View allAll Photos Tagged sacral
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
Ausculta o fili praecepta magistri
/Figyeld fiam a mester tanításait/
Benedict's Rule:
''Ausculta, o fili, praecepta magistri, et inclina aurem cordis tui,'' ''Listen, my son, to your master's precepts and incline the ear of your heart.''
a panel painting from the former high altar at Okoličné, Liptov county, Slovakia
property of the East Slovak Museum in Košice
The master´s quality is manifested through the depiction of faces, introspective,
full of dignity and melancholic lyrism that is enhanced with a delicate sfumato.
for educational purpose only
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St. Andrew church in the Old Town in Krakow, Poland. Romanesque church built between 1079 - 1098 is a rare surviving example of the European fortress church used for defensive purposes.
L'infiorata è un momento magico dove la sacralità, la fede, l'arte e la natura s'incontrano piacevolmente disegnando pitture nella terra come nel cuore. L’evento si svolge ogni anno, nel mese di Giugno, dove un immenso tappeto floreale si estende articolandosi in vari quadri, per circa 2000 metri, coprendo interamente il percorso della solenne processione.
Un sentito ringraziamento a tutti di vero cuore per aver visitato la mia galleria fotografica !!!
© Tutti i diritti riservati. Si prega di non utilizzare le foto senza il mio permesso
© All rights reserved. Please don't use photos without my permission.
Baptism of Christ on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
photographed against two sources of light
property of the Archdiocesan Museum in Krakow, Poland
provenance: Ludzmierz, Lesser Poland
for educational purpose only
please do not use without permission
AMDG
property of the Slovak National Gallery Bratislava, Slovakia
height 150 cm
for educational purpose only
please do not use without permission
brocade, gold and silver threads
provenance: St Elizabeth Cathedral, Košice, Slovakia
location: East Slovak Museum, Košice
for educational purpose only
please do not use without permission
The Sacral Chakra – Svadhisthana
Contact Us:
Email: contact@samadhiyogaashram.com
#Svadhisthana #7chakras #muladharachakra #yoga #yogapractice #meditation #chakraaffirmations #backbend #yogaeverydamnday #yogainspiration #instaquotes #usa #bhfyp #yogagirl #yogachallenge
The so-called Schloßkirche ('Castle church') at Spremberger Straße in Cottbus, Germany. A former protestant church now used as a synagogue for the Jewish community of the town.
vista of the original Gothic Louvre palace behind St John Baptist
for educational purpose only
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property of the Archdiocesan Museum in Krakow, Poland
provenance: Czulice, Lesser Poland (Malopolska region)
IMHO the statue is a little older
for educational purpose only
please do not use without permission
AMDG
Baptism of Christ on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
I think is very amazing the church of Our Lady of Rosary, in Guarulhos. For a few months I have been passing front that every morning when I go to work and either when a I come back to home. It´s nearby my home and sometimes I frequent the mass on Sunday with my family. In the the past Saturday morning I invite my daughter to make some sketches of that, we sat on the opposite side of the Avenue St. Louis, nearly
20 minutes, sufficiently to drew, me on Molesquin and the Amanda in her notebook. This is my point of view of that amazing church.
A igreja de Nossa Senhora do Rosário em Guarulhos é uma construção que acho muito simpática. Há alguns meses passo todos os dias em frente, de manhã quando vou ao trabalho e também quando volto para casa. Este igreja fica bem perto de casa e algumas vezes assinto a missa do domingo com a minha família. No sábado passado de manhã eu convidei a minha filha para fazer alguns sketches da fachada. Ficamos sentados na Avenida São Luis por aproximadamente 20 minutos, que foi tempo suficiente para o registro a lápis no Molesquine, e a Amanda no caderno dela.
interior of the church of dürnstein. austria.
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Altar of the Doctors of the Church, 1510-1520
author of the statues: Master Paul of Levoča
author of the paintings: Master Petrus
location: Šariš, eastern Slovakia
for educational purpose only
please do not use without permission
AMDG
property of the Archdiocesan Museum in Krakow, Poland
provenance: Lesser Poland
for educational purpose only
please do not use without permission
AMDG
Interesting document of the counter-reformation sacral art - 17th century roman-catholic Gothic Revival altarpiece in the style of local late Gothic altars with wings and predella. The upper part with the medallion depicting David with lions is a Baroque addition from 1687.
location: East Slovak Museum, Košice
for educational purpose only
please do not use without permission
property of the Archdiocesan Museum in Krakow, Poland
for educational purpose only
please do not use without permission
AMDG
"La sacralidad del monumento es posible establecerla a partir de una serie de testimonios literarios y epigráficos, que encuentran en el santuario portugués a cielo abierto de Panoias (Vila Real) una de sus expresiones más claras: además de las peñas talladas, cuya parte superior ha sido allanada para albergar diversas cavidades, el sitio ofrece inscripciones latinas que nos informan sobre los sacrificios realizados. De una de las inscripciones se deduce que el sacrificio tenía lugar en un edificio que coronaba la construcción. Mientras las entrañas de las víctimas se quemaban en unos nichos o cubetas y la sangre vertía en otros similares, al tiempo que se rendía culto a las divinidades, algunas de ellas indígenas. Por tanto el sacrificio comprendía varias fases y en lugares distintos; se trataría de un ritual de iniciación que ofrece un orden y un itinerario determinado, que forzosamente hay que relacionar con la variada morfología de estos monumentos.
De esta manera cabe dar cierta cobertura a la reconstrucción idealizada de sacrificios de animales con vertido de sangre que podrían haberse realizado en el altar de Ulaca. Por último, la coincidencia de la orientación del altar con la cumbre más alta de las alineaciones de Gredos visibles desde Ulaca, el Pico Zapatero, podría no ser casual y estar intencionadamente buscada quizás en asociación con algún fenómeno celeste de conocimiento ya en la Edad del Hierro."
www.castrosyverracosdeavila.com/cyv/index.php?ver=castros...
Rimavské Brezovo, like many other municipalities in the region, is associated with mining history. The originally early Gothic church, towering over the silhouette of low village houses, used to be dedicated to the Birth of the Virgin Mary before the Reformation. The name of the village was given according to the first written historical reference from the year 1334 as Brezou and, for some time, it was also the county seat of Malohont. The single-nave church was probably built in the first half of the 14th century with a square-ended chancel and a rib vault. Due to the population increase connected with the establishment of iron works facility in the village at the end of the 18th century, the church capacity was insufficient. Therefore, the largest reconstruction of the temple was undertaken in 1893. The original sacristy on the northern side was demolished, the entrance was walled and the nave was extended southwards. The older chancel thus lost its role and started to be used as a sitting space. Thanks to this reconstruction, medieval murals were found under layers of lime paint and their restoration was then devoted to I. Möller and I. Huszek. Unfortunately the work was not always done in the most sparing way. Quality interior paintings in the original Gothic section are probably the work of artists from the workshop of the Master of Ochtiná chancel. The most striking element is Christ in Glory, the figure of the blessing Christ in the shining circle with the Sun and the Moon, depicted in the eastern part of the vault. The winged lion and the golden-winged eagle on the sides symbolize the evangelists Mark and John. Opposite to them are an angel and a winged bull as Matthew and Luke. The Marian theme is elaborated in two bands around the perimeter of the entire chancel. The lower band of the northern wall belongs to the depiction of the Death of the Virgin Mary, above this composition we find a quite unique, for this region, Italian-Byzantine motif of the Assumption with the figure of Christ in the mandorla. A small child stands on his knees as the soul of the Virgin Mary, the whole scene is held by four stylized angels. Beneath the Marian cycle, the entire perimeter of the walls is painted with a template ornament, into which the strip of four-leaf-shaped medallions with heads of prophets is inserted. This part of the paintings appears to be the least affected by the re-paintings and is preserved in a very good condition and in the original colours. On the walls of the nave, due to various building modifications, the frescoes were preserved only in fragments. The most intact frescoes are on the southern part of the triumphal arch: the Christ in a mandorla, a blessing angel, or St. Bartholomew, who was skinned alive, he carries the skin on a stick. Remnants of the Christological Cycle, such as the Christ carrying the cross or the Crucifixion, were preserved on the northern wall of the nave. The southern wall was largely destroyed during the redevelopment. However, research has revealed a depiction of St. Anne as a madonna with a child in her arms, with women carrying gifts in baskets walking into her direction. They also carry young pigeons to prepare a traditional strengthening soup for the fresh mother. This scene is very likely utterly unique on the territory of Slovakia. Comprehensive restoration and research were carried out in successive stages from 2005 till 2019, and the original approximately 700-year-old paving in the chancel was a valuable discovery as well. The restoration of the chancel was awarded by the main prize of the Cultural monument of the year 2012, the artworks were renewed by M. Janšto and R. Boroš. The church logo symbolically depicts a fresco of a young maiden attacked by devils in the hell from the church nave
The High altar of Saint Nicholas in the parish Church of Saint Nicholas in Prešov, eastern Slovakia, was erected already in late Gothic period (1490-1506, sculptor Ján Weiss). After the fire of 1673 the Gothic shrine with more than life-size carvings survived and was incorporated to the new Baroque altar construction of 1696 with statues by Jozef Hartmann, with the dominant Saint Sebastian. The prominent position of Saint Sebastian in the altar dedicated to Saint Nicholas can be explained by the intervention of the city mayor, donor of the altar, whose patron saint was Sebastian.
(please do not use without permission)
Chiropractic adjustments in the Studio are performed by our chiropractor, Dr. Aaron McMaster, using his hands to provide specific and gentle input into dysfunctional spinal joints (subluxations) to restore healthy movement. The effects of a spinal adjustment have been shown to improve coordination, proprioception, muscles activation, strength, and human performance
A fir tree alley of sacral proportions at the Vuojoki Mansion park, Eurajoki. Think of getting married here on a beautiful summer day.
location: Central Slovak Museum, Banská Bystrica, Slovakia
provenance: Selce pri Banskej Bystrici
for educational purpose only
please do not use without permission
Ankh model of the chakras system is presented in the form of sacral or spiritual symbols of ancient India and Egypt. Such known elements as ida, pingala, sushumna and 7 main chakras are presented in this model. Date Source Own work Author Shatilov Konstantin
The evening lights and the view was supernatural in Erice. This place is sacral, legend has it that Daedalos has landed here... Ikarus has never made it to this view though :) There was a temple on this cliff for hundreds of years.. I've forgotten when was it ruined, anyway, this is a meanful spot. The overprocessing is only half way where I wanted to go with this image, so don't complain about the missing colors on the bottom please.
Baptism of Christ on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
credits: background sacral-stock.deviantart.com/art/Background-2-55153415
gown: Leezu
necklace and bangle: Mandala
Parish church of the Holy Cross, Kežmarok, Spiš county, Slovakia
for educational purpose only
please do not use without permission
AMDG
Martyrdom of St John Evangelist on the other side of the panel
provenance: St Elizabeth Cathedral in Košice
location: East Slovak Museum in Košice
for educational purpose only
please do not use without permission
wahibi desert. Sacral experience? Nah. Locals bring on the whiskey in a strange night of drunkness in a more or less strict muslim country
location: Central Slovak Museum, Banská Bystrica, Slovakia
provenance: Selce pri Banskej Bystrici
for educational purpose only
please do not use without permission
location: Central Slovak Museum, Banská Bystrica, Slovakia
provenance: Selce pri Banskej Bystrici
height: c 120 cm
for educational purpose only
please do not use without permission
The fortified early Gothic church from the first half of the 14th century was built on the site of an older building. In the 15th century it was fortified with a wall and a wooden bell tower was built on the grounds in 1657. The single-nave space with a square-ended presbytery and a built-in sacristy has a painted cassette ceiling from 1758, the presbytery is characteristic by its rib vault. The mural paintings date back to the 60s of the 14th century and the creator of at least a part of them is the Master of Ochtiná presbytery. These interior frescoes were discovered in the early 20th century by I. Huszka who was restoring them in 1905. All the paintings, interior and exterior ones, were completely restored between 1983 and 1985 by J. Josefík, L. Székely and I. Žuch.
Within the almost intact medieval church, the murals have a uniquely strong impression and informative value, thanks to their scale and complexity of preservation. Thematically they focus on individual scenes from the Marian and the Passion cycle, but they do not have a uniform concept unlike the upper belt on the nave’s northern wall with a complete depiction of the St. Ladislaus legend.