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same hair and style as Charlie Toorop, expressionist and androgynous imo..

Same skirt with different blouse

taken when was looking around the turbine hall of the tate modern with sgoralnick a few months back. basically doris salcedo has put a massive crack in the floor of the turbine hall and what a nice crack it is to, only problem is a few people found it to hard to have a look at the crack with out falling in it or getting there limbs stuck in it so its now behind a barrier. i fund this out when looking in to Meg Pickard's photo stream today. i reckon the same people who have the legs stuck in doris salcedo crack are the same people making such a fuss over flickr video.

Same shot with a bit of Photoshop loving.

 

You can let me know which one you prefer ;-)

 

View On Black

 

Nauru island has been destroyed – do you know Nauru? one of the smallest island in the world. And once the richest and wealthiest countries in the world. maybe you are wondering where the country is located, is close to the country australia.

 

Nauru lay on the land area of ​​8000 hectares in the western Pacific ocean. The extent of only about one tenth of the oil palm plantation Astra, Eka Cipta Wijaya, Prabowo, Cargill, DL Sitorus, and tycoons Crude Palm Oil (CPO) in Sumatra there. Only about a quarter of its 50 spacious logged forests conglomerates concessionaires in Borneo there. Precisely, the area of ​​the Republic of Nauru is almost equivalent to the Lake Toba.

 

21km square berarea country for 30 years been listed as one of the richest countries in the world. Income per capita in 1981 reached 17,000 dollars, compared with Indonesia, which is only 530 dollars per capita in the same year. With such a high income and a population of only 13 thousand inhabitants (still more spectators Indonesian league opponents Saudi Arabia the other day, which reached 90,000) Nauru transformed into a very rich country. They build tall buildings. Buy cars and luxury commercial aircraft. There are no poor people in there, let alone bum. State subsidizes the lives of all citizens. More than 80% of the workforce was appointed as civil servants. These employees are not tied to office hours. They may come and go as they pleased. The unemployed also subsidized by the state. In short, was so rich Nauru, without any of the working population can live in luxury. People are not taxed. Education and free health care, subsidized food, who want to study abroad were given scholarships. Even so spoiled, so reluctant to Nauru population of mobile workers. His government was forced to import labor from Australia, China, Kiribati and Tuvalu.

 

What makes Nauru be all that rich? not because of bird droppings. More than 70% of the land consists of sediment Nauru Guano bird droppings that had accumulated over hundreds and even thousands of years ago. This is because once Nauru is a place for large colonies of birds Guano. This bird droppings into phosphate, which serves as fertilizer for crops.

Phosphate was found in 1899 and began to be explored in 1907. At that Nauru is still a part of the country Australia. Once granted independence on January 31, 1968, phosphate mining areas controlled by men. Estimated that the number of high-quality phosphate across Nauru 41 million tons. This huge amount. Compare with Indonesia, which consists of thousands of islands, the total number of phospatnya estimated at only 2.5 million tonnes. Because it is only natural that the country would fall into the list of the world’s smallest country touted as the country’s phosphate, and targeted by many countries.

 

After the massive phosphate exploration for decades, Nauru is now reaping the consequences. According to Greenpeace’s investigation, 90% of Nauru was severely damaged and need to be rehabilitated. That means that only about 2 square km area Nauru only habitable. Greenpeace also found spreading poison of its mining activities in three places. Toxic substances that the polychlorinated biphenyls (PCBs), asbestos, Polyvinyl chloride plastic (PVC) and metal.

Tremendous damage this requires a very long rehabilitation period and cost prohibitive. Nauru should import fertilizer, humus, and other essential nutrients to rebuild the ecosystem. It costs about 200 million dollars, and the process took 30 years. The most crucial thing to do is reclaiming back the area of ​​agriculture, clean water sources, livestock and plantasi trees. If this step is not performed, then the entire population of Nauru have to migrate to other areas. When kept in Nauru they will suffer from various diseases due to mining, hunger and lack of water. Migration area selection is empty islands in the Pacific Islands region.

Nauru government intends reclaiming back its territory. For the year 1989, they filed a lawsuit against Australia in the International Court. Nauru demanded Australia to pay compensation for the environmental damage done mining company. The company itself is actually a consortium of three countries, namely Australia, England and New Zealand. Australia circumvent these demands and accused Nauru as a party that should be responsible. Because the country gained independence from Australia in 1968. And since then, phosphate mining Nauru managed native son, no longer by the consortium companies.

In 1992, the International Court of Justice in favor of Nauru. According to them Australia and two other countries (the United Kingdom and New Zealand) must take responsibility for environmental damage Nauru, as they participate explore this mine before.

In 1993 the three countries were required to pay compensation. Australia have to pay compensation of 107 million Australian dollars, while the United Kingdom and New Zealand, respectively 12 million dollars.

 

So how? Are you curious about this country? if you want to visit to see it? it’s up to you. I hope what happened to Nauru could be a lesson to us all that exploit something excessively without any action about the future it will be bad. so do not get used to always live with a tasty and versatile plush yes, learn to appreciate life and learn to start thinking about the future.

 

by New Hotel Travel in ift.tt/1XHPf3p

An earlier variation on the image Diagonal Pattern, from two images back.

Though I prefer to use masks, I finally edited my brush for this by making a brush and using it with the eraser tool.

GIMP has a tool called the Paths Tool, which is like the Pen Tool in Adobe. I used it to create the brush used in this pattern.

Masking is easy; clipping masks are rather confusing. Just what I need to keep my mind occupied : )

HMS Bounty / Mayflower II

Yeah... It's another saguaro sunset...

 

After having not a single cloud in the sky all day, the evening ended with an unexpectedly nice sunset. Don't know where the clouds came from. They just suddenly appeared about 10 minutes before the sun went down. I grabbed the camera and ran.

holga lens on nikon

Pentax 645

Fuji Velvia 100

Film 99-2020

January 2020

Adam Clayton Powell Jr. Office Building

Harlem, NYC

The same Fiat 160NC recorded on the same spot by Google Street View.

 

The Fiat 160 used the same cabin as the previous 684 series models, which was introduced in 1970. This was five years before Iveco officially was found.

 

In January 1975 Fiat Veicoli Industriali merged with OM, Unic and Magirus-Deutz to form Iveco. Between 1975 and 1982 Iveco-Fiat was used as brand name for the former Fiat trucks.

From 1983 onwards the name additions Fiat, Magirus-Deutz, OM and Unic were discontinued. Only the Iveco badge was used.

Note the small square Iveco badge on the grille.

 

L6 Diesel engine.

Production Fiat this cabin series: 1970-1979.

Production Fiat series 684, 697, 619: 1970-1973.

Production Fiat 110/130/180 series: 1973-1979.

Production Fiat-Iveco 160 this series: 1975-c. 1981.

Old Italian reg. number (type 1951-1985, Bologna !).

 

Palagonia (CT, Sicilia), SS385, June 2023.

 

© 2023/2025 Google/Sander Toonen Halfweg | All Rights Reserved.

 

en.wikipedia.org/wiki/Mohenjo-daro

  

Mohenjo-daro (lit. Mound of the Dead, Sindhi: موئن جو دڙو, pronounced [muˑənⁱ dʑoˑ d̪əɽoˑ] ), situated in the province of Sindh, Pakistan, was one of the largest city-settlements of the Indus Valley Civilization. Built around 2600 BCE, it was one of the early urban settlements in the world, existing at the same time as the civilizations of ancient Egypt, Mesopotamia, and Crete. The archaeological ruins of the city are designated a UNESCO World Heritage Site. It is sometimes referred to as "an ancient Indus valley metropolis"

  

Rediscovery and excavation

Mohenjo-daro was built around 2600 BCE and abandoned around 1500 BCE. It was rediscovered in 1922 by Rakhaldas Bandyopadhyay,[2] an officer of the Archaeological Survey of India. He was led to the mound by a Buddhist monk, who believed it to be a stupa. In the 1930s, massive excavations were conducted under the leadership of John Marshall, K. N. Dikshit, Ernest Mackay, and others.[3] John Marshall's car, which was used by the site directors, is still in the Mohenjo-daro museum, showing their struggle and dedication to Mohenjo-daro. Further excavations were carried out in 1945 by Ahmad Hasan Dani and Mortimer Wheeler.

The last major excavations were conducted in 1964-65 by Dr. George F. Dales. After this date, excavations were banned due to damage done to the exposed structures by weathering. Since 1965, the only projects allowed at the site have been salvage excavation, surface surveys and conservation projects. Despite the ban on major archaeological projects, in the 1980s, teams of German and Italian survey groups, led by Dr. Michael Jansen and Dr. Maurizio Tosi, combined techniques such as architectural documentation, surface surveys, surface scraping and probing, to determine further clues about the ancient civilization.

  

Location

Mohenjo-daro is located in Sindh, Pakistan on a Pleistocene ridge in the middle of the flood plain of the Indus River Valley. The ridge is now buried by the flooding of the plains, but was prominent during the time of the Indus Valley Civilization. The ridge allowed the city to stand above the surrounding plain. The site occupies a central position between the Indus River valley on the west and the Ghaggar-Hakra river on the east. The Indus still flows to the east of the site, but the Ghaggar-Hakra riverbed is now dry.[4]

Anthropogenic construction over the years was precipitated by the need for more room. The ridge was expanded via giant mud brick platforms. Ultimately, the settlement grew to such proportions that some buildings reached 12 meters above the level of the modern plain, and therefore much higher than this above the ancient plain.

  

Historical significance

Mohenjo-daro in ancient times was most likely one of the largest cities of the ancient Indus Valley Civilization. [5] It was the most developed and advanced city in South Asia, during its peak. The planning and engineering showed the importance of the city to the people of the Indus valley.[6]

The Indus Valley Civilization (c. 3300–1700 BCE, flowered 2600–1900 BCE), abbreviated IVC, was an ancient riverine civilization that flourished in the Indus river valley (now Pakistan and northwest India). Another name for this civilization is the "Harappan Civilization" (Harappa is another important IVC site to the north of Mohenjo-daro in Punjab).

The Indus culture blossomed over the centuries and gave rise to the Indus Valley Civilization around 3000 BCE. The civilization spanned much of what is now Pakistan and North India, but suddenly went into decline around 1900 BCE. Indus Civilization settlements spread as far west as the Iranian border, with an outpost in Bactria, as far south as the Arabian Sea coast of western India in Gujarat. Among the settlements were the major urban centers of Harappa and Mohenjo-daro, as well as Lothal.

  

Architecture and urban infrastructure

Mohenjo-daro has a planned layout based on a street-grid of rectilinear buildings. Most are of fired and mortared brick; some incorporate sun dried mud-brick and wooden superstructures. The sheer size of the city, and its provision of public buildings and facilities, suggests high levels of social organisation. At its peak of development, Mohenjo-Daro could have housed around 35,000 residents.

The city had a central marketplace, with a large central well. Individual households or groups of households obtained their water from smaller wells. Waste water was channeled to covered drains that lined the major streets. Some houses, presumably those of wealthier inhabitants, include rooms that appear to have been set aside for bathing, and one building had an underground furnace (hypocaust), possibly for heated bathing. Most house have inner courtyards, with doors that opened onto side-lanes. Some buildings were two-storeyed.

In 1950, Sir Mortimer Wheeler designated one large, probably public facility as a "Great Granary". Certain wall-divisions in its massive wooden superstructure appeared to be grain storage-bays, complete with air-ducts to dry the grain. According to Wheeler, carts would have brought grain from the countryside and unloaded them directly into the bays. However, Jonathan Mark Kenoyer note the complete lack of evidence for grain at "granary", which might therefore be better termed a "Great Hall" of uncertain function.[7]

Close to the "Great Granary" is a large and elaborate public bath, sometimes called the Great Bath. From a colonnaded courtyard, steps lead down to the brick-built pool, which was waterproofed by a lining of bitumen. The pool is large – 12m long, 7m wide and 2.4m deep. It may have been used for religious purification. Other large buildings include a "Pillared Hall", thought to be an assembly hall of some kind. Near the Great Bath is the so-called "College Hall", a complex of buildings comprising 78 rooms and thought to have been a priestly residence.

Mohenjo-daro had no circuit of city walls but was otherwise well fortified, with towers to the west of the main settlement, and defensive fortifications to the south. Considering these fortifications and the structure of other major Indus valley cities like Harappa, lead to the question of whether Mohenjo-daro was an administrative center. Both Harappa and Mohenjo-daro share relatively the same architectural layout, and were generally not heavily fortified like other Indus Valley sites. It is obvious from the identical city layouts of all Indus sites, that there was some kind of political or administrative centrality, however the extent and functioning of an administrative center remains unclear.

Mohenjo-daro was successively destroyed and rebuilt at least seven times. Each time, the new cities were built directly on top of the old ones. Flooding by the Indus is thought to have been the cause of destruction.

The city is divided into two parts, the so-called Citadel and the Lower City. Most of the Lower City is yet to be uncovered, but the Citadel is known to have the public bath, a large residential structure designed to house 5,000 citizens and two large assembly halls.

Mohenjo-daro, Harappa and their civilization vanished from history until rediscovered in the 1920s. It was extensively excavated in the 1920s, but no in-depth excavations have been carried out since the 1960s.

 

Artifacts

A bronze "Dancing girl" statuette, 10.8 cm high and some 4,500 years old, was found in Mohenjo-daro in 1926. In 1973, British archaeologist Mortimer Wheeler described her as his favorite statuette:

"There is her little Balochi-style face with pouting lips and insolent look in the eyes. She's about fifteen years old I should think, not more, but she stands there with bangles all the way up her arm and nothing else on. A girl perfectly, for the moment, perfectly confident of herself and the world. There's nothing like her, I think, in the world."

John Marshall, one of the excavators at Mohenjo-daro, described her as a young ... girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet.[8]

The archaeologist Gregory Possehl says, "We may not be certain that she was a dancer, but she was good at what she did and she knew it". The statue could well be of some queen or other important woman of the Indus Valley Civilization judging from the authority the figure commands.

In 1927 a seated male figure, 17.5 cm tall, was found in a building with unusually ornamental brickwork and a wall-niche. Though there is no evidence that priests or monarchs ruled the city, archeologists dubbed this dignified figure a "Priest King"; like the Dancing Girl, it has become symbolic of the Indus valley civilization.

This bearded sculpture wears a fillet around the head, an armband, and a cloak decorated with trefoil patterns that were originally filled with red pigment.

The two ends of the fillet fall along the back and though the hair is carefully combed towards the back of the head, no bun is present. The flat back of the head may have held a separately carved bun as is traditional on the other seated figures, or it could have held a more elaborate horn and plumed headdress.

Two holes beneath the highly stylized ears suggest that a necklace or other head ornament was attached to the sculpture. The left shoulder is covered with a cloak decorated with trefoil, double circle and single circle designs that were originally filled with red pigment. Drill holes in the center of each circle indicate they were made with a specialized drill and then touched up with a chisel. Eyes are deeply incised and may have held inlay. The upper lip is shaved and a short combed beard frames the face. The large crack in the face is the result of weathering or it may be due to original firing of this object.

  

Current UNESCO status

Preservation work for Mohenjo-daro was suspended in December 1996 after funding from the government and international organizations stopped. Site conservation work resumed in April 1997, utilizing monies provided by the U. N. Educational, Scientific, and Culture Organization (UNESCO). The funding provides $10 million over two decades to protect the standing structures and the site from flooding.

 

You are not them. You are not your family. You do not have to be trapped into their footsteps or their habits. I’m so sick of being afraid of picking up the bad traits of my family. I’m so sick of being stressed because I feel like I can never impress them.

My best friend since we were two has come to church every once and a while with me growing up but this summer she gave her heart to God and she’s absolutely amazing. However, one day she came and told her Dad something exciting that happened at a youth event and his response was “You can’t believe everything you hear at church.” When she told me this she was crying, she…being a girl who has these walls that block off so many people from seeing her broken like that, was crying because of this strong amount of discouragement she felt. Aren’t your parents supposed to build you up? Like when we’re four and you painted the ugliest thing yet your mother or father had put it up on the fridge and praised you for how beautiful it was.

Then there are some of you that come from broken families, abusive families,families who do not have the same beliefs as you, or maybe you even come from a great, happy, united family yet you just feel you do not fit.

The bible says obey your parents and I am in no way telling you otherwise. But I am telling you that they…do not control who you will be. Or at least, you do not have to let them.

Growing up Ruth was my favourite book in the bible. It’s a story about a woman(Ruth) who marries into a family yet when her husband dies and her mother-in-law plans on going back to her homeland Ruth begs and pleads to go with her. She leaves her own family, her own land, perhaps even the beliefs she was raised to believe. All to follow a woman she had become so close with. Yes, they were not related by blood yet Naomi(the mother in law) loved Ruth.

“…and how you have left your father and your mother and the land of your birth, and you have come to a people whom you did not know before. The LORD repay your work, and a full reward be given you by the LORD God of Israel, under whose wings you have come for refuge.” Ruth 2:11,12

Ruth was blessed. And blessed. And blessed. She married a man named Boaz and bore a son named Obed who happened to be the grand father of David.

 

What I’m getting at here is when you watch your family and you are hurt by them you need to understand that yes, God tells us to love everyone and you should love and forgive them yet you do not have to force yourself to be like them. To believe the same things as they do. You do not have to feel discouraged like my own friend had. Because, like God did with Ruth, he can bring people into your life that will affect you and encourage you and love you. Whether they’re your relatives or not.

You are your own person and God find that so beautiful. He died so you could be free from your sins so why are you letting yourself be captive to these huge shadows your family or friends cast on you? You are not them.

So do not let them tear you down or destroy your faith or hope. Because there will always be someone else out there meant for you who believes the same and who wants to see you grow not to bottle that light.

 

(I'm tagging charlotte because she is wonderful and so encouraging even if she doesn't have the same beliefs. And she inspired this more than i can even explain)

same place and time but other lens than the capture before. What a nice late summer sunrise with mist in the valley.

nevva knew shooting in RAW combined wid manual would lead to such awesome image's!!!

Exactly five years ago I spent an unforgettable Easter week at Bjørnsund lighthouse, where I shot this sunset. And today the sun looked just like it did when it set exactly five years ago - large, bright and orange.

 

Tonight I watched it from the bus before arriving my the island I'm from. I really look forward to spend the Easter week here together with my family!

 

My album of sunsets here.

 

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www.facebook.com/ranveigmariephotography/

 

Or my Instagram:

www.instagram.com/ranveigmariephotography/

 

same girl, same day

Grand Kremlin Palace.

Water tower (Vodovzvodnaya bashnya) of the Kremlin,

Kremlin Churches.

Ivan the Great Bell Tower, Assumption Belfry,

Cathedral of the Annunciation,

Cathedral of the Archangel.

Greater Stone Bridge.

Moskva River.

Moscow, Russia.

(The plots and location may be the same..., but cameras and lenses are different...)

Well not many places to shoot anyway so kinda stuck in the same old places....most other places have so many trees or weeds overgrown so much anyway.....anyway TPW 3442 leads ethanol load past Cruger, IL 6-21-17

Same Bench. Different Days.

 

a Subway Series.

 

Erm, a bit rusty...didn't get a good enough train blur. oh wells...

Same owner since 1984. Apparently the stainless steel exhaust it sports was fitted in 1990.

Based on the 10 minute award winning short film of the same title, Normal People Scare Me is a feature-length documentary sharing first-person accounts of life and living with autism. Created by Taylor Cross, a 17 year old aspiring film maker with high functioning autism, Normal People Scare Me highlights 65 interviews conducted over the past two years by Cross, with interview subjects representing different levels of abilities on the autism spectrum. The film's interview subjects range in age from 9 to 57 years. Cross asks subjects questions such as "What does autism look like from your perspective? Do you like or not like being autistic?; What do you want to be when you grow up?; to Have you ever been teased? The courageous kids, teens and adults Taylor interviews offer powerful, poignant, and deeply moving insight to life and living behind the many faces and mysteries of autism. In one of Cross' most moving interviews, he connects with surfing champion, Izzy Paskowitz of Surfers Healing. Izzy is revealing in his honesty and perspective on raising his son, Isaiah who suffers from severe autism. Other interviews feature young aspiring artists, poets, actors, college students, and a quirky special ed. bus driver. These are among the fascinating subjects this film explores. Cindy and Janice are no exception. Both of these mothers have autism and have kids with autism. Four sets of siblings with autism are interviewed. Graham Nash provides narration in the film, and singer/songwriter, Taylor Dane sings film's theme song "Locked Inside of Me", written by Joey Travolta and Jeff Less. Cross' mother, Keri Bowers, a disabilities advocate, author, speaker and founder of PAUSE4kids a non-profit serving the developmentally disabled joins her son Taylor and Joey Travolta in the making of this film. The threesome continue to speak and share the upcoming feature film throughout the country. Panel discussion includes Q&A about the making of the film; alternative interventions for supports; and social and life skill training for those with autism in the dramatic and fine and musical arts.—Anonymous

A couple leaving the Spruce Street Bridge located in Banker's Hill just north of downtown San Diego, California.

 

Our Daily Challenge:

 

Clair de Lune... is the topic for Sunday ~ December 13th, 2020

 

Same owner since 2008.

 

N768 YMS

Amsterdam

Created using Midjourney AI v7 plus

 

Blending of two images: base AI image and same image processed again with Aurora HDR. Opacity reduced.

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