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These images have been released in response to a FOIA request, case number 2014-0012-F, received by the National Archives. For more information on these images, please visit Researching Vice Presidential Materials. These photos will be available in the National Archives Catalog in July 2015.
Local Identifier: V082708DB-0038
Created By: President (2001-2009 : Bush). Office of Management and Administration. Office of White House Management. Photography Office. 1/20/2001-1/20/2009
From: Collection: Vice Presidential Records of the Photography Office (George W. Bush Administration), 1/20/2001 - 1/20/2009
Contact: Presidential Materials Division (LM)
National Archives Building
7th and Pennsylvania Avenue NW
Washington, DC 20408
Phone: 202-357-5200
Fax: 202-357-5939
Production Dates: 8/27/2008
Persistent URL: catalog.archives.gov/id/18557187
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Someone on DOA requested specific pics and I hope these help. The hopeful hybrid was a bronze Neptune (I think) head on an RS Yi body in dark tan. The dark tan of RS is more brown than the bronze of Granado. Would need a custom color. The Granado head is much smaller than the Impldoll Joshua head I have on the Yi, but neck and shoulders are about the same. He jight be slightly pinheaded, but hair may balance that.
Also, added pics of IH brown next to bronze, which is a very close match though not exact. Maybe a SID would work...? I have a SID or 2. I will need to check that.
varanasi, india
1972
the banks of the ganga (ganges) river
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Portrait of Margaret Fuller, ca. 1843-1855.
Questions? Ask a Schlesinger Librarian
Na zes dagen mochten Giel Beelen, Michiel Veenstra en Gerard Ekdom maandagavon om negen uur het glazen huis weer uit op de Oude Markt in Enschede. Tijdens het eindfeest op het Van Heekplein werd bekend gemaakt dat de deejays dit jaar meer dan twaalf miljoen euro hebben opgehaald met 3FM Serious Request.
Foto: Heidie Duteweert
William Stone Images - Limited Edition Fine Art Prints
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We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
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Foto Eddy Westveer
Vesuvio Café in North Beach, San Francisco.
Photographs in this collection have been produced by Heather Do, Connor Rowe, Kathleen Markham, Alison Lowrie, Kenneth Chiu, Katie Salmond, Diana Chavez, Elena Toffalori, Ashley Vink, Aimee O'Dea, Liz Dolinar, Allison Barden, Justine Khoury, Daniele Alaniz-Roux, and Justin Thach at the request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Vesuvio Café to not only document the cultural history embeded into the ageless walls but also to connect spatially the symbiotic relationship that preserves the legacy of beatnik culture today.
Vesuvio Cafe, (37.79757°N 122.40625°W), located in the North Beach region of San Francisco Bay, is a cultural bastion preserving the cultural heritage of bohemian era and the beatnik culture that generated its establishment by Henri Lenoir in 1949 and made infamous by the renown authors such as Jack Kerouac from which the adjacent alley is named. The building in which the bar is housed is otherwise known as the Cavalri building built in 1913 and expanded to a second story in 1918 and designed by Zanolini with Italian Renaissance revival elements. The transient existence of these unkempt literary members and their constituents is reflected in the liminal location of the former saloon restaurant at the border between the vagrant Chinese- Italian communities; by 1970[1], most of the diverse cultures regressed into economical housing . Vesuvio Café despite its rich history back to the 1950’s , are not historically preserved site; in fact, they were rented until 1999[2] by managers Chris and Janet Clyde, whose proprietary hopes to protect the building from other commercial interest. Over the years, Vesuvio has undergone its share of renovations and damages such as the 1999 retrofitting for earthquake safety or even the 1973 damage dealt to the building by an errant bus[3]. Over the years, the "I'll never forget after the retro-fitting, one man came in, he was about 55 years old and in a business suit," Clyde said. "He actually had tears in his eyes when he looked at the place. He said, `You didn't change anything.' Vesuvio has kept its character as a neighborhood bar.”[4]
Photographs in this collection were shot on April 11, 2011 between 7:30 am and 5:00 pm Pacific Time under variable natural lighting due to cloudy skies with intermittent periods of morning exposure conditions. Photos were captured on the following cameras: Canon DSLR XTI/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon T2i 18-55mm, Canon XTI 17-85mm. A tripod was used for timelapse, Gigapan, macro, telephoto, HDR, and photogrammetry shots. iPhones were also used for documentation shots and Geo-tagging. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kenneth Chiu, following Addison’s proposed virtual heritage metadata format in his chapter “The Vanishing Virtual” in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
[1] news.google.com/newspapers?id=WKI_AAAAIBAJ&sjid=JlYMA...
[2] news.google.com/newspapers?id=M0IfAAAAIBAJ&sjid=yc8EA...
[3] news.google.com/newspapers?id=hwsrAAAAIBAJ&sjid=cZoFA...
[4] www.highbeam.com/doc/1P2-4550312.html
Original Filename:
ANTHRO136SP11_VVO_Cam25-24.dng
On 10 August 1911 the Minister of Internal Affairs received a request from Lawrence Mack who wished to import three iguanas, one kangaroo, two opossums, two wallabies, two monkeys, one dingo, two bandicoots and one crocodile “for exhibition purposes”.
Mack tried to assure the Minister that the animals were all “quite tame and harmless”. A few weeks later, after some correspondence back and forth, Mack was granted a permit for six iguanas, one kangaroo, two opossums, two wallabies and two monkeys. The dingo, bandicoots and crocodile were not allowed, with a note in the file stating that “crocodiles are not harmless”.
The whole file has been digitised and can be viewed online here: ndhadeliver.natlib.govt.nz/delivery/DeliveryManagerServle...
Archives New Zealand reference: ACGO 8333 IA1 1165/[43] 1911/2178
collections.archives.govt.nz/web/arena/search#/?q=R24822064
For updates on our On This Day series and news from Archives New Zealand, follow us on Twitter twitter.com/ArchivesNZ
Material from Archives New Zealand Te Rua Mahara o te Kāwanatanga
Na zes dagen mochten Giel Beelen, Michiel Veenstra en Gerard Ekdom maandagavon om negen uur het glazen huis weer uit op de Oude Markt in Enschede. Tijdens het eindfeest op het Van Heekplein werd bekend gemaakt dat de deejays dit jaar meer dan twaalf miljoen euro hebben opgehaald met 3FM Serious Request.
Foto: Heidie Duteweert
varanasi, india
1972
the banks of the ganga (ganges) river
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
beacon hill, boston
1971
daniel macmillan
social gathering at the dewolf home
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Caroline and Mackenzie
Hampton Beach 2008
Clouds and lighting were gorgeous, but the exposure is all off? The girls skin color is way too dark.
I took on a photography request and the person asked for feet. Normally i wouldn't do requests but i've been lacking motivation lately and I thought this would be a good way to get back into the swing of things after a hetic move + lifestyle change. I actually hate moe feet, i wish i had normal f60 feet- sigh. I'm waiting for my camera battery so charge to get ready for a heap of feet. ;)
Hello can anybody post some great wallpaper for super amoled screen via /r/wallpapers by edgetheraited ift.tt/2fRdYUn
Na zes dagen mochten Giel Beelen, Michiel Veenstra en Gerard Ekdom maandagavon om negen uur het glazen huis weer uit op de Oude Markt in Enschede. Tijdens het eindfeest op het Van Heekplein werd bekend gemaakt dat de deejays dit jaar meer dan twaalf miljoen euro hebben opgehaald met 3FM Serious Request.
Foto: Heidie Duteweert
These images have been released in response to a FOIA request, case number 2014-0012-F, received by the National Archives. For more information on these images, please visit Researching Vice Presidential Materials. These photos will be available in the National Archives Catalog in July 2015.
Local Identifier: V2334-12
Created By: President (2001-2009 : Bush). Office of Management and Administration. Office of White House Management. Photography Office. 1/20/2001-1/20/2009
From: Collection: Vice Presidential Records of the Photography Office (George W. Bush Administration), 1/20/2001 - 1/20/2009
Contact: Presidential Materials Division (LM)
National Archives Building
7th and Pennsylvania Avenue NW
Washington, DC 20408
Phone: 202-357-5200
Fax: 202-357-5939
Production Dates: 1/24/2002
Persistent URL: catalog.archives.gov/id/18544056
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
She did not have any specific request other than a girlie/chic master bedroom. I went for a more earthly modern tone for the rest of the home. The house was giving serious vibes for it!
hi guys so i kind of ran out of manip ideas and idk what should i do (or manip) next...got any requests? just submit them here :)
We have received a lot of requests for details of our show winning Military Digger that won the Military Build-off and came in 3rd at the World Championships in Sturgis. Check the news at www.brassballsbobbers.com for more information.
Photography - Motorcycle photography by Michael Lichter. Michael shots these pictures in Sturgis. He has been shooing images for twenty-five years of Harley-Davidsons and the biker lifestyle.
We started with a clear powder-coated Brass Balls Bobbers gooseneck frame to show its high quality construction. The frame is 1026 DOM steel and hand TIG welded.
The team Scotchbrite-textured all the chrome and polished components. Some special-built components include: Hawg Halters hand controls, Crime Scene “Rapide” headlight and air cleaner, Tauer Machine 2 inch Warlord primary, Leroy Thompson hammered brass signature series grips, Rich Phillips hand-tooled leather seat and Chopper Shocks seat shock system. We fabricated foot controls constructed from 1918 trench warfare knives, as well as a P-51 style exhaust.
2008 World Championship - Production Manufacturer
Builder - Dar Holdsworth, Sam Wills, Shaun Norris, Delvin
Owner - Dar Holdsworth
Location - Oklahoma City, OK
Darwin Motorcycles, manufacturer of Brass Balls Bobbers & Choppers, is a registered & licensed NHTSA Manufaturer and listed with Kelley Blue Book and N.A.D.A. services. Our bikes are easy to finance and insure. Call 405.285.0808 for more details.
I only learned about hopia less than a week ago. Chinese mooncakes? You got it. Manju cookies? Learned to make them with rendered chicken fat (in cooking school). But this...these small 2-bite pleasures of sweetened mung bean paste in a flaky dough was something that happened by chance (and another big YAY for the innernetz).
I used the recipe from Betty Shimabukuro's column By Request of the former Honolulu Star-Bulletin turned Star-Advertiser, which, in turn, comes from Conchita Olaya. It is really easy to follow through if you have the bean paste already made, so if starting from scratch, begin a couple days early and soak your beans overnight. The following day you can cook the beans and they'll keep for a couple of days.
archives.starbulletin.com/2001/08/29/features/request.html
NOTES: I followed the recipe to the letter but would like to add my observations to make the whole process even more fool-proof.
1. First of all, if you cut the eventual sum of cylinders (8 count total) into 6 pieces as suggested, you'll end up with 4 dozen hopia instead of the stated 32.
2. Connie Olaya is brand-specific, and her choice of flour is Gold Medal (she says anything else and your dough will tear.) I live in Italy and had to make do with what's available - farina di grano tenero "00". The results were fine and my dough didn't rip when rolling out.
3. Connie also notes that refrigerating the dough overnight will harden it. I kept mine overnight to see how difficult it would be to work with the next day, but my doubts were unwarranted. If you wrap the dough cylinders (that are still wrapped in a towel *I used paper towels*) in plastic wrap it'll keep them from drying out. Remove from refrigerator and let sit at room temperature for 10 minutes or so before rolling out. Having your dough and filling ready like this will make the job much easier if you plan to bake enough to feed a crowd!
3. You won't be flouring your work surface when rolling out the dough pieces (the oil in the dough fixes that), but to get a nice, flat, even result, I roll the dough pieces between plastic wrap. Easy to peel off and reuse.
5. The instructions say to roll the dough pieces into a rectangle but I found it easier to pinch/seal the edges together if in a square-ish shape. You don't need to seriously pinch these to keep the filling contained, but I wouldn't stuff them too much otherwise they'll pop "crack" open during baking.
6. I had no choice but to use extra-virgin olive oil for the first dough (the one that is crumbly) and pistachio oil for the second dough (the one you roll out). They both worked out fine, with no discernible taste of olives or pistachio.
7. I had no split yellow mung beans so I used the whole green ones. I also made a filling using azuki beans but I really like the mung version much better with this.
8. Even though there's a significant amount of oil in the pastry, these are actually light and ADDICTIVE. So if you feel doing half the recipe is enough, you might want to rethink that. I ate six of these in 15 minutes, and I'm munching on one now as I type this up.
I currently have over 100 requests. I will not be excepting any requests until I can get these done, please dont send any requests. If you need to have desings created during this time or need them faster then I can get to them. Then please ask someone else, I know Dutch- has said he can do some but I will leave it up to those who have asked.
3FM Serious Request draait dit jaar om meisjes en vrouwen die slachtoffer zijn van seksueel geweld in conflictgebieden. 3FM Serious Request 2014 vraagt aandacht voor een stille ramp die miljoenen vrouwen treft en beschadigt. 3FM-DJ’s Coen Swijnenberg, Gerard Ekdom en Domien Verschuuren in het Glazen Huis in Haarlem willen deze vrouwen een stem geven en zoveel mogelijk geld inzamelen voor het Rode Kruis, zodat zij opgevangen worden en een leven kunnen opbouwen. Details: www.3fm.nl/ December 2014. Foto:Raymond van Olphen
Na zes dagen mochten Giel Beelen, Michiel Veenstra en Gerard Ekdom maandagavon om negen uur het glazen huis weer uit op de Oude Markt in Enschede. Tijdens het eindfeest op het Van Heekplein werd bekend gemaakt dat de deejays dit jaar meer dan twaalf miljoen euro hebben opgehaald met 3FM Serious Request.
Foto: Heidie Duteweert
EOS 5D Mark IV+SIGMA 24-35mm F2 DG HSM Art
* If you have requests or comments, please describe these in photo comment space.
Nittany Lion joins players in singing Alma Mater, before Jahan Dotson complies with requests to take selfies with fans and poses with ROTC students.
Now and then I get inundated with requests for posting a photo depicting a particular scene. In the past week I received over three hundred e-mail messages asking me to post a shot of a portable toilet seen during a trike ride. Most senders mentioned a preference for a night shot. What prompts so many people to ask for the same thing in a short period is beyond my comprehension. However, my sense of duty to my viewers causes me to dismiss such concerns and concentrate on finding a suitable photo.
Here is the only photo I have that satisfies all the requests. I must apologize for the quality of the image, which was produced by my iPhone 5. This scene is in the parking lot that surrounds a huge warehouse in Sumner, Washington. During a circumnavigation of the building I stopped to capture this quaint scene. I took the picture while seated on my recumbent trike.
I lied. The e-mails arrived in a period of three weeks, not one week. And some requests were not by e-mail. I hope you can find enough kindness in your heart to disregard my rampant dishonesty and lavish praise on the photo, lest my fragile ego suffer.
I might have lied again but I prefer not to elaborate.
All I asked was to pose for a picture. After 20 minutes of baboon and cartoon character faces, I chose this one, as the most reasonable.