View allAll Photos Tagged sacral
location: Central Slovak Museum, Banská Bystrica, Slovakia
provenance: Selce pri Banskej Bystrici
height: c 120 cm
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property of the Archdiocesan Museum in Krakow, Poland
provenance: Czulice, Lesser Poland (Malopolska region)
IMHO the statue is a little older
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AMDG
property of the Slovak National Gallery Bratislava, Slovakia
height 150 cm
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please do not use without permission
Interesting document of the counter-reformation sacral art - 17th century roman-catholic Gothic Revival altarpiece in the style of local late Gothic altars with wings and predella. The upper part with the medallion depicting Daniel with lions is a Baroque addition from 1687.
location: East Slovak Museum, Košice
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The Franciscan Church is the oldest religious (sacral) building in the Old Town of Bratislava, the capital of Slovakia. The church was consecrated in the year 1297 in the presence of King Andrew III of Hungary. In the past, the church building served for larger gatherings of townspeople or Hungarian nobles. In 1526 Ferdinand I, Holy Roman Emperor was elected here to become the King of Hungary. During coronations, kings used to knight nobles as Kights of the Order of the Golden Spur in this church.
The building was damaged several times by fire and earthquake and only a small part of its original form is preserved, most notably the presbytery. The adjacent Chapel of Saint John the Evangelist with a crypt, built in the second half of the 14th century is considered one of the finest examples of gothic architecture in the city.
Legend has it that the church was built by the King Ladislaus IV of Hungary to commemorate his victory over the Czech King (Přemysl) Ottokar II of Bohemia from the year 1278.
It was constructed in Bratislava (known as Pressburg / Poszony for most of its history) between 1280 and 1297 in a gothic style and consecrated by King Andrew III on 24 March 1297. It was turned into a Renaissance church in the 17th century and into a Baroque church in the 18th century.
Selected persons were knighted here in the 16th - 19th centuries as Knights of the Golden Spur, each time when kings of Royal Hungary/the Kingdom of Hungary were crowned in the Cathedral of St Martin, also located within the walled city.
Two chapels and a Franciscan monastery from the 14th century stand adjacent to the church. One of them, the St. John the Evangelist Chapel, contains a crypt of the family of Jakub, an important Mayor of Pressburg (Bratislava), modelled after the French Sainte Chapelle. The spacious rooms of the monastery have been used for meetings, mayoral elections and sessions of the Regional Parliament.
Male Skeleton 30944: Discovered in the excavations at Coppergate, 36-45 years old at death, 161.5 cm (not quite 5 ft, 3 in) tall with an unusually short and slight build. #7 - ribs - evidence of mild degenerative joint disease (DJD). #8 - spine - anomalies including a cleft or bifid first sacral vertebral neural arch. #9 - Spine - 5th cervical vertebrae twisted to the left. #10 spine - schnorl's nodes in the 6th, 7th, 9th and 12th thoracic vertebrae and 2nd vertebrae. #11 Spine - mild degenerative joint disease (DJD) in the 2nd to 7th cervical vertebral bodies and the bodies from the 4th thoracic vertebrae to the sacrum (large triangular bone at the base of the spine). #12 spine - severe DJD and osteoarthritis of the lower spine. :: display at the Jorvik Center. For more information about the Jorvik Viking Center, visit www.technogypsie.com/reviews/?p=3458 (expected publication July 2012).
Investigate Coppergate: Jorvik Viking Center - Exploring Viking Culture in York, England - June 12, 2012. (c) 2012 - photography by Thomas Baurley, technogypsie.com. ~ Display at the Jorvik Viking Center, York, England.
To read about this day's explorations, visit www.technogypsie.com/chronicles/?p=271
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The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
Within the almost intact medieval church, the murals have a uniquely strong impression and informative value, thanks to their scale and complexity of preservation. Thematically they focus on individual scenes from the Marian and the Passion cycle, but they do not have a uniform concept unlike the upper belt on the nave’s northern wall with a complete depiction of the St. Ladislaus legend.
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
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AMDG
Among the beautiful sacral sights we can undoubtedly include the Greek Catholic wooden Church of the Protection of the Holy Mother of God from 1770, which stands in the mountain village of Miroľa in the northeastern region of Slovakia.
It has a characteristic log structure and a three-part outer and inner division. The interior is decorated with iconostasis and altar. In the sanctuary, there is the icon of the archangel Michael and the icon of the Mother of God, Virgin Hodegetria with praise located. Liturgical objects are found in the anteroom that were revealed in the individual rebuildings of the temple. Especially the rare raincoat, probably from the 17th century, is worth noticing.
A special chapter is the rare books used in religious services in the Church-Slavic language. The temple has been repaired several times, most recently a complete reconstruction in 2005-2008 has been carried out. As well as with other wooden churches, even here stands a wooden entrance gate with a low shingled roof in front of the church.
Martyrdom of St John Evangelist on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
Interesting document of the counter-reformation sacral art - 17th century roman-catholic Gothic Revival altarpiece in the style of local late Gothic altars with wings and predella. The upper part with the medallion depicting David with lions is a Baroque addition from 1687.
location: East Slovak Museum, Košice
for educational purpose only
please do not use without permission
originally in the chapel of Spiš Castle
property of the East Slovak Museum in Košice
for educational purpose only
please do not use without permission
property of the Slovak National Gallery Bratislava, Slovakia
height 150 cm
for educational purpose only
please do not use without permission
Zack’s influence comes from Leonardo Da Vinci, Raphael, Michelangelo... These great artists who have forever revolutionized art, architecture, and even science. The first of their times to sublimate men and women by giving them the appearance of living God, "half-man, half God".
Sacral chakra, when closed, blocks the free energy of Kundalini flow that has either been freed along its route through the root chakra below, opening its gates to its flow; or else the little trickles of it that have escaped around the closed gates of the chakra below.
It’s not that all...
L'infiorata è un momento magico dove la sacralità, la fede, l'arte e la natura s'incontrano piacevolmente disegnando pitture nella terra come nel cuore. L’evento si svolge ogni anno, nel mese di Giugno, dove un immenso tappeto floreale si estende articolandosi in vari quadri, per circa 2000 metri, coprendo interamente il percorso della solenne processione.
Un sentito ringraziamento a tutti di vero cuore per aver visitato la mia galleria fotografica !!!
© Tutti i diritti riservati. Si prega di non utilizzare le foto senza il mio permesso
© All rights reserved. Please don't use photos without my permission.
vista of the original Gothic Louvre palace behind St John Baptist
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Pieta, stone, c 1400, sculptor from Bratislava or Vienna
mourning angels, mid-18th century, ascribed to Ľudovít Gode
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AMDG
author: Master Paul of Levoča
dating: c 1520
height: 71 cm
location: parish church of St Nicholas, Prešov, Šariš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
Phylum Chordata
Class Reptilia
Order Squamata
Family Varanidae
Species Varanus arenarius
Skeleton. Note the extreme length of the vertebral column. Cervical, thoracico-lumbar, sacral and caudal regions are marked off, and there is no sacral fusion. The vertebrae of the trunk region bear long slender ribs, and the two sacral vertebrae have short, stout ribs which abut against the ilia. In the anterior caudal region, Y shaped chevron bones occur. Three of the anterior thoracic ribs are united to a median sternum. Which is attached to the coracoids. The skull is remarkable for the length and narrowness of its bones, the smallness of the brain case, and the incomplete bony palate. It has a single condyle. The orbits are not completely closed in by bone, as the jugal and maxillary processes do not meet. They are separated only by a thin, vertical inter-orbital septum. The quadrate articulates movably with the par-otic process. The bony palate is of small extent and is made up almost entirely of paired vomers and maxillae. The teeth are in two rows and are all alike. The pterygoids are T shaped, the stalk of the T, or epi-pterygoid, being a straight rod of bone slanting slightly backwards and fixed to the pro-otic. Posteriorly, a delicate rod of bone extends transversely from the auditory capsule to the depression behind the quadrate in which lies the tympanic membrane. This is the columella. The hyoid has a median element, the basi-hyal, and anterior and posterior cornua. The pectoral girdle has a stout scapula, slender clavicle, and fenestrated coracoid. A median T shaped interclavicle, or episternum, occurs, which with the coracoids articulates with the sternum. There are 5 clawed digits. The pelvic girdle resembles that already described in the tortoise 279. There is a cartilaginous epipubis, and a ligament connects the pubic and ischiac symphysis. A median hypo-ischium or oscloacae is present.
property of the Archdiocesan Museum in Krakow, Poland
provenance: Lencze, Lesser Poland (Malopolska region)
for educational purpose only
please do not use without permission
AMDG
Košice, Abov county, eastern Slovakia
Gothic reliefs 1400-1430
Baroque sculptural additions 1720 by Simon Grimming
(please do not use without permission)
Aldo Rossi e Perugino
In uno dei capolavori di Perugino, l’”Annunciazione Ranieri”, il porticato rinascimentale fa da cornice alla scena sacrale con forte monumentalità. Si inserisce con lo stesso intento il cimitero di Modena di Aldo Rossi, che con la medesima proporzione di bucatura del porticato originale, ne riprende la volumetria e la prospettiva, fino a diventare muro perimetrale. Potente, aulico, metafisico.
In “San Bernardino risana Giovanni Antonio da Parma ferito con una pala”, invece, oltre la corte interna della scena principale, si intravede un impianto a cupola, quasi orientale: ora, sbuca il Bonnefanten Museum, opera ultima di Rossi, che con la sua copertura in acciaio ne riprende la forma.
Photos by Silvia P.
Roma, vicolo di S. Trifone / via della Barchetta
ROBOCOOP, 2015
Quadri originali:
casatoranieri.blog.tiscali.it/files/2008/03/uid_118f6750a...
www.culturaitalia.it/opencms/ThumbServlet?url=http%3A%2F%...
Architetture:
blog.fotoit.it/wp-content/uploads/2012/06/651-Franco-Zana...
www.geographic.org/photos/netherlands/bonnefanten_museum_...
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
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please do not use without permission
AMDG
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
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AMDG
from the altarpiece of Ľubica, Spiš county, north-east Slovakia
location: East Slovak Museum Košice
for educational purpose only
please do not use without permission
author: Master Paul of Levoča
dating: c 1520
height: 71 cm
location: parish church of St Nicholas, Prešov, Šariš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
The Armenian Cathedral (ukr. Вірменський собор / arm. Հայկական տաճար) in Lviv (Львів), western Ukraine.
Read more:
Fresco ; Wall painting sacral; Cycle ; Slowakia
1380 ; 1400 ; Levoca ; Slowakia ; Pfarrkirche St. Jakob
Levoca ; North wall ; Vlasta Dvorakova,. . .
In: Stredoveka Nastenna Malba Na Slovensku, 1978, S. 116
Image found at the "Institut für Realienkunde des Mittelalters und der frühen Neuzeit" on their Digital IMage Server via their search engine: www.imareal.oeaw.ac.at/realonline/
Pieta, stone, c 1400, sculptor from Bratislava or Vienna
mourning angels, mid-18th century, ascribed to Ľudovít Gode
for educational purpose only
please do not use without permission
AMDG
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
property of the Archdiocesan Museum in Krakow, Poland
provenance: Lencze, Lesser Poland (Malopolska region)
for educational purpose only
please do not use without permission
AMDG
property of the Slovak National Gallery Bratislava, Slovakia
height 150 cm
for educational purpose only
please do not use without permission
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
Baptism of Christ on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
Ogni venerdì santo, dal XIII secolo, lungo le vie di Gubbio sfila una processione pregna di sacralità. Alla luce di falò e fiaccole, al suono di un antichissimo canto in latino, il Miserere [ www.youtube.com/watch?v=3AEuEl7jYuI ], che si è tramandato per secoli oralmente, al ritmo delle preghiere e del suono cupo dei penitenti con le caratteristiche “battistrangole” e il rumore dei passi lenti sul selciato, si richiama alla penitenza, alla purificazione e alla redenzione.
La processione del venerdì santo di Gubbio rievoca i simboli della passione che sfilano portati da uomini in saio e incappucciati: sono il teschio che rappresenta il Golgota, l’uomo con la croce, altri uomini con croci, il calice, i 40 denari, la corda, la colonna, il gallo, i flagelli, la corona di spine, la scritta Inri, il velo della Veronica, il sudario, i chiodi, il martello, la spugna, la lancia, i vestiti di Gesù, i dadi, la scala, le tenaglie. Questi simboli sono proceduti dagli uomini della confraternita che recano in mano il battistrangole, uno strumento in ferro che, scosso, determina un suono lugubre e sordo e richiama la popolazione alla processione e alla sua sacralità.
Seguono le statue del Cristo Morto e della Madonna Addolorata, entrambe preziose statue lignee, la prima si presume cinquecentesca, la seconda ottocentesca. Sono trasportate da uomini che indossano saio bianco con cappa nera (statua del Cristo) e saio bianco con cappa blu (statua della Madonna). Tutti i luoghi più significativi della storia di Gubbio sono raggiunti dal corteo: dal “pietrone”, antichissima pietra sacrificale che indica le origini pre-romane di Gubbio, ai conventi cittadini, all’ospedale, attraversando le vie del centro storico. In piazza San Pietro, Via Dante e Largo San Marziale sono accesi i fuochi e i bracieri. L’attenzione, il coinvolgimento con cui viene seguita la processione dai presenti determina una forte solennità e suggestione.