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Second hand emotion ─Alexander Laner & Sofie Bird Møller Double Solo Exhibition
展 期：2016/08/13- 2016/09/17
開幕酒會：2016/08/13 (六) 15:00 -19:00
展覽地點：VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址：http://www.vtartsalon.com
聯絡電話：02-2597-2525
EMAIL：info@vtartsalon.com
「 VT 慕尼黑三年駐點計劃」為VT非常廟藝文空間與德國慕尼黑藝術公寓（Apartment der Kunst，簡稱AOA）締結為期三年的合作計畫。每年計畫均涵蓋三項重點工作：1.策展人策劃展 2.台灣藝術家德國駐村 3.台德藝術家雙邊交流個展。計畫於2014-2016三年期間執行，期間成功創立台、德兩地藝文交流平台，引介兩地多位優秀的策展人及藝術家進行發表，並于每次活動後獲得廣大的迴響與討論。今年八月，VT與AOA交流合作的計畫即將告一段落。最後一檔重點展覽，VT透過歌德學院(德國文化中心)的協助邀請享譽國際的德國藝術家夫妻檔Alexander Laner與Sofie Bird Møller來台舉辦雙個展—「Second hand emotion」。
Alexander Laner是行為藝術及雕塑家，活躍於德國、義大利、奧地利等地，畢業於慕尼黑藝術學院，過去有著特殊的專業背景，曾經受訓做為廣告招牌與霓虹燈的設計師，也擔任專業石匠的學徒，這些經驗使他的創作更增添了豐富的面向。Laner自視為是一個進行著廣義創作概念的傳統雕塑家。雖說如此，他的創作其實一點也不傳統：在著名的汽車創作裡，他在一次展覽期間與一個焊接工人一起在展場中維修兩台自有的賓士汽車，藉此探討藝術系統中藝術家與工匠的委託和合作關係，又或者他以摩托引擎製作了一個小型的動力推車，在蕭邦音樂的伴奏下，透過機械與人力的合作在展場中繞行、燒胎，以此紀錄藝術家與自製機械之間怪異的合作關係。總體而言，Laner的創作同時帶有令人愉悅的幽默感和令人苦惱的不協調狀態。
Sofie Bird Møller畢業於倫敦Byam Shaw藝術學院，曾在哥本哈根、蘇黎世、洛杉磯、埃斯比約、柏林、慕尼黑等地舉辦個展，作品展出於丹麥、瑞士、美國、西班牙、比利時、瑞典、摩洛哥、法國、英國。Møller擅長現成物與圖像的再製，經常透過繪畫與裝置轉換有社會意義或美術史價值的物件，使之成為帶有神祕、超現實或者女性主義色彩的創作。例如她過去一系列以濃烈筆觸和鮮艷色彩，塗抹在時尚雜誌圖像上的創作，將女性身體從作為感官召喚物的現實情況中抽離，轉變成為具有精神性意義的超現實狀態；又或者她以十八世紀刻蝕版畫為材料，創作的大型裝置藝術，透過改寫與創造符號的方式，從古典作品中開啟現代的藝術招魂術。
「Second hand emotion」指向一種受到旁人感染的情緒傳播狀態，也是80年代紅極一時的美國歌手蒂娜•透娜的歌詞內容，歌曲唱出愛情如何為人帶來悸動、不安與提問，正如Møller與Laner的創作中那些苦澀、美麗和幽默。
Second hand emotion ─Alexander Laner & Sofie Bird Møller Double Solo Exhibition
Dates: 13 August 2016 – 17 September 2016
Opening Reception: 13 August 2016 (Sat.) 15:00
Venue: VT Artsalon (B1F., No.17, Ln. 56, Sec. 3, Xinsheng N. Rd., Zhongshan Dist., Taipei City 104, Taiwan)
Website: www.vtartsalon.com
TEL: 02-2597-2525
EMAIL: info@vtartsalon.com
--------------------------------------------------------------------------------------------------------
The VT-Munich Residency Project is a three-year collaboration between VT Artsalon and Apartment der Kunst (AOA) in Munich, which set three goals to be achieved on an annual basis: (1) curatorial exhibition; (2) residency program in Germany for Taiwanese artists; and (3) bilateral exchange exhibitions by Taiwanese and German artists. This collaborative project has continued from 2014 to 2016, and has forged a robust platform for artistic and cultural exchange between Taiwan and Germany. This project has also continually offered presentation opportunities to curators and artists par excellence from the two countries, and these gala events were always followed up by considerable resonances and discussions. The end of the three-year collaborative project between VT Artsalon and AOA is around the corner in August this year. To bring this project to successful completion, with the help of Goethe Institut Taipei, we invite the internationally renowned German artist couple Alexander Laner and Sofie Bird Møller to stage their dual solo exhibition Second Hand Emotion in Taiwan.
Alexander Laner is a performance artist and a sculptor who has a dynamic presence in Germany, Italy, and Austria. Graduated from Akademie der Bildenden Künste München, Laner has a unique professional background. He was trained as a designer of advertisement signboards and neon lights, and also sat at the feet of a professional stonemason. These experiences add rich dimensions to his creations. Laner considers himself as a traditional sculptor who represents a wide spectrum of creative ideas. Nonetheless, his creations are not traditional at all. For example, when exhibiting his famous art series with automobile as the subject, he explored the commissioning and collaborative relationships between an artist and a craftsman in the art system by maintining two private-owned Mercedes Benz cars with a welder in the exhibition venue. Another example is that he produced a small kinetic cart with the engine of a motorcycle. To the accompaniment of Chopin’s music, he made the cart move around the exhibition venue and burned the tires, through which he established a bizarre collabotiave relationship between himself and the self-made machine. In general, Laner’s oevure is full of pleasant humor and meanwhile conveys a nagging sense of incongruity.
Gratuded from the Byam Shaw School of Art in London, Sofie Bird Møller has staged solo exhibitions in Copenhagen, Zurich, Los Angelos, Esbjerg, Berlin and Munich, and her works have been exhibited in Danmark, Switzerland, the United States, Spain, Belgium, Sweden, Morocco, France and the United Kingdom. Specizlizing in reproducing readymades and images, Møller often presses painting and installation into service, transforming objects carrying social meanings or art historical values into mystical, surrealist or feminist creations. For example, she used to apply vigorous brushstrokes and vibrant colors to images in fashion maginizes, thereby detaching women’s bodies from their implication as sensual stimuli and transforming them into a surreal existence with spiritual significance. Another example is that she employed the etchings in the 18th century as the material for her large-scale installations, and spelled the modern artistic necromancy out of classical masterpieces by re-writing and creating symbols.
The title “second hand emotion” refers to the infectious nature of emotions. It is also a part of the song lyrics sung by Tina Turner, one of the most popular American singers in the 1980s. The creations by Møller and Laner brim with bitterness, aesthetic beauty and humor, just like the song lyrics addressing the question as to how love gives people visceral thrill, uneasiness and suspicion.
This dual solo exhibition will be on view from 13 August to 17 September at VT Artsalon. The opening reception and the forum will start at 15:00 on 13 August, where the visitors can gain first hand information about the two artists.
With thanks to Goethe-Institut for providing help in promoting the project
On Sept. 28, members of the Emergency Medicine Residency Program at Penn State Health Milton S. Hershey Medical Center participated in the 2016 Emergency Medicine Day of Service. They performed hundreds of health screenings on students at Steelton-Highspire Elementary School.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
Find out how to get matched to the desired residency program by checking our plastic surgery personal statement sample, expert tips and tricks right here www.residencypersonalstatement.biz/get-residency-personal...
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
Opening of the ‘IAEA Train-The-Trainer (TTT) Workshop for Medical Physics Residency Program’ in King Faisal Specialist Hospital and Research Centre, Riyadh Saudi Arabia, 21-22 January 2013: H.E. Daud Mohamad, Deputy Director General, IAEA; Dr Sultan T. Al-Sedairy, Executive Director, Research Centre, KFSH&RC, and Dr Belal Moftah, Chairman, Residency Steering Committee, and Chairman, Biomedical Physics Department, KFSH&RC; and Dr Ahmed Meghzifene, IAEA, with Residency Steering Committee members and faculty members plus guests.
Copyright Notice: Photos officially released by the Photographics Department, King Faisal Specialist Hospital and Research Centre, Riyadh, Saudi Arabia.
Photo Credit: Mohammed Al-Dosari / King Faisal Specialist Hospital and Research Centre, Riyadh, Saudi Arabia
AAFP National Conference is an annual event held for residents and medical students to learn about family medicine, explore residency programs, and speak to employers.
Secretary Walker joined family members, friends, program administrators and faculty on June 18 at the Clarion Hotel near New Castle to celebrate and challenge the latest class of graduates of Delaware’s Psychiatry Residency Program. “As psychiatrists, you are entering the health care system – and this point in history – with an incredible opportunity to make a difference in the lives of the people you treat, the greater community and the overall population health,” Secretary Walker, a board-certified family physician, told the four graduates. The residency program has been in existence since 1950, and starting in July, will be joined in Delaware by a Psychiatry Residency program at Christiana Care Health System.
Secretary Walker challenged the graduates to make a difference in the lives of people suffering from the opioid epidemic by understanding and treating their underlying mental health conditions. She urged them to provide reassurance and quality care to people with suicidal ideation. “Your studies and expertise can lead us to seeing this challenge with clear eyes and holistic treatment.” And she thanked them for leaving their residencies with a full and working knowledge of trauma-informed care.
The 2018 graduates of Delaware’s Psychiatry Residency Program, directed by Dr. Gerard Gallucci, are:
•Dr. Lee Berman, who will be working in private practice in Dubuque, Iowa.
•Dr. Connie Chang, who has accepted a Child Psychiatry Fellowship at Drexel.
•Dr. Sohail Mohammed, who will be joining the Psychosomatic Medicine Fellowship Program at the Mayo Clinic.
•Dr. Roshni Panchal, who will be working in private practice.
To learn more about Delaware’s Psychiatry Residency Program:
Pritzker School of Medicine students find out what residency programs they will be placed in during Match Day 2018 on Friday, Mar. 16, 2018, in Chicago. (Photo by Joel Wintermantle)
Second hand emotion ─Alexander Laner & Sofie Bird Møller Double Solo Exhibition
展 期：2016/08/13- 2016/09/17
開幕酒會：2016/08/13 (六) 15:00 -19:00
展覽地點：VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址：http://www.vtartsalon.com
聯絡電話：02-2597-2525
EMAIL：info@vtartsalon.com
「 VT 慕尼黑三年駐點計劃」為VT非常廟藝文空間與德國慕尼黑藝術公寓（Apartment der Kunst，簡稱AOA）締結為期三年的合作計畫。每年計畫均涵蓋三項重點工作：1.策展人策劃展 2.台灣藝術家德國駐村 3.台德藝術家雙邊交流個展。計畫於2014-2016三年期間執行，期間成功創立台、德兩地藝文交流平台，引介兩地多位優秀的策展人及藝術家進行發表，並于每次活動後獲得廣大的迴響與討論。今年八月，VT與AOA交流合作的計畫即將告一段落。最後一檔重點展覽，VT透過歌德學院(德國文化中心)的協助邀請享譽國際的德國藝術家夫妻檔Alexander Laner與Sofie Bird Møller來台舉辦雙個展—「Second hand emotion」。
Alexander Laner是行為藝術及雕塑家，活躍於德國、義大利、奧地利等地，畢業於慕尼黑藝術學院，過去有著特殊的專業背景，曾經受訓做為廣告招牌與霓虹燈的設計師，也擔任專業石匠的學徒，這些經驗使他的創作更增添了豐富的面向。Laner自視為是一個進行著廣義創作概念的傳統雕塑家。雖說如此，他的創作其實一點也不傳統：在著名的汽車創作裡，他在一次展覽期間與一個焊接工人一起在展場中維修兩台自有的賓士汽車，藉此探討藝術系統中藝術家與工匠的委託和合作關係，又或者他以摩托引擎製作了一個小型的動力推車，在蕭邦音樂的伴奏下，透過機械與人力的合作在展場中繞行、燒胎，以此紀錄藝術家與自製機械之間怪異的合作關係。總體而言，Laner的創作同時帶有令人愉悅的幽默感和令人苦惱的不協調狀態。
Sofie Bird Møller畢業於倫敦Byam Shaw藝術學院，曾在哥本哈根、蘇黎世、洛杉磯、埃斯比約、柏林、慕尼黑等地舉辦個展，作品展出於丹麥、瑞士、美國、西班牙、比利時、瑞典、摩洛哥、法國、英國。Møller擅長現成物與圖像的再製，經常透過繪畫與裝置轉換有社會意義或美術史價值的物件，使之成為帶有神祕、超現實或者女性主義色彩的創作。例如她過去一系列以濃烈筆觸和鮮艷色彩，塗抹在時尚雜誌圖像上的創作，將女性身體從作為感官召喚物的現實情況中抽離，轉變成為具有精神性意義的超現實狀態；又或者她以十八世紀刻蝕版畫為材料，創作的大型裝置藝術，透過改寫與創造符號的方式，從古典作品中開啟現代的藝術招魂術。
「Second hand emotion」指向一種受到旁人感染的情緒傳播狀態，也是80年代紅極一時的美國歌手蒂娜•透娜的歌詞內容，歌曲唱出愛情如何為人帶來悸動、不安與提問，正如Møller與Laner的創作中那些苦澀、美麗和幽默。
Second hand emotion ─Alexander Laner & Sofie Bird Møller Double Solo Exhibition
Dates: 13 August 2016 – 17 September 2016
Opening Reception: 13 August 2016 (Sat.) 15:00
Venue: VT Artsalon (B1F., No.17, Ln. 56, Sec. 3, Xinsheng N. Rd., Zhongshan Dist., Taipei City 104, Taiwan)
Website: www.vtartsalon.com
TEL: 02-2597-2525
EMAIL: info@vtartsalon.com
--------------------------------------------------------------------------------------------------------
The VT-Munich Residency Project is a three-year collaboration between VT Artsalon and Apartment der Kunst (AOA) in Munich, which set three goals to be achieved on an annual basis: (1) curatorial exhibition; (2) residency program in Germany for Taiwanese artists; and (3) bilateral exchange exhibitions by Taiwanese and German artists. This collaborative project has continued from 2014 to 2016, and has forged a robust platform for artistic and cultural exchange between Taiwan and Germany. This project has also continually offered presentation opportunities to curators and artists par excellence from the two countries, and these gala events were always followed up by considerable resonances and discussions. The end of the three-year collaborative project between VT Artsalon and AOA is around the corner in August this year. To bring this project to successful completion, with the help of Goethe Institut Taipei, we invite the internationally renowned German artist couple Alexander Laner and Sofie Bird Møller to stage their dual solo exhibition Second Hand Emotion in Taiwan.
Alexander Laner is a performance artist and a sculptor who has a dynamic presence in Germany, Italy, and Austria. Graduated from Akademie der Bildenden Künste München, Laner has a unique professional background. He was trained as a designer of advertisement signboards and neon lights, and also sat at the feet of a professional stonemason. These experiences add rich dimensions to his creations. Laner considers himself as a traditional sculptor who represents a wide spectrum of creative ideas. Nonetheless, his creations are not traditional at all. For example, when exhibiting his famous art series with automobile as the subject, he explored the commissioning and collaborative relationships between an artist and a craftsman in the art system by maintining two private-owned Mercedes Benz cars with a welder in the exhibition venue. Another example is that he produced a small kinetic cart with the engine of a motorcycle. To the accompaniment of Chopin’s music, he made the cart move around the exhibition venue and burned the tires, through which he established a bizarre collabotiave relationship between himself and the self-made machine. In general, Laner’s oevure is full of pleasant humor and meanwhile conveys a nagging sense of incongruity.
Gratuded from the Byam Shaw School of Art in London, Sofie Bird Møller has staged solo exhibitions in Copenhagen, Zurich, Los Angelos, Esbjerg, Berlin and Munich, and her works have been exhibited in Danmark, Switzerland, the United States, Spain, Belgium, Sweden, Morocco, France and the United Kingdom. Specizlizing in reproducing readymades and images, Møller often presses painting and installation into service, transforming objects carrying social meanings or art historical values into mystical, surrealist or feminist creations. For example, she used to apply vigorous brushstrokes and vibrant colors to images in fashion maginizes, thereby detaching women’s bodies from their implication as sensual stimuli and transforming them into a surreal existence with spiritual significance. Another example is that she employed the etchings in the 18th century as the material for her large-scale installations, and spelled the modern artistic necromancy out of classical masterpieces by re-writing and creating symbols.
The title “second hand emotion” refers to the infectious nature of emotions. It is also a part of the song lyrics sung by Tina Turner, one of the most popular American singers in the 1980s. The creations by Møller and Laner brim with bitterness, aesthetic beauty and humor, just like the song lyrics addressing the question as to how love gives people visceral thrill, uneasiness and suspicion.
This dual solo exhibition will be on view from 13 August to 17 September at VT Artsalon. The opening reception and the forum will start at 15:00 on 13 August, where the visitors can gain first hand information about the two artists.
With thanks to Goethe-Institut for providing help in promoting the project
Journalist and LGBT activist Masha Gessen spoke to Professor Linda Steiner's Women in Media class today. She has been on campus all week as part of the ARHU's Maya Brin Residency Program. Gessen's books include "The Man Without a Face: The Unlikely Rise of Vladimir Putin" and "Words Will Break Cement: The Passion of Pussy Riot."
She spoke today about her own experiences as a reporter, her books, the Sochi Olympics (she says the American LGBT community let down their Russian counterparts) and more.
Photos by Tong Wu
Journalist and LGBT activist Masha Gessen spoke to Professor Linda Steiner's Women in Media class today. She has been on campus all week as part of the ARHU's Maya Brin Residency Program. Gessen's books include "The Man Without a Face: The Unlikely Rise of Vladimir Putin" and "Words Will Break Cement: The Passion of Pussy Riot."
She spoke today about her own experiences as a reporter, her books, the Sochi Olympics (she says the American LGBT community let down their Russian counterparts) and more.
Photos by Tong Wu
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
Fourth-year medical student Ashley Connell, and pediatrics resident Robert K. Gordon, D.O., discuss the day's cases at Children's Hospital of Nevada at UMC in Las Vegas. Read more about the expansion of physician residency training programs at the University of Nevada School of Medicine in Las Vegas in the spring 2012 issue of Synapse. Photo by Edgar Antonio Núñez.
The Frederick P. Whiddon College of Medicine Class of 2023 celebrates their residency program matches Friday, March 17, 2023, at the Mobile, Ala., Convention Center. (Mike Kittrell)
Igor and Svetlana Kopystiansky, guests of the DAAD Artists in Berlin residency program, Berlin, 1990-1991
Program established by the Ford Foundation in West-Berlin
Framed by a statue and an oak tree. Now the Montalvo Art Center, and originally Villa Montalvo, this Mediterranean-style villa in Saratoga belonged to James Duval Phelan. He loved inviting artists over to stay and work here. Montalvo now has a residency program.. One day, I would love to do a Residency here and sketch every little nook and cranny of this fascinating place!
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
Journalist and LGBT activist Masha Gessen spoke to Professor Linda Steiner's Women in Media class today. She has been on campus all week as part of the ARHU's Maya Brin Residency Program. Gessen's books include "The Man Without a Face: The Unlikely Rise of Vladimir Putin" and "Words Will Break Cement: The Passion of Pussy Riot."
She spoke today about her own experiences as a reporter, her books, the Sochi Olympics (she says the American LGBT community let down their Russian counterparts) and more.
Photos by Tong Wu
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove P
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ame, drawing upon a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale.
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
This photo taken by Shalin Scupham during a month-long residency in August and September of 2008. The Like a Glove Project is an experimental fashion project with ameteur models, passers-by, museum visitors, and people grabbed from the street. The photographer encouraged these strangers to play dress up with a 58 year collection of vintage clothing in a former thrift store turned artist in residency program where nothing is for sale in Greensboro, North Carolina
The Frederick P. Whiddon College of Medicine Class of 2023 celebrates their residency program matches Friday, March 17, 2023, at the Mobile, Ala., Convention Center. (Mike Kittrell)
2020 ARTIST RESIDENCY - ANNE LINDBERG
The Artist Residency program was initiated in 2014 to foster creative responses to Manitoga that invoke Russel Wright's legacy of creative experimentation and celebration of place.
Manitoga / The Russel Wright Design Center is pleased to announce year seven with presentations of work by New York based artist Anne Lindberg and British composer Pete M. Wyer.
Anne Lindberg’s luminous large-scale drawings cycles of seeing will be installed in the main House beginning July 10 while Wyer will create an immersive sound installation in the landscape this summer as part of his evocative iForest series from July 10 to September 28. Both works find inspiration in and community with Nature at Manitoga as Russel Wright did from the moment he took stewardship of this sacred land.
www.fluentcollab.org/mbg/index.php/reviews/review/114/116
Artist residencies are special for a number of reasons. They tend to last for several months, thus providing the artist time to develop or refine a project; they are located in stimulating, often beautiful surroundings; and they allow artists to focus and work freely, unfettered by the usual demands of day-to-day life. Of course, Artpace San Antonio runs an especially impressive residency program, curated by a roster of world-renowned curators and culminating in an exhibition of new work created during the residency. For this most recent round, Hans-Ulrich Obrist invited rising stars Taryn Simon, Richie Budd and Lu Chunsheng to take part in the program. And while all of the artists put the residency to good use by imagining new approaches and experimenting with their medium, the resulting works rely too heavily on show-offy tropes—failed scientific experiments, sparkly doo-dads and heavy handed cinematography—to entice the viewer into an experience that is, frankly, a whole lot of “oh wow” style and not enough meaningful substance.
New York based artist, Taryn Simon, abandoned her chosen media, photography, to create a scientific experiment on the adaptive possibilities of the cuttlefish. In Sepia Officinalis (2008) Simon placed four cuttlefish in separate tanks. She lined three of the tanks with photographs of sand, the cuttlefish’s natural environment, while a black and white checkerboard pattern covered the bottom of the fourth. The experiment: would a cuttlefish, a mollusk known as the “chameleon of the sea,” be able to adapt to a checkerboard pattern? Certainly the project could be read as the imposition of an artificial environment onto a natural element or a meditation on disguise and adaptation, but the poor fish! By early December, a mere month after the exhibition had opened, the two rounds of fish Artpace had exposed to the experiment had already died and the exhibition was closed. At the very least, if the museum had left the tanks empty with an explanation of the fishes’ deaths, the project might have yielded an important lesson on the dangers of artificiality as a life source. As it was, the project failed in its execution (an execution that could have easily been honed during Simon’s three-month residency) and Artpace silenced the failure by closing the exhibition.
San Antonio artist Richie Budd's sculptural installation in the adjacent gallery, Liminal Homeostasis (2008), allowed Budd to sit at the center in command of speakers, mirrors, medical equipment, smoke, snow, blinking lights and even a margarita machine. On opening night, according to the gallery brochure, Budd sat in the structure and, like a modern day OZ, acted as a “neurological disc jockey, commanding sound, lights, and sensory elements.” Yet, what effect does this machine have after opening night? Sitting in the gallery, unmanned by Budd, it seemed like a mere prop of a greater project, a Tatlin-like structure that refused to destroy itself. Alone in the gallery, it failed to communicate.
Finally, Chinese artist Lu Chunsheng created a 20-minute film that revolved around a relationship between a man and his combine. The first man who bought a juicer bought it not for drinking juice (2008) uses compelling cinematography to create an ambiguous story about a man named Stephen (it says so on his work shirt) who is either taking care of a combine or is out in a large open field beating a snake with a wrench. The images are presented with complete lusciousness and overwrought camera work—at times speeding up a sunset or slowing down wheat as it blows dramatically in the wind—the banal subject matter made foreboding only through a soundtrack of ominous music. Chunsheng’s camera slides over wheat being cut by the combine as a tinny horror tune plays in the background; we can only imagine the wheat screaming in agony. The overly self-conscious camera shots create a slickness and an obviousness that overrides any engagement and, instead, feels disingenuous and empty.
It’s difficult to explain where each of these artists failed, why they seemed to get so caught up in spectacle. But it is even more difficult not to consider failure as part of a process that is inherent to any new experimentation and therefore somehow necessary, too. It is important to play with one’s work and a residency program like Artpace fosters and encourages this kind of engagement with art. That is special. If Artpace’s list of alumni (Maurizio Cattelan, Felix-Gonzalez Torres, Annette Messager, to name just a few) are any indication of the success of their resident artists, perhaps Simon, Budd and Lu will find a better balance between presentation and conception in the future.
Katii Geyha is pursuing a Ph.D in Art History at The University of Texas at Austin.
Editors Katie Anania, Claire Ruud & Kate Watson
Journalist and LGBT activist Masha Gessen spoke to Professor Linda Steiner's Women in Media class today. She has been on campus all week as part of the ARHU's Maya Brin Residency Program. Gessen's books include "The Man Without a Face: The Unlikely Rise of Vladimir Putin" and "Words Will Break Cement: The Passion of Pussy Riot."
She spoke today about her own experiences as a reporter, her books, the Sochi Olympics (she says the American LGBT community let down their Russian counterparts) and more.
Photos by Tong Wu
AAFP National Conference is an annual event held for residents and medical students to learn about family medicine, explore residency programs, and speak to employers.
PORTSMOUTH, Va. (Oct. 21, 2020) – Lt. Cmdr. Jacob Cole, left, assistant director of the Anesthesiology Residency Program at Naval Medical Center Portsmouth (NMCP), and Lt. Cmdr. Jacob Cole present NMCP’s made in-house ventilator to Rear Adm. Bruce Gillingham, Surgeon General of the U.S. Navy and chief, of the Bureau of Medicine and Surgery, during his visit to NMCP on Oct. 21. Gillingham visited NMCP to tour the medical center’s facilities, observe operations, and speak to service members and medical staff about the priorities of Navy Medicine. (U.S. Navy photo by CDR Denver Applehans/Released)
20-0001-018 (201021-N-EY938-324)
A little corner of the sunken backyard at Villa Montalvo, Now the Montalvo Art Center, this Mediterranean-style villa in Saratoga belonged to James Duval Phelan. He loved inviting artists over to stay and work here. Montalvo now has a residency program.. One day, I would love to do a Residency here and sketch every little nook and cranny of this fascinating place!