This type of a Gothic retable, with juxtaposition of many figures in relief, is typical for Lower Saxony, but in Central Europe is regarded as unique. Altar has been badly damaged, but especially the statue of St Damian (with the drapery in beautiful style) can mediate the notion of the former altar´s glory. I´m fascinated by the statue of an unknown old bearded saint with big eyes and twisted neck (third figure from the left), it gives me the creeps :-) Regarding iconography, any suggestion is cordially welcome.

provenance: Šiba, Šariš, north-east Slovakia

for educational purpose only

please do not use without permission

S1-S2 Seperation - Displacement

location: Nativity altarpiece, parish church in Levoča

(please do not use without permission)

The church is abandoned since 1958

Detail im Chorgestühl auf der Empore

Lotuspad red orange yoga mat

Church of St. Ladislav ( Bratislava )

Country Slovakia Slovakia

City of Bratislava

Coordinates : 48 ° 8'45 "N 17 ° 6'50 " W

Classicism style

Construction 1830 - 1832

Roman Catholic

Consecration of St. Ladislav

Report parish of St. Martin of Tours, Bratislava

Wikimedia Commons: Church of St. Ladislav

Address: Spitalska Street 7

Church of St. Ladislav is a classicist sacral building in Bratislava's Old Town district, Spitalska Street. Is dedicated Ugrian king Ladislaus I. of the House of Árpád. The church is part of the four-wing urban hospital.

Construction History

Church of St. Ladislav is one of the oldest religious buildings in the city. Construction of the present church, is the third standing here. According to the traditional instrument of June 1309 was established at this point, before the Bratislava suburb of Lawrence 's gate, thanks to the Order Antonito, a hospital, which was attached to already existing chapel of the monastery. This building existed here until the end of 14th century. In its place was established in 1397 a new hospital building with a chapel dedicated to St. Ladislaus. According to the hospital it was given the name of the street where it was built.

In 1428, Bratislava was in the Hussite threat. The city is safe hidden behind walls, however, the Hussites failed to capture it, but the area in front of it was very devastated. Since their looting did not escape the hospital, the city was forced to leave after their construction services while simultaneously reconstructed the monastery building Antonito .

The entire complex of buildings served its purpose until 1529, when it was in preparation for the defense against the Turks zrúcali. Antonito went out of town.

Špitála new building built in 1543, the hospital was established a cemetery, which in 1596 built an ossuary. Hospital had two wings vaulted ground floor cross vaults and central columns. In the courtyard stood another building, on the right side of the street wing was nave chapel. Ladislav. Early 19th century building was in a very dilapidated condition and chapel for safety reasons had to close.

Today's new building was built on the Catholic faithful offerings designed by St. Ignatius Feigler. When laying the foundation stone in 1830 (figure testifies to the inscription over the entrance to the church) was personally present Hungarian monarch Ferdinand V. together with the archbishop of Esztergom, cardinal Alexander Rudnaya. The construction was completed in 1832.

Contract description

Insight into the presbytery

Spacious four-winged building footprint on a one-nave church in the central axis. Sacral building with a dome was built on an oval ground plan with radial chapels. Špitála facade is developed in width, but in the middle kinked facade of the church, culminating built square tower with a bell tower, topped pyramidal roof. The facade dominant semicircular window and massive Tympanum.

In 1891 F. Cancel restored the church. Proposed colorful windows, which were drawn up in the following year A. Vermes in Šoporňa. Originally, the interior painted in white, F. Grünwind, painter churches in 1927 filled the interior of the church figural wall paintings and override the classical character of the building .

The main altar consists of outposts canteen with classical tabernacle. On the wall hangs a large painting The Apotheosis of St. Ladislaus, the works of the painter Ferdinand Lütgendorf of 1830, the plan to lower the image to see the church. Ladislaus the hospital.

Altarpiece on the side altar of St. Anna classicism, painted by Viennese painter Joseph Kliegl in1830. From the same year comes a portrait of Christ on the cross at Calvary side altar by the Viennese painter Mayer.

sk.wikipedia.org/wiki/Kostol_sv%C3%A4t%C3%A9ho_Ladislava_(Bratislava)

Pashupatinath in Nepal

Gotisch/Romanisch

S1-S2 Seperation - Displacement

location: Nativity altarpiece, parish church in Levoča

(please do not use without permission)

Altar of the Doctors of the Church, 1510-1520

author of the statues: Master Paul of Levoča

author of the paintings: Master Petrus

location: Šariš, eastern Slovakia

for educational purpose only

please do not use without permission

AMDG

Altar of the Doctors of the Church, 1510-1520

author of the statues: Master Paul of Levoča

author of the paintings: Master Petrus

location: Šariš, eastern Slovakia

for educational purpose only

please do not use without permission

AMDG

Svadhisthana or the sacral chakra, is the second primary chakra according to Hindu Tantrism. This chakra is said to be blocked by fear, especially the fear of death.

Contact us now

Email: worldpeaceyogaindia@gmail.com

Whatsapp: +91-9105127694

originally in the chapel of Spiš Castle

property of the East Slovak Museum in Košice

for educational purpose only

please do not use without permission

provenance: Fričovce, Šariš county, north-east Slovakia

location: Šariš Museum Bardejov

for educational purpose only

please do not use without permission

Typical appearance of small bowel obstruction, in this case due to adhesions from previous appendicectomy (note surgical clips over the right sacral ala):

1. Distended small bowel loops with thin, evenly spaced valvulae conniventes. These form neat rows of parallel straight or gently curved lines depending on their orientation to the x-ray beam. The appearance is sometimes called a "stack of coins" or "coiled spring" sign.

2. Thin bowel wall with hardly any separation between adjacent loops.

3. Multiple air-fluid levels on the erect film.

4. Series of tiny air bubbles on the erect film ("string of pearls" sign).

5. Non-involvement of large bowel (mostly collapsed).

See detail view. See a comparison with Crohns disease.

ƒ/8.0 55.0 mm 1/2000 1600

A CT Scan of the Sacrum (Sacral Spine, Upper Tailbone) evaluates the bones of the sacrum. Parts of the lower lumbar spine are also seen. This scan can detect fractures, infection and tumors of the sacral spine.

Pashupatinath in Nepal

Altar of the Doctors of the Church, 1510-1520

author of the statues: Master Paul of Levoča

author of the paintings: Master Petrus

location: Šariš, eastern Slovakia

for educational purpose only

please do not use without permission

AMDG

Like the horseshoe crab, the sacral shape brings to mind an ancient life form.

Sketchblog: sharonfrost.typepad.com/day_books

5 1/2 x 7 in. double page moleskine spread; watercolor, ink, whatever on paper.

S1-S2 Seperation - Displacement

Interesting document of the counter-reformation sacral art - 17th century roman-catholic Gothic Revival altarpiece in the style of local late Gothic altars with wings and predella. The upper part with the medallion depicting David with lions is a Baroque addition from 1687.

location: East Slovak Museum, Košice

for educational purpose only

please do not use without permission

originally in the chapel of Spiš Castle

property of the East Slovak Museum in Košice

for educational purpose only

please do not use without permission

provenance: Danišovce, Spiš county

location: Spiš Museum in Levoča

height: 120 cm

for educational use only

please do not use without permission

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

for educational purpose only

please do not use without permission

This type of a Gothic retable, with juxtaposition of many figures in relief, is typical for Lower Saxony, but in Central Europe is regarded as unique. Altar has been badly damaged, but especially the statue of St Damian (with the drapery in beautiful style) can mediate the notion of the former altar´s glory. I´m fascinated by the statue of an unknown old bearded saint with big eyes and twisted neck (third figure from the left), it gives me the creeps :-) Regarding iconography, any suggestion is cordially welcome.

provenance: Šiba, Šariš, north-east Slovakia

for educational purpose only

please do not use without permission

Unter ( www.curakurse.de ) findet Ihr alle Curakurse für Physiotherapeuten, Heilpraktiker und Ärzte unter anderem zu den Themen Fortbildung Osteopathie parietal, viszeral, craniosacral, craniosacrale Techniken Schulter Behandlung / craniosacrale Therapie deutsch/ Osteopatie Fortbildung cranio Fasciapathie, cura, Akademie, academy, Fascia, Fasciatherapie, Faszientherapie, Physiotherapie, Weiterbildung, Heilpraktiker, HP, PT, Berlin, Mainz, Erlangen, Hamburg, Schweiz, Kurse, Weiterbildung, Manuelle Therapie, Cranio... Behandlungsmethode und Weiterentwicklung der Osteopathie / Fortbildung auch für MT (Manuelle Therapie) / PT und Heilpraktiker (HP). Funktionelle Osteopathie erfährt in der FASCIAPATHIE eine Erweiterung und Spezifizierung in Richtung Faszientherapie, Schulter, Leber, vernetztes Arbeiten

from the altarpiece of Ľubica, north-east Slovakia

location: East Slovak Museum Košice

for educational purpose only

please do not use without permission

provenance: St Egidius Basilica in Bardejov, north-east Slovakia

location: Šariš Museum Bardejov

for educational purpose only

please do not use without permission

Die Decke der Thomaskirche in Leipzig.

---

The ceiling of the Thomas curch in Leipzig.

location: Central Slovak Museum, Banská Bystrica, Slovakia

provenance: Selce pri Banskej Bystrici

for educational purpose only

please do not use without permission

High altar of the Holy Cross: panel paintings and predella reliefs by anonymous master from 1450-1460, over life size crucifixion (one of the best in Slovakia) by Master Paul of Levoča from around 1510, Virgin Mary by an unknown Kežmarok carver from the beginning of the 16th century (headwear is a later addition), St John and Mary Magdalene are from 17th century.

for educational purpose only

please do not use without permission

AMDG