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Border Sampler. Did these ten years ago.
These are really samples of borders. Instead of using the borders for parts of other cross stitch, I stitched the whole page! There are three pages of this book I did.
I am a sucker for samplers alpha or borders or anything sample like. I also like shadow cross stitch.
Pierogies, stuffed cabbage, potato pancake, kielbasa, sauerkraut. Overall, it was just ok, not something we'd get again.
A scan from a old coppy of Future Music magazine..year was 2000
Some of the information printed regarding the samplers is incorrect too! And it also misses a few models like the first version of the 3200 and various versions of the S-1000/3000 family.
I wanted an Akai so bad at the time..never could afford one..always used to look at that page lol
My First Akai was a S2800 with 2Meg of ram! which I upgraded to a massive total of 10 if I can remeber right lol
This is a sampler worked by Sarah Booth completed on 22nd November 1838.
The text reads
Let gratitude in acts of goodness flow
Our love to God in love to man below
Be this our joy to calm the troubled breast
Support the weak and succour the distrest [sic]
Direct the wand'rer, dry the widows tear
The orphan guard, the sinking spirits cheer.
Sarah Booth's Work November th22 1838
The poem, Love to God Produces Love to Men, continues
Tho’ small our pow’r to act, tho’ mean our skill,
God sees the heart;—he judges by the will.
SH.1965.244
Samplers were first made in the 1400s or 1500s as a way of remembering different types of stitches or patterns. Over time they evolved into pieces of work made by young girls, proving their knowledge and patience.
The Herbert has over 60 samplers in its collection. With volunteers from NADFAS we have recently completed a project to improve their storage and to make them more accessible. You can see some of the samplers on display at the Herbert in the History Gallery, Connected and in What's in Store.
This is a sampler worked by Catherine Hill, aged 8 in 1859.
The sampler was completed 27th May 1859 and tells us that she went to the National School in Stoke Green, Coventry. The school was established in 1833 and the 1840 building still stands today.
SH.1950.46
Samplers were first made in the 1400s or 1500s as a way of remembering different types of stitches or patterns. Over time they evolved into pieces of work made by young girls, proving their knowledge and patience.
The Herbert has over 60 samplers in its collection. With volunteers from NADFAS we have recently completed a project to improve their storage and to make them more accessible. You can see some of the samplers on display at the Herbert in the History Gallery, Connected and in What's in Store.
This quilt is made with blocks from the Quilt Block Exchange. I quilted this as a piece to bring to quilt shops for longarm quiltling referrals.
blogged: www.quiltsoflove.blogspot.com
This quilt is made with blocks from the Quilt Block Exchange. I quilted this as a piece to bring to quilt shops for longarm quiltling referrals.
blogged: www.quiltsoflove.blogspot.com
This quilt is made with blocks from the Quilt Block Exchange. I quilted this as a piece to bring to quilt shops for longarm quiltling referrals.
blogged: www.quiltsoflove.blogspot.com
Second book: twisted chain stitch waves, satin stitch boat, fly stitch gulls, scroll stitch clouds. Sky (left to right) threaded chain stitch, thorn stitch, wheat ear stitch.
This is a sampler worked by Edith Gibbon Crook aged 10 in 1882. Edith was the donor's mother who was able to tell us when Edith was born. Museum are always interested to collect the story behind the object information about who it belonged to can help us to understand objects.
SH.1970.55
Samplers were first made in the 1400s or 1500s as a way of remembering different types of stitches or patterns. Over time they evolved into pieces of work made by young girls, proving their knowledge and patience.
The Herbert has over 60 samplers in its collection. With volunteers from NADFAS we have recently completed a project to improve their storage and to make them more accessible. You can see some of the samplers on display at the Herbert in the History Gallery, Connected and in What's in Store.
algerian eye stitch with out details of weeks
blogged here
sunshinescreations.blogspot.com/2007/02/week-6-tast-alger...
Description/Descripción > antiguadailyphoto.com/
Licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Guatemala License.
Bajo licencia Creative Commons: Reconocimiento-No comercial-Compartir bajo la misma licencia 3.0 Guatemala.
Photograph: Rudy A. Girón/http://antiguadailyphoto.com/contact-the-author/
FotografÃa: Rudy A. Girón/http://www.rudygiron.com/contacto/
If you would like to use this photograph, please get in touch with me through my contact form at LAGDP.
Si le gustarÃa usar esta fotografÃa, por favor ponerse en contacto conmigo a través del formulario de contacto de mi sitio personal.
This quilt is made with blocks from the Quilt Block Exchange. I quilted this as a piece to bring to quilt shops for longarm quiltling referrals.
blogged: www.quiltsoflove.blogspot.com
I think this was susposed to be done in red, but I did it in a pinkish color instead. I'll always remember this sampler for two reasons. The first is because most of it was stitched at my mom's bedside at ICU when she had a sudden heart attack in her early fiftes. The second reason, is, when I finally finished this piece - my yongest son (who was two at the time) grabbed a blue magic marker and drew on it! I got most of it out, but there are still some faint lines at the bottom that will never come out. This picece is haunted by bad memoires.