & Berceuses I - Barcarolle
6. Bagatelle VIII.
7. Morceau VII.
Dirk Caber, Klavier/piano
Brahms: I. Allegro con brio - 1st movement from Cello Sonata No. 2, op. 99.
Paul, Cello/cello
Greg Winn, Klavier/piano
___________________________________________________
Historie:
Impressionen aus den Jahren 2015, 2016, 2017 , 2018 und 2019.
www.classic-meets-fetish.de/historie-history/
History:
Impressions from the years 2015, 2016, 2017, 2018 and 2019.
Church of St Petrox
A Grade I Listed Building in Dartmouth, Devon
Entry Name: Church of St Petrox
Listing Date: 14 September 1949
Grade: I
Source: Historic England
Source ID: 1297086
English Heritage Legacy ID: 387138
Location: Dartmouth, South Hams, Devon, TQ6
County: Devon
District: South Hams
Civil Parish: Dartmouth
Traditional County: Devon
Lieutenancy Area (Ceremonial County): Devon
Church of England Parish: Dartmouth Townstal
Church of England Diocese: Exeter
DARTMOUTH
Parish church. Probably late C12 origins (Norman font),
rebuilt and enlarged in 1641 (date plaque). Local limestone
and slatestone rubble, mostly roughcast but exposed on west
end and tower; freestone detail; slate roof with crested ridge
tiles.
PLAN: Uninterrupted nave and chancel with full-length north
and south aisles, west tower, and small lean-to heated vestry
against west end of the south aisle.
EXTERIOR: Vaguely Perpendicular in style. Tower of 2 stages
with low offset buttresses, stair tower projecting from south
side to embattled parapet, arch-headed belfry windows and tiny
lancets to the ringing floor, 4-light west window and blocked
Tudor-arch doorway in the north side. Main doorway in west end
of north aisle, another Tudor-arch doorway under a very
weathered plaque from which only the 41 of the 1641 date is
legible. Panelled door, like those on the south side, appears
to be C19 but reusing older ferramenta. Window above has plain
mullions from a repair (another similar at east end of south
aisle). North side has 2 raking buttresses and a window each
end, and south side has 3 windows to right of the vestry; all
arch-headed mullioned-and-transomed 3-light without
hoodmoulds, with Tudor arch-headed lights. Larger 4-light
version at east end of north aisle. East window of chancel has
intersecting tracery.
INTERIOR: Uninterrupted nave and chancel. 4-bay arcades to
aisles on octagonal piers with plain moulded capitals. Plain
plastered barrel-vaulted ceilings. Tall plain tower arch and
large beams to the ringing floor. Tower walls of exposed
stone, the rest are plastered. Tower floor is an attractive
chequer pattern of red, black and cream tiles. Rest of the
church has a stone flag floor including good graveslabs and
brasses at chancel end (see memorials).
FITTINGS: C20 altar table and communion rail. Good C17 oak
pulpit - octagonal with panelled sides and dated 1641. Plain
C19 pine benches. West end of south aisle screened off by a
partition made up from pieces of C17 panelling, enriched with
guilloche, strapwork, cherubs, leafy scrolls, etc: these
fragments are probably from the C17 gallery (dismantled in
1885) as are the panelled sections of the gallery frontal with
similar ornament set in the tower and now used to commemorate
those parishioners who died in both World Wars. Good Norman
red sandstone font - circular stem and bowl with frieze of
palmette decoration. Painted arms of Charles II from 1660 on
south wall. North wall has painted boards recording charitable
bequests; the largest dated 1677, others from 1823 and 1841.
An arcade of round-headed boards at west end of the south
aisle from former reredos has taller outer boards painted with
the Lords Prayer and the Creed with biblical quotations
between.
MEMORIALS: two C18 funeral hatchments of the Holdsworth
family. Floor includes good collection of mostly C17 and C18
ledger stones, many of them for members of the Newman and
Holdsworth families. A row of 3 good brasses to right of the
altar - best one in memory of John Roope (died 1609), others
to Dorothy Rous (died 1617) and Barbara Plumleigh (died 1610).
Best, if somewhat worn, mural monument is reset at east end of
south aisle, to Edward Roope (died 1683) - oval plaque with
bayleaf frame, pulvinated frieze on Corinthian columns over
carved console brackets. Each aisle has a similar small,
delicately carved and pedimented plaque, one to Nicholas Roope
(died 1625), the other to Margaret Plumleigh (died 1638).
GLASS: All late C19 and early C20 dates, but probably
including earlier glass. Mostly plain patterns of leaded glass
with coats of arms but stained glass from 1927 in east window.
The church forms part of an important group of listed
buildings at the mouth of the Dart estuary. The church
probably originated as a light positioned at the harbour
entrance.
Scheduled Ancient Monument.
(Russell, Percy: The Story of St Petrox Church - church
guide).
Listing NGR: SX8865150320