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The 2010 Edinburgh International Film Festival launched with the UK premiere of Sylvain Chomet's The Illusionist, adapted from an unproduced Jacques Tati script. Chomet has created an astonishing, magical love letter to Edinburgh after moving here in 2004. The staggering, hand-drawn animation, a world away from recent flash-bang 3D extravaganzas evokes the city in the late 50's. The effort and care demonstrated by Chomet and his team of extraordinary animators truly brings the city to life and highlights how the city can inspire and delight visitors from all over the world.
We’ve had a look through our images in Capital collections
in search of the locations which inspired and were used in Chomet's extraordinary film.
Enter the world of The Illusionist!
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Originally planned on shooting this from a dark site on top of a mountain but my laptop had other plans. Ended up taking this from my driveway instead, but I'm very pleased with the detail I got at just 610mm focal length. There are also a number of [other galaxies in the uncropped pic](i.imgur.com/tQfxUFh.jpg) including one over a billion light years away from us (calculated from redshift). This image was taken with a monochrome camera through filters for luminance (all visible light), red, green, blue, and Hydrogen-alpha (656nm), which were combined into a color image. The Hydrogen-alpha was combined with red (described below) to enhance the hydrogen nebulae in the galaxy (red splotches in the spiral arms). Captured on March 21, 22, 24, and 29th, 2021 from a Bortle 6 zone
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**[Equipment:](i.imgur.com/6T8QNsv.jpg)**
* TPO 6" F/4 Imaging Newtonian
* Orion Sirius EQ-G
* ZWO ASI1600MM-Pro
* Skywatcher Quattro Coma Corrector
* ZWO EFW 8x1.25"/31mm
* Astronomik LRGB+CLS Filters- 31mm
* Astrodon 31mm Ha 5nm, Oiii 3nm, Sii 5nm
* Agena 50mm Deluxe Straight-Through Guide Scope
* ZWO ASI-120MC for guiding
* Moonlite Autofocuser
**Acquisition:** 10 hours 2 minutes (Camera at Unity Gain, -15°C)
* Lum - 106x120"
* Ha - 30x300"
* Red - 40x120"
* Green - 40x120"
* Blue - 50x120"
* Darks- 30
* Flats- 30 per filter
**Capture Software:**
* Captured using [N.I.N.A.](nighttime-imaging.eu) and PHD2 for guiding and dithering.
**PixInsight Processing:**
* BatchPreProcessing
* StarAlignment
* [Blink](youtu.be/sJeuWZNWImE?t=40)
* ImageIntegration
* DrizzleIntegration (2x, Var β=1.5) (Lum only)
* StarAlign Ha, R, G, B stacks to drizzled L
* DynamicCrop
* DynamicBackgroundExtraction
**Luminance:**
* EZ Decon + Denoise
* ArcsinhStretch + histogramtransformation to bring nonlinear
**RGB:**
* ChannelCombinaiton to combine monochrome R, G, B stacks into color image
* PhotometricColorCalibration
* SCNR green
**Adding Ha:**
> I followed this tutorial which I find produces much better results than my previous NBRGBCombination script technique:
> www.arciereceleste.it/tutorial-pixinsight/cat-tutorial-en...
* PixelMath to make Clean Ha. This effectively isolates just the Ha from the red continuum spectrum
> Ha-Q * (Red-med (Red))
> Q=1.0416
* PixelMath to combine Clean Ha
* PixelMath to add Ha to RGB image ($T)
> R= $T+B*(Ha_Clean - med(Ha_Clean))
> G= $T
> B= $T+B*0.2*(Ha_Clean - med(Ha_Clean))
> B=3
**HaRGB:**
* Slight SCNR
* HSV Repair
* ArcsinhStretch + histogramtransformation to bring nonlinear
* ColorSaturation to slightly desaturate Ha regions
* HistogramTransformation to further stretch to match lum brightness
**Nonlinear:**
* LRGBCombination with stretched L as luminance
* Several [Curve](i.imgur.com/4L61MPU.png)Transformations to adjust lightness, contrast, colors, saturation, etc.
* MoreSCNR
* ACDNR
* LocalHistogramEqualization
* More Curves
* ColorSaturation to *slightly* desaturate Ha regions
* MMT noise reduction
* EZ StarReduction
* Final Curves
* Resample to 60%
* DynamicCrop to 3555x2000
* Annotation
After several years of receiving tattoo requests and images of them using my fonts, I decided to design and publish a tattoo-style typeface. You can see the specimen here. I hope you like it as much as I enjoyed designing it.
Full Specimen preview > www.behance.net/gallery/Piel-Script/784238
To license the font > marketplace.veer.com/font/Piel-Script-UMT0001066#
PDF > Specimen download
Greasemonkey script to manage view and fave group memberships.
Script available here (current version 1.11).
They Yi people have their own script that may date as early as the 7th century. It is a syllabary script, meaning each character represents one syllable, which had 1840 characters in its original form. The Yi script is one of the few eastern Asian scripts that appears to have no connection to Chinese characters, whereas most other East Asian scripts do. There have been recent publications of Yi documents although traditionally it is largely only the Bimo who read these religious texts. The word Bimo refers to the ability to read and chant these ancient texts.
Baisha Village (Yunnan Province), China
Heritage unit CP 7012 brings up the rear of CP 112, which is stopped on the spur that leads from CP's Vaudreuil Sub to the Lachine IMS Yard. CP 7012 and five autoracks have been tied down just west of the yard, while the intermodal portion of the train gets broken up.
from: M. Tolnai, "Letters voor Moderne Reclame-Kunst". 3e verbeterde druk. Amaco, Amsterdam, c. 1941
Original picture and textures mine.
Watercolor script by PSP
If you want to see real watercolors with wonderful "zing" and style check out one of my newest contacts
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...