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411 was seen on Lothian Road working Service 1 from Clermiston to the terminus at Seafield to which this route has been diverted since 29 March 2020. It turned out that Driver Gregor Watson was at the wheel so it was good to hear from him. The vehicle is moving on to the outside lane ready to make the right turn onto Princes Street. Castle Terrace is glimpsed in the background while in front of that can be made out the 1827 watchtower in the graveyard at St. Cuthbert’s Church - built to discourage the body snatchers of that era. This April afternoon view ( on day 33 of the Coronavirus lockdown) has had a shadow cast over it by the bulk of the Caledonian Hotel out of sight behind the photographer.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background
The Focke Wulf Ta 338 originated as a response of request by the RLM in mid 1943 for an aircraft capable of vertical takeoff and landing (VTOL), optimized for the interceptor and point defense role and without a hazardous liquid rocket engine as means of propulsion. In the course of the year, several German manufacturers responded with a multitude of highly innovative if not unusual design, including Heinkel with the ducted fan project "Lerche", Rheinmetall-Borsig with a jet-powered tailsitter, and Focke Wulf. This company’s engineering teams submitted two designs: the revolutionary "Triebflügel" concept and the more conservative, yet still futuristic "P.03.10338" tail sitter proposal, conceived by Focke Wulf’s leading engineer Kurt Tank and Walter Kappus from BMW, responsible for the engine development.
The P.03.10338 was based on the proven Fw 190 fighter, but the similarities were only superficial. Only the wings and a part of the fuselage structure around the cockpit would be used, but Tank assumed that using existing parts and tools would appreciably reduce development and production time.
A great part of the fuselage structure had to be re-designed to accommodate a powerful BMW 803 engine and its integral gearbox for an eight-bladed contraprop.
The BMW 803 was BMW's attempt to build a high-output aircraft engine, primarily for heavy bombers, by basically "coupling" two BMW 801 engines back-to-back into a single and very compact power unit. The result was a 28-cylinder, four-row radial engine, each comprising a multiple-bank in-line engine with two cylinders in each bank, which, due to cooling concerns, were liquid cooled.
This arrangement was from the start intended to drive independent contra-rotating propellers, in order to avoid stiffness problems with the whole engine driving just a single crankshaft and also to simply convert the raw power of this unit into propulsion. The front half of the engine drove the front propeller directly, while the rear engine drove a number of smaller shafts that passed between the cylinders of the front engine before being geared back together to drive the rear prop. This complex layout resulted in a rather large and heavy gearbox on the front of the engine, and the front engine needing an extended shaft to "clear" that gearbox. The four-row 803 engine weighed 2,950 kg (6,490 lb) dry and 4,130 kg (9,086 lb) fully loaded, and initial versions delivered 3,900 PS (3,847 hp; 2,868 kW).
While the engine was heavy and there were alternatives with a better weight/output ratio (e. g. the Jumo 222), the BMW 803 was favored for this project because it was the most powerful engine available, and it was relatively compact so that it could be fitted into a fighter's airframe. On the P.03.10338 it drove an all-metal, eight-blade contraprop with a diameter of 4,25 m (13 ft 11 in).
In order to accept this massive engine, the P.03.10338’s structure had to be stiffened and the load-bearing structures re-arranged. The aircraft kept the Fw 190's wing structure and surface, but the attachment points at the fuselage had to be moved for the new engine mount, so that they ended up in mid position. The original space for the Fw 190's landing gear was used for a pair of radiator baths in the wings' inner leading edge, the port radiator catering to the front engine half while the radiator on starboard was connected with the rear half. An additional annular oil and sodium cooler for the gearbox and the valve train, respectively, was mounted in the fuselage nose.
The tail section was completely re-designed. Instead of the Fw 190's standard tail with fin and stabilizers the P.03.10338’s tail surfaces were a reflected cruciform v-tail (forming an x) that extended above and below the fuselage. On the four fin tips, aerodynamic bodies carried landing pads while the fuselage end contained an extendable landing damper. The pilot sat in a standard Fw 190 cockpit, and the aircraft was supposed to start and land vertically from a mobile launch pad. In the case of an emergency landing, the lower stabilizers could be jettisoned. Nor internal armament was carried, instead any weaponry was to be mounted under the outer wings or the fuselage, in the form of various “Rüstsätze” packages.
Among the many exotic proposals to the VTOL fighter request, Kurt Tank's design appeared as one of the most simple options, and the type received the official RLM designation Ta 338. In a rush of urgency (and maybe blinded by clever Wunderwaffen marketing from Focke Wulf’s side), a series of pre-production aircraft was ordered instead of a dedicated prototype, which was to equip an Erprobungskommando (test unit, abbreviated “EK”) that would evaluate the type and develop tactics and procedures for the new fighter.
Fueled by a growing number of bomber raids over Germany, the “EK338” was formed as a part of JG300 in August 1944 in Schönwalde near Berlin, but it took until November 1944 that the first Ta 338 A-0 machines were delivered and made operational. These initial eight machines immediately revealed several flaws and operational problems, even though the VTOL concept basically worked and the aircraft flew well – once it was in the air and cruising at speeds exceeding 300 km/h (186 mph).
Beyond the many difficulties concerning the aircraft’s handling (esp. the landing was hazardous), the lack of a landing gear hampered ground mobility and servicing. Output of the BMW 803 was sufficient, even though the aircraft had clear limits concerning the take-off weight, so that ordnance was limited to only 500 kg (1.100 lb). Furthermore, the noise and the dust kicked up by starting or landing aircraft was immense, and servicing the engine or the weapons was more complicated than expected through the high position of many vital and frequently tended parts.
After three Ta 338 A-0 were lost in accidents until December 1944, a modified version was ordered for a second group of the EK 338. This led to the Ta 338 A-1, which now had shorter but more sharply swept tail fins that carried single wheels and an improved suspension under enlarged aerodynamic bodies.
This machine was now driven by an improved BMW 803 A-2 that delivered more power and was, with an MW-50 injection system, able to produce a temporary emergency output of 4.500 hp (3.308 kW).
Vertical start was further assisted by optional RATO units, mounted in racks at the rear fuselage flanks: either four Schmidding SG 34 solid fuel booster rockets, 4.9 kN (1,100 lbf) thrust each, or two larger 9.8 kN (2,203 lbf) solid fuel booster rockets, could be used. These improvements now allowed a wider range of weapons and equipment to be mounted, including underwing pods with unguided rockets against bomber pulks and also a conformal pod with two cameras for tactical reconnaissance.
The hazardous handling and the complicated maintenance remained the Ta 338’s Achilles heel, and the tactical benefit of VTOL operations could not outbalance these flaws. Furthermore, the Ta 338’s range remained very limited, as well as the potential firepower. Four 20mm or two 30mm cannons were deemed unsatisfactory for an interceptor of this class and power. And while bundles of unguided missiles proved to be very effective against large groups of bombers, it was more efficient to bring these weapons with simple and cheap vehicles like the Bachem Ba 349 Natter VTOL rocket fighter into target range, since these were effectively “one-shot” weapons. Once the Ta 338 fired its weapons it had to retreat unarmed.
In mid 1945, in the advent of defeat, further tests of the Ta 338 were stopped. I./EK338 was disbanded in March 1945 and all machines retreated from the Eastern front, while II./EK338 kept defending the Ruhrgebiet industrial complex until the Allied invasion in April 1945. Being circled by Allied forces, it was not possible to evacuate or destroy all remaining Ta 338s, so that at least two more or less intact airframes were captured by the U.S. Army and later brought to the United States for further studies.
General characteristics:
Crew: 1
Length/height on the ground: 10.40 m (34 ft 2 in)
Wingspan: 10.50 m (34 ft 5 in)
Fin span: 4:07 m (13 ft 4 in)
Wing area: 18.30 m² (196.99 ft²)
Empty weight: 11,599 lb (5,261 kg)
Loaded weight: 16,221 lb (7,358 kg)
Max. takeoff weight: 16,221 lb (7,358 kg)
Powerplant:
1× BMW 803 A-2 28-cylinder, liquid-cooled four-row radial engine,
rated at 4.100 hp (2.950 kW) and at 4.500 hp (3.308 kW) with emergency boost.
4x Schmidding SG 34 solid fuel booster rockets, 4.9 kN (1,100 lbf) thrust each, or
2x 9.8 kN (2,203 lbf) solid fuel booster rockets
Performance:
Maximum speed: 860 km/h (534 mph)
Cruise speed: 650 km/h (403 mph)
Range: 750 km (465 ml)
Service ceiling: 43,300 ft (13,100 m)
Rate of climb: 10,820 ft/min (3,300 m/min)
Wing loading: 65.9 lb/ft² (322 kg/m²)
Armament:
No internal armament, any weapons were to be mounted on three hardpoints (one under the fuselage for up to 1.000 kg (2.200 lb) and two under the outer wings, 500 kg (1.100 lb) each. Total ordnance was limited to 1.000 kg (2.200 lb).
Various armament and equipment sets (Rüstsätze) were tested:
R1 with 4× 20 mm (.79 in) MG 151/20 cannons
R2 with 2x 30 mm (1.18 in) MK 213C cannons
R3 with 48x 73 mm (2.874 in) Henschel Hs 297 Föhn rocket shells
R4 with 66x 55 mm (2.165 in) R4M rocket shells
R5 with a single 1.000 kg (2.200 lb) bomb under the fuselage
R6 with an underfuselage pod with one Rb 20/20 and one Rb 75/30 topographic camera
The kit and its assembly:
This purely fictional kitbashing is a hardware tribute to a highly inspiring line drawing of a Fw 190 VTOL tailsitter – actually an idea for an operational RC model! I found the idea, that reminded a lot of the Lockheed XFV-1 ‘Salmon’ prototype, just with Fw 190 components and some adaptations, very sexy, and so I decided on short notice to follow the urge and build a 1:72 version of the so far unnamed concept.
What looks simple (“Heh, it’s just a Fw 190 with a different tail, isn’t it?”) turned out to become a major kitbashing. The basis was a simple Hobby Boss Fw 190 D-9, chose because of the longer tail section, and the engine would be changed, anyway. Lots of work followed, though.
The wings were sliced off and moved upwards on the flanks. The original tail was cut off, and the cruciform fins are two pairs of MiG-21F stabilizers (from an Academy and Hasegawa kit), outfitted with reversed Mk. 84 bombs as aerodynamic fairings that carry four small wheels (from an 1:144 T-22M bomber) on scratched struts (made from wire).
The cockpit was taken OOB, only a pilot figure was cramped into the seat in order to conceal the poor interior detail. The engine is a bash from a Ju 188’s BMW 801 cowling and the original Fw 190 D-9’s annular radiator as well as a part of its Jumo 213 cowling. BMW 801 exhaust stubs were inserted, too, and the propeller comes from a 1:100 VEB Plasticart Tu-20/95 bomber.
Since the BMW 803 had liquid cooling, radiators had to go somewhere. The annular radiator would certainly not have been enough, so I used the space in the wings that became available through the deleted Fw 190 landing gear (the wells were closed) for additional radiators in the wings’ leading edges. Again, these were scratched with styrene profiles, putty and some very fine styrene mesh.
As ordnance I settled for a pair of gun pods – in this case these are slipper tanks from a Hobby Boss MiG-15, blended into the wings and outfitted with hollow steel needles as barrels.
Painting and markings:
Several design options were possible: all NMF with some colorful markings or an overall RLM76 finish with added camouflage. But I definitively went for a semi-finished look, inspired by late WWII Fw 190 fighters.
For instance, the wings’ undersides were partly left in bare metal, but the rudders painted in RLM76 while the leading edges became RLM75. This color was also taken on the wings’ upper sides, with RLM82 thinly painted over. The fuselage is standard RLM76, with RLM82 and 83 on the upper side and speckles on the flanks. The engine cowling became NMF, but with a flashy ‘Hartmann Tulpe’ decoration.
Further highlights are the red fuselage band (from JG300 in early 1945) and the propeller spinner, which received a red tip and segments in black and white on both moving propeller parts. Large red “X”s were used as individual aircraft code – an unusual Luftwaffe practice but taken over from some Me 262s.
After a light black ink wash some panel shading and light weathering (e.g. exhaust soot, leaked oil, leading edges) was done, and the kit sealed under matt acrylic varnish.
Building this “thing” on the basis of a line drawing was real fun, even though challenging and more work than expected. I tried to stay close to the drawing, the biggest difference is the tail – the MiG-21 stabilizers were the best option (and what I had at hand as donation parts), maybe four fins from a Hawker Harrier or an LTV A-7 had been “better”, but now the aircraft looks even faster. ;)
Besides, the Ta 338 is so utterly Luft ’46 – I am curious how many people might take this for real or as a Hydra prop from a contemporary Captain America movie…
digital drawing with artrage, collage with photoshop
"blindtext": literally translation of the German word Blindtext = dummy text, dummy page.
Die Variable: von lateinisch variabilis: veränderbar.
In der formalen Logik: „ein sprachliches Zeichen, für das beliebige Ausdrücke einer bestimmten Art eingesetzt werden können“
Variable verwendet man auch in der Mathematik.
In der Typographie dient der sogenannte Blindtext als Platzhalter. In der Informatik gibt es die Wildcard als Jokerzeichen.
Erstmals verwendet wurden Variable in der formalen Logik und zwar schon von Aristoteles.
Arvo Paert: "Perpetuum Mobile"
8 x AR18_3_13.9.2013_Kimono_Schnittmuster_Musterbogen
#musterbogen #schnittmuster #kimono #tapestry #tapisserie #teppich #carpet #teppchweber #weben #weave
Requested by LegoDudeMan21
Here ya go. I don't know what this guy'd name is nor do I know what his front looked like so I guesses. If you have a better picture of the front I can make it too.
I think like how the arms turned out. Also what do you think about the new arm template?
***For personal use only. If used please give credit and add me in the picture***
anyone taking requests?(:
as in: manips, photoshop stuff.
also i was hoping someone could show me how to photoshop xD
please and thank you<3
It's been highly requested for me to make more collection videos featuring my Barbies. I'm really sorry that it has taken me so long to film any--but I wanted to make sure my flea market season was over before I took the time to film them (that way the videos wouldn't be out of date right away). I unfortunately have to split up my Barbies into multiple videos because I have SO many of them. But the benefit is that you will all get to know each of my dolls a lot better than you would if I crammed them all into one video. Stay tuned for the rest of my 90s collection, which will be uploaded into three more parts (there will be a total of four in all).
Video:
www.youtube.com/watch?v=scCNuDMJjV4&feature=youtu.be
Dolls in photo, from left to right:
-1992 Troll Barbie
-1993 Dolls of the World Collection Chinese Barbie
-1991 Pretty Surprise Barbie
-1993 Glitter Hair Barbie
-1993 Sun Jewel Barbie
Bottom row:
-1991 Fashion Play Barbie X2
-1993 Paint 'N Dazzle Barbie
-1993 Fountain Mermaid Barbie
-1993 Western Stampin' Barbie
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
Fine Art Photography Prints & Luxury Wall Art:
We do come up with merchandises over the years, but at the moment we have sold out and will bring them back depending on the demands of our past customers and those we do take on daily across the globe.
Follow us on Instagram!
Facebook:
www.facebook.com/william.stone.989/
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500px.com/p/wsimages?view=photos
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We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
WS-167-9381883-91832462-3154312-1662022090923
The recreated Hayles Abbey Halt awaits its first passengers as 1450 passes with the 12.45 from Toddington to Winchcombe.
Currently I am working on designs that were requested in december and early january.
One thing I would like to mention is that I am spending a few hours a week doing these. That means it may take a while till I get "your" request, so please be patient.
After repeated requests from customers for a 'courtesy' vehicle whilst theirs was being repaired etc, we at RBW prepared one of our former Knotty coaches for the duty. ODV 404W had come to us from the now defunct Tillingbourne business and hadn't been involved in the sale of the Knotty operation, though I can't remember why. Here the Duple Dominant II Express bodied Reliance '760 is seen when freshly re-painted for it's new role. I suspect that it's chassis would have been an 'add on' to the production run then being assembled for London Country, as the specification was the same as one of their RBs.
After very little use, the coach was sold to Quantock Motor Services, who after a quick and massive expansion into commercial service work, and almost equally sudden withdrawal found itself not needing ODV either. To avoid it being involved in a cull of surplus vehicles, we re acquired it, then sold it on for preservation. A fellow Flickrite is now it's owner.
She liked these and wanted them processed. Rather than arguing because, you know, editing photos of beautiful women is just so arduous, ...
Somewhere on the Sea of Cortez off Rocky Point, Mexico.
Model is Jesika Lynn
Strobist: SB-28, hand held, 1/2 power, slightly camera left.
PP in Lightroom/CS3.
cambridge, massachusetts, 1971
cambridge common
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Now here is a double feature for you since I missed a couple of weeks in the past and These men of valor did fight along side one another.
(Requests are welcome for future historical figures)
A Kern was a Gaelic soldier, specifically a light infantryman in Ireland during the Middle Ages. Kerns notably accompanied bands of the mercenary Gallowglass as their light infantry forces, where the Gallowglass filled the need for heavy infantry. This two-tier "army" structure though should not be taken to reflect earlier Irish armies prior to the Norman invasions, as there were more locally trained soldiers filling various roles prior to this. The Gallowglass largely replaced the other forms of infantry though, as more Irish began to train to imitate them, creating Gallowglass of purely Irish origin.There is little evidence to suggest that the kern wore armour, though this point is disputed. They may have sported some form of light armour, perhaps nothing more than a leather coat but they almost certainly did not wear chainmail as there is no evidence that the extensive iron-working industry required to facilitate it existed in Ireland at the time. Kerns were light troops who relied on speed and mobility, often utilizing lightning strike tactics as a force-multiplier to engage much larger formations.The dart was the weapon of choice for the kern, the bow never achieving popularity in the country. Kerns were of great use in the warfare that revolved around cattle raiding in Ireland at the time. Their role was to herd captured cattle away from the enemy territory and to support heavier troops such as the gallowglass. When confronted by English style regiments, the kern would follow enemy troops on their march route, firing on them with darts, javelins, and stones from slings. Occasionally, provided the terrain and timing was right, kerns would move in for close combat. If their opponents broke and ran, they could easily be run down by the swift kern; if the enemy soldiers stood firm they would simply retreat into difficult terrain to renew their harassment later. On occasions where they were pursued into the more difficult terrain of bogs or woods, the hunters risked becoming the hunted as the kern could double back and eliminate isolated groups.
The gallowglass were a class of elite mercenary warriors who principally were members of the Norse-Gaelic clans of Scotland between the mid 13th century and late 16th century. As Scots, they were Gaels and shared a common background and language with the Irish, but as they had intermarried with the 10th century Norse settlers of western Scotland, the Irish called them Gall Gaeil "foreign Gaels".Initially they were called over and recruited by the various powerful Irish cheiftans to serve as these "seasonal" mercenaries in the wars of the Irish and the Normans, yet it was mainly in Ulster that they first made their appearance and served. For the native Irish soldiers lacked the heavy body armor, weapons and disciplined professionalism of their Norman adversaries, so in response to such glaring deficiencies as those the proud Irish chieftans had to look to Scotland for the much needed remedy to their desperate situation. Hence the arrival of the much desired Gallowglass. The gallowglass were attractive as a heavy armor trained aristocratic infantry to be relied on as a strong defence for holding a position. Unlike most Irish foot soldiers, who were lower class and less well armored than the typical Irish noble who fought as cavalry. In time there came to be many native Irish gallowglass as the term came to mean a type of warrior rather than an ethnic designation.They were noted for wielding the massive two-handed sparth axe and broadsword or claymore,while also being armed with these razor sharp knives attached to their belts that could be whipped out for much close-quarter stabbing and jabbing---and because the Gallowglass would fight until the death if need be.For armor, the gallowglass wore mail shirts over padded jackets and iron helmets; he was usually accompanied by two boys (like a knight's squires), one of whom carried his throwing spears while the other carried his provisions.Around the middle of the 13th century that the Gallowglass mercenaries started to arrive in Northern Ireland in these succeeding waves and groups, and from that point on all the way through the Middle Ages to the very end of the 1590's they made their terrifying presence and fury felt upon the field of battle as the term Gallowglass eventually became this European by-word meaning "supreme valor and blind savagery", and at the Battle of Monasterneigh in 1579, in the words of the English commander who witnessed their battlefield exploits that day, they "came out to fight as resolutely as the best soldiers in Europe could!" Yet by that point the Gallowglass had become more Irish than Scottish as most of them had been settled in Ireland for generations, thoroughly mixing in with the native populations of whichever area they chose to settle in.
Shakespeare mentions the kern and gallowglass in his play Macbeth, although along with other aspects of the play it is an anachronism, as the historical Macbeth lived in the 11th century:
"The merciless Macdonwald,
Worthy to be a rebel, for to that
The multiplying villainies of nature
Do swarm upon him, from the Western isles
Of kerns and gallowglasses is supplied"
To all my fans! By popular request! The exalted goddess is a famous model with a major agency! She was tall, thin, fit, defined, and toned! Pretty, piercing blue eyes set against wavy brown hair! And she was a lot of fun--lots of stories and laughs during and after the shoot! Wish you'd been there!
Here're a couple of videos I shot while shooting stills, with the awesome NEX-6 and a 50 mm Prime f/1.8 lens for the rich/creamy video bokeh!
www.youtube.com/watch?v=zzbV8ArnBnY
Watch the gorgeous model in the Full 1080P HD she deserves! I shot the video at 60p and slowed it down to 24p in post in adobe premiere 6.0. :)
With the black 45SURF surfboard and hoodie, reading the Great Books: Shakespeare's Hamlet, Herman Melville's Moby Dick, and Homer's Iliad and Odyssey.
Also had a B&H CP (Circular Polarizer) on both the 70-200 mm Nikon D800 lens and the 50mm e-mount lens on the Sony NEX6.
Awesome "magic hour" light and feel in the January AM due to the strange cloudy/sunny weather! That's the glorious fun of shooting at the Malibu beach! Forecasts mean nothing (they predicted sun, sun, sun), and you have to have fun adpating to the world's greatest studio with the world's greatest lights (the sun in all its manifestations), props, and backdrops!
Combine the 50mm lens's optical steady shot (OSS) and the shallow-depth-of-field of the F/1.8 with Sony NEX-6 latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background!
She was tall, thin, fit, toned, defined, and beautiful!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Bikini!
Nikon D800 Photographs of a Beautiful Wavy-HAired Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! Best wishes from Johnny Ranger McCoy!
I was requested by both I_dawg2000 and Bradley_Memphis to check out this former Kroger now turned Tractor Supply. Here you go, guys! There will be a few more pics tomorrow too.
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren
in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog.
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
We do once in a while have discounted luxury fine art, please do keep checking:
Fine Art Photography Prints & Luxury Wall Art:
We do come up with merchandises over the years, but at the moment we have sold out and will bring them back depending on the demands of our past customers and those we do take on daily across the globe.
Follow us on Instagram!
Facebook:
www.facebook.com/william.stone.989/
500px:
500px.com/p/wsimages?view=photos
Twitter:
LinkedIn:
www.linkedin.com/in/william-stone-6bab1a213/
Pinterest:
www.pinterest.co.uk/wsimages_com/
We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
WS-185-321233025-7444511-6127997-472021073211
@grickle Sas-squash! Or a Sad-squatch.
The forest can be a lonely place. @wolfhard
If you would like this doodle as a signed print for your very own, head on over to the Grickle store!
Requests from other👣s this last Summer -wanted to see if my fried feet could have soldering wires on them. Wires are soldered to tacks in my feet. The tacks with wires and liquid solder balls had no feeling while soldering them. (It was 18F outside for this video- a bit shaky images) These fried👣were tested with matches burning under them, same area as tacks, slight tingle feeling.
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
Fine Art Photography Prints & Luxury Wall Art:
We do come up with merchandises over the years, but at the moment we have sold out and will bring them back depending on the demands of our past customers and those we do take on daily across the globe.
Follow us on Instagram!
Facebook:
www.facebook.com/william.stone.989/
500px:
500px.com/p/wsimages?view=photos
Twitter:
LinkedIn:
www.linkedin.com/in/william-stone-6bab1a213/
Pinterest:
www.pinterest.co.uk/wsimages_com/
Smugmug:
Instagram:
We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
WS-350-271962673-81088249-3615646-16122021082712
That's life. The more beautiful and confident you feel, the more likely you are to get a run in your nylons.
"@grickle make me an owl with a hat"
Whew! I'm outta time today so here's the last one for now. Owl in a hat.
If you would like this doodle as a signed print for your very own, head on over to the Grickle store!
To all my fans! By popular request! The exalted goddess is a famous model with a major agency! She was tall, thin, fit, defined, and toned! Pretty, piercing blue eyes set against wavy brown hair! And she was a lot of fun--lots of stories and laughs during and after the shoot! Wish you'd been there!
Here're a couple of videos I shot while shooting stills, with the awesome NEX-6 and a 50 mm Prime f/1.8 lens for the rich/creamy video bokeh!
www.youtube.com/watch?v=zzbV8ArnBnY
Watch the gorgeous model in the Full 1080P HD she deserves! I shot the video at 60p and slowed it down to 24p in post in adobe premiere 6.0. :)
Also had a B&H CP (Circular Polarizer) on both the 70-200 mm Nikon D800 lens and the 50mm e-mount lens on the Sony NEX6.
Awesome "magic hour" light and feel in the January AM due to the strange cloudy/sunny weather! That's the glorious fun of shooting at the Malibu beach! Forecasts mean nothing (they predicted sun, sun, sun), and you have to have fun adpating to the world's greatest studio with the world's greatest lights (the sun in all its manifestations), props, and backdrops!
Combine the 50mm lens's optical steady shot (OSS) and the shallow-depth-of-field of the F/1.8 with Sony NEX-6 latest face-tracking auto focus, and you can see how the moving video keeps the model's pretty blue eyes in focus, while blurring the background!
She was tall, thin, fit, toned, defined, and beautiful!
Modeling the Gold 45 Revolver(TM) Gold'N'Virtue(TM) Bikini!
Nikon D800 Photographs of a Beautiful Wavy-HAired Brunette Swimsuit Bikini Model shot with the new Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 4 ! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey! Best wishes from Johnny Ranger McCoy!
By Request
Not so much as display as dumping ground. That clear container is where "specialty" 'figs go, like some original characters, alternate designs, or Police and EMTs. The one with the red top is where all 3rd party weaponry/tools go. All the 'figs on top of the clear case are 'figs I'm currently using for ongoing sagas. It looks messy and all, but no custom' figs are damaged from this as they're simply placed there and not being banged around and damaged like they would if they were inside the container.