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The all new re-engineered and rigorously tested MakerBot Replicator+ 3D printer. Single PLA extruder. Large build volume. New, flexible build plate. Controlled via LCD screen and jog dial. On-board camera for remote monitoring. Connect it with USB cable, Wi-Fi, USB memory stick, or Ethernet. Internal power supply. See more at makerbot.creativetools.se

The all new re-engineered and rigorously tested MakerBot Replicator+ 3D printer. Single PLA extruder. Large build volume. New, flexible build plate. Controlled via LCD screen and jog dial. On-board camera for remote monitoring. Connect it with USB cable, Wi-Fi, USB memory stick, or Ethernet. Internal power supply. See more at makerbot.creativetools.se

Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 26, 2018. BLM photo: Matt Christenson

 

A quiet oak savanna in southwest Oregon has a World War II story to tell.

It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.

Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.

The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.

At Camp White, in the heart of the Rogue River Valley, it got loud very quick.

Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.

And then the troops arrived.

The newly reinstated 91st Division went on 91-mile-long hikes.

They fired bazookas, mortars and tanks.

And they attacked concrete pillboxes built to replicate Nazi bunkers.

Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.

The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.

After decades of private cattle farming, Camp White’s pillboxes now rest on public land.

 

Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...

The all new re-engineered and rigorously tested MakerBot Replicator+ 3D printer. Single PLA extruder. Large build volume. New, flexible build plate. Controlled via LCD screen and jog dial. On-board camera for remote monitoring. Connect it with USB cable, Wi-Fi, USB memory stick, or Ethernet. Internal power supply. See more at makerbot.creativetools.se

The BepiColombo mission to Mercury has undergone a series of shock tests at ESA’s test facilities to replicate conditions it will experience during its intense ride into space. This video shows tests to mimic the moment it separates from the launch vehicle.

 

The spacecraft will be connected to the upper stage of an Ariane 5 rocket when it blasts off from Earth in 2015. Once the upper stage and its cargo have reached orbit, the pair will separate.

 

This is achieved via a pyrotechnic device that will fire open a clamp band, allowing springs to push the spacecraft safely away from the upper stage.

 

The firing of the pyrotechnic device causes a mechanical shock that transmits through the spacecraft.

 

To ensure the components of BepiColombo will survive these shocks, and others that occur at fairing opening, rigorous assessments are being carried out at the spacecraft test facilities at ESTEC, ESA’s technical centre in Noordwijk, the Netherlands.

 

To simulate the launch vehicle separation, the spacecraft structural and thermal test model was suspended from an overhead crane above blocks of foam rubber.

 

Compressed gas, rather than a pyrotechnic device, opened the clamp and the launch vehicle assembly unit dropped onto the cushioned surface.

 

At the same time, a number of accelerometers mounted on the spacecraft measured the effect of the shock.

 

Credits: ESA

I made a product box and tested it out using this old bold and washer. The picture was good but boring so I decided to have some fun using some Topaz plugins I recently purchased. This is using Lens Effects package and the Prism effect.

Photo by Makerbot Industries

Ford hoped to replicate the run-away success of the American Mustang by using a similar formula for the European market.

 

Using proven and well developed underpinnings based on those of the Cortina, Ford clothed the new Capri in a sexy coupe body designed with a great deal of input from the Mustang’s styling team. The car was made ready for launch at the January 1969 Belgian Motor Show, although production had started two months earlier at the Halewood plant to ensure that every Ford dealer had at least one example on their forecourts.

 

With its aggressively long bonnet and swooping rear it looked like it was doing 100mph even when standing still. Mechanically straightforward, a traditional live axle with leaf springs was deemed sufficient at the rear, while Ford's excellent Macpherson struts at the front and well weighted rack-and-pinion steering gave the car a sufficiently sporting feel to justify its sports car looks. Available in a wide range of engine sizes from a basic 1.3-litre four to a tarmac-ripping 3-litre V6 it was marketed as ‘The car you always promised yourself’.

 

Handsome to look at and decently quick, the Capri proved to be a huge success for Ford, remaining in production until 1986 with many upgrades along the way, almost 1.9 million being sold worldwide. Survivors are now increasingly sought after and values have risen sharply in recent times.

Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 26, 2018. BLM video: Stephen Haney and Matt Bonsi

 

A quiet oak savanna in southwest Oregon has a World War II story to tell.

It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.

Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.

The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.

At Camp White, in the heart of the Rogue River Valley, it got loud very quick.

Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.

And then the troops arrived.

The newly reinstated 91st Division went on 91-mile-long hikes.

They fired bazookas, mortars and tanks.

And they attacked concrete pillboxes built to replicate Nazi bunkers.

Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.

The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.

After decades of private cattle farming, Camp White’s pillboxes now rest on public land.

 

Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...

 

Take a virtual tour of the pillboxes via this 360-degree video: www.youtube.com/watch?v=XgHu5y-TtAw

The MakerBot Replicator Z18 3D printer.

 

More information at: bit.ly/1peA3I3

Replicate the web link for a possibility to win the reward: giveaway.amazon.com/p/53fbc84770742142 Premium quality plastic container to make use of with traveling toiletries, cosmetics or various other usages. Product: PP Weight: 96g Bundle: 1 x 50ml pump container (12.5 * 3.2 centimeters) 2 x 80ml flip-cap container (11 * 3.5 centimeters) 1 x 50ml

 

adf.ly/1d0Wd1

Shakaland Village Shaka Zulu Kraal Cultural Replication of a Zulu “Umuzi” or Homestead Normanhurst Farm Nkwalini Kwazulu-Natal South Africa May 1998

Sadly, Shakaland has now permanently closed in 2025

www.southafrica.net/au/en/travel/article/aha-shakaland-ho...

Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 25, 2018. BLM photo: Matt Christenson

 

A quiet oak savanna in southwest Oregon has a World War II story to tell.

It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.

Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.

The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.

At Camp White, in the heart of the Rogue River Valley, it got loud very quick.

Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.

And then the troops arrived.

The newly reinstated 91st Division went on 91-mile-long hikes.

They fired bazookas, mortars and tanks.

And they attacked concrete pillboxes built to replicate Nazi bunkers.

Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.

The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.

After decades of private cattle farming, Camp White’s pillboxes now rest on public land.

 

Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...

“The Eye Moment photos by Nolan H. Rhodes”

“Theeyeofthemoment21@gmail.com”

“www.flickr.com/photos/the_eye_of_the_moment”

“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws.”

 

Starting in 2000 I began to model the Milwaukee Road’s former Chicago & Evanston Line that operated on Chicago’s North Side in N-scale. After several years I finished the section that replicated the prototype with street trackage on Lakewood Avenue between Belmont and Wellington. I was inspired by Bill Denton’s famous “Kingsbury” N-scale layout that also modeled the same Milwaukee Road C&E Line but farther south, in downtown Chicago. Bill was an encouragement to me and we displayed our layouts together at two shows.

 

As I put this diorama into storage as I move onto other projects I wanted to document it. There were no guides or manuals on creating street trackage in N-scale-everything was HO oriented-so I had to sort of had to use trial and error. I hope what I detail below helps future N-scale modelers of urban scenes.

 

The scene depicted here combines the best of the 1960s and into the early 1980s when the Milwaukee Road abandoned the tracks north of Diversey in 1984. It shows double tracks down the street though by the early 1970s it was consolidated down to one track. Some compression was used. Best Brewing was a customer of the Milwaukee Road before it shut down in the early 1960s while Reed Candy was served by the Milwaukee Road through 1982. Today this scene is unrecognizable except for the Best Brewing complex which is now apartments. Reed Candy was knocked down in the 1990s and replaced by the “Sweeterville” townhomes.

 

The coal cars shown depict the interchange traffic the Milwaukee Road had with the Chicago Transit Authority at the Buena Yard in the Uptown neighborhood. The Milwaukee Road would hand off coal hoppers, tank cars, boxcars destined for coal yards, fuel oil dealers, and the lumberyard at Howard Avenue. The CTA used electric locomotives to handle the freight cars until it ended in April of 1973. No more would freight trains pass in front of Wrigley Field.

 

All buildings on this diorama were scratchbuilt from historic photos using a combination of Design Preservation Modules, various components from Walthers kits, Plastruct sheets of molded styrene, Grant Line windows, doors, and frames, and more. And India ink wash over the brick surfaces gave them an aged look. Floquil enamel paints were used.

 

The track is Atlas Code 80 chosen for its high rail profile which made it easier to model street trackage around it. The roadbed was built up with cork and the pavement made from sheets of card stock and carefully cut styrene in between the rails and at the switch points. Stained, balsa wood strips were used to simulate timber grade crossing protection. The operating signals are from NJ International. To simulate the period specific use of asphalt siding in its various colors on the houses I took pictures of actual siding, scanned the prints, the printed them using an inkjet printer onto paper. The paper was then cut into the right sizes and glued onto the sides of the houses, cutting out the spaces for windows and doors with a knife.

 

To see my other diorama showing this same line passing Wrigley Field circa 1973 go to www.flickr.com/photos/39092860@N06/albums/72157676195056596

 

Photo from 1979 of this area shown below with Reed Candy on the left (southeast) and Best Brewing with the fire escape on the right.

Photo by Makerbot Industries

Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 25, 2018. BLM photo: Matt Christenson

 

A quiet oak savanna in southwest Oregon has a World War II story to tell.

It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.

Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.

The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.

At Camp White, in the heart of the Rogue River Valley, it got loud very quick.

Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.

And then the troops arrived.

The newly reinstated 91st Division went on 91-mile-long hikes.

They fired bazookas, mortars and tanks.

And they attacked concrete pillboxes built to replicate Nazi bunkers.

Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.

The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.

After decades of private cattle farming, Camp White’s pillboxes now rest on public land.

 

Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...

The MakerBot Replicator Z18 3D printer.

 

More information at: bit.ly/1peA3I3

The MakerBot Replicator Z18 3D printer.

 

More information at: bit.ly/1peA3I3

The 3D model: www.thingiverse.com/thing:69491

 

The 3D printer: makerbot.creativetools.se

 

For more information creative-tools.com

Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 26, 2018. BLM video: Toshio Suzuki

 

A quiet oak savanna in southwest Oregon has a World War II story to tell.

It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.

Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.

The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.

At Camp White, in the heart of the Rogue River Valley, it got loud very quick.

Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.

And then the troops arrived.

The newly reinstated 91st Division went on 91-mile-long hikes.

They fired bazookas, mortars and tanks.

And they attacked concrete pillboxes built to replicate Nazi bunkers.

Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.

The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.

After decades of private cattle farming, Camp White’s pillboxes now rest on public land.

 

Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...

 

Take a virtual tour of the pillboxes via this 360-degree video: www.youtube.com/watch?v=XgHu5y-TtAw

Replicating the scene taken the previous evening with a PCC, but this time with a Milano. June 8, 2017. © 2017 Peter Ehrlich

Photo by Makerbot industries

Replicating some shots of other EFXs by my good friend

It seems I’ve not understood the idea of ”Interpretation” being “Replication” so I will try this again. It’s not the first time (nor will it be the last time) I’ve not understood something. It started to sink in that others were copying album covers. So here I am, when the animals are trying to stay out of the wind, that is blowing up to 40 MPH. I had to put a halter on Dolly Llama and Big John to get them to stay. My wife was more cooperative and the kid had no choice. This is a Replication of the album

The Best of the Statler Bros. as seen here;

www.amazon.com/Best-Statler-Bros-Brothers/dp/B000JRKQNA

Replicating and recapturing crispy memories :)

 

Sometimes a painting needs to be replicated using photography. This painting was one of those. And upon arriving I could see immediate challenges.

 

I didnt have the opportunity to scope where the painting was hanging prior to the day. Arriving and seeing that there was good distance in front of the painting was a relief. There is a large window on the right which gave good natural light, but the light was uneven, which meant extra lighting was needed.

 

Angles are all important here. Reflections are caused by light reflecting at the wrong angle, straight back at the camera. As you can see here there is a rather substantial stairwell which made locating the second light a little tricky to achieve the right angle. In the end I had someone holding the light by hand hard to the right to give balance. This ensured the angle of both lights was similar giving a more even light spread.

 

You may see that the painting is VERY dark. I really wanted to get some texture, and also replicate the small amount of tonal variation between the cloak he is wearing and the black background, so the balance in exposure was critical. When I went slightly over the texture in paint was blowing out. I ended up using soft boxes to reduce the harshness. I got a nice balance for the final shots. The frame was very shiny, being gold, which was also helped by the soft boxes.

 

I used the 70-200 at about 135mm to reduce distortion as much as possible. In the end the was very little adjustment required.

 

I am really happy with how the final images ended up. Oh, and I got to see some pretty stunning paintings whilst there. This is a private residence with a beautiful collection.

 

Peace, Denis

I've had 3 printing at once, but never all four. Yet.

 

From left to right:

 

- RepRap Kossel

- RepRap Prusa i3

- Ultimaker 2

- MakerBot Replicator 1 XL

Sometimes I find it very frustrating to try to replicate what the eye is seeing. A wildflower meadow in our local Nature reserve was brimming with flowers and grasses festooned with a myriad dew drops early this morning. It was a truly magical sight and looking at the images now, non of them do the scene justice. You just have to be there.

After successfully replicating a LUT that I liked from another image processing program, I realized it might work well on some photos I took last May around the Perigord Noir region of France.

 

From a message shared with a friend here on Flickr -

 

RawTherapee is free - rawtherapee.com/

 

You'll need to add Pat David's HaldCLUT film emulation collection - rawpedia.rawtherapee.com/Film_Simulation

 

Relatedly, if you already use the Gimp (see: www.gimp.org/ ) their most recent versions include 32bit floating-point color-space precision settings. I've been waiting 18 years for this (which is why I went with RawTherapee some years back as it was built to have a large color space to work in).

 

To get film emulation and some other interesting LUTs into the Gimp, check out G'Mic - patdavid.net/2013/08/film-emulation-presets-in-gmic-gimp/

 

G'Mic site - gmic.eu/

 

Replication of festoon lighting columns and oriental dragon lanterns at Peasholm Park completed by JW UK on behalf of Scarborough Borough Council

Over Folkestone, Kent.

'Z5140' with the code letters HA-C is operated by the Historic Aircraft Collection based at Duxford and is replicated in a paint scheme that was worn by a Gloster built Hurricane IIB flown with 126 Squadron during the siege of Malta, arriving on June 6th, 1941 during Operation Rocket, having flown off HMS Ark Royal.

This Hurricane Mk XIIa was originally designated as 5711 (G-HURI), being built in 1942 by the Canadian Car Foundry as part of their sixth production batch, joining the Royal Canadian Air Force in 1943.

It is believed to have served with 123 Squadron at Debert before going to 127 and 129 Squadrons at Dartmouth, then onto 1 Operational Training Unit at Bagotville.

Struck off charge from the RCAF in 1947 it was purchased by a syndicate in Saskatchewan and was restored by Paul Mercer in 1985, making its first post restoration flight in 1989.

Historic Aircraft Collection acquired the Hurricane in 2002 where it is the perfect stablemate for HAC's Spitfire Mk.Vb, both planes taking to the skies over East Kent for Stephen Burt's regular flying weekends (see www.flywithafighter.com)

 

More info from the Historic Aircraft Collection's website at www.historicaircraftcollection.ltd.uk/hurricane/

I want to replicate a memory, but all I see is a blur. I get on a bus… the next thing I remember is the North Beach region… next memory is City Lights Bookstore, then a few books. And then I close my eyes, and it’s no longer 2001, and I’m not almost 18… I’m almost 40.

© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.

  

All of my images can be purchased...... Visit my website, coastal and countryside images at......

  

www.timwoodgallery.com

  

Facebook...

  

www.facebook.com/TimWoodPhotoGallery

  

Twitter......

  

www.twitter.com/TimWoodFoto

 

My hubby's birthday cake. Made it to replicate a beautiful grouper he caught earlier this year.

Loved people's reaction to it - it was sitting in the middle of the table surrounded by other food,and with real fish being cooked in the kitchen and fish smell wafting through to the dining room everybody was sure we were about to start grilling this grouper. The only question people asked was - Why do you need the rock,is it a part of the table arrangement? :)))))))))

Used these beautiful photos to try get the details right:

www.flickr.com/photos/marcindobrucki/2931531580/in/faves-...

www.flickr.com/photos/paulflandinette/3712914054/in/faves...

www.flickr.com/photos/brianmayes/4023602857/in/faves-4691...

www.flickr.com/photos/chriswales/4201519378/in/faves-4691...

LUGNuts' founder Lino Martins has graciously given me permission to replicate his series of automotive illustrations based on various mixed alcoholic drinks.

 

The first in this series is a Lego -model replication of 'Zombie' - Ford 1932 Custom Rod.

.

In Lino's own words:

 

This is the ninth installment of my "Happy Hour" series in which you suggested a mixed drink and I'd somehow draw a custom vehicle based on it. Nelson Yrizarry suggested the Zombie so for this I drew a low and mean bare-bones rat rod. It got me thinking about rock posters so I nixed my painterly brushes in favor of graphically bold ink applications using only three colors on black. This included a steep learning curve and it turns out I don't really have a steady hand for inking. Luckily zombies and rat rods alike come with imperfections so the wavery hand was not as awful as originally thought it would be. Overall I like how this turned out so thank you for suggesting it. Stay tuned as I draw more of your suggestions and will eventually finish out the series with something cool and special for my friends in recovery or those who simply choose not to drink. Remember always drink responsibly and never drink and drive. Also, Nelson may or may not be thrilled to learn that this drawing comes with a song by Alien Sex Fiend. www.youtube.com/watch?v=Bfm7cOJfOjk

Beamish, previously named 'Pit Hill', is a village in County Durham, England, situated to the north east of Stanley.

The entrance to Beamish Museum.

 

The village is contained within Hell Hole Wood and is home to Beamish Museum, an open-air museum seeking to replicate a northern town of the early 20th century. Its principal public house is the Shepherd and Shepherdess, near the Beamish Museum entrance.

 

To the south is the village of No Place (also called Co-operative Villas). North West Beamish lies in the conservation area of Beamish Burn.

Pockerley Manor

 

To the north of Beamish, Pockerley Manor preserves a rare though altered example of a pele tower in County Durham, probably dating from the 15th century with later alterations and additions. It is attached to a later farmhouse and the building is now known as Pockerley Manor. The tower has living accommodation built over a stone basement, the first floor reached through a stair built into the thickness of the wall, and the roof is largely original.

 

County Durham, officially simply Durham is a ceremonial county in North East England. The county borders Northumberland and Tyne and Wear to the north, the North Sea to the east, North Yorkshire to the south, and Cumbria to the west. The largest settlement is Darlington, and the county town is the city of Durham.

 

The county has an area of 2,721 km2 (1,051 sq mi) and a population of 866,846. The latter is concentrated in the east; the south-east is part of the Teesside built-up area, which extends into North Yorkshire. After Darlington (92,363), the largest settlements are Hartlepool (88,855), Stockton-on-Tees (82,729), and Durham (48,069). For local government purposes the county comprises three unitary authority areas—County Durham, Darlington, and Hartlepool—and part of a fourth, Stockton-on-Tees. The county historically included the part of Tyne and Wear south of the River Tyne, and excluded the part of County Durham south of the River Tees.

 

The west of the county contains part of the North Pennines uplands, a national landscape. The hills are the source of the rivers Tees and Wear, which flow east and form the valleys of Teesdale and Weardale respectively. The east of the county is flatter, and contains by rolling hills through which the two rivers meander; the Tees forms the boundary with North Yorkshire in its lower reaches, and the Wear exits the county near Chester-le-Street in the north-east. The county's coast is a site of special scientific interest characterised by tall limestone and dolomite cliffs.

 

What is now County Durham was on the border of Roman Britain, and contains survivals of this era at sites such as Binchester Roman Fort. In the Anglo-Saxon period the region was part of the Kingdom of Northumbria. In 995 the city of Durham was founded by monks seeking a place safe from Viking raids to house the relics of St Cuthbert. Durham Cathedral was rebuilt after the Norman Conquest, and together with Durham Castle is now a World Heritage Site. By the late Middle Ages the county was governed semi-independently by the bishops of Durham and was also a buffer zone between England and Scotland. County Durham became heavily industrialised in the nineteenth century, when many collieries opened on the Durham coalfield. The Stockton and Darlington Railway, the world's first public railway to use steam locomotives, opened in 1825. Most collieries closed during the last quarter of the twentieth century, but the county's coal mining heritage is remembered in the annual Durham Miners' Gala.

 

The history of County Durham.

Roman and pre-Roman

 

Remains of Prehistoric Durham include a number of Neolithic earthworks.

 

The Crawley Edge Cairns and Heathery Burn Cave are Bronze Age sites. Maiden Castle, Durham is an Iron Age site.

 

Brigantia, the land of the Brigantes, is said to have included what is now County Durham.

 

There are archaeological remains of Roman Durham. Dere Street and Cade's Road run through what is now County Durham. There were Roman forts at Concangis (Chester-le-Street), Lavatrae (Bowes), Longovicium (Lanchester), Piercebridge (Morbium), Vindomora (Ebchester) and Vinovium (Binchester). (The Roman fort at Arbeia (South Shields) is within the former boundaries of County Durham.) A Romanised farmstead has been excavated at Old Durham.

Anglo-Saxon

 

Anglian Kingdom of Bernicia

Around AD 547, an Angle named Ida founded the kingdom of Bernicia after spotting the defensive potential of a large rock at Bamburgh, upon which many a fortification was thenceforth built. Ida was able to forge, hold and consolidate the kingdom; although the native British tried to take back their land, the Angles triumphed and the kingdom endured.

 

Kingdom of Northumbria

In AD 604, Ida's grandson Æthelfrith forcibly merged Bernicia (ruled from Bamburgh) and Deira (ruled from York, which was known as Eforwic at the time) to create the Kingdom of Northumbria. In time, the realm was expanded, primarily through warfare and conquest; at its height, the kingdom stretched from the River Humber (from which the kingdom drew its name) to the Forth. Eventually, factional fighting and the rejuvenated strength of neighbouring kingdoms, most notably Mercia, led to Northumbria's decline. The arrival of the Vikings hastened this decline, and the Scandinavian raiders eventually claimed the Deiran part of the kingdom in AD 867 (which became Jórvík). The land that would become County Durham now sat on the border with the Great Heathen Army, a border which today still (albeit with some adjustments over the years) forms the boundaries between Yorkshire and County Durham.

 

Despite their success south of the river Tees, the Vikings never fully conquered the Bernician part of Northumbria, despite the many raids they had carried out on the kingdom. However, Viking control over the Danelaw, the central belt of Anglo-Saxon territory, resulted in Northumbria becoming isolated from the rest of Anglo-Saxon Britain. Scots invasions in the north pushed the kingdom's northern boundary back to the River Tweed, and the kingdom found itself reduced to a dependent earldom, its boundaries very close to those of modern-day Northumberland and County Durham. The kingdom was annexed into England in AD 954.

 

City of Durham founded

In AD 995, St Cuthbert's community, who had been transporting Cuthbert's remains around, partly in an attempt to avoid them falling into the hands of Viking raiders, settled at Dunholm (Durham) on a site that was defensively favourable due to the horseshoe-like path of the River Wear. St Cuthbert's remains were placed in a shrine in the White Church, which was originally a wooden structure but was eventually fortified into a stone building.

 

Once the City of Durham had been founded, the Bishops of Durham gradually acquired the lands that would become County Durham. Bishop Aldhun began this process by procuring land in the Tees and Wear valleys, including Norton, Stockton, Escomb and Aucklandshire in 1018. In 1031, King Canute gave Staindrop to the Bishops. This territory continued to expand, and was eventually given the status of a liberty. Under the control of the Bishops of Durham, the land had various names: the "Liberty of Durham", "Liberty of St Cuthbert's Land" "the lands of St Cuthbert between Tyne and Tees" or "the Liberty of Haliwerfolc" (holy Wear folk).

 

The bishops' special jurisdiction rested on claims that King Ecgfrith of Northumbria had granted a substantial territory to St Cuthbert on his election to the see of Lindisfarne in 684. In about 883 a cathedral housing the saint's remains was established at Chester-le-Street and Guthfrith, King of York granted the community of St Cuthbert the area between the Tyne and the Wear, before the community reached its final destination in 995, in Durham.

 

Following the Norman invasion, the administrative machinery of government extended only slowly into northern England. Northumberland's first recorded Sheriff was Gilebert from 1076 until 1080 and a 12th-century record records Durham regarded as within the shire. However the bishops disputed the authority of the sheriff of Northumberland and his officials, despite the second sheriff for example being the reputed slayer of Malcolm Canmore, King of Scots. The crown regarded Durham as falling within Northumberland until the late thirteenth century.

 

Norman and Anglo-Norman

Following the Battle of Hastings, William the Conqueror appointed Copsig as Earl of Northumbria, thereby bringing what would become County Durham under Copsig's control. Copsig was, just a few weeks later, killed in Newburn. Having already being previously offended by the appointment of a non-Northumbrian as Bishop of Durham in 1042, the people of the region became increasingly rebellious. In response, in January 1069, William despatched a large Norman army, under the command of Robert de Comines, to Durham City. The army, believed to consist of 700 cavalry (about one-third of the number of Norman knights who had participated in the Battle of Hastings), entered the city, whereupon they were attacked, and defeated, by a Northumbrian assault force. The Northumbrians wiped out the entire Norman army, including Comines, all except for one survivor, who was allowed to take the news of this defeat back.

 

Following the Norman slaughter at the hands of the Northumbrians, resistance to Norman rule spread throughout Northern England, including a similar uprising in York. William The Conqueror subsequently (and successfully) attempted to halt the northern rebellions by unleashing the notorious Harrying of the North (1069–1070). Because William's main focus during the harrying was on Yorkshire, County Durham was largely spared the Harrying.

 

Anglo-Norman Durham refers to the Anglo-Norman period, during which Durham Cathedral was built.

 

County Palatine of Durham

Matters regarding the bishopric of Durham came to a head in 1293 when the bishop and his steward failed to attend proceedings of quo warranto held by the justices of Northumberland. The bishop's case went before parliament, where he stated that Durham lay outside the bounds of any English shire and that "from time immemorial it had been widely known that the sheriff of Northumberland was not sheriff of Durham nor entered within that liberty as sheriff. . . nor made there proclamations or attachments".[16] The arguments appear to have prevailed, as by the fourteenth century Durham was accepted as a liberty which received royal mandates direct. In effect it was a private shire, with the bishop appointing his own sheriff. The area eventually became known as the "County Palatine of Durham".

 

Sadberge was a liberty, sometimes referred to as a county, within Northumberland. In 1189 it was purchased for the see but continued with a separate sheriff, coroner and court of pleas. In the 14th century Sadberge was included in Stockton ward and was itself divided into two wards. The division into the four wards of Chester-le-Street, Darlington, Easington and Stockton existed in the 13th century, each ward having its own coroner and a three-weekly court corresponding to the hundred court. The diocese was divided into the archdeaconries of Durham and Northumberland. The former is mentioned in 1072, and in 1291 included the deaneries of Chester-le-Street, Auckland, Lanchester and Darlington.

 

The term palatinus is applied to the bishop in 1293, and from the 13th century onwards the bishops frequently claimed the same rights in their lands as the king enjoyed in his kingdom.

 

Early administration

Boundaries, exclaves and population

The historic boundaries of County Durham included a main body covering the catchment of the Pennines in the west, the River Tees in the south, the North Sea in the east and the Rivers Tyne and Derwent in the north. The county palatinate also had a number of liberties: the Bedlingtonshire, Islandshire and Norhamshire exclaves within Northumberland, and the Craikshire exclave within the North Riding of Yorkshire. In 1831 the county covered an area of 679,530 acres (2,750.0 km2) and had a population of 253,910. These exclaves were included as part of the county for parliamentary electoral purposes until 1832, and for judicial and local-government purposes until the coming into force of the Counties (Detached Parts) Act 1844, which merged most remaining exclaves with their surrounding county. The boundaries of the county proper remained in use for administrative and ceremonial purposes until the Local Government Act 1972.

 

Survey

Boldon Book (1183 or 1184) is a polyptichum for the Bishopric of Durham.

 

Palatinate

Until the 15th century, the most important administrative officer in the Palatinate was the steward. Other officers included the sheriff, the coroners, the Chamberlain and the chancellor. The palatine exchequer originated in the 12th century. The palatine assembly represented the whole county, and dealt chiefly with fiscal questions. The bishop's council, consisting of the clergy, the sheriff and the barons, regulated judicial affairs, and later produced the Chancery and the courts of Admiralty and Marshalsea.

 

The prior of Durham ranked first among the bishop's barons. He had his own court, and almost exclusive jurisdiction over his men. A UNESCO site describes the role of the Prince-Bishops in Durham, the "buffer state between England and Scotland":

 

From 1075, the Bishop of Durham became a Prince-Bishop, with the right to raise an army, mint his own coins, and levy taxes. As long as he remained loyal to the king of England, he could govern as a virtually autonomous ruler, reaping the revenue from his territory, but also remaining mindful of his role of protecting England’s northern frontier.

 

A report states that the Bishops also had the authority to appoint judges and barons and to offer pardons.

 

There were ten palatinate barons in the 12th century, most importantly the Hyltons of Hylton Castle, the Bulmers of Brancepeth, the Conyers of Sockburne, the Hansards of Evenwood, and the Lumleys of Lumley Castle. The Nevilles owned large estates in the county. John Neville, 3rd Baron Neville de Raby rebuilt Raby Castle, their principal seat, in 1377.

 

Edward I's quo warranto proceedings of 1293 showed twelve lords enjoying more or less extensive franchises under the bishop. The repeated efforts of the Crown to check the powers of the palatinate bishops culminated in 1536 in the Act of Resumption, which deprived the bishop of the power to pardon offences against the law or to appoint judicial officers. Moreover, indictments and legal processes were in future to run in the name of the king, and offences to be described as against the peace of the king, rather than that of the bishop. In 1596 restrictions were imposed on the powers of the chancery, and in 1646 the palatinate was formally abolished. It was revived, however, after the Restoration, and continued with much the same power until 5 July 1836, when the Durham (County Palatine) Act 1836 provided that the palatine jurisdiction should in future be vested in the Crown.

 

Wars

During the 15th-century Wars of the Roses, Henry VI passed through Durham. On the outbreak of the Great Rebellion in 1642 Durham inclined to support the cause of Parliament, and in 1640 the high sheriff of the palatinate guaranteed to supply the Scottish army with provisions during their stay in the county. In 1642 the Earl of Newcastle formed the western counties into an association for the King's service, but in 1644 the palatinate was again overrun by a Scottish army, and after the Battle of Marston Moor (2 July 1644) fell entirely into the hands of Parliament.

 

Parliamentary representation and secular powers

In 1614, a Bill was introduced in Parliament for securing representation to the county and city of Durham and the borough of Barnard Castle. The bishop strongly opposed the proposal as an infringement of his palatinate rights, and the county was first summoned to return members to Parliament in 1654. After the Restoration of 1660 the county and city returned two members each. In the wake of the Reform Act of 1832 the county returned two members for two divisions, and the boroughs of Gateshead, South Shields and Sunderland acquired representation. The bishops lost their secular powers in 1836. The boroughs of Darlington, Stockton and Hartlepool returned one member each from 1868 until the Redistribution of Seats Act 1885.

 

Later government

The Municipal Corporations Act 1835 reformed the municipal boroughs of Durham, Stockton on Tees and Sunderland. In 1875, Jarrow was incorporated as a municipal borough, as was West Hartlepool in 1887. At a county level, the Local Government Act 1888 reorganised local government throughout England and Wales. Most of the county came under control of the newly formed Durham County Council in an area known as an administrative county. Not included were the county boroughs of Gateshead, South Shields and Sunderland. However, for purposes other than local government, the administrative county of Durham and the county boroughs continued to form a single county to which the Crown appointed a Lord Lieutenant of Durham.

 

Over its existence, the administrative county lost territory, both to the existing county boroughs, and because two municipal boroughs became county boroughs: West Hartlepool in 1902 and Darlington in 1915. The county boundary with the North Riding of Yorkshire was adjusted in 1967: that part of the town of Barnard Castle historically in Yorkshire was added to County Durham, while the administrative county ceded the portion of the Borough of Stockton-on-Tees in Durham to the North Riding. In 1968, following the recommendation of the Local Government Commission, Billingham was transferred to the County Borough of Teesside, in the North Riding. In 1971, the population of the county—including all associated county boroughs (an area of 2,570 km2 (990 sq mi)—was 1,409,633, with a population outside the county boroughs of 814,396.

 

In 1974, the Local Government Act 1972 abolished the administrative county and the county boroughs, reconstituting County Durham as a non-metropolitan county. The reconstituted County Durham lost territory to the north-east (around Gateshead, South Shields and Sunderland) to Tyne and Wear and to the south-east (around Hartlepool) to Cleveland. At the same time it gained the former area of Startforth Rural District from the North Riding of Yorkshire. The area of the Lord Lieutenancy of Durham was also adjusted by the Act to coincide with the non-metropolitan county (which occupied 3,019 km2 (1,166 sq mi) in 1981).

 

In 1996, as part of 1990s UK local government reform by Lieutenancies Act 1997, Cleveland was abolished. Its districts were reconstituted as unitary authorities. Hartlepool and Stockton-on-Tees (north Tees) were returned to the county for the purposes of Lord Lieutenancy. Darlington also became a third unitary authority of the county. The Royal Mail abandoned the use of postal counties altogether, permitted but not mandatory being at a writer wishes.

 

As part of the 2009 structural changes to local government in England initiated by the Department for Communities and Local Government, the seven district councils within the County Council area were abolished. The County Council assumed their functions and became the fourth unitary authority. Changes came into effect on 1 April 2009.

 

On 15 April 2014, North East Combined Authority was established under the Local Democracy, Economic Development and Construction Act 2009 with powers over economic development and regeneration. In November 2018, Newcastle City Council, North Tyneside Borough Council, and Northumberland County Council left the authority. These later formed the North of Tyne Combined Authority.

 

In May 2021, four parish councils of the villages of Elwick, Hart, Dalton Piercy and Greatham all issued individual votes of no confidence in Hartlepool Borough Council, and expressed their desire to join the County Durham district.

 

In October 2021, County Durham was shortlisted for the UK City of Culture 2025. In May 2022, it lost to Bradford.

Eighteenth century

 

Eighteenth century Durham saw the appearance of dissent in the county and the Durham Ox. The county did not assist the Jacobite Rebellion of 1715. The Statue of Neptune in the City of Durham was erected in 1729.

 

Nineteenth century

A number of disasters happened in Nineteenth century Durham. The Felling mine disasters happened in 1812, 1813, 1821 and 1847. The Philadelphia train accident happened in 1815. In 1854, there was a great fire in Gateshead. One of the West Stanley Pit disasters happened in 1882. The Victoria Hall disaster happened in 1883.

Twentieth century

 

One of the West Stanley Pit disasters happened in 1909. The Darlington rail crash happened in 1928. The Battle of Stockton happened in 1933. The Browney rail crash happened in 1946.

Political history

 

The First Treaty of Durham was made at Durham in 1136. The Second Treaty of Durham was made at Durham in 1139.

Military and naval history

 

The county regiment was the Durham Light Infantry, which replaced, in particular, the 68th (Durham) Regiment of Foot (Light Infantry) and the Militia and Volunteers of County Durham.

 

RAF Greatham, RAF Middleton St George and RAF Usworth were located in County Durham.

 

David I, the King of Scotland, invaded the county in 1136, and ravaged much of the county 1138. In 17 October 1346, the Battle of Neville's Cross was fought at Neville's Cross, near the city of Durham. On 16 December 1914, during the First World War, there was a raid on Hartlepool by the Imperial German Navy.

 

County Durham has long been associated with coal mining, from medieval times up to the late 20th century. The Durham Coalfield covered a large area of the county, from Bishop Auckland, to Consett, to the River Tyne and below the North Sea, thereby providing a significant expanse of territory from which this rich mineral resource could be extracted.

 

King Stephen possessed a mine in Durham, which he granted to Bishop Pudsey, and in the same century colliers are mentioned at Coundon, Bishopwearmouth and Sedgefield. Cockfield Fell was one of the earliest Landsale collieries in Durham. Edward III issued an order allowing coal dug at Newcastle to be taken across the Tyne, and Richard II granted to the inhabitants of Durham licence to export the produce of the mines, without paying dues to the corporation of Newcastle. The majority was transported from the Port of Sunderland complex, which was constructed in the 1850s.

 

Among other early industries, lead-mining was carried on in the western part of the county, and mustard was extensively cultivated. Gateshead had a considerable tanning trade and shipbuilding was undertaken at Jarrow, and at Sunderland, which became the largest shipbuilding town in the world – constructing a third of Britain's tonnage.[citation needed]

 

The county's modern-era economic history was facilitated significantly by the growth of the mining industry during the nineteenth century. At the industry's height, in the early 20th century, over 170,000 coal miners were employed, and they mined 58,700,000 tons of coal in 1913 alone. As a result, a large number of colliery villages were built throughout the county as the industrial revolution gathered pace.

 

The railway industry was also a major employer during the industrial revolution, with railways being built throughout the county, such as The Tanfield Railway, The Clarence Railway and The Stockton and Darlington Railway. The growth of this industry occurred alongside the coal industry, as the railways provided a fast, efficient means to move coal from the mines to the ports and provided the fuel for the locomotives. The great railway pioneers Timothy Hackworth, Edward Pease, George Stephenson and Robert Stephenson were all actively involved with developing the railways in tandem with County Durham's coal mining industry. Shildon and Darlington became thriving 'railway towns' and experienced significant growths in population and prosperity; before the railways, just over 100 people lived in Shildon but, by the 1890s, the town was home to around 8,000 people, with Shildon Shops employing almost 3000 people at its height.

 

However, by the 1930s, the coal mining industry began to diminish and, by the mid-twentieth century, the pits were closing at an increasing rate. In 1951, the Durham County Development Plan highlighted a number of colliery villages, such as Blackhouse, as 'Category D' settlements, in which future development would be prohibited, property would be acquired and demolished, and the population moved to new housing, such as that being built in Newton Aycliffe. Likewise, the railway industry also began to decline, and was significantly brought to a fraction of its former self by the Beeching cuts in the 1960s. Darlington Works closed in 1966 and Shildon Shops followed suit in 1984. The county's last deep mines, at Easington, Vane Tempest, Wearmouth and Westoe, closed in 1993.

Post markings

 

Postal Rates from 1801 were charged depending on the distance from London. Durham was allocated the code 263 the approximate mileage from London. From about 1811, a datestamp appeared on letters showing the date the letter was posted. In 1844 a new system was introduced and Durham was allocated the code 267. This system was replaced in 1840 when the first postage stamps were introduced.

 

Antiquities

According to the Encyclopædia Britannica Eleventh Edition (1911): "To the Anglo-Saxon period are to be referred portions of the churches of Monk Wearmouth (Sunderland), Jarrow, Escomb near Bishop Auckland, and numerous sculptured crosses, two of which are in situ at Aycliffe. . . . The Decorated and Perpendicular periods are very scantily represented, on account, as is supposed, of the incessant wars between England and Scotland in the 14th and 15th centuries. The principal monastic remains, besides those surrounding Durham cathedral, are those of its subordinate house or "cell," Finchale Priory, beautifully situated by the Wear. The most interesting castles are those of Durham, Raby, Brancepeth and Barnard. There are ruins of castelets or peel-towers at Dalden, Ludworth and Langley Dale. The hospitals of Sherburn, Greatham and Kepyer, founded by early bishops of Durham, retain but few ancient features."

 

The best remains of the Norman period include Durham Cathedral and Durham Castle, and several parish churches, such as St Laurence Church in Pittington. The Early English period has left the eastern portion of the cathedral, the churches of Darlington, Hartlepool, and St Andrew, Auckland, Sedgefield, and portions of a few other churches.

 

'Durham Castle and Cathedral' is a designated UNESCO World Heritage Site. Elsewhere in the County there is Auckland Castle.

A comparison of four different common 3D-print layer heights.

 

• 0.34 mm/layer - Low (340 microns)

• 0.27 mm/layer - Medium (270 microns)

• 0.1 mm/layer - High (100 microns)

• 0.05 mm/layer - Super fine (50 microns)

 

These models where 3D printed with blue 1.75 mm PLA plastic filament on a MakerBot Replicator 2 3D printer.

 

The sample 3D model for this print is MorenaP's popular tree frog: www.thingiverse.com/derivative:34468

 

3D-printer: makerbot.creativetools.se

 

Laser-cut plate: www.thingiverse.com/thing:69351

The MakerBot Digitizer 3D-scanned Laser Cat model was used in this test of different layer thicknesses. The cat was scaled down to 50 mm in height and then 3D printed at the following layer heights:

 

- 0.40 mm (400 microns)

- 0.30 mm (300 microns)

- 0.20 mm (200 microns)

- 0.10 mm (100 microns) - Average width of a strand of human hair

- 0.05 mm (50 microns)

- 0.02 mm (20 microns)

 

All six cats where 3D printed on a MakerBot Replicator 2 with TRUE BLUE PLA plastic at 230 degrees C.

 

All layers where 3D printed with MakerWare's standard values as follows:

 

(400 microns) - 15% infill - perimeters 2 - speed 90 mm/s

(300 microns) - 15% infill - perimeters 2 - speed 90 mm/s

(200 microns) - 15% infill - perimeters 2 - speed 90 mm/s

(100 microns) - 15% infill - perimeters 2 - speed 90 mm/s

(50 microns) - 15% infill - perimeters 2 - speed 60 mm/s

(20 microns) - 15% infill - perimeters 2 - speed 40 mm/s

 

---

 

The 3D scanner: bit.ly/1a7y8hG

The 3D printer: makerbot.creativetools.se

The 3D model: www.thingiverse.com/thing:146265

#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.

 

The 3D-model: 3dbenchy.com/download

 

The 3D-printer: www.creativetools.se/index.php?route=product/search&f...

#3DBenchy printed on a MakerBot Replicator Desktop 5th Generation 3D printer.

 

The 3D-model: 3dbenchy.com/download

 

The 3D-printer: www.creativetools.se/index.php?route=product/search&f...

The entire roof, ceiling and plasterwork were replicated in their entirety to replace that lost in the fire. The new roof is an all-timber construction based on traditional mortise and tenon joints using queen post-trusses for its basic structure and finished with Blue-Bangor slates each measuring 600mm x 900mm. Below that, a barrel vault ceiling was also installed, constructed of timber and overlaid with riven chestnut lathes to which the base plaster was applied. Plastering was carried out by George O’Malley Plastering Ltd and the work supervised by master-plasterer George O’Malley, who has many years expertise in restoring and creating decorative plasterwork. Traditional methods using lime plaster mixed with goat-hair/horsehair to reproduce as far as possible the original designs as well as new moulds. There were also the 28 plaster angels originally produced by local plasterer Terence Farrell (1787-1876) for the sum of £150. All were damaged in the fire and 26 angels were recoverable which were restored by George O’Malley, the remaining two were reproduced. These were hung back in their original positions above the free-standing limestone columns.

 

This photo shows the northern part of the nave and above are semicircular Diocletian windows containing leaded stained glass by James Scanlon. Those opposite on the southern side have art-glass windows by Kim en Joong, a Dominican priest based in Paris.

 

St Mel’s of Longford town is the cathedral church for the diocese of Ardagh and Clonmacnoise. Ambitious plans for a fine church building in Longford began to take form after the Catholic Emancipation Act of 1829 and became a reality when sufficient funds had been collected. Construction began in 1840 with the laying of the foundation stone which was taken from the original cathedral of St. Mel at Ardagh, only a few miles from Longford. The main body of the new cathedral was completed in 1856 to a neo-classical design by the architect Joseph Benjamin Keane, work having been delayed during the period of the Great Famine (1846 and recommenced 1853). After Joseph’s death in 1849, work was continued after by his assistant John Bourke (d.1871) who was also responsible for the belfry tower completed in 1860, but with major alterations to its original design. The neo-classical portico was designed by George Coppinger Ashlin (1837-1921) and completed in 1889 with its pediment and sculpted tympanum depicting the enthronement of St. Mel as Bishop of Ardagh along with three statues above the pediment. By this time, the cathedral building has taken on its definitive form with no further major alterations until its refurbishment after the devastating fire of 2009.

 

On 25th December 2009, the entire building was gutted by a fire which accidently started within the boiler chimney flue at the rear and quickly spread. The alarm was raised just after 5am but fire-fighting attempts were hampered by frozen pipes as the country was in the grip of one of its worst and prolonged periods of freezing temperatures for decades. By daylight, the entire building had been reduced to a burnt-out shell with the loss of all its furnishing, fittings and diocesan museum. The museum contained many priceless artefacts that included the Crozier of Saint Mel and the book-shrine of St. Caillin (1536), the latter damaged beyond restoration but it may be possible to conserve some of the remnants. The 28 supporting columns were also damaged beyond repair and had to replaced anew. Very little was recoverable that survived the worst of the 1,000 deg.C fire and even these suffered some degree of fire damage such as The Bell of Fenagh which is undergoing conservation treatment at the National Museum of Ireland and the original baptismal font with its brass fittings and surrounding mosaic floor. But the most puzzling of all and described by many as nothing short of a miracle was the survival of the Holy Family painting in the northern transept and the undamaged Eucharistic Host still inside the fire damaged tabernacle. The Holy Family oil painting on a cotton-based canvas should have readily gone up in flames due to its highly combustible materials but somehow survived relatively unscathed despite the intense fire around it. This painting was of Italian origins by an unknown artist and is now back on display requiring little more than a cleaning!

 

After five years of work by many expert disciplines using traditional methods, the cathedral building has been totally refurbished and which included quarried blue-limestone for 28 columns with hand-carved capitals that support the roof. Both Harry Clarke Studio windows were salvaged from the transepts and restored to their former glory by Abbey Stained Glass Ltd of Dublin, a company with much experience in the restoration of stained glass windows. Other replacements such as the wooden pews, alter, stained glass, Stations of the Cross tablets, pipe-organ, fixtures and fitting were all made in a modern style to the best materials and craftsmanship available. It is also planned to open a diocesan museum in the cathedral’s new crypts. The total cost of refurbishment and fitting out came to around €30 million, funded mostly from the insurance cover and after five years of hard work the cathedral was reopened for services at Christmas 2014.

 

Photos taken Thursday 22nd January 2015.

  

References:

 

www.facebook.com/StMelsRestoration (St Mel’s Cathedral restoration – Facebook page).

 

www.rte.ie/news/special-reports/2014/1215/667007-longford... (RTE News article about TV program The Longford Phoenix).

 

www.longfordtourism.ie/event/st-mels-cathedral-rise-from-...

 

irishcatholic.ie/sites/default/files/styles/large/public/... (Sculptor Ken Thompson working on one of his Stations of the Cross panels).

 

en.wikipedia.org/wiki/St_Mel%27s_cathedral,_Longford

 

l7.alamy.com/zooms/5e9904767cdb4317b39e15ee189488c3/shrin... (Image of St. Caillin book shrine created in 1536 before it was damaged beyond repair in the 2009 fire at St. Mel’s cathedral).

 

www.alamy.com/stock-photo-st-mels-crozier-longford-cathed... (Image of the 10th century St. Mel’s Crozier and sadly, completely destroyed in the cathedral fire of 2009).

 

www.youtube.com/watch?v=PVb7TQy4QAM (Engineers Ireland presentation titled Recreating the Historical Roof of St. Mel's Cathedral).

  

LUGNuts' founder Lino Martins has graciously given me permission to replicate his series of automotive illustrations based on various mixed alcoholic drinks.

 

The next in this series is a Lego -model replication of Moscow Mule' - Zil-130 Truck.

.

In Lino's own words:

 

"I’m aware that designing vehicles based on mixed drinks is a fairly irresponsible thing to be doing. I have friends who are in recovery or simply choose not to drink and for them I have something cool in mind that will finish out this series. My friend Buell Richardson had a couple of suggestions that I felt rather uneasy about drawing in these rather sensitive times so instead I have rendered the Moscow Mule in hopes that he can still appreciate my design choices in doing so. I went with a custom Soviet ZIL-130 pickup truck in olive green. The Moscow Mule drink itself is not that visually interesting but it is usually served in a copper mug. This got me thinking to adorn the truck with hammered copper gas tanks, rims and other accessories. Buell enjoys painting gaming miniatures and does it quite well so I incorporated a base for the truck that makes it look like it could be one of his painted miniatures. The background is a faded sunburst in colors reminiscent of old Soviet propaganda art. I couldn’t resist finishing off the piece with a red star and hammer and sickle design on the side of the truck. The end result is something I like quite a bit and I hope that you all do too. Stay tuned as I draw more of your suggestions and remember always drink responsibly and never drink and drive."

This pipe’s design is replicated on both halves of the bowl and features a Maid of Erin harp beneath a Royal Crown along with sprays of shamrock. Both nationalist emblems of harp and shamrock were usually associated together within Ireland from the 18th to the early 20th centuries. The Maid of Erin on this pipe is not winged and shown subordinated to the Crown.

 

The use of shamrock in Ireland associated with St. Patrick (Ireland’s patron saint) originated in the 17th century and by the end of the 18th century it began to be adopted as a nationalist emblem. The use of the shamrock as a national emblem to show one’s patriotism became widely popular in the latter half of the 19th century along with the Maid of Erin harp.

 

The Maid of Erin harp is depicted with an allegorical female figure of Erin affixed to the outer body of the harp. The Maid of Erin is usually depicted as winged but sometimes without the wings. The earliest appearance of the Maid of Erin harp was on the Royal Standard of King James I of England (c.1603) and its first appearance on the Irish coinage was on the St. Patrick’s halfpenny (c.1674). Thereafter, the Maid of Erin was commonly used as an emblem of Ireland into the 20th century.

 

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References:

 

niarchive.org/CulturalFusions/portals/a1b3a25b-b7fe-4bef-...(WEB).pdf (Emblems of Ireland – covers both the shamrock and the Maid of Erin harp).

 

www.coinweek.com/wp-content/uploads/2011/03/st_pat_thumb.jpg (Image of a St. Patrick’s halfpenny (1670’s) which was the first Irish coin to depict the Maid of Erin harp).

 

en.wikipedia.org/wiki/Shamrock (The shamrock as an Irish emblem).

 

Coins & Tokens of Ireland by Seaby’s Numismatic Publishing Ltd, 1970.

 

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Height: 2 1/8” (54mm)

Widest width: 1 1/8” (28mm)

Length: 1 7/8” including stem (47mm)

Inside diameter: ¾” (19mm)

Find location: Mullingar, County Westmeath.

 

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