View allAll Photos Tagged request
The Luxury of being yourself
We have selected pictures on our website, but can always add more depending on the requests we do get and the current trend in the world of luxury fine art:
We do wedding photography and videography:
We do once in a while have discounted luxury fine art, please do keep checking:
Fine Art Photography Prints & Luxury Wall Art:
We do come up with merchandises over the years, but at the moment we have sold out and will bring them back depending on the demands of our past customers and those we do take on daily across the globe.
Follow us on Instagram!
Facebook:
www.facebook.com/william.stone.989/
500px:
500px.com/p/wsimages?view=photos
Twitter:
LinkedIn:
www.linkedin.com/in/william-stone-6bab1a213/
Pinterest:
www.pinterest.co.uk/wsimages_com/
Smugmug:
Instagram:
We tend to celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied ad multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
“A concise poem about our work as stated elow
A place without being
a thought without thinking
creatively, two dimensions
suspended animation
possibly a perfect imitation
of what was then to see.
A frozen memory in synthetic colour
or black and white instead,
fantasy dreams in magazines
become imbedded inside my head.
Artistic views
surrealistic hues,
a photographer’s instinctive eye:
for he does as he pleases
up to that point he releases,
then develops a visual high.
- M R Abrahams
Some of the gear we use at William Stone Fine Art are listed here:
Some of our latest work & more!
Embedded galleries within a gallery on various aspects of Photography:
There are other aspects closely related to photography that we do embark on:
All prints though us is put through a rigorous set of quality control standards long before we ever ship it to your front door. We only create gallery-quality images, and you'll receive your print in perfect condition with a lifetime guarantee.
All images on Flickr have been specifically published in a lower grade quality to amber our copyright being infringed. We have 4096x pixel full sized quality on all our photos and any of them could be ordered in high grade museum quality grade and a discount applied if the voucher WS-100 is used. Please contact us:
We do plan future trips and do catalogue our past ones, if you believe there is a beautiful place we have missed, and we are sure there must be many, please do let us know and we will investigate.
In our galleries you will find some amazing fine art photography for sale as limited edition and open edition, gallery quality prints. Only the finest materials and archival methods are used to produce these stunning photographic works of art.
We want to thank you for your interest in our work and thanks for visiting our work on Flickr, we do appreciate you and the contributions you make in furthering our interest in photography and on social media in general, we are mostly out in the field or at an event making people feel luxurious about themselves.
WS-170-51296167-171209941-6537780-1962022170545
That's life. The more beautiful and confident you feel, the more likely you are to get a run in your nylons.
Through the mail autograph request from Gus Bodnar with an accompanied note - answering a question about September 11. The note reads: James, On September 11, we were here in Oshawa our home, waiting for our daughter coming in from Hoboken, N.J. by the airliner, but what happened on Sept 11 with all flights cancelled, a real trying time. It was a week before she could get a flight. Keep up the fine work. (signed) Gus Bodnar
James A. VanBuskirk II (James Arthur VanBuskirk) James, born 6 July 1949 in St. Clair, Michigan, United States, passed away 23 May 2011 at age 61 in Las Vegas, Clark, Nevada, United States. Survived by wife, Sandra (Eschker); siblings John VanBuskirk and Joan Christy (Gary); children Kelly Ratliff (Dennis), Julie Rotte (Kyle), Larry Ruiz (Renee), eleven grandchildren and many aunts, uncles, nieces and nephews. Services will be held at The Church of Jesus Christ of Latter-Day Saints, 1990 North River Rd., St. Clair, Michigan on July 23, 2011 at 10:00a.m. James was a retired special needs teacher in Hinkley, California. He grew up in the St. Clair area of Michigan. He was a U.S. Merchant Marine and served in support of the Vietnam War, where he earned a Purple Heart. James will receive military honors at graveside. James is preceded in death by his father, Captain James A. VanBuskirk; mother, Anna Mudge Lozen; brother, Craig; and grandson, Dennis Jr. James had many interests, including family history, geology, origami, and space flight. James was dedicated to making the future better for his grandchildren and continues to watch over them. "Families Are Forever." LINK to his Find a Grave site - www.findagrave.com/memorial/257941773/james-a-vanbuskirk
-------------------------------------------------------------------------------------------
Gus Bodnar - August Bodnar (April 24, 1923 – July 1, 2005) was a Canadian professional ice hockey centre who was the Calder Memorial Trophy winner as the National Hockey League's rookie of the year for the 1943–44 season. He played 12 seasons in the NHL from 1943 to 1955, for the Toronto Maple Leafs, Chicago Black Hawks and Boston Bruins.
Playing career - A native of Fort William, Ontario, Bodnar started his career with the local Fort William Rangers of the Thunder Bay Junior A Hockey League. He played for the Rangers for three seasons from 1941 to 1943 and competed for the Memorial Cup twice in 1941–42 and 1942–43.
After leading the TBJHL in points in 1942–43, Bodnar joined the Toronto Maple Leafs. On October 30, 1943, Bodnar scored his first ever NHL goal 15 seconds into his first NHL game, setting the record for the fastest goal by a player in his first NHL game. Bodnar scored 62 points during the regular season, a career-best, and he beat Montreal Canadiens rookie goaltender Bill Durnan in voting for the Calder Memorial Trophy in 1943–44. He spent four more seasons with the Maple Leafs and won two Stanley Cups in 1944–45 and 1946–47. Bodnar had 40 assists in his rookie season in 1943–44, which would set a record for assists by a Maple Leafs rookie until surpassed by Mitch Marner in 2016–17.
In 1947–48, Bodnar and fellow linemates Gaye Stewart, Ernie Dickens, Bud Poile and Bob Goldham were traded to the Chicago Black Hawks in exchange for Max Bentley and Cy Thomas. Bodnar remained in Chicago for seven seasons from 1947 to 1954. He also played in the NHL All-Star Game in 1950–51. On March 23, 1952, Bodnar set another NHL record by recording three assists in 21 seconds. With that record, he also helped teammate Bill Mosienko set the record for fastest hat-trick in NHL history. In 1953–54, Bodnar was traded to the Boston Bruins midway through the season. He would remain with the Bruins for one more season in 1954–55, before retiring.
Coaching career - Bodnar retired from playing hockey in 1955 but later came back to coach. Bodnar coached in the Boston farm system with the Lakeshore Bruins in the Metro Jr.B league, they won the League Championship in 57/58 and went to the OHA Jr.B Championship round. He was the coach and manager of the Toronto Marlboros from 1967 to 1968. He coached the Marlboros to a Memorial Cup championship in 1966–67. In 1970, Bodnar was named head coach of the Salt Lake Golden Eagles in the WHL. He remained there for one season before signing on as head coach of the Oshawa Generals in the OHA from 1971 to 1976. He was the recipient of the OHA Coach of the Year Award in 1971–72.
Bodnar was elected to the Northwestern Ontario Sports Hall of Fame in 1983, and the Oshawa Sports Hall of Fame in 1995. On July 1, 2005, Bodnar died at the Lakeridge Health Unit in Oshawa, Ontario.
----------------------------------------------------------------------------------------
1991-92 Ultimate Original Six - Produced by the Ultimate Trading Card Company, this 100-card standard-size set celebrates the 75th anniversary of the NHL by featuring players from the original six teams in the NHL. The cards were available only in foil packs, with a production run reportedly of 25,000 foil cases. Each foil pack included a sweepstake card; prizes offered included 250 autographed Bobby Hull holograms and 500 sets autographed by those players living at the time. The fronts feature color action photos with white borders, with the player's name in a silver bar at the top and the left lower corner of the picture rolled back to allow space for the producer's logo. The backs have a career summary presented in the format of a newspaper article (with different headlines), with biography and career statistics appearing in a silver box toward the bottom of the card. The cards are numbered on the back and checklisted below as follows: Team Checklists (1-6), Montreal Canadiens (7-17), New York Rangers (18-29), Toronto Maple Leafs (30-46), Boston Bruins (47-56), Chicago Blackhawks (57-65), Detroit Red Wings (66-72), Ultimate Hall of Fame (73-78), All Ultimate Team (79-84), Referees (85-87), Bobby Hull (88-92), and Great Moments (93-97). The cards were produced in both English and French versions.
LINK to video - Gus Bodnar 1983 Inductee Northwestern Ontario Sports Hall of Fame - www.youtube.com/watch?v=uU5sSsmvsss
LINK to video - The One Hundred - Number 91: Gus Bodnar - www.youtube.com/watch?v=t9CW3PK8agg
Made for a contest held by JB fanfic,
I do not own the pictures used. Full credit goes to whoever owns them.
Graphic designed by me. Please credit if used.
I got so many kind messages and request for contacts these days.
some people I might know for a while but we didn't communicate with each other, and others I didn't know but we meet each other up at that time.
special NEW friends that I wanna say "thank you" are:
voyeurisma, SilverOxide, el patojo, raiworld, .Amy.huimei98.
you're soooo lovely and gave me so many wonderful comments even we don't know each other very well. Thank You! ;)
special OLD friends that I wanna say "thank you" are:
AraiGordai, John*, [schizophrenia], Kimicon, Inoka, Ed, ukaaa, Carol Esther, Joplin,
Andrea Rusky, Maya Newman, dew_wipe, jon madision, 油姬, box2116, Shir, Skull Kid, poopoorama, Amanda Gilligan, Ava B, Lee Wei-I... and a friend who cared about me before but he didn't on flickr anymore, he's Pedro Dyliacco.
you always consideration for me, teach me so many things and give me greatest advices and opinions.
Thank You so much!! ;)
sorry for someone I omitted to make he/she in the list, of course I wasn't deliberate to miss it. :)) I'm NOT just wanna say "Thank You" to above list. do not misconstrue please.
even I can't review all your pics and leave comments, but I wanna say "Thank You" everyone who passed around here and gave me illimitable faves and replies.
Love you guys, you're so sweet. ^__________________^***
ciao ciao
Jersey
Many have made repeated requests for me to model RHT stockings hope you enjoy 😉. You can chime in also
By request. Jeremy, is this good? Sorry, it's my longest shortshot that I have.
I decided to try Badger's way of comparing BA weapons.
This is a comparison of:
- Brickarms M16-GL(i think that's the name)
- Brickarms M16A2-GL
Please correct me if I got the names wrong. Want a specific comparison? Comment below and I'll see if I have the weapon(s) to do so. Comments and feedback are highly appreciated.
Joker out.
My younger son recently requested for a Torchwood from the game Plant Vs Zombies Garden Warfare 2 to go along with his garguantuar haha....well if you can't buy it build it!!
As requested by a fellow 'Flickrite', here's a view of the 'cockpit'.
Leyland group semi-automatic gear selector closest to the camera (gear change electro-pneumatic) The instrument binnacle is broadly the same as that found on the contemporary Dominant coach range. Spring parking brakes are fitted even though many late AECs were still fitted with ratchet handbrakes.
(Previous KOM League Flash Reports are available on request)
Comment regarding SPAM. The vocabulary gets changed with each generation. You all know what I talking about without my having to illustrate how the meaning of words change. One of the greatest stories for which I don't recall all the details occurred during the opening of a large supermarket in Columbia, Mo. in the 1970's. One of the items they featured on sale was SPAM. A young reporter for either one of the two newspapers or television station covered the opening and was impressed with the large display of SPAM.
Being a good and inquisitive reporter he inquired as to the composition of the product. The store had a young assistant manager with a quick and inventive mind so he explained to the reporter that SPAM was the product of a very small animal found only in Nebraska. He went on to explain that like any other product it had years when it was abundant and other years when the little animal was scarce and the product was hard to buy. Since the product was obviously abundant that year he told the reporter that people should stock up on it.
Understand this was long before the internet and the reporter bought the story hook, line and sinker. The story was published or aired in Columbia and it was so popular with the mass audience that the reporter asked the assistant store manager for a follow-up interview. The next time around he even asked for a picture of a SPAM. The assistant manager went into great detail about the animal being nocturnal and that no one had ever photographed one.
In the foregoing paragraphs I just made a huge blunder. I've told a story about which all the details aren't known. However, like most of everything else I write someone out there will probably recall it or can find the story on an old newspaper site. If no one can embellish on this story it still remains my favorite on the subject of SPAM.
A question: Does any reader recall a song from the heyday of Harry Caray, in St. Louis, entitled "The Harry Caray Polka?" If you know of a recording of it or know where the complete lyrics might be found I'd appreciate knowing about it. I will share it with one other person, the one who inquired about it.
The
KOM Flash Report
for
August 23, 2013
Store this URL somewhere to stay informed of KOM updates and photos. www.flickr.com/photos/60428361@N07/
________________________________________________________________________________________
This is the first attempt since the Google Internet Gestapo (GIG) arrested me, a few weeks ago, for sending Flash Reports that they determined to be SPAM. Everyone from my era knows what that product was/is. It used to be eaten because we were poor and now people eat it to be chic.
Moving right ahead. For the last 18 days an attempt has been made to keep those with any interest in the KOM league news updated through this site. Flicker: KOM League Photostream
www.flickr.com/photos/60428361@N07/ Some readers, like Bill Clark, right here in Columbia, Missouri, can’t get that feature. So, Bill, this report is for you and I’m including the updates that appear on that site to kick off this report.
August 23, 2013
I'm not sure how many people even bother to check this site for updates. If you do and would like to see a brand new Flash Report with all the excitement those stories generate let me know. In fact, it will take about 25 people asking to see a new report for me to shake myself from the summer doldrums in order to do it. I've heard from a few folks with some pretty interesting tales and I'd put forth a little, not much, energy to do something that a few of you enjoy. Let me know. Otherwise, I'll keep picking tomatoes and placing them at the free tomato stand in my front yard. Just dial me up at j03.john@gmail.com if you want another thrill packed edition of the Flash Report.
August 22, 2013
Yesterday I was going through a list of former KOM leaguers with whom contact had been established over the years. For a number of years communication with Russ and Dody Oxford was conducted by e-mail.. Russ was the third baseman on the same team as the four fellows shown in the photo above. (That is the Flickr site photo)
Russ was born Russell Charles Oxford on October 20, 1931 in Sioux City, Iowa and I learned through some searching of obituaries recently that he passed away April 24, 2013 in Redmond, Washington.
Russ and Dorothy McInnes were married on June 21, 1951 at the Grace Episcopal Church in Carthage, MO. After the wedding many of his teammates formed an archway using baseball bats under which the newlyweds exited the church. The bridesmaid and best man at that wedding were Mr. and Mrs. Walter Koehler. Just one month later Walter was drafted and just over a year later he died while serving his country as a medical corpsman in Korea.
One thing Oxford accomplished that very few former Carthage players pulled off was getting away with a team uniform at the end of the season. He wore #7 which was a hand me down from the 1949 Chicago Cubs. Another thing Russ had was a birthday that was the same as a former KOM league shortstop. That former KOM league shortstop didn't wear #7 until he made it to the major leagues and it was later retired when the fellow retired from the New York Yankees.
One of the great trivia questions in the early days of the KOM league was to ask "Who played on the left side of a KOM league infield, wore #7 and was born October 20, 1931. Never once did anyone ever say the name "Russ Oxford." The only name that anyone knew who fit that description was "Mickey Mantle."
From whence did they come to play in the KOM league?
Many people assume, who weren't around 60 years ago, that Class D teams were heavily populated with players from the area in which the team was located. That was true if the team wasn't affiliated with a major league organization or a higher classification team. In a quick perusal of the database of KOM rosters there were 19 players each from Springfield, MO and Topeka, Kansas. Most of the Topeka lads wound up in the league by virtue of being signed by the Topeka, Kansas Owls. The Springfield boys were primarily signed by Tom Greenwade and shipped off to Independence, Kansas to "sink or swim."
Players from all over the country wound up in the KOM with 105 coming from the State of California and 27 of them from the City of Los Angeles. The Windy City, Chicago, sent 85 of their young men to the league basically because of the Cubs sponsoring teams at Iola in 1946-47, Carthage 1949-51 and Blackwell, OK in 1952. The City of St. Louis contributed 87 players to the league and that doesn't include the other cities in the metro area. Even the "Big Apple" had 16 of their youngsters go west to receive their version of culture shock. Omaha, Nebraska had 40 of their young men in KOM league uniforms and most of those played at Ponca City, OK in the Dodger organization. Bert Wells, of Larned, Kansas, the Dodger scout, was primarily responsible for that.
Should you have an interest in a certain city or town and wonder how many of their residents played in the KOM league send in that inquiry. Small towns such as Alba, MO sent a half dozen players to the KOM league and not all of them were named Boyer. And, as I've stated numerous times neither Cloyd Boyer nor his little brother, Cletis, were born in Alba. But, the "baseball chronicles" will always claim they did. Cloyd told me he long ago gave up on trying getting the record books changed on that matter. It's too late for Cletis who was born at Cossville and every baseball publication on earth will show his birth place as Cassville. One of those towns is in Barry County and the other in Jasper County, MO. It’s not too late to get Cloyd’s birthplace corrected while he is still around to know it. He was born in Duval Township located just north of Alba near what is Baseline Road. Look it up on any good Internet site or bad one for that matter.
August 19, 2013
No Flash Report updates have transpired in the last four days. I'm not planning any Flash Reports for the foreseeable future. No one is corresponding with me about what is on their mind and fortunately I don't have any deaths to report. I do know a couple of guys have had a rough time lately do to surgery and other age related problems but they don't come under the heading of "Urgent Messages." When those arrive I'll report on them. The two people I'm tracking right now, due to health problems, are; Don Keeter and Leonard Van de Hey. Keeter is in a Kansas City rehabilitation facility and Van de Hey is in a Wisconsin hospital following surgery. Word received today was that there will be more of the same for the former Carthage Cub from 1950-51.
August 12, 2013.
There won't be another Flash Report for a few days. If you have anything to submit for the next report feel free to do so by contacting me at j03.john@gmail.com Thanks for checking out this site. The traffic on this site has picked up significantly since the Flash Reports have become a feature.
For the latest interview with former KOM Leaguer, Bill Virdon, go to this site: Celebrate West Plains: Bill Virdon reflects on his career - KY3 News
m.ky3.com/display/6497/story/458e4da0908d50238e442ec6fee3...
The next report will have an update on what happened with regard to the guy offering to give me a Mickey Mantle baseball card and also more information on the late Roger Vander Weide's baseball career. His older brother Robert was "top dog" in the operation of the Orlando Magic when they entered the National Basketball Association.
August 15, 2013. The photos are viewed by a number of former KOM league ballplayers and their families. I learned, by posting these photos that Leonard Van de Hey, a member of the 1950-51 Carthage Cubs had surgery yesterday in Wisconsin. Also, a nice note was received from the daughter of the late Johnny LaPorta, Carthage Cubs 1949-50 that she enjoys the photos. Her mother, Angie, the greatest scorekeeper in the history of Carthage baseball, is residing in a nursing home in the Chicago area and still retains the memories of many of the KOM era.
In the next Flash Report an article will address the subject of radio stations that broadcast KOM League games. If you heard a game or games over KGLC in Miami, OK, KSEK Pittsburg, KS, KDMO Carthage, MO, KIND Independence, KS, KWON Bartlesville, OK or WBBZ in Ponca City and wish to share a memory I'd love to include it in the article. There were no games aired of Iola, Blackwell or Chanute home games since those towns didn't have a radio station until nearly a decade after the KOM League folded.
The voice of Miami baseball was Russ Martin. He was the pastor of the First Christian Church in Miami and was well known for the dramatic phrases and embellishment of games when they became a bit drab. For a while, Joe Pollock, former KOM speedster, with three different clubs, was his play by play color man.
Pittsburg Browns games were carried on KSEK radio. That station was on the Liberty network and carried a game of the day with Gordon McClendon and Lindsey Nelson doing most of the games. If you got bored you went to the top of the radio dial and got the Mutual Broadcasting Company game with Al Helfer doing the announcing on radio station WMBH in Joplin. In the evening that station carried the Joplin Miner games with Bill Grigsby doing the play by play. As a point of trivia the last KOM game broadcast was in 1998 with Grigsby doing most of the play by play and not so ably assisted by Yours truly. That was about as much fun as I ever had. By the way one of the announcers for Pittsburg was Thad Sandstrom who later headed up the WIBW radio and TV empire. If you want to know the fate of Mr. Sandstrom check that out on the Internet. The story is too long and gory to place here.
Bill Platt, James DeStefano (aka Jim King), Fred Pralle and Keith Upson broadcast for Ponca City, Carthage, Bartlesville and Independence, respectively. The story of Upson is contained under the last photo on this Flickr site. He is shown with the 1948 Independence Yankees. There are some great tales about the last four guys mentioned but I'll hold off writing anything about them to see if anyone has read the material to this point.
I'm under pressure to keep this site moving along since g-mail loves me at about the same level socialism admires free enterprise and vice versa.
Okay, the foregoing is all that you missed if you don’t have access to Flickr or can access it and don’t.
_________________________________________________________________________________________
Here are a few other things that have transpired recently: And a few reasons why I still attempt to piece these reports into some type of order.
From a lady in Topeka, Kansas: “I enjoy reading these reports whether I know the person or not...............it’s in my blood, I guess and I appreciate all the work you do in writing these reports
From a lady in St. Louis, Missouri. “Dad was reading over my shoulder again! He has been gone so long but baseball was everything to him and (I) know he would really enjoy the reports.”
From a lady in Indianapolis, Indiana:
JOHN, THANKS AGAIN FOR ALL THE BEAUTIFUL PHOTOGRAPHY~~ESPECIALLY THE BIRDS, FLOWERS, AND CHARLIE.
CAN"T BELIEVE IT'S BEEN FIVE MONTHS SINCE KENNY PASSED ON. A VERY KIND AND CARING HUSBAND, EXCEPT WHEN ONE OF HIS PLAYERS MISSES AN EASY CATCH FOR THE WIN!”
Ed note: Kenny’s last name was Cox and played for the 1948 Carthage Cardinals and other teams in the Brooklyn Dodger organization later on.
From a gentleman in Shreveport, Louisiana:
You think you have troubles with Google. I've been out of internet for several days. My battle with A. T. & T. started 3 years ago and continues. Won't bore you with details. Dave wants you to know that Thursday he finished the batch of Flash Reports you sent. Said to tell you he read every word. And he'll be going back to them often over the years! Without the net, have accumulated a # of your photos. We'll set aside a time and
both go over together.
Ed note:
The reports the gentleman mentioned were actually every issue of the KOM League Remembered newsletter that was published between 1994 and 2010. Those arrived in Louisiana thanks to the kindness of Bob Mallon who had kept every copy sent him over the years.
_________________________________________________________________________________________
Baseball trivia--The youngest pitcher to win a Major League game in the 20th Century
Hi John--Here is a little interesting baseball trivia I know you'll enjoy reading. This is an old teammate of mine from 58 years ago. I just met him again for the first time at the Legion World Series last Friday in his hometown of Shelby, NC. This was the game my great-nephew Joe O'Donnell pitched. (Photo to follow in my next e-mail).
When we were teammates, I never knew about his accomplishments. He was just a class-act career minor-leaguer, and good teammate. We had a great time talking and remembering those good old days when the grass was real and batting helmets nonexistent! -Bill--Durham, NC
philadelphia.phillies.mlb.com/news/article.jsp?ymd=201211...
Ed note:
Not many baseball fans would know the name of the youngest pitcher to have won a game in the big leagues. The one previous to that was in 1890. Without looking how many of you can name the youngest pitcher to post a win? Here’s a hint if you immediately think of Joe Nuxhall you aren’t even in the running.
Note from a friend since my youth:
Upon finding the information on the death of Russell Oxford I sent a note to my long time friend, in Arizona, Corky Simpson. Cork is an award winning and Arizona Hall of Fame sportswriter. So, when I get a note from him I listen.
Johnny: I remember him well and I always thought he had a great baseball name: Russ Oxford. -- Didn't we shag balls in the outfield during batting practice one time? Or am I dreaming? I think we did. Boy, today the liability insurance on something like that would be more catastrophic than getting beaned on the head. Come to think of it, I believe a Carthage Cub, perhaps Rogers Hornsby's son, did get beaned on the head one time in lieu of catching the !#@%!! ball during an actual game. -- Corky
Ed reply:
They never let me shag balls during batting practice. Hornsby was in CF in the second game of a DH against Independence on or near August 20 of 1949. The Carthage pitcher was working on a 21 straight scoreless inning streak. With one out and a runner on first the Independence shortstop hit a fly ball to medium left center. The ball got above the light standards and Hornsby couldn't locate it and it landed on the side of his head. The hitter, Mickey Mantle, got an inside the park homer and Dr. Tom McNew came on the field to check out Hornsby. That same Carthage pitcher, George Erath, who had his scoreless hit streak snapped by the freak homer later ran a minor league club in North Carolina and gave Curt Flood his first chance in baseball. True story.
By the way Carthage teams have come up a lot in recent days. Len Van de Hey is having some health issues and his family has been in touch. I have even talked to one member of the family about his girlfriend when he was with Carthage. He went with Shirley S. She had four sisters. They were B., S., B., and another B. You probably remember some of those girls. There were three other Carthage girls who dated John Mudd, Walt Babcock and Don Biebel and followed them up to Sioux Falls, SD, the next year, and discovered the ball players had already found other girlfriends by the time they got there. (Only one player from the 1951 Carthage team married a girl from the area and she was from Avilla.)
________________________________________________________________________________________
A new book about Carthage, MO
There is a new book in the Arcadia series coming out late this month and there will be a special event to honor that on August 30. The kick-off for that book will be August 30 at the Powers Museum which is located directly across the street from the old ballpark where the Carthage Pirates, Browns, Cardinals and Cubs played their games on and off from 1938-1951.
All of those who contributed to the book that chronicles the history of Carthage from 1950-1990 have been invited to attend a special evening together and since I did identify some old photos of former Carthage players an invitation was extended. The following was my reply. “Congratulations on the new book. Those 50 years of Carthage history was special to me, especially the first 20 years of it.
Only yesterday I was exchanging notes with a member of the 1951 Carthage Cub baseball team and I was doing some research on the young lady he dated that year. That young lady is now 81, if she's still living. She had four sisters and I'm about 99.999% sure I could find her or her descendants if I put any effort into the matter. The young lady who dated the ballplayer in 1951 married a young man in 1953 who had just come back from the Korean War. He had attained the rank of Sergeant in the Marine Corps. I noticed in checking the ancestry files yesterday that he died in 1972 at the young age of 40. That was the same age my dad was when he died in 1947 at McCune Brooks Hospital in Carthage.
My mind often wanders back to the days of my youth, in Carthage, and I relish the memories. Since the 1940 Federal Census has come out I sometimes go through the difference sections of the city and look for names I recognize from the past. It’s interesting to see where the parents of my classmates worked and even how old they were when their children were born. The people I looked upon as old were relatively young as I peruse the census data.
I would love to be in Carthage on the 30th but it is impossible these days to leave home. I still put out my baseball reports to a few hundred people and many of the recipients are former Carthaginians or former players loved the town. I'll mention the new book and hopefully some of the readers will order one.
Note from Powers Museum’s director:
Thanks for responding back. I will send you a list of the baseball photos we used. I will also see if another book by another author using some of our baseball photos got published as he thought. Those would be pre-KOM
Ed reply:
What you have are Carthage Pirate and Browns photos. However, there were a couple of 1946 Carthage Cardinals that somehow were in that lot. I imagine the other guy you are talking about is Jerry Hogan of Fayetteville, Ark. who has been trying to get his book about the Arkansas State and Arkansas-Missouri league published for some time. I hear from him nearly every day of my life. (Jerry get in touch with the museum if I have misrepresented anything.)
Reply from Powers Museum’s director:
Yes, so the book is NOT out yet I take it. I won't go looking for it then!
Here is who is in the book:
Pirates Joe Narieka
Browns trio of Roy Meyer, Joe Szuch & Frank Mancuso
Browns bat boy Raymond Baird
Cardinals William Buck
Cardinals LaVerne Etting
...and of course an image of the stadium.
The whole idea of the book was to feature selections from the many archival/artifact donations made to the museum since opening of the museum.
MICHELE HANSFORD
Director
Powers Museum, Carthage MO
Ed note:
Since many of the recipients of this report have Carthage connections you might wish to check out the book about Carthage. It is in the same format as all Arcadia publications. It will be around 128 pages with a lot of great photos and minimal verbiage. If any of you purchased “The KOM League Remembered” by that non-award winning author you’ll know what to expect regarding the 40 year history of Carthage from its glory years.
And, while I’m on the subject, if you wish to have the best pictorial book ever published about the KOM League I’m sure Arcadia would sell you one or more if you begged them. You can purchase them off the Internet and if you purchase them from Amazon.com I suspect that some where down the line it would result in eighty cents in royalties to Yours truly. It’s been a long time since I’ve seen a royalty check.
__________________________________________________________________________________________
Okay, I’m done:
I’ve dropped so many names and places in this report I’m bound to hear from someone for whom those references will spark some type of memory. If I don’t then this report has NO reason for existing.
..\description_code.txt
Description:
ITEM Identifier: 87-M130, 66o.
Architectural drawings. Walker Gordon laboratories: 4 negative photostats, 1929; Noyes houses, Holderness New Hampshire: negative and positive photostats, 1929; Mary Huntington Pew, Rockport,: pencil and blueprints, 1933; Conklin house: photostats, 1941; 305 Broadway, n.d.
Repository: Schlesinger Library on the History of Women in America.
Collection: Elisabeth Coit Papers
Call Number: 87-M130
Catalog Record: hollisarchives.lib.harvard.edu/repositories/8/resources/7565
Questions? Ask a Schlesinger Librarian
These are the first images @5x & 50x captured by summer trainee, Susan Margolis. Awesome shots! ID requested for diptera....
You can download or view Macroscopic Solutions’ images in more detail by selecting any image and clicking the downward facing arrow in the lower-right corner of the image display screen. Three individuals of Macroscopic Solutions, LLC captured the images in this database collaboratively. Contact information: Mark Smith M.S. Geoscientist mark@macroscopicsolutions.com Daniel Saftner B.S. Geoscientist and Returned Peace Corps Volunteer daniel@macroscopicsolutions.com Annette Evans Ph.D. Student at the University of Connecticut annette@macroscopicsolutions.com
Had a request to resurrect FreshLime for a commission, great guy couldn't refuse, so here he is. 8" Custom Dunny...
Photo's by TYM... www.flickr.com/photos/tymphotography/
Oh yeah don't forget to check 'all sizes'!...
To be honest, I personally think that this is one of my best.
My idea for this was for it to be like a Broadway
show. Hence the fancy logo.
To who requested it, I hope you like it!
+++ DISCLAIMER +++Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
In October 1933, Hermann Göring sent out a letter requesting aircraft companies consider the design of a "high speed courier aircraft" - a thinly veiled request for a new fighter. In May 1934, this was made official and the Technisches Amt sent out a request for a single-seat interceptor for the Rüstungsflugzeug IV role, this time under the guise of a "sports aircraft". The specification was first sent to the most experienced fighter designers, Heinkel, Arado, and Focke-Wulf.
Heinkel's design was created primarily by twin brothers Walter and Siegfried Günter, whose designs would dominate most of Heinkel's work. They started work on Projekt 1015 in late 1933 under the guise of the original courier aircraft, based around the BMW XV radial engine. Work was already under way when the official request went out on 2 May, and on 5 May the design was renamed the He 112.
The primary source of inspiration for the He 112 was their earlier He 70 Blitz ("Lightning") design. The Blitz was a single-engine, four-passenger aircraft originally designed for use by Lufthansa, and it in turn was inspired by the famous Lockheed Model 9 Orion mail plane. Like many civilian designs of the time, the aircraft was pressed into military service and was used as a two-seat bomber (although mostly for reconnaissance) and served in this role in Spain. The Blitz introduced a number of new construction techniques to the Heinkel company; it was their first low-wing monoplane, their first with retractable landing gear, their first all-metal monocoque design, and its elliptical, reverse-gull wing would be seen on a number of later projects. The Blitz could almost meet the new fighter requirements itself, so it is not surprising that the Günters would choose to work with the existing design as much as possible.
The original He 112 was basically a scaled down version of Heinkel’s aerodynamically highly refined He 70 and shared its all metal construction, inverted gull wings, and retractable landing gear. Like the He 70, the He 112 was constructed entirely of metal, using a two-spar wing and a monocoque fuselage with flush-head rivets. The landing gear retracted outward from the low point of the wing's gull-bend, which resulted in a fairly wide span track, giving the aircraft excellent ground handling. Its only features from an older era were its open cockpit and fuselage spine behind the headrest, which were kept in order to provide excellent vision and make the biplane-trained pilots feel more comfortable.
The He 112 V1 started in the head-to-head contest when it arrived at Travemünde on 8 February 1936. The other three competitors had all arrived by the beginning of March. Right away, the Focke-Wulf Fw 159 and Arado Ar 80 proved to be lacking in performance, and plagued with problems, and were eliminated from serious consideration. At this point, the He 112 was the favorite over the "unknown" Bf 109, but opinions changed when the Bf 109 V2 arrived on 21 March. All the competitor aircraft had initially been equipped with the Rolls-Royce Kestrel engine, but the Bf 109 V2 had a Jumo 210. From that point on, it started to outperform the He 112 in almost every way, and even the arrival of the Jumo-engined He 112 V2 on 15 April did little to address this imbalance.
Eventually, the Bf 109 was chosen as the Luftwaffe’s new standard fighter, and Heinkel was left with an excellent but unwanted fighter. However, the He 112 was subsequently marketed to foreign customers, including Yugoslavia, The Netherlands, Finland, Romania and Hungary, and saw a mild export and license production success during WWII’s opening stages.
In the autumn 1937, a Japanese military delegation visited the Heinkel Flugzeugwerke's Marienehe plant. Impressed by the high performances and clean lines of the He 112 V9, an order for thirty similar He-112B-0s was placed, with options for a further 100 aircraft. The delegation returned to Japan, not only with the signed contract documents but with a demonstration aircraft, presumably the He 112 V5 (D-IIZO).
However, the Japanese Navy, at that time looking for a replacement for its A5M fighter was not impressed by the He 112 V5’s handling characteristics, and since it was unlikely that the He 112 could be modified for carrier operations, this option was not further pursued and eventually Mitsubishi's famous A6M fighter became Japan's standard fighter for naval operations.
Things changed quickly, though. The Japanese expansion to the Asian mainland in the Second Sino-Japanese War required a huge number of land-based aircraft, preferably with a long and the current types appreared obsolete. In order to bridge this gap until indigenous designs had entered full scale production, Japan once more turned to Germany and requested assistance in the form of aircraft deliveries or even license production.
Having been aware of the superior He 112 V9 and the resulting He 112 B-0 as production standard, a Japanese delegation visited Germany in summer 1940 and tested the more modern aircraft. The maneuverability of the Heinkel fighter was again found to be inferor to the Japanese A5M2, but the Imperial Japanese Navy purchased 12 Heinkel He 112B-0 fighters, which it designated both as the Heinkel A7He1 and as the "Navy Type He Air Defense Fighter", and secured rights for license production for the airframe as well as for German aircraft engines, namely the Daimler Benz 601Aa, which later became the Kawasaki Ha40.
The Japanese flew the A7He1 only briefly during the Second Sino-Japanese War, but phased it out of service before the attack on Pearl Harbor in December 1941 in favor of the Mitsubishi A6M Zero. Allied Forces assigned the reporting name "Jerry" to the aircraft.
The A7He1 was disappointing, though, and as a result of the field tests the Kaigun Koku Gijyutsusho's (Testing Unit) issued a final report which concluded that the A7He1 was not the right choice as the main IJN fighter type, and cancellation of the options on additional aircraft was recommended. However, with the purchase of various production rights and tools it was decided to develop the aerodynamically highly sophisticated and sturdy A7He1 further, outfitted with a considerably more powerful Ha40 engine and other refinements and adaptations.
The resulting aircraft was the A7He2, but its development, as well as the integration of domestic parts and setting up serial production (also of the Ha40 engine), took until early 1943. The first Sentai (Air Group/Wing) fully equipped with the A7He2 were allocated to the Kwantung Army in Manchuoko, and additional deliveries were later made to units supporting Japan’s Fifteenth Army in Burma.
However, the machines were sent off of the production lines into a difficult theatre, where jungles and adverse weather conditions, coupled with a lack of spares, quickly undermined the efficiency of both men and aircraft. Because the A7He2 was totally new and the maintenance crews only used to more robust air-cooled radial engines, the type inevitably suffered from teething problems and the A7He2 tallied a disastrous series of failures and ongoing problems.
As a consequence, the pilots did not trust the new aircraft and morale was low. Beyond constant technical issues, the A7He2 was also unpopular due to its very different flight characteristics. Japanese pilots and aerial combat tactics had traditionally relied on agility, and the A7He2, with its focus on speed and superior rate of climb, was a totally different concept.
In fact, the A7He2 was not accepted as a classic fighter at all, and since the more "traditional" A6M had become available in ever growing numbers and updated variants, the A7He2 was soon relegated to ground attacks and CAS missions, in which its heavy gun armament, flight stability, endurance and the ability to take a lot of punishment (esp. hits from small caliber weapons) came in handy.
Occasionally, the A7He2 was deployed in interceptor missions against Allied bombers flying at high altitude, too, but direct dogfight confrontations with fighters were avoided and, if available, any other type was preferred by the IJN pilots.
In order to improve the situation, the A7He2 was modified in the field In the course of its limited career. Most notable changes were the addition of imported dust filters for the touchy engines, and some machines had their original pair of 7.7 mm (0.303 in) Type 97 aircraft machine guns with 500 rounds per gun on top of the engine replaced by two heavier 13mm Type 2 machine guns, for which a modified cowling with characteristic bulges had to be mounted. The machines retained their original designation, though.
Total A7He2 production reached roundabout 300 aircraft and ceased in 1944, when IJN officials recognized that the A7He2 was a dead end and the resources devoted to its production would be better spent in more capable aircraft. Anyway, due to material shortages, the "Jerry" remained in service, even though most machines were gradually replaced by A6M in frontline units until early 1945.
General characteristics:
Crew: 1
Length: 9.22 m (30 ft 11 7/8 in)
Wingspan: 9.09 m (29 ft 9¾ in)
Height: 3.82 m (12 ft 6¾ in)
Wing area: 17 m² (183 ft²)
Empty weight: 1,617 kg (3,565 lb)
Max. takeoff weight: 2,248 kg (4,957 lb)
Performance:
Maximum speed: 580 km/h (360 mph; 313 kn) at 5,000 m (16,000 ft)
Range: 1.150 km (715 mi)
Service ceiling: 9,500 m (31,200 ft)
Rate of climb: 17.0 m/s (3,345 ft/min)
Wing loading: 132 kg/m² (27.1 lb/ft²)
Powerplant:
1× Kawasaki Ha40 inverted liquid-cooled V-12 piston engine, 864 kW (1,159 hp)
Armament:
2× 20 mm Type 99-1 cannon with 100 RPG in the outer wings
2× 7.7 mm (0.303 in) Type 97 aircraft machine guns with 500 RPG
or 13mm Type 2 heavy machine with 250 RPG guns on top of the engine
2× 120 kg (265 lb) bombs or 2× 200l drop tanks under the inner wings
The kit and its assembly:
Another converted Heller He 112 B-0/B-1 in disguise, and this time I spun the type's potential career in/with Japan further. In real life the story ended with the delivery of a dozen He 112 B-0s, which were relegated to training duties and not much liked at all.
However, I had a spare He 112 in the stash and also a surplus Ki-61 fuselage at hand, and wouldn't a combination of the sleek He 112 airframe with a better engine (even of German origin!) be a plausible evolution? Well, said and done...
The He 112 remained close to the original, I just swapped the front end and the propeller (taken completely from a Fine Molds Ki-61 II, which is actually the Hasegawa Ki-61 I with extra parts) and replaced the large OOB stabilizers with more delicate parts from a Hobby Boss A6M5 - IMHO an overall improvement concerning the aircraft's proportions.
Small additions are the protruding gun barrels (hollow steel needles) and the pair of small bombs under the inner wings, inside of the landing gear.
The radiator bath was also enlarged, reflecting the engine’s higher output level, but it basically remained in the original position.
Painting and markings:
A slightly more tricky part - choosing a unit and a scheme were not easy, and I eventually ended up with a mash of styles for a machine of the IJN’s Tainan Air Group based on Formosa.
In 1943, most Japanese aircraft wore toned-down camouflage, the days of an overall light grey livery with flashy unit markings were over. However, I wanted to incorporate some old-school elements and eventually ended up with a basically all-grey aircraft (all-over Tamiya XF-12), onto which green makeshift camouflage (thinned acrylic Revell 363) had been added later in the field, applied around the original hinomaru and tactical markings.
Another unique design element, somewhat lent from the A6M, is a black engine cowling that elegantly merges with an anti glare panel in front of the windscreen. It gives the aircraft almost a racy look, and it underlines the He 112’s elegant lines, too, even with the bigger engine grafted onto it.
Being an aircraft of Japanese manufacture, the cockpit was painted in greenish yellow (“Bamboo”) and the landing gear wells, as well as the flaps’ interior, became Aodake Iro, a home-made mix of acrylic Revell 99 (Aluminum) and a teal clear window painting color. The effect is pretty good.
The markings were improvised and gathered from several sources. The hinomaru originally belong to an Airfix Ki-46, the blue stripes were manually cut from generic blue decal sheet (TL Modellbau); the tacticla code on the fin is of uncertain origin - very old, decals which ,unfortunately, partly desintegrated in the course of the build and had to be repainted manually.
The grey coat received a black ink wash and some panel shading; once the decals and the green camouflage had been applied, the surface was wet-sanded carefully, revealing again some of the grey basic paint and the risen surface details of the Heller kit.
Finally, some soot and exhaust stains were created with grinded graphite, and the kit finally sealed with matt acrylic varnish; the lower part of the black cowling received a sheen finish, though.
The third and last iteration of the Heller He 112 kit, at least for the moment. The engine change is not highly visible, and the paint scheme makes you think that it's rather an A6M with an inline engine than anything else? The wing shape also suggests a beefed-up A5M, it's really weird how a paint scheme can play tricks with your expectations and perception. The whole thing looks very elegant, though, and for a moment I was even tempted to leave the green camouflage away, because in its all-grey livery and with the black engine, the A7He2 looked almost like a race aircraft - and also very German!
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog. Voor meer info, check: www.3fm.nl/seriousrequest
[pastie on request, just comment or something. except my actual wips.]
Most of these are just shameless attempts at stuff. some are actually legit wips. so yeah.
-bullpup ak
-m110
-lmg
-seal m16 (maybe a wip, not sure)
-crappy first try at a bullpup
-high cap smg (definitely a wip)
-tec-9 (wip)
-magpul moe untextured (pastie on request, leave a comment)
-tapco intrafuse ak flash hider (pastie on request, leave a comment)
yeah, thats pretty much it.
fml.
EOS 5D Mark III+Sigma 50mm F1.4 DG HSM Art
* If you have requests or comments, please describe these in photo comment space.
For today's Daily Create: "a photo that emphasizes the detail of a hand"
I was inspired by a photo I use to show how a picture can suggest a story
www.flickr.com/photos/ashleyrosex/3042780224/
But yikes, I could not find a marker, had to write with a poorly perfoming pen.
The lighting was a bit yellow from my desk lamp, and I have been doing a lot of black and white, so I just set in the low contrast sepia preset in Aperture, but bumped contrast a tad.
Met 3FM Serious Request 2015 zetten we ons dit jaar in voor kinderen en jongeren
in oorlogs- en conflictgebieden: deze generatie leeft onder de meest extreme omstandigheden en heeft daardoor weinig kans op scholing en ontwikkeling. Zij zijn de stille slachtoffers van de oorlog.
The Maison Losseau is an Art Nouveau private house located in Mons, Belgium. Dating from the 18th century, it was renovated in Art Nouveau style in the early 1900s at the request of Léon Losseau by Paul Saintenoy. It is listed on the list of the exceptional heritage site of Wallonia and since 2015 houses a center for the interpretation of Léon Losseau's collections and regional literature. The house is located at number 37 rue de Nimy in Mons, next to the courthouse.
The neoclassical façade is covered with a white coating. The entrance door is detached, consisting of black cast iron columns decorated with golden leaves (1908) and fuchsia flowers of the same color.The house has very refined details. Each piece has a flower theme.The lobby has for example the theme of pink and orchid. A canopy with wooden beams overlooks the living room, which was decorated in 1911 by 15 pâte de verres of Amalric Walter representing the Belfry of Thuin and the river Sambre.
The facade, the roof and the interior of the house are classified as heritage monuments on the list of the exceptional heritage sites of Wallonia. Since 19 April 1982, the facade and the roofs are classified as heritage while the interior of the house was classified in 21 November 1983. In 2015, after a project launched in the early 2010s in anticipation of Mons 2015, a renovation began in 2011, the house reopened to the public in 2015. It houses a center for the interpretation of Léon Losseau's collections and a center for regional literature.
The original house was built in the eighteenth century. It was acquired in 1873 by Charles Losseau, the father of Léon Losseau.
Glass roof in the living room. Glass and wooden beams, stylization of rosebushes and orchids. (Daum 1905)
It was completely renovated by Paul Saintenoy who was contacted in 1899 by Léon Losseau, lawyer, bibliophile, photographer and art patron. The finishing works were entrusted to Parisian architects Henri Sauvage and Charles Sarazin and continued by the Brussels architect Louis Sauvage. Paul Saintenoy began its work in 1900 and completed it in 1904, while the majority of decorations were made between 1905 and 1912. The renovation that ended in 1913 included the addition of electricity, central heating and an elevator. Once the renovation was completed, it became the first private house in Mons equipped with electricity and central heating.
During his life, Léon Losseau accumulated more than 100,000 books in his private library, mostly devoted to politics, but also to literature and poetry. A foundation was created in 1952 to manage his legacy.
People/fandoms I am more than willing to manip that are relevant to people that look at this photo:
Miley Cyrus, Nick Jonas, Victoria Justice, TVD Cast, PLL Cast, Glee Cast
Others that I am more than willing to manip:
SPN Cast, The Social Network Cast, Mila Kunis, James Franco, Jennifer Lawrence, Michael Fassbender, James McAvoy
Once again, I am willing to manip other people, as well. But those, I especially love manipping.
Oh yes, and leave requests only on this photo. It helps me keep track of them easier. If they're left anywhere else on my stream, they will not be taken.
And on FormSpring:
Remote control a request for crossdressing fiction
dragqueen.silicone-breast.com/2016/10/19/remote-control-a...
imgur.com/pXCTh7R.jpg?utm_source=rss&utm_medium=rss
Watch this… ‘ Alex winked at her two girlfriends as she grabbed the television remote control and pointed in at the three buxom maids pouting in the middle of the living room floor. A few taps of the plus next to the word ‘volume ‘ later and all three girls had visibly in
About a week ago a girl sent me a friend request on facebook. Not one to turn a pretty girl away i accepted. After a week of seeing her wall posts I was curious to see who this girl was so I sent her a message. Turns out she is a friend of a friend and wanted some pictures done. We made plans for the following sunday to do some test shots and to see how we would get along. She arrived at my place around 3:30 and off we went to downtown LA. I had an idea where i wanted to take some pictures but I had only been there at night to take some long exposures and security is pretty hit or miss. Sometimes they let you shoot and others they will kick you out. We made good time to downtown and I was surprised to see street parking near the John Ferrero Building. It looks like the opera was in town across the street and the street parking was taken up mostly by semi trucks. I found a spot to park but there was a temporary no parking sign. Without anyone seeing i took the sign off the post and put my change in the meter. I just hoped no cops were in the area looking to give out tickets. Caitlin had never shot before and was quite nervous. I did my best cracking jokes and just trying to ease her nerves. Very soon she started to get more comfortable and the shots started getting alot better. After shooting at the john ferrero building I thought about shooting at the disney concert hall but didn't want to take my chances with my parking spot so I took her for alittle drive though downtown and showed her one of my favorite places the art district. It seems the camera just loved her and what was supposed to be a test shoot turned into a full on photoshoot. Now i have a ton of pictures to go though. I can't wait to shoot with her again.
strobist: sb-600 on the left of the camera 1/2 power bare. sb-600 on the right of the camera 1/2 power bare. sb-800 on camera set at a commander 1/4 power with a sto fen defuser. triggered with nikon cls.
Ph09569B1: We have recently had a request for an Anaconda photograph from an employee who worked at the Anaconda mill in Marion, Indiana. So here she is in all her glory, the Hastings mill of the Anaconda Wire & Cable Company. If you look closely, you can see the Indian arrowhead logo in the lower right corner of the photograph. Anaconda bought out the American Brass Company mill in Hastings in 1928 and remained in Hastings until the mid 1970s. At its peak during World War II, Anaconda covered most of the industrial waterfront area and employed more than 2,000 workers, many of whom lived in Hastings. Most of these buildings are gone now, and the future of the Hastings waterfront is still under discussion.
For more information on the history of the Hastings waterfront, see the items digitized for us by the Westchester County Historical Society at www.westchesterarchives.com/ht/muni/hastings/waterfront.html