View allAll Photos Tagged same
same flea market. different balloons, obvsly, but strung up on the same gated entry. just under a year ago.
looking at my old post, it occurs to me that i can't remember the last time that i used a texture on an image, when textures used to be my primary focus, almost.
odd how things change like that and you hardly notice. until you do.
if you like it, replace the * with an "o",
if you don't, make it an "i". ...
sorry, still nothing to upload :(
Same sunset, different composition. Even after days, still appreciated the beauty of mother nature a lot.
Two the same is the basic definition of symmetry. Here the garden center has planned and executed a setting based on two the same, one for each side of the bench. You'll also notice the plant displays and flags also follow suit.
Same scene as the previous shot, but composed of two images merged to form a wider view. Can you find Half Dome? Check the note.
When I look at these leaves, I feel sad for the long gone summer...and at the same time happy that these were there in the summer to provide shade and keep us cool.... but life has to be recycled, renewed and land refreshed for the next cycle...so I am glad to see these trees know what to do to preserve them for the next year...and year after year... instinctively...
can you spot a leaf gently falling...
same dress
different shoes
autumn has really arrived
sometimes I think I´m more girl as a bruenette ...
he same perspective in color, showing the rust tones and patina of the blast furnace installations.
This image presents the same furnace corridor in full color. The exposure and film simulation emphasize rust tones, oxide layers, and paint remnants on the large cylinders to the left. The central structure with pipes and catwalks reveals variations in material condition through color differences. Compared with the medium black-and-white version, the color view communicates material status more directly, since corrosion, discoloration, and patina cannot be separated in monochrome. Compared with the sepia version, this rendering provides the highest level of visual information for material evaluation, but at the cost of reduced mood and historical association. The advantage of this approach is the ability to document surface condition and color-coded piping or structural paint marks, which are otherwise lost. The GFX100RF sensor records fine-grain differences between oxide layers and intact coatings. This file is relevant for situations where technical documentation of material state is required or where later color-based analysis of degradation is possible.
from my recent trip to a nearby lavender farm :)
For Beyond Layers... Day 50 Tall order, Kim asked us to photograph our geographical "space" - welcome to western Pennsylvania :)
If you are not French, it’s likely you haven’t ever heard the word “Saintonge”, and have no clue what it means. If you are French, it’s probably the same thing. Unless, that is, you are a fan of Romanesque, in which case you know that Saintonge, that small region of France centered around the town of Saintes (hence the name), not far from the Atlantic Ocean, just North of Bordeaux... features the highest density of Romanesque churches of all the country!
I had never visited that area of France, and so in the middle of October 2021, I took that long overdue trip and stayed two weeks in Saintes, driving left and right daily to photograph all the most significant Romanesque churches... and unfortunately leaving out many others, as they are so thick on the ground!
Being by nature a human activity, even the best and purest of arts can, in time, overdo itself and teeter upon the brink of baroque, exaggeration and overabundance. Built around 1160, about ten years after its magnificent neighbor in Rétaud (which we have seen a few days ago), the Notre-Dame church in Rioux is largely regarded among specialists as having gone slightly over the top in terms of outside decoration.
I have seen the exact same thing with the enclos paroissiaux (“parish enclosures”) in Brittany: the desire to do better and grander than the neighbors, combined with the existence of generous financial means, often leads to an overdoing of things in which the spiritual appears to be drowned in a wave of refinement and superficiality.
This almost exaggerated decoration is often cited as one of the chief reasons why this church was only listed as a Historic Landmark in 1903, while its neighbor in Rétaud was listed in 1862. In the late 1950s, François Eygun, Director of Historic Antiquities, wrote: “This is no more the elegant richness, but the exaggeration of a quality pushed beyond the limits of the reasonable and into bad taste.”
We, visitors of the 21st century, may take a more lenient approach... or maybe it is our own taste that has been distorted over the years by lack of backbone, cheap and self-fulfilling enjoyment (read: selfies!) and reality TV... I will let my viewers decide.
Strangely enough, the façade is probably the most understated part of this church. The top part of the bell tower is from the 15th century, but all the rest shows a remarkable restraint, with only the Virgin in a mandorla and abstract motifs on the voussures around and over the main door.
Same house, new location. Santa's House is now closer to the west end of the Americana, across the way from the AMC theaters. How this will affect foot traffic where the trolley goes by, and the people who go to see movies, I won't know until I see it all the day after Thanksgiving.
Right now, they haven't yet gotten everything in place. They are a couple of weeks away from putting the finishing touches to it,
Under The Same Moon?
Super Moon, Los Angeles, CA. June 22nd, 2013.
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All Images Copyright © Lindsey Best. Please do not steal or repost my images without prior consent & proper credit. If you're interested in licensing an image or acquiring a print, please email me.
Same place, but a different perspective with Multiplicity #1.
Sembawang Wharves, Yishun, Singapore. Another great place found by my flickr friend Rajesh (rags1969). We somehow managed to get into that place without being checked at the security gates (two of them)!
Technical note: 5 exposures tone mapped HDR with Photomatix, then post-processed with CS2. Please check the whole HDR set.
2 reds, 2 oranges, 2 yellows, equal-spaced brightnesses. Then 9 equal-spaced brightnesses every other one filled in: dark grey (RGB 12,15,13), magenta (RGB 64,32,57), blue (RGB 66,66,133), cyan (RGB 71, 143, 143) and white (RGB 245,255,247), overlaid with own-software edge-detection lines in the same colours and brightness breaks, over the top of a cyan (RGB 60,139,156) background.
Gives a red, orange, blue and white abstract perspective that highlights detail of the scene IMO.
Location: West ham Station, east London.
Executed in the last years of his life, The Shadow testifies to Magritte's continuing commitment to Surrealism. Decades after giving the teasing title to his most famous painting, a Surrealist still life inscribed "this is not a pipe"
Magritte here revisits the iconography of his best-known work. The same modest, masculine identified object hovers ominously in The Shadows, inspired by what the artist would term the "logic" dreams. Trasnscending the bounds of the phenomenal world, the painter has enlarged the image of the pipe to the scale of a tree. While the latter occupies a relatively believable space within the composition, the focus of the work is the synthesis of the pipe and the tree, and the paradox of the conflicting ideas about reality they represent.
note still wearing flip flops at this point,
Think I have done walking in the countryside to death I need other things to interact with buildings cars even people if I must. Only joking I don't mind people.
Any how this is a little idea of what I do once I get the photos loaded up. I do like to crop an image to make it more relevant or to take distractions away. Sometimes its done to try and make a point to bring a feel to an image.
So here we have the same image that's been cropped. The first image is the original. the second is part of a cropped images of the first and the third is a close up crop. all three stand alone and could be posted over a number of days with a nice narrative added to each.
Yeah you will probably be subjected to these at some point
Although Mt. Prometheus is the same height with Cinderella Castle, the mountain looks way taller than the castle. The mountain looks perfect in every angle. However, this is the sweetest angle where you will see it when entering the park gate. Due to the construction on Mediterranean Harbor (until 2015), I could not shoot in this area anymore.
Strangely it wasn't the same trip, but it was the same hotel room! I lived in them for many, many years....
Same place and evening as the previous posting and this was my second photo , I love how it shows the rain falling Taken on fujichrome sensia 100 asa slide film and scanned into PS!
Same time, same working, same bus, different day! I suppose that'll teach me for not checking what was on the diagram first!
This time without the misted up blind box, ARRIVA Kent Thameside 6253 FE51 WSU is seen waiting to pull out of Hill Rise into Green Street Green Road, Lane End whilst working route 433. Thursday 29th December 2016.
DAF DB250 - East Lancs Lowlander (Ex-ARRIVA Midlands 4715)