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same shot as further back in my stream but on different film and a different aperture. I think I prefer this one.
Hasselblad 501cm
80mm cb
Kodak ektar 100
While the scenery and weather for my "rest day" were excellent the rail traffic was lackluster. It was about 8 hours of tranquility from when the Hinkle-Spokane train passed that morning until I spied this train round the curve just upriver from Ayer. Yes, it's the same CP unit train that I shot twice the day before. Like a bad penny. But of course I was just happy to have something to shoot. Regardless, I don't know the destination of this grainer but it's obviously a quick turn.
I was set up to shoot a southbound featuring the bridge but thankfully the rugged approach to the bridge lends itself to a consolation side-shot with the smallest bit or repositioning. September 3, 2023.
I reckon every city has its on peculiarities, a particular identity. But what I like in London (and I suppose the same can be said about many other cities, though not having travelled much I don't have personal experience of that) is the chance to experience a huge variety of views.
I feel this pictures is somehow a twin with the 'Cityskape' one I post a short while ago. Both of them show a not really glamorous view of the city, and in a certain way I feel they're more genuine than the usual showcase views of the centre.
It's just my humble opinion, and a reflection of my interests in exploring this urban universe :)
I've worn this LBD a few times in quick succession, but the last two occasions, I didn't go out in public, so this was a first time out in it.
Same cat, new lens.
This was just a quick grab-shot to test a new lens. Thanks, Ken - I love it!
Conversion from NEF file, very slight crop and cloned out a rogue and unflattering whisker.
That's it.
The photo's title? Loretta was named after a character in a NZ TV series who was, according to her sister, evil and twisted.
This Loretta gives a good impression of those characteristics at times, but is neither.
She is, nevertheless, utterly bonkers.
:-D
This is the separate bell tower, built around 1230, around the same time that the church was built. Initially it had only three stages, with a further stage with a louvred light to each side, battlements and a slender octagonal stone spire added in 1733. Apparently this is one of seven Herefordshire churches to have a separate bell tower, which seems to have been something of a speciality.
Same spot, 40 minutes later, different angle, different light, even longer exposure time.
Taken during a workshop from #yougothisway, headed by #karin.debruin
The X4205 shoves westbound out of the center siding in Montclair, NJ before dropping off ties on the electrified portion of the Boonton Line. Behind the right of way is the Montclair Department of Public Works facility, with a smokestack with the town name painted on it.
...same bird as in the preceding video.
ISO1600, aperture f/5.6 exposure .003 seconds (1/400) focal length 330mm
Images from the same series of about 100 frames, taken over about 1 hour 20 minutes, processed 3 different ways:
1 – single background frame, with each frame from the series with a notable meteor in it layered on top.
2 – all the frames stacked as a star trail photo – all but one of the meteors seem to get lost doing it this way.
3 – all the frames compiled into a 10 sec time lapse video. Meteors are there, but whizz by so fast you can’t see them. Trust me, they are there. Really.
Also check out photos taken at the same location but by a much better photographer (even though my camera is bigger than his): www.flickr.com/photos/cactusmelba/
Happy Holidays! Finishing my work in Lightroom 4 now, and uploading new video of the goddesses!
Enjoy the video shot at the same time as the stills:
youtu.be/4TaO0Dh69HI (this video was shot while I took one of my most famous & most-viewed photographs ever! be sure to watch in full 1080p hd!)
www.youtube.com/watch?v=3TvbZgl6Af4 (some more video of the goddess!)
Canon 5D Mark II Photos of Beautiful Swimsuit Bikini Model Goddess!
The video was shot with the awesome Panasonic X900MK 3MOS 3D Full HD SD Camcorder. I highly recommend it!
The goddess was tall, thin, and fit, with long, natural brown hair, pretty blue eyes, and a great smile!
Cute freckles!
It was a nice sunny, windless, warm, winter's day out on the beach, where the sun stays low all day for epic shooting!
Shooting simultaneous stills & video rocks! I do it on every shoot now, while also mounting several stationary DSLRs/camcorders for video in addition to the Panasonic or Sony Camcorder bracketed to my Canon 5D or Nikon D800E.
The sea & sand goddess was tall, thin, fit, and athletic, with gorgerous brown hair and pretty blue eyes and long legs! She's a dancer! Wearing a pink polka-dot bikini!
Pretty freckles too!
May the Hero's Journey Mythology goddesses guide and inspire you throughout the new year!
For dc. roake from my side of the world. Full moon with some clouds. I forget if a red moon is a good or a bad sign.
Enjoy the video shot at the same time as the stills:
youtu.be/4TaO0Dh69HI (this video was shot while I took one of my most famous & most-viewed photographs ever! be sure to watch in full 1080p hd!)
www.youtube.com/watch?v=3TvbZgl6Af4 (some more video of the goddess!)
Happy Valentine's Day! Canon 5D Mark II Photos of Beautiful Brunette Swimsuit Bikini Model Goddess! Pretty Blue Eyes! Wind in her Long, Silky Hair!
I used a wider angle to show more of the Bridge in Phillipsburg, NJ. The same point on the bridge is lined up with the turret on the house on the hill. There is a US Gas station now where the Pennsy station was. The tracks are still there and they use them to move coal to the power plant up the Delaware River and for steam excursion trains. You can see more detail if you click "All Sizes" above and view it large.
The bridge is the "Free Bridge" or Northampton Street Bridge over the Delaware River and was built in 1895.
My photo is in color because I prefer color for 98% of my photos.
Article on Walker Evans from Wikipedia, the free encyclopedia:
Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer best known for his work for the Farm Security Administration documenting the effects of the Great Depression.
Much of Evans' work from the FSA period uses the large-format,
8x10-inch camera. He said that his goal as a photographer was to make
pictures that are "literate, authoritative, transcendent" [1]
Many of his works are in the permanent collections of museums, and have
been the subject of retrospectives at such institutions as The Metropolitan Museum of Art.[2]
Born in St. Louis, Missouri, Walker Evans came from a well off family. He graduated from Phillips Academy, in Andover, Mass. He studied French literature for a year at Williams College, spending much of his time in the school's library, before dropping out. After spending a year in Paris, he returned to the United States to join the edgy literary and art crowd in New York City. John Cheever, Hart Crane, and Lincoln Kirstein were among his friends.
Evans took up photography in 1928[1]. In 1933, he photographed in Cuba on assignment for the publisher of Carleton Beals' then-forthcoming book, The Crime of Cuba, photographing the revolt against the dictator Gerardo Machado. In Cuba, Evans briefly knew Ernest Hemingway.
In 1935, Evans spent two months at first on a fixed-term photographic campaign for the Resettlement Administration (RA) in West Virginia and Pennsylvania. From October on, he continued to do photographic work for the RA and later the Farm Security Administration (FSA), primarily in the Southern states.
In the summer of 1936, while still working for the FSA, he and writer James Agee were sent by Fortune magazine on assignment to Hale County, Alabama,
for a story the magazine subsequently opted not to run. In 1941, Evans'
photographs and Agee's text detailing the duo's stay with three white
tenant families in southern Alabama during the Great Depression were
published as the groundbreaking book Let Us Now Praise Famous Men.
Its detailed account of three farming families paints a deeply moving
portrait of rural poverty. Noting a similarity to the Beals' book, the
critic Janet Malcolm, in her 1980 book Diana & Nikon: Essays on the Aesthetic of Photography,
has pointed out the contradiction between a kind of anguished
dissonance in Agee's prose and the quiet, magisterial beauty of Evans'
photographs of sharecroppers.
The three families headed by Bud Fields, Floyd Burroughs and Frank Tingle, lived in the Hale County town of Akron, Alabama,
and the owners of the land on which the families worked told them that
Evans and Agee were "Soviet agents," although Allie Mae Burroughs,
Floyd's wife, recalled during later interviews her discounting that
information. Evan's photographs of the families made them icons of
Depression-Era misery and poverty. In September 2005, Fortune revisited Hale County and the descendants of the three families for its 75th anniversary issue[3].
Charles Burroughs, who was four years old when Evans and Agee visited
the family, was "still angry" at them for not even sending the family a
copy of the book; the son of Floyd Burroughs was also reportedly angry
because the family was "cast in a light that they couldn't do any
better, that they were doomed, ignorant"[3].
Evans continued to work for the FSA until 1938. That year, an exhibition, Walker Evans: American Photographs, was held at The Museum of Modern Art,
New York. This was the first exhibition in this museum devoted to the
work of a single photographer. The catalogue included an accompanying
essay by Lincoln Kirstein, whom Evans had befriended in his early days in New York.
In 1938, Evans also took his first photographs in the New York
subway with a camera hidden in his coat. These would be collected in
book form in 1966 under the title Many are Called. In 1938 and 1939, Evans worked with and mentored Helen Levitt.
Evans, like such other photographers as Henri Cartier-Bresson, rarely spent time in the darkroom making prints from his own negatives.
He only very loosely supervised the making of prints of most of his
photographs, sometimes only attaching handwritten notes to negatives
with instructions on some aspect of the printing procedure.
Evans was a passionate reader and writer, and in 1945 became a staff writer at Time magazine. Shortly afterward he became an editor at Fortune magazine through 1965. That year, he became a professor of photography on the faculty for Graphic Design at the Yale University School of Art (formerly the Yale School of Art and Architecture).
In 1971, the Museum of Modern Art staged a further exhibition of his work entitled simply Walker Evans.
Evans died at his home in Old Lyme, Connecticut, in 1975.[4]
In 1994, The Estate of Walker Evans handed over its holdings to New York City's The Metropolitan Museum of Art.[5]
The Metropolitan Museum of Art is the sole copyright holder for all
works of art in all media by Walker Evans. The only exception is a
group of approximately 1,000 negatives in collection of the Library of Congress which were produced for the Resettlement Administration (RA) / Farm Security Administration (FSA). Evan's RA / FSA works are in the public domain.[6]
In 2000, Evans was inducted into the St. Louis Walk of Fame.[7]
A light cruiser employed by the UEF for patrolling the high seas.
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-Excuse the horrible photo quality. My black background still hates me. >.>
-For a 'something' that's being cooked up by some builders. (although not that thing that Soren is cooking up).
I simply zoomed in to get this shot of the U.S. Bank Tower. This building stands on Bunker Hill. I used my polarizing filter here too.
Same beautiful day. We were in love with such balcony, the view, the sunlight and well, pretty much everything else around there.
Banko Cantina, a Mexican restaurant and tequila bar is located at 114 S. Olive Avenue. in West Palm Beach, FL. Originally home to the American National Bank. The building was later also known as the Commercial and Savings Bank and Morrison's Cafeteria
This 1923 landmark building was added to the U.S. National Register of Historic Places in 1997.
An era remembered for its unprecedented prosperity, glamour, and fanfare, the Roaring 20s were also marked by prohibition, underground speakeasies, notorious gangsters and glorified outlaws – during which time tequila trade became a lucrative business.
Banco Cantina and the second-floor club, La Terraza, will restore the fervor that once resided inside the very same walls through its delicious food and beautiful crowd – writing a story for the next generation to tell!
Don’t forget to take the stairs or elevator to the 3rd-floor rooftop of Banko Cantina. Enjoy beautiful views of downtown West Palm Beach along with a cold beverage to enjoy your day or night!
Don’t forget to take the stairs or elevator to the 3rd-floor rooftop of Banko Cantina. Enjoy beautiful views of downtown West Palm Beach along with a cold beverage to enjoy your day or night!
Credit for the data above is given to the following websites:
www.zillow.com/homedetails/114-S-Olive-Ave-West-Palm-Beac...
www.pbcgov.org/papa/Asps/PropertyDetail/PropertyDetail.as...
www.loopnet.com/property/114-s-olive-ave-west-palm-beach-...
en.wikipedia.org/wiki/American_National_Bank_Building_(West_Palm_Beach,_Florida)
© All Rights Reserved - you may not use this image in any form without my prior permission.
photos of this series flic.kr/s/aHsjGT9m9x
`Sports hall´ of the `sports club´ TuS Bloherfelde in the City Oldenburg, in the German state Lower Saxony.
OLDENBURG - Grundschule / primary school (Eßkamp) / Graffiti, Street Art: goo.gl/ngAi7d
OLDENBURG - Youth Club Ofenerdiek / Graffiti, Street Art: goo.gl/g8r9of
OLDENBURG - Rudolf-Diesel Straße / Burmesterstraße / Graffiti, Street Art: goo.gl/ZsI9AI
OLDENBURG - Metal Wall - Stedinger Str., Drielaker 'Str. / Graffiti, Street Art: tinyurl.com/y7w3kfh5
OLDENBURG - Bridge Gallery / bridges near the city center - Brücken in Innenstadtnähe / Graffiti, Street Art: t1p.de/3ngz
OLDENBURG - UTKIEK : the old landfill / alte Mülldeponie / Graffiti, Street Art: goo.gl/qcHfkz
OLDENBURG - Melkbrink / Graffiti, Street Art: goo.gl/fQj9wO
OLDENBURG - an verschiedenen Plätzen / at different locations / Graffiti, Street Art: goo.gl/7e1fkZ
OLDENBURG - Warehouse Logemann / Graffiti, Street Art: goo.gl/b0Y4sS
` OLDENBURG ´ - is an independent city in the state of Lower Saxony, Germany.
Population 165.000 ( Dec. 31. 2015 ) ( Metropolitan Region `Bremen / Oldenburg´ 2.4 million people )