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Rhoneigr has had a station since 1907 although according to passenger figures, it's seen a drop from 16k per year 5 years ago to 11k a year in the 2019/20 (although I suppose it does depend on just when they stopped counting last year....).
The station shelters don't encourage you to linger for long here - and that's just what most of the walkers disgorged off 158822 on the 0906 Birmingham International to Holyhead have done - left pronto!
10th July 2021
I've been taking requests for dolls to photograph on Tumblr, and Pandorkful requested all of my pink haired dolls, including the SD-size gals in pink wigs.
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren
in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog.
As requested by Longshanks.
Both images taken with Canon 30d. Fixed at 50mm, 5.6. ISO 100
Natural light source from the right of the view, flash on camera. Flash head 90d to the left and bounced off diffuser.
Glass.
Left: Prime Pentacon 1.8/50 Manual focus
Right: Canon 18-55 Kit lens Auto focus
ACCESS TO THE EXHIBITION REQUEST TO DO A MOVING EXHIBITION DE TYPE EXHIBITIONISTE
this image was collected then :1990
What about Tourism? Forbidden for Voyeurs, Einzelausstellung, Billedhuset, Kopenhagen.
Gezeigt wird eine Sammlung von Urlaubsbildern, die T.G./C. vor einem Fix-Foto-Labor in Bangkok von Touristen erbittet. Von den jeweils 4 Fotografien zeigt jeweils eines den jeweiligen Touristen. Beigestellt sind die Name und Angaben zu Beruf und Dauer der Reise. Zusätzlich werden die während der Reisen entstandenen Farbfotografien T.G./C.s und Aufnahmen aus dem Familienalbum Geoffroy gezeigt, die in den frühen1960er Jahren entstanden.
Zutritt zur Ausstellung gewährt die Art Police nur denjenigen Besuchern, die auf ihrem Rücken schriftliche und / oder fotografische touristische Selbstkritik üben.
from Chronologie Thierry Geoffroy / Colonel by Inka Schube. Sprengel Museum Hannover. ( 2002) www.emergencyrooms.org/texts/chronologie_Thierry_Geoffroy...
Manifeste Moving Exhibition : www.emergencyrooms.org/manifeste/1989.html
the exhibited photos and status are then part of the fondation Moving Exhibition de type Exhibit
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog. Voor meer info, check: www.3fm.nl/seriousrequest
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog. Voor meer info, check: www.3fm.nl/seriousrequest
Serious Talent Festival organised on December 23rd in the Effenaar, Eindhoven to benefit 3FM's Serious Request 2010.
In 1966 the US Air Force formed the Attack Experimental A-X program office. In March 1967 the USAF released a request for information to 21 defense contractors for the A-X project. The objective was to create a design study for a low-cost attack aircraft. In 1969 the Secretary of the Air Force asked for detailed specifications for the secretly proposed A-X aircraft. Discussions with A-1 Skyraider pilots operating in Vietnam and analysis of the effectiveness of current aircraft used in the role indicated the ideal aircraft should have long loiter time, low-speed maneuverability, massive cannon firepower, and extreme survivability.
In May 1970, the USAF issued a modified and much more detailed request for proposals (RFP) for the aircraft. The threat of Soviet armored forces and all-weather attack operations had became more serious. Now included in the requirements was that the aircraft would be designed specifically for the 30 mm cannon. The RFP also specified an aircraft with a maximum speed of 460 mph, takeoff distance of 4,000 feet, external load of 16,000 pounds, a 285-mile mission radius, and a unit cost of $1.4 million.
Six companies submitted proposals to the USAF, with Northrop and Fairchild Republic selected to build prototypes: the YA-9A and YA-10A, respectively. General Electric and Philco-Ford were selected to build and test GAU-8 cannon prototypes.
The YA-10A first flew on 10 May 1972. After trials and a flyoff against the YA-9A, the Air Force announced its selection of Fairchild-Republic's YA-10A on 18 January 1973 for production. General Electric was selected to build the GAU-8 cannon in June 1973. The first production A-10 flew in October 1975, and deliveries to the Air Force commenced in March 1976. In total, 715 airplanes were produced, the last delivered in 1984.
The A-10 Thunderbolt II received its popular nickname "Warthog" from the pilots and crews of the USAF attack squadrons who flew and maintained it. The A-10 is the last of Republic's jet attack aircraft to serve with the USAF. The Republic F-84 Thunderjet was nicknamed the "Hog", F-84F Thunderstreak nicknamed "Superhog", and the Republic F-105 Thunderchief tagged "Ultra Hog". A less common nickname is the "Tankbuster". The saying Go Ugly Early has been associated with the aircraft in reference to calling in the A-10 early in combat.
Photo taken at the 2010 Air Expo, at the Mid-Ohio Valley Regional Airport, Williamstown West Virginia.
varanasi, india
1972
the banks of the ganga (ganges) river
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Photographs in this collection have been produced by Alison Lowrie, Heather Do, Liz Dolinar, and Adriana Haro at request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Green Gulch Zen Center with the objective of gaining better insight into the Zen Center's cultural history through the use of photographic technology.
Green Gulch Farm Zen Center (Latitude 37.86657, Longitude -122.56528), also referred to as the Green Dragon Temple, is located in Marin County, CA in a beautiful coastal valley overlooking the Pacific Ocean. Green Gulch, approximately a 10 mile drive north of San Francisco Golden Gate Bridge, is located on 115 acres surrounded by hundreds of acres of the Golden Gate National Recreation Area. Green Gulch is a cultural heritage site constituting of one of the three centers that form the San Francisco Zen Center founded by Shunryu Suzuki Roshi [1]. In 1972, Green Gulch was purchased from George Wheelwright, co-founder of Polaroid, as a part of Shunryu Suzuki Roshi's vision to obtain a farm near the San Francisco Bay area where a community of Zen Buddhist practitioners could communally live and practice in accompany of one another [2] [3]. Part of the Wheelwright's stipulation of the sale to the San Francisco Zen Center was that the farm must forever remain open to the public, as well as partake in agricultural awareness [4]. Green Gulch now serves as a Buddhist practice center in the Japanese Soto Zen tradition, were their endeavor is to awaken the people residing, working, and visiting the center in the bodhisattva spirit-the spirit of kindness and realistic helpfulness [1]. Green Gulch is compromised of a temple (the Zendo), organic farm and garden, guesthouse, and conference center. The center offers training and practice in Zen mediation through workshops and retreats, as well as apprenticeships emphasizing meditation practice, Buddhist teachings, and organic gardening and farming methods [5].
Photographs in this collection were captured on Sunday April 24, 2011, between 11:30 AM and 2:15 PM Pacific Time, under sunny conditions. Nixon D80 and two-Canon XSI cameras were used. A tripod was used for HDR shots. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Adriana Haro, following Alonso C. Addison’s proposed virtual heritage metadata format in his chapter "The Vanishing Virtual" in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
Further information about Green Gulch Zen Center can be found at www.sfzc.org/ggf/
[1] www.sfzc.org/ggf/display.asp?catid=3&pageid=484
[2] Oda, Mayumi (2002). I Opened the Gate, Laughing: an Inner Journey. Chronicle Books.
[3] Richmond, Ivan. Silence and Noise: Growing Up Zen in America. Simon and Schuster.
[4] McCormick, Kathleen (2000). The Garden Lover's Guide to the West. Princeton Architectural Press.
sarnath, india
1972
monk
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
boston, 1971
performance of the rock opera, "jesus christ superstar"
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
These images have been released in response to a FOIA request, case number 2014-0012-F, received by the National Archives. For more information on these images, please visit Researching Vice Presidential Materials. These photos will be available in the National Archives Catalog in July 2015.
Local Identifier: V022507DB-0073
Created By: President (2001-2009 : Bush). Office of Management and Administration. Office of White House Management. Photography Office. 1/20/2001-1/20/2009
From: Collection: Vice Presidential Records of the Photography Office (George W. Bush Administration), 1/20/2001 - 1/20/2009
Contact: Presidential Materials Division (LM)
National Archives Building
7th and Pennsylvania Avenue NW
Washington, DC 20408
Phone: 202-357-5200
Fax: 202-357-5939
Production Dates: 2/25/2007
Persistent URL: catalog.archives.gov/id/18543083
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Campbell's Chunky Soup, Healthy Request, Heart Healthy, 12/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube
Campbell's Chunky Soup, Healthy Request, Heart Healthy, 12/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog. Voor meer info, check: www.3fm.nl/seriousrequest
As requested by a mod supporter, a Nuka Cola themed jacket and skirt to go along with the bikini release in the previous update.
A sneak peek of one of the outfits included in update 1.2 of the Textures Expansion to Dicky's Pinup Outfit to be released in a few days.
Available on...
NexusMods: www.nexusmods.com/fallout4/mods/49463
LoversLab: www.loverslab.com/files/file/15773-texture-expansion-for-...
Overview of Codex Alimentarius
by Rima Laibow, M.D.
At the request of the United Nations (UN) in 1962, the World Health Organization (WHO) and Food and
Agriculture Organization (FAO) took on the joint role of running and administering the Codex
Alimentarius Commission (CAC) to establish standards and remove barriers to trade for all food and
food products. Having declared that nutrients are toxins from which we must be protected, the CAC
has been busy establishing enforceable international guidelines for upper limits of nutritional
supplement dosing. Codex has goals that affect every person in the UN’s 170+ member nations,
including the United States. As a tool for furthering these goals, member nations are urged to adopt
Codex standards and guidelines as domestic policy. The United States has already committed itself to
doing so despite U. S. law which prohibits this compliance.
The World Trade Organization (WTO) has adopted Codex as a standard for the adjudication of foodrelated
international trade disputes and has the authority to enforce Codex standards through
implementation of harsh economic sanctions on non-Codexcompliant member nations. Pre-existing
international treaty laws dictate that WTO rulings will override the domestic laws already in place in
its member nations and, in fact, the WHO has successfully taken both states and the U. S. government
to court in the U. S. to force changes in our domestic laws eleven times. This means our nation’s hard
won laws that give you access to over-the-counter, natural health supplements will become
meaningless. Codex’s original mandate to remove barriers to trade and assure a clean food supply has,
under the influence of private, economically-driven multinational pharmaceutical, agricultural and
chemical corporations, self-expanded far beyond its original mandate. The result is a body of highly
dangerous and restrictive policies that threaten to become domestic law in the U. S. and, as such, are
a threat to your health and freedom.
The FDA has stated explicitly that its goal is complete "harmonization" with Codex and, in order to
bring that about, international regulations i.e., Codex will be given preference over domestic ones!
(Federal Register, 10/ 11 /95)
If Codex gets its way, as it already has in the EU, we can expect that, ultimately, only 18 or so dietary
supplements will be available over-the-counter in doses which are, by design, far too small to have any
discernible impact on any human being since codex classifies nutrients as toxins. High potency
nutrients will not be available either with or without physician’s prescription since these molecules
and compounds will be forbidden under any circumstances. The big surprise? Once in the hands of
pharmaceutical companies, consumer supplement costs are expected to more than quadruple. This
has, in fact, been the experience in Europe where this process is already underway and micro-dose
nutrient prices have increased 10 to 100 fold or more (e.g., in Norway a bottle of zinc lozenges which
previously cost $2 now costs $54; in France 12 Vitamin C tabs of just10 mg cost $117; while 10 Vitamin
E caps of only 10 IU each cost $110).
Australia and the European Union (EU) are in the process of enacting harmonized Codex policies that
restrict consumer access to nutritional supplements. America is next. Though Americans value
personal freedom, the fact Codex meets infrequently (and almost always offshore) and is bogged
down in highly technical language that is difficult to understand has resulted in many Americans
being unaware of this threat. The nearly total media blackout on Codex and its activities helps to
keep the U. S. uninformed and therefore, pliant.
While there have been rare serious adverse reactions to nutritional supplements during the past
decades, (usually when taken far in excess of the recommended dosing), numerous severe and even
fatal reactions to drugs (usually when taken at the recommended dosing) occur every day and are the
fourth leading cause of death in hospitalized clients in the United States when properly
used. When improperly used, they are, in fact, far and away the leading cause of death in
the United States. Even so, drug deaths are very likely underreported. Drugs are
inherently dangerous; nutrients are not. This fact makes it clear why the drug culture
2
needs to eliminate all access to natural health options, including nutritional supplements,
in order to expand and intensify its influence and thus its profitability. Healthy people
take fewer drugs and thus are poor customers.
The global pharmaceutical powers -that-be have already purchased a large piece of the
lucrative global nutritional supplement pie but the considerable size of this pie keeps the
hugely profitable pharmaceutical profit -share-pie from reaching its maximum size so the
competing nutrient pie must be destroyed. Though unable to patent a natural substance,
pharmaceutical corporations can hold patents on synthetic versions of vitamins and
minerals that, unfortunately for the consumer, often do not act like their natural vitamin
counterparts in the body and often act in unpredic table and harmful ways. If Codexcompliant
Europe is any guide, the permitted micro-doses of permitted nutrients will be
only synthetic ones.
In addition to regulatory and/or administrative takeover and destruction of the dietary
supplement market and consumer access, Codex also mandates irradiation of food;
mandatory use of antibiotics, hormones and growth stimulants in all animals raised for
food, is expected to legalize the unlabeled inclusion of Genetically Modified Organisms (GMOs) (whose
safety has never been established while their serious dangers have) into our seed and food supplies and
will increase the allowable maximum tolerated levels of pesticides, herbicides, veterinary drugs and
other dangerous industrial toxins in food, likely driving up degenerative illnesses, including cancer,
diabetes, cardiovascular disease, macular degeneration, MS, etc. All of these policies are made under
the guise of free and equal access to trade for all nations and protection of the public.
Some people have “Codex Anesthesia,” a state of overwhelming, numb confusion that occurs just
before people lose their health freedom. Many otherwise well-informed people from the manufacturing
and retailing sectors of natural healthcare believe that the Dietary Supplement Health and Education
Act (DSHEA), passed in 1994 to protect Americans’ access to natural healthcare substances, will still be
in place to protect them. This is not the case: Fundamental health freedoms afforded the American
public by DSHEA, which classifies supplements as food which, as such, can have no upper limit set on
their use, are now under well orchestrated legislative and/or administrative attack. Health nuts and
junk food devotees alike are not immune from this legislative attack on health freedom.
The following is a link to Dr. Laibow's website which gives a self-prompting 5-minute presentation that
tells you about Codex: http: //www.healthfreedomusa.org/aboutcodex.shtml
More in-depth information can be found on her website, www.healthfreedomusa.org, and on
the highly informative "Nutricide: the DVD" http: /
/www.healthfreedomusa.org/aboutcodex/dvd.shtml
Campbell's Chunky Soup, Healthy Request, Heart Healthy, 12/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube
Last minute decision to visit Forest Farm Nature reserve for the latest sunday club outing. Sat and watched this Heron for about 40 mins or so before it came in range. Gerald and I sat cameras at the ready thinking it would fly off if a train came, how wrong we were. Makes for an interesting backdrop .
I was accompanied by Gerald , Dave K
*********************************************************************************************************
This image is copyrighted to Steve Chatman; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at steve.chatman@btinternet.co.uk for express permission to use any of my photographs. Sorry, but this photograph can only be viewed large if you are one of my contacts!
boston, 1971
performance of the rock opera, "jesus christ superstar"
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
If you would like to request license options on my images please contact me directly.
and, because assholes exist...
© 2013 Bruce Couch & Bodie Group inc | all rights reserved | don't be a dick, do not use or blog, without explicit permission. I register my images with US Copyright Office and I can be your worst nightmare if you steal my images. Only assholes, and idiots steal images. Don't be one.
Because of Pinterest's photo guidelines I don't want my images on Pinterest. This image is registered with the US copyright office.
the companies that have been caught stealing my images:
AppBrain (Android App developer)
Swiss Codemonkeys (Android App developer)
I ask that if you have any dealings with any of these companies that you reconsider that relationship.
Companies will not be removed from this copyright notice until they pay for their unauthorized use of my copyrighted images. Price for usage will be based upon industry standard Right's Managed use and punitive damages where applicable.
to date this copyright notice has recieved nearly 400k views. Welcome to Social Media.
William Stone Images - Limited Edition Fine Art Prints
Fine Art Photography Prints & Luxury Wall Art:
Our presence on flickr is to showcase our catalogue, we have selected pictures on our website, but can always add more depending on the requests we receive:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Any image seen on flickr can be printed in museum grade quality, use the unique reference at the bottom of the photo description when contacting us:
We do plan future trips and do catalogue our past ones:
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
We celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied and multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general.
There are other aspects closely related to photography that we do embark on:
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We do cloud/website development and hosting, startng from £1,500 we can design and host your website. Do justice to your photographs/videos and host them where they will be much valued by your clients. The quality will be in line with www.wsimages.com but designed by you and implemented by us. Contact us today.
WS-69-18904606-192773309-4905288-1032023191800
Golden Arrow Pullman Dining on the Bluebell Railway in Sussex. A three-and-a-half hour Saturday night luxury trip steaming from Sheffield Park to East Grinstead and back - twice - on the 11 mile line.
These images have been released in response to a FOIA request, case number 2014-0012-F, received by the National Archives. For more information on these images, please visit Researching Vice Presidential Materials. These photos will be available in the National Archives Catalog in July 2015.
Local Identifier: V060806DB-0037
Created By: President (2001-2009 : Bush). Office of Management and Administration. Office of White House Management. Photography Office. 1/20/2001-1/20/2009
From: Collection: Vice Presidential Records of the Photography Office (George W. Bush Administration), 1/20/2001 - 1/20/2009
Contact: Presidential Materials Division (LM)
National Archives Building
7th and Pennsylvania Avenue NW
Washington, DC 20408
Phone: 202-357-5200
Fax: 202-357-5939
Production Dates: 6/8/2006
Persistent URL: catalog.archives.gov/id/18545510
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Made on request specially for tree climbing.
lainglesita.blogspot.com.es/2012/04/falda-para-chicas-de-...
By request, here's how my mom's cactus babies are looking one year on. (Mine met a sad fate while being plant-sat, but I like to think they'd look similar by now.) Mom gave me this one when I moved to where she is, and the contest ended there. This one is unusually tall and skinny, the others are mostly shorter but fatter. To give an idea of relative size, the little pot is, I'd say, about 1.5 inches in diameter.
Poe's just hanging out.
A lot of people seemed to like this one and i got several emails saying i should upload by itself so here you go :)
cambridge, massachusetts, 1971
cambridge common
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
All photos by Sara Bowrey (full res available on request)
CAMP BESTIVAL 2013
Camp Bestival has its niche firmly carved out as the premier child-friendly but musically-credible event on the summer calendar, the festival in Dorset has also managed to retain a boutique ambience whilst having a capacity of some 30,000. That said, when it feels like over half of your crowd are in the five to ten age-bracket, maybe you can squeeze a lot more little bodies into the available space.
And it’s a fact that there are children everywhere. Children in pushchairs, children in custom-pimped trollies, children up flagpoles, children weighed down by stacks of 10p deposit pint cups. There are kids crammed against the fence around the jousting arena, kids making clay models and kids sprouting tails. There’s youngsters learning to dance, being entertained by the blue coats and hanging upside-down from the giant Hi De Hi letters on the hill above the Big Top.
Indeed it almost seems to have been an entry-requirement that you brought a toddler or pre-teen with you to get through the gates.
There were still some people without young families in tow this year – but they were in a considerable minority. Fundamentally, Camp Bestival takes the concept of a festival kids’ zone to the limits and still doesn't leave the ‘adult entertainment’ as an afterthought.
...full review at www.virtualfestivals.com/latest/news/14161