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To order prints email: nicksartworkandphotography@gmail.com or facebook.com/NickStephensArtwork
It start's here,,,,nice,,,naughty,,,,or let Santa decide. The mail is sorted and the nice Christmas requests go to the workshops. This beautiful, moving display is from the long gone Shittito's Department Store. The action figures are set up in Marrimont, Ohio. We've made the elf tour with our little granddaughter for the last three years. Now the lease is expired and will not be renewed. The bad news is,,,will the display find a new home? Years went into restoring the elves and their workshops.
1st May 2018. Built in 1945 and rescued into preservation in 1976 Hunslet 0-6-0ST No.7 [works no.2705] Beatrice has called the Embsay And Bolton Abbey Steam Railway home since 1982. Here Beatrice emerges from the A59 bridge as she approaches Holywell Halt with a Bolton Abbey to Embsay service.
mussoorie, india, in the himalayan mtns
this series was shot in 1986. contax 35mm
i used filters from force forge and sagelight
photo on the right is the raw shot
I couldn't ride past these cute "scooter pups" without stopping to issue a compliment and ask for a photo. The woman was pleased by my interest and she obliged the request without hesitation.
I took the photo without getting off my bicycle. She said I was not the first to take their photo. That doesn't surprise me at all.
To all my fans! By popular request! The exalted goddess is a famous model with a major agency! She was tall, thin, fit, defined, and toned! Pretty, piercing blue eyes set against wavy brown hair! And she was a lot of fun--lots of stories and laughs during and after the shoot! Wish you'd been there!
Here're a couple of videos I shot while shooting stills, with the awesome NEX-6 and a 50 mm Prime f/1.8 lens for the rich/creamy video bokeh!
www.youtube.com/watch?v=zzbV8ArnBnY
Watch the gorgeous model in the Full 1080P HD she deserves! I shot the video at 60p and slowed it down to 24p in post in adobe premiere 6.0. :)
Also had a B&H CP (Circular Polarizer) on both the 70-200 mm Nikon D800 lens and the 50mm e-mount lens on the Sony NEX6.
Awesome "magic hour" light and feel in the January AM due to the strange cloudy/sunny weather! That's the glorious fun of shooting at the Malibu beach! Forecasts mean nothing (they predicted sun, sun, sun), and you have to have fun adpating to the world's greatest studio with the world's greatest lights (the sun in all its manifestations), props, and backdrops!
Combine the 50mm lens's optical steady shot (OSS) and the shallow-depth-of-field of the F/1.8 with Sony NEX-6 latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background!
She was tall, thin, fit, toned, defined, and beautiful!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Bikini!
Nikon D800 Photographs of a Beautiful Wavy-HAired Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! Best wishes from Johnny Ranger McCoy!
As requested, here's a photo of my prototype of my User-Assembled LF Portrait Camera Kit, though I want to stress the production version will be substantially different in materials and design.
Request which pair you would like to see modelled this week. A small selection of the 400 pairs to come.
Requested by my friend Jan. The way I see it, I can have him humiliate any character I feel like, and make up for it by mortally wounding him.
"...Thunderbird 1 you are clear for launch, change to departure."
Sorry, no lens or camera combo could have made this any better. It's typically not even this clear. The Thunderbirds are about 2 to 3 miles away, and the city behind is probably about 8 miles further.
Contrast was adjusted to increase clarity.
Suffrage poster. Parade Starts 2:30 P.M. Route Washington Square up Fifth Ave. to 57th Street. Mass Meeting at Carnegie Hall 4:30 P.M., ca. 1903-1917.
Questions? Ask a Schlesinger Librarian
Requesting an appointment with Sen Marco Rubio, R Fla. Sign holders were in front of his office in Palm Beach Gardens
EOS 5D Mark III+SIGMA 24-35mm F2 DG HSM Art
* If you have requests or comments, please describe these in photo comment space.
Requested by UpsidownTreeProductions2. I'm slowly trying to get caught up with decal requests.
Free to use! Just give credit where its due. If You do use these also please tag me in the picture so I can see how these look on a minifig!
Comments and Criticism are greatly appreciated!
All images available for licensing via me. I offer commercial and editorial pet photography on a commissioned basis. And with a pet picture database with thousands of hand-picked images of dogs, cats, as well as horses, I might already have what you are looking for. All pictures here can be licensed.
For licensing and commission requests: info{at}elkevogelsang.com
We had a lot of requests for our nail colours on SLink add on’s for the SLink hands.
You ask and we provide!
So to start you off we have the je suis… SLink Avatar Enhancement Nails in Glossy French – Naturals
It has the 5 glossy natural colours from our original nail sets and now works with the updated SLink hands that require skin appliers. (If you didn’t get your update you can stop by the SLink store and get them redelivered.)
And just because we love you and your loyalty to us… YES, they will be part of the 30% off sale until the 16th of July. So it’s a perfect chance to bag our new release at a discounted price.
We’ll have more colours coming soon too, so keep your eye out for our update notices!
NOTICE: You WILL need the SLink Avatar Enhancement Hands for these to work. If you don’t already have them then you can go and grab your very own set from SLink.
Please make sure that if you are looking to buy the SLink nail add ons that you purchase from the vendor with the SLink Avatar Enhancement logo in the corner of the vendor artwork!
Have a great weekend and we hope to see you down at je suis…
The je suis.. team!
je suis... Mainstore: maps.secondlife.com/secondlife/The%20Caribbean/65/51/23
A request from @christinamontemurro to see the file out of the camera. For the final I edited using Lightroom and Luminar.
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
Fine Art Photography Prints & Luxury Wall Art:
We do come up with merchandises over the years, but at the moment we have sold out and will bring them back depending on the demands of our past customers and those we do take on daily across the globe.
Follow us on Instagram!
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500px.com/p/wsimages?view=photos
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We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
WS-15-311360135-6212489-5229888-1512022063125
As requested, here's closer shot of the boat design from my GC4 entry. Further explanations are in notes on the picture :)
Trains will only stop at Clunderwen's rural railway station on request. People still forget that sometimes and expect the driver to stop the train for them... some drivers do, some don't. I know!!
Request: A tree with autumn shaded leaves and a hanging monkey, a blue jay (for baseball fan dad), a cardinal flying away (in memory of those not here) and a parliment of owls. :)
Habitat rupture suspected.
Utata's Iron Photographer Challenge 21 requests compositions with:
1 - fruit (an orange, zested and lit from within)
2 - something black (flashlight in baggie, shoved into orange)
3 - close up (Macro mode)
For Flickr's 21st birthday i decided to visit utata's iron Photographer Challenge 21. When i read the challenge it brought to mind an earlier imagined science fiction scene from the unwritten script "Alien 42: The Vegetarian", built around an orange and orange fragments:
www.flickr.com/photos/7726011@N07/53190959732/in/photostr...
As per request of leetrfrkno, here\'s a How-To for my Ketar Revamp. The build is a bit more complicated and unconventional than the other how tos I\'ve done, so I tried my best to make it slow and clear. Still, let me know if you have any questions.
Few tips:
There are a few connections in here that might be considered "illegal" as they put stress on the parts (such as the neck connection).
The brown minifig backpack parts were used as 1/4 stud spacers to keep the gears clear of obstruction. The minifig handlebar part that connects the back armor serves the same purpose.
Two legs are built with the 4L HF bones facing vertically, and the other two are facing horizontally.
When building the head, DO NOT USE OLD EXO-FORCE ARMS. Use the new reinforced ones, as the Creature heads will break the old ones! I found this out the hard way (with some of my few good brown arms). You have been warned.
When building the tail stinger, I used a black one of these in case you couldn\'t tell.
Look ing for a sport large enough to land in Rome :D
Photo shot by my friend Tanka
Another step into my European Jump project.
Jumped capitals cities so far:
Berlin :: London :: Madrid :: Amsterdam :: Warsaw :: Paris :: Prague :: Bratislava :: Vienna :: Lisbon :: Stockholm :: Budapest :: Brussels :: Bucharest :: Athens :: Dublin :: Luxembourg :: Ljubljana :: Zagreb :: Podgoricá :: Copenhaguen :: Helsinki :: Rome :: Bern ::
Oslo :: Vatican (Bonus) :: Moscow (Bonus).
To be continued ... ;-)
By request: Incredible Tyfani Minx cosplaying the Black Widow (Natasha Alianovna Romanova) out front of 2014 Amazing Arizona Comic Con (AACC)!
Copyright: Grant Brummett
rel="nofollow">www.facebook.com/TyfaniMinx
Natalia "Natasha" Alianovna Romanova[1] is the first character to take on the Black Widow codename in the modern mainstream Marvel Comics. She was created by editor and plotter Stan Lee, scripter Don Rico and artist Don Heck, and first appeared in Tales of Suspense #52 (April 1964). The character has been associated with several superhero teams in the Marvel Universe, including the Avengers, the Defenders, the Champions, S.H.I.E.L.D., and the Thunderbolts. She has appeared in many other forms of media, including the major motion pictures Iron Man 2, The Avengers and Captain America: The Winter Soldier, where she was portrayed by actress Scarlett Johansson.
This is a very popular dance form in South India. It is oldest of all classical dance forms in India. Dance of mind & soul. It is extremely traditional and known for its grace, purity, tenderness, staturesque & sculpturesque poses. It uplifts the dancer and the beholder to a higher level of spiritual consciousness. The dancer is considered as a worshiper, worshiper of the Divine. An embodiment of beauty, charm and gracefulness.
The general interpretation for the name is
BHAva(expression) + RAga (music) + TAla(rhythm) + NATYAM(dance) = Bharatanatyam
Origin of Bharatanatyam
The Gods & Godesses pleaded Lord Brahma to create another veda which would be simple for the common man to understand. It is believed that considering this request Lord Brahma created the Panchamaveda, Fifth veda, Natyaveda, an essence of the other four vedas. It is believed that he has taken pathya (words) form the Rigveda, abhinaya (gesture) from the Yajurveda, geet (music and chant) from Samaveda and rasa (sentiment and emotional element) from Atharvaveda to form the fifth veda, Natyaveda.
After creating this natyaveda, Lord Brahma gave the same to sage Bharata and asked him to popularise this veda on earth. Following the words of Lord Brahma, sage Bharata wrote Natyashastra or the Science of Dramaturgy, a great, comprehensive work on the science and technique of Indian drama, dance and music.Bharatanatyam might have got its name from sage Bharata also.The dancers still follow this work to perform.
There is also another story which says that Godess Parvathi tought this dance form to Usha, daughter of Banasura, a demon. Usha taught the same to the Gopikas of the city of Dwaraka, Lord Krishna's birth place. Thus the divine dance form Bharatanatyam was introduced to the mankind.
In Indian mythology,Lord Shiva is considered as the supreme lord of dance. This divine art form is performed by Lord Shiva & his wife Goddess Parvathi. The Dance performd by Lord Shiva is known as Tandava, which depicts his violent nature as the distructor of the universe. The tandava performed with joy is called Ananda Tandava and performed in violent mood is called Rudra Tandava. There are 7 types of Tandava. Namely Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samara Tandava, Kaali tandava, Uma Tandava and Gauri Tandava. There are few people who believa that there are 16 types of Tandava. Tandava has vigourous, brisk movements.The dance performed by Goddess Parvathi is known as Lasya, in which the movements are gentle, graceful and sometimes erotic also. Some scholars call Lasya as the feminine version of Tandava. Lasya has 2 kinds. Jarita Lasya and Yauvaka Lasya.
The art form has definitely gone through lot of changes over the years. In olden days it was performed mostly by female artists. They were called Devadasis, who would perform in the temples. These devadasis were accomplished artists who would sing, dance, play many instruments. They were well worsed in sanskrit & other languages which helped them to interpret compositions which they would perform. But this tradition came to an end as the devadasis lost their position in the society.
Then dance entered the royal courts. Here the artists called Rajanartakis, performed in the courts of kings who gave them shelter.Even these were accomplished artists like devadasis.
The next well-documented period of dance history is far more recent. In the first half of the 19th century the dance tradition was revitalized and defined anew through the contributions of four talented brothers (known today as the Tanjore Quartet)Chinniah, Sivanandam, Ponniah and Vadivelu. By coordinating their diverse talents, the four managed to organize all the basic dance movements of pure dance into a progressive series of lessons [adavu chapters]. Each adavu (basic unit of motion) was taught in systematic order and then combined with others to produce choreographed sequences based upon the rhythmic contour of a musical composition (Krishnamoorthy Pillai). In addition the brothers composed new music specifically for the dance, and introduced a different sequence of items which integrated the various aspects of dance and music into a carefully coordinated, aesthetically sound progression. This infusion of creative energy marks the early 19th century as one of the most innovative periods in the history of Indian dance.
The contribution of Udayshankar, Rukminidevi Arundale and Balasaraswathi, in the 20th century, cannot be forgotten at this juncture.
Even though Bharatanatyam has gone through lot of changes, it still has its roots deep into the religious and rich mythological heritage of India. In the modern day scenario it is performed by both male & female artists. Many learn as a hobby and few make it as a profession. Whether taken as a hobby or a profession it certainly needs lot of practice,concentration and dedication.
About Bharatanatyam
Bharatanatyam is evenly divided between three elements Nritta, Nritya and Natya .
Nritta : Rhythmic Element.Interprits the language of rhythm with the help of body movements.
Nritya : Combination of Rhythm with Expression.Conveys poetic meaning with the help of expressions, rhythmic gaites and postures. eg. Varna, Shabda, Pada etc.
Natya : Dramatic Element.Performing for a theme like Ramayana, Mahabharata etc.
Nritta
Nritta can be broadly divided into Chari, Karana, Angahara and Mandala. Movement of a leg is called Chari. Movement of both the legs is Karana. 3 Karanas make a Khanda. 3 to 4 Khandas make a Mandala. 4 to 9 Karanas make a Angahara. 4 to 5 Angaharas also make a Mandala. 108 Karanas and 32 Angaharas are defined in Natyashatra. The 13 Nritta Hastas (explained later) are used to perform nritta. The rythmic body movements along with hand gestures are called Aduvus. Number of aduvus constitute a Jati. Jati will generally end with a Muktaya or Teermana.
There are varieties of Aduvus like
Tattaduvu
Mettaduvu
Nataduvu
Kattaduvu
Kudittamettaduvu
Maiaduvu
Mandiaduvu
Jati
Nadai
Ardi
There are 12 aduvus in each of the above explained. Hence 120 aduvus exist in total. Only about 70 - 80 are in practice. The aduvus are more or less Karanas. Hence can be concluded that there are 108 aduvus. The 108 Karanas or Aduvus are carved in the Chidambaram Temple in Tanjore, Tamilnadu, India. To perform an aduvu aramandi, bending of the knees is very very important.
The entire body is divided as Anga, Pratyanga and Upaanga.
Anga
Anganyatra shirohastau vaksha paarshwakateetatau
Paadaviti shaduktaani greevamapyapare jaguhu
Head, Hands, Chest, Waist, Bottom, Legs are the Six Angas. Some people include Neck also.
Pratyanga
Pratyangaani twathaskandhau baahoo prushtam tathodaram
ooroo janghe shadityahurapare manibandhakau
jaanooneekoorparamiti trayamapyadhikam jaguhu
Shoulders, Arms, Stomuch, thighs, Knee are the Six Pratyangas. Some people include Wrist, elbow and Ankle also.
Upaanga
Drushtibhrooputatarashcha kapolau naasikaahanuhu
Adharodashanaa jihwaa chubukam vadanam tatha
Upaangani dwadashitaanyanyaanyangaani santi cha
Paarshnee gulbautathangulyaa karayoho padayostale
Sight, Eyebrow, Eye lids, Eye balls, Cheeks, Nose, Gums, Lower Lip, Teeth, Tongue, Chin and Face are the 12 Upaangas. Few people include Heels, Fingers, Feet, Palm also into upaangas.
Pratynaga and Upaangas should move along with the Angas.
Anga Lakshana, the way of moving body parts, are described below.
Shirobhedha - Head Movement
Greevabhedha - Neck Movement
Drushtibhedha - Eye Movement
Paadabhedha
Mandala - Standing Posture
Utplavana - Leaps
Bhramari - Circling Movement
Chari - Leg Movement
Gatibhedha - Charecteristic walks and
Hastas or Mudras - Hand Movements
Asamyuta Hasta
Samyuta Hasta
Deva Hasta
Dashavatara Hasta
Navagraha Hasta
Jaati Hasta
Bandhu Hasta
Nritta Hasta
When all Angas(main body parts) coordinate (along with pratyanga and upaanga) the artist is said to have Angashudhi. Anga meaning body parts and shudhi, meaning perfect. Any dancer should try to achive this perfection. The Natyashastra, which talks about all aspects of Bharatanatyam, quotes shlokas to perform all the above movements. All the above said movements are dealt in detail in the respective links.
Aspects of Abhinaya
The expressions which are shown to express poetic meanings is Abinaya. Here the emphasis is more on facial expressions than rhythmic movements. The Abinaya is divided as
Angikabhinaya
Vachikabhinaya
Aharyabhinaya
Satvikabhinaya
Angikabhinaya : Expressing the meanings of lyrics using the body parts like Head, Hands, Legs etc. is Angikabhinaya. The Bhedas which i have explained above come under Angikabhinaya.
Vachikabhinaya : Expressing the Story using narrations in the dance drama is Vachikabhinaya.
Aharyabhinaya : Imitating the Costumes, Jewellary, Make-up etc. in a dance comes under Aharyabhinaya.
Satvikabhinaya :Showing the Bhava(moods) come under Satvikabhinaya.
Lord Shiva is praised as the embodiment of the above 4 types of abinaya in this following shloka.
Angikam bhuvanam yasya
Vachicam sarva vangmayam
Aharyam chandra taradi
tam vande satvikam shivam.
Meaning for the above shloka is
We bow to Him the benevolent One
Whose limbs are the world,
Whose song and poetry are the essence of all language,
Whose costume is the moon and the stars..."
In Lord Shiva's well-known pose of NATARAJA,
his right hand holds the drum of creation - symbolising a new awakening
his left hand holds fire - representing destruction of the old order
his other right hand is raised in blessing
the other left hand points to his left foot, which has crushed demon Muyalaka - representing ignorance.
There are nine main or primary emotions, Sthayibhavas. It is also termed as Rasa(Mood).
Shringara - Love
Hasya - Mirth
Veera - Heroism
Roudra - Anger
Bhayanaka - Terror
Bheebatsa - Disgust
Adbhuta - Wonder
Karuna - Compassion
Shanta - Tranquility
Vatsalya(Parental fondling) rasa is also sometimes included as one of the stayibhava.
Vibhava (cause of emotion), Anubhava (effect of emotion) and Sanchari bhava (subordinate emotions) constitute the state of rasa.
Now i would like to talk about Nayika(the Heroine) and Nayaka (the Hero) bhavas.
The Nayika Bhava
The shastras have classified the basic mental status of woman, the Nayika, into Eight divisions, called Ashtanayika bhavas. These divisions portray the heroine in different situations, express different feelings, sentiments & reactions.
The Ashtanayika bhava are
Abhisarika
Kalahantarika
Khandita
Proshitapathika
Swadheenapathika
Vasakasajjika
Virahotkantita
Vipralabda
Abhisarika - She is the one who boldly goes out to meet her lover.
Kalahantarika - She is the one who is repenting her hastiness in quarrelling with her lover, which has resulted in their seperation.
Khandita - She is the one who is angry with her lover for causing dissapointment.
Proshitapathika - She is the one who is suffering in the absence of her beloved, who is away on a long journey.
Swadheenapathika - She is the one who is proud of her husband's or beloved's love and loyalty.
Vasakasajjika - She is the one who is preparing for the arrival of her beloved, by decorating herself and her surroundings. to provide a pleasent welcome to her lover.
Virahotkantita - She is the one who is seperated from her lover & is yearning for reunion.
Vipralabda - She is the one who is dissapointed that her lover has not turned up at the tryst as he promised.
Other classifications of the Nayika bhava are
Mugdha - Inexperienced in love.
Madhya - Partly Experienced in love.
Pragalbha - Matured in the art of love.
This Pragalbha Nayika is further classified as
Dheera
Adheera
Dheeraadheera
Sweeya - Married & faithful to her husband.
Parakeeya - Married but in love with another man.
Samanya - A free woman, who truly belongs to any man for a price.
Jyeshta - The preferred one.
Kanishta - The other woman.
Further classifications are
Uttama - Self-controlled & tolerant.
Madhyama - Literally the middle one, who gives as she gets.
Adhama - Literally the low one, who has no self restraint.
The Companion to the Nayika plays an important role in any padam, javali or Ashtapadi. This Companion is the one to whom the Nayika will convey her feelings, she is the one who will take the message,if any, from the nayika to the nayaka, she is the one who will sort out the differences between the nayika & the nayaka. This companion is usuallly a girl who is close to the Nayika.
The classification of the Companion is as follows.
Daasi - Servant
Sakhi - Friend
Kaaroo - Woman from a lower caste
Chatriya - Step Sister
Prativamshini - Neighbour
Lindini - Saint
Shilpani - Artist
Swaa - Nayika herself as a messenger
The Nayaka Bhava
Just like the heroines, the moods and emotions of the hero are also classified into different divisions. The main division is
Dheerodaatta eg. Lord Rama
Dheeroddhata eg. Demon Ravana
Dheeralalita eg. Vatsaraaja
Dheerashanta eg. Buddha
The other classification is
Pati - Married & faithful to his wife.
Upapati - Married but in love with another woman.
Vaisika - One who pays & enjoys women.
Further Nayaka classifications
Anukoola - Faithful to the Woman. eg. Lord Rama
Dakshina - Loves all his wives or women. eg. Arjuna
Drishta - When rejected, pleads to be accepted by his woman. eg. Vaali
Shatha - The deceitful one. eg. Lord Krishna
Most of the ashtanayika bhavas are experienced by the Nayaka also though the depiction of ashtanayika is more than the nayaka.
Nayaka's Companion plays an important role too. This companian is categorised as
Peetamardhana
Vita
Cheta
Vidooshaka
Arangetram
Arangetram is a tamil word.Aranga meaning raised floor and Etram meaning climbing in Tamil,one of the south indian languages. It is also called Rangapravesha in Kannada, another south indian language, Ranga meaning Stage and Pravesha meaning Enter. Ideally this should be the first public performance of an artist. After learning bharatanatyam under the guidance of an accomplished guru, this is the occation for the proud guru to present his/her deciple to the public. This is the testing time for both the guru & the shishya(deciple) as the guru's knowledge & the deciple's talent both are judged by the public. Hence, the guru will decide when the deciple is ready for public appearence. Atleast 10 - 12 years of training is necessary to give a comendable performance.
This arangetram was known as Gejjepooje in old mysore district, meaning worshiping the jingles in kannada, a south indian language.For a dancer, jingles are considered devine. In olden days, deciples were not allowed to wear jingles till their first public performance. In their first performance, they were made to worship the jingles, wear them & then perform.
Accompaniments play a major role in the making of a memorable dance performance.Basic accompaniments are a Singer, Mridangam player, Violin player and ofcource the Natuvanga. Veena,Flute and other instruments are optional. These people sit in the corner of a stage or in a place in front of the stage which will be in a lower level than that of the stage.
The artist will wear lot of jewellery, make-up and a specially stitched dress. Jingles are a must.
Usually duration of an arangetram will be 2 1/2 - 3 hours. To perform for such long hours one must have good stamina and concentration. This time is divided into two halves.
In the first half the artists generally perform
Pushpanjali or Alaripu
Jatiswara
Shabda
Varna
In the second half
Padam
Ashtapadi or Devaranama
Tillana
Mangala
Pushpanjali
This is an item where the artist salutes to god, guru and the audience. This item is a warmup item where the artist prepares the body for the next few hours of vigorous performance.
Alaripu
This is a tamil word.Alar meaning to bloom. It comprises of set of movements without any meaning or expression. The movements are performed for syllables set for a beat(Tala). The complexity of the movements gradually increase. The steps are so formed that it looks like a bud blooming into a flower. This is also a warmup piece to prepare the body for the next few hours of performance. Eventhough there is no meaning, this can also be considered as an item where the artist salutes god,guru and the audience.
Jatiswaram
This is also an item where the movements will not convey any meaning or theme. Here the steps are more complex than the previous items. The composition can have amazing postures and teermanas or muktayas(ending of a jati). This is a musical composition set to a raga unlike alaripu which has only syllables.
Shabda
This is a dance item with both nritta & abinaya. Usually the theme of the lyrics will be devotional like praising lord krishna, depicting lord krishna's childhood , praising a king etc.The movements here are leisurely.
Varna
This is the item where the dancers are tested for their capacity to perform abinaya & nritta. This can be treated as a benchmark to judge the artist's talent.The item will contain many complex steps and will have lot of room for expressions also. To perform this item one should have lot of stamina & concentration. The lyrics can be devotional, praising a king etc. Varna can also have shrigara rasa as its theme.
Padam
In this dance item the dancer's abhinaya is put into test. It narrates expression of divine love or pangs of seperation in love. The tempo is slow and the performance is based on a specific mood of love.Padams will have Nayaka(Hero, Supreme lover, Divine Lord)& Nayika(Heroine, the yearning soul). Heroine will talk to her friend(sakhi) and narrate her feelings towards her hero. The lyrics can be about how the hero has betrayed, how he has delayed the arrival, how she is angry with her beloved hero etc. The Nayika and Nayaka Bhavas are explained in detail Here.
Ashtapadi
These are poet Jayadeva's Sanskrit compositions called Geetagovinda, an extremely romantic composition. It describes the love of Krishna and Radha in twelve cantos containing 24 songs. The songs are sung by Krishna or Radha or by Radha's maid. Each Canto is named differently considering Krishna's status of mind.
Saamodadamodara - Joyful Krishna
Aakleshakeshava - Careless Krishna
Mugdhamadhusoodhana - Bewildered Krishna
Snigdhamadhusoodhana - Tender Krishna
Saakankshapundareekaksha - Longing Krishna
Kuntavaikunta - Indolent Krishna
Naagaranaaraayana - Cunning Krishna
Vilakshalakshmeepatihi - Abashed Krishna
Mandamukunda - Languishing Krishna
Chaturachaturbhuja - Intellegent Krishna
Saanandadamodara - Blissful Krishna
Supreetapeetambara - Ecstatic Krishna
Expressions are given foremost importance while performing these poems. Needs lot of grace. The artist should be mature enough to understand the lyrics and the situation to show the rasas.
Devaranama
This item is a devotional piece where the lyrics are in praise of god, describing the god etc. This is a pure abhinaya item with almost no emphasis on nritta. Usually the lyrics are in Kannada. These songs are the compositions of great mystics like Purandharadaasa, Kanakadaasa, Vijayadaasa, Vyasaraaja to name a few. The compositions are popularly known as Daasa Sahitya. It is a devotional literatures written in simple language understood by common man. It has made remarkable contribution to the spiritual and cultural upliftment of people by preaching phylosophy of Love, Devotion and Peaceful Co-Existance.
If you are looking for some compositions, here they are.
Tillana
This is usually the last item in any bharatanatyam performance. Tillana is full of complicated movements & postures. This will also have complicated Muktayas or Sholkattu, ending of any step or aduvu. This is mainly a nritta piece which might have a charana, a meaningfull lyrics for which abinaya is shown.
Mangala
Meaning ending the performance. Here the artist will again salute god, guru & the audience for making the performance a success.
Original source can be found here.
A selfportrait vs long-esposure experiment
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I sort of like this, even though it is slanting and I'm out of focus.
I was also tagged by Anna and Kay Kay! Everyone who I would've tagged have already done this so... if you want to do it then I hereby pronounce you tagged. (:
Are you single/taken/heartbroken/confused?
single pringle
What if I told you you were pretty?
I would thank you! :)
What are you looking forward to in the next week?
I have no idea what I’m doing next week, so hopefully taking photos!
Do you want to be single?
Yes and no. I don’t want the drama, but it would be nice to have someone to be cute with! :’)
Have you pretented to like someone?
Um no
Is it hard for you to get over someone?
No not really, ngl.
What would you name your future daughter?
I really like the name Freya and also Kiara.
Are you good at hiding your feelings?
It depends what it is. Sometimes.
Are you listening to music right now?
Yes, Naive by The Kooks is currently on replay! I was also listening to The All- American Rejects earlier too.
How's your heart lately?
hopefully beating
Are you wearing socks?
Nope, bare feet ftw
What do people call you?
Millie, Milliekins ;)
Will you talk to the person you like tonight?
Nah
When was the last time a member of the opposite sex hugged you?
Umm about a month ago
Do you get stressed out easily?
Yes.
Who do you go to when you need to talk to somebody?
Maybe my sister or my friend but I normally don’t openly express my feelings to people unless it’s really important.
What is on your wrist right now?
A blue bracelet and a hair bobble.
What do you like better - Hot chocolate or hot apple cider?
Hot chocolate!
Are you a good artsist?
no, lol. I can’t draw. But I hope I’m okay at photography!
Do you miss the way things were six months ago?
No way
Ever stayed up all night on the phone, with who?
No, i’m kind of boring!
Do you use chapstick?
Uh huh
Do you have a little sister?
Nopee, an older sister.
Have you hugged someone within the last week?
um idk, I think so!
What were you doing at midnight last night?
Ordering prints online :’)
Have you ever regretted kissing someone?
No. Never kissed anyone. Forever alone.
Were your last tree kisses from the same person?
-pass- ;D
Will next friday be a good one?
Hopefully! I have no idea what I’m doing!
I'm sorry I'm so boring. If you read all that then you get a gold star.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background
The Fiat G.91 was an Italian jet fighter aircraft, the winner of the NATO competition in 1953 as standard equipment for Allied air forces. European manufacturers were invited to submit their designs for this requested Light Weight Strike Fighter (LWSF) role. The G.91 was designed to this specification by the Italian engineer Giuseppe Gabrielli, hence the "G" designation. The competition was intended to produce an aircraft that was light, small, expendable, equipped with basic weapons and avionics and capable of operating with minimal ground support. These specifications were developed for two reasons: the first was the nuclear threat to large air bases, many cheaper aircraft could be better dispersed, and the other was to counter the trend towards larger and more expensive aircraft.
The technical requirements were:
• 1,100 m (3,610 ft) takeoff distance over a 15 m (49 ft) obstacle
• Capability to operate from grass strips and streets
• Maximum speed of Mach 0.95
• Range of 280 km (170 mi) with 10 minutes over the target
• Armoured protection for the pilot and the fuel tanks
• 4 × 12.7 mm (.5 in) or 2 × 20 mm or 30 mm guns
• A maximum of 2,200 kg (4,850 lb) empty weight and 4,700 kg (10,360 lb) max weight
The challenge of providing an engine that matched the requirements of lightness and power, reliability and ease of maintenance was solved by using the Bristol Siddeley Orpheus turbojet.
After the loss of the G.91 prototype, the French government preferred to pursue development of the locally-designed Étendard. The British government similarly ignored the competition to concentrate on Hawker Hunter production for the same role. The type was also considered by Austria, Norway, Switzerland, and even the United States Army, which briefly evaluated the type as a possible Forward Air Control (FAC) aircraft before relinquishing all fixed-wing aircraft operations to the USAF.
The G.91 entered operational service with the Italian Air Force in 1961, with West Germany's Luftwaffe in 1962, and later with the Portuguese Air Force (German surplus machines). The first G.91s entered service with the Royal Norwegian Air Force in August 1967. The original R/5 variant for Norway with increased range had been cancelled, but the RNoAF took over fourty-two G.91 R/4 aircraft from a cancelled Greek/Turkish order. These planes were originally armed with four 12.7 mm (0.5 in) Colt-Browning machine guns and powered by the Rolls-Royce Orpheus turbojet engine. Their main role was close air support, tactical sea combat and reconnaissance. One special Norwegian feature was the retrofitted brake parachute housing under the base of the fin.
In 1980, the Norwegian planes saw a major overhaul (MLU), combined with an update concerning both performance and attack capability. The Orpheus was replaced by a single Rolls-Royce Turbomeca Adour Mk. 106 turbofan (developed for the SEPECAT Jaguar), which offered not only slightly better dry thrust than the former engine but also a better fuel consumption and an afterburner for enhanced rate of climb and acceleration. As a side effect. top speed was slightly improved, as well as range and the weapon load. A similar step was taken with the G.91 Y in Italy, where the original Bristol Siddeley Orpheus engine was replaced with two General Electric afterburner J85 units - only that this "Yankee" was literally a new aircraft.
In order to achieve true all-weather capability, esp. against targets at sea, the G.91N, how the planes were called now, were fitted with a Thomson-CSF Agave radar in a new nose section, reminiscent of the F-86D/K "Sabre Dog" interceptor. The original cameras in the nose were deleted, an external camera pod was developed for reconnaissance duties.
The planes’ strike potential was also heavily augmented by the integration of the Norwegian AGM-119 "Penguin" short-to-medium range (up to 50km) naval guided missile. The AGM-119 was developed by Kongsberg Defence & Aerospace (KDA) and was the first AShM of the western world with a passive IR seeker instead of the commonly used active radar technology. Propelled by a solid rocket engine and flying at low altitude and high subsonmic speed, it performs random weaving maneuvres at target approach and hits the target close to the waterline, its 120 kg warhead detonates inside the target ship by using a delay fuze. Additionally, the original four 0.5” machine guns were replaced by a pair of DEFA 552 30 mm cannons with 125 RPG, and AIM-9 Sidewinder could be carried for self-defense.
In this new guise, the Norwegian "Ginos", as they were called by their crews, soldiered on until 1991, when they were retired and replaced by the much more capable and versatile F-16.
All in all, the G.91 remained in production for 19 years, the last planes retired in Italy in 1995. 756 aircraft were completed, including the prototypes and pre-production models. The assembly lines were finally closed in 1977. The Fiat G.91 enjoyed a long service life that extended over 35 years.
General characteristics:
Crew: 1
Length: 10.5 m (34 ft 5 in)
Wingspan: 8.56 m (28 ft 1 in)
Height: 4.0 m (13 ft 1 in)
Wing area: 16.4 m² (177 ft²)
Empty weight: 3,300 kg (6,830 lb)
Loaded weight: 5,640 kg (11,990 lb)
Max. take-off weight: 5,700 kg (12,100 lb)
Maximum speed: 1,125 km/h (608 kn, 700 mph) at optimum height
Range: 1,700 km (920 nmi, 1.060 mi)
Service ceiling: 13,100 m (43,000 ft)
Rate of climb: 85 m/s (16.725 ft/min)
Wing loading: 331 kg/m² (67.8 lb/ft²)
Thrust/weight: 0.42
Powerplant:
Rolls-Royce/Turbomeca Adour Mk 106 turbofan with 6,000 lb (27.0 KN) dry / 8,430 lb (37.5 KN) with reheat
Armament:
2× 30 mm (1.18 in) DEFA 552 30 mm cannon with 125 rounds per gun
4× under-wing pylon stations holding up to maximum of 1,814 kg/4,000 lb of payload, including 2x AGM-119 Penguin missiles, Matra rocket pods (each with 19× SNEB 68 mm rockets or 18× Hispano SURA R80 80 mm rockets. AIM-9 Sidewinder can be carried for self defense, as well as a wide variety of air-to-ground ordnance including unguided iron bombs, gun pods in addition to auxiliary drop tanks for extended range.
The kit and its assembly
This model came to be after finding a discussion at whatifmodelers.com, where the (tragic) fate of the Fiat G.91 was discussed. This light NATO attack fighter would have entered the air forces of virtually all European countries, but it became victim of politics and just ended up in Italy, Germany and (in late days) Portugal. Anyway, an inspiring thought is what would have been possible, e .g. in countries like Spain, Greece or Norway?
The basis is a G.91 P.A.N. from the Frecce Tricolori 50th anniversary kit, made by Italeri. It is, in fact, the Revell kit, nicely detailed and only with few trouble zones (e .g. the fuselage halves needed putty to fit, as well as the panels with the alternative guns). The kit was mostly built right out of the box. Only changes are the new radar nose - the front part of a P-61 drop tank - some antennae on the fin which sports a radar warning system. Additionally, a new and longer jet exhaust nozzle was fitted, simulating the new afterburner engine.
Landing flaps were partly opened from neutral position, the air brakes under the belly fixed into an open position (the latter is a standard kit feature, though). Further mods include a brake parachute container under the tail fin and the armament: The DEFA guns come as alternative side panels with the kit, and the guns themselves were simulated with steel tubes (syringes). The Penguin missiles as well as the ALQ-131 ECM pod come from Hasegawa weapon sets. The fourth free weapon station was filled with a Bofors BOZ-107 chaff/flare dispenser, lent from a Tornado.
Painting
The true whif comes with livery and markings, and IMHO the more subtle the look, the more convincing the result. Hence I chose a very simple livery for my G.91N: an overall finish in FS36270 (US Medium Grey, Humbrol 126), the same as RNoAF F-16 aircraft. Only contrast marks are the black nose, the colourful roundels and some red warning markings all over the plane.
The national markings come from an aftermarket sheet from TL Decals. Stencilling is taken from an old Matchbox G.91Y and the scrap box. Numbers etc. were improvised, too, based on pictures from other Norwegian planes (airliners.net is a great source for reference here).
I did some light washing with black ink to emphasize panel lines and engravings, and also did some weathering with dry-brushed lighter shades of grey (mainly Humbrol 140, very subtle), giving the uniform grey a faded/bleached look on the upper sides and leading edges. Finally, the kit received a coat of matte varnish (Dupli Color Acryllic, form the rattle can), the radome was painted with Humbrol's semi-matte varnish.
The result: a simple but effective whif, which also shows what could have become of the original G.91 design over time and technical development, if it had not become victim to political decisions and national vanities.
Actually this is the 2nd times I saw the police there to ask the beggar don't sleeping there. The first time, the beggar really move again, but after the police leave, he is back to the original position....Finally a police car come as well and the police arrive again...I don't know the story going on since I need to leave too, wish the beggar can give some help from the police....
Camera for the photo : Olympus OM-D E-M5
Lens for the photo : M.Zuiko Digital ED 75mm f/1.8
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
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We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
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WS-185-221367628-3914100-6960982-472021032256
This was produced in response to a request posted on the RMweb forum. Unfortunately, the base image - one of my own negatives from the mid-1980s - is not of the best quality. The stylish Class 17 did not last into the era of sectorised liveries, indeed only a few received corporate rail blue. That said, like the Class 14s, they suit the Load Haul scheme very well - and many Class 17s were originally based at what later became Load Haul depots (18-Dec-12).
All rights reserved. Not to be posted on Facebook or anywhere else without my prior written permission. Please follow the link below for additional information about my Flickr images:
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