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This image was created in the 3D design software pCon.planner 6 and is kindly provided by Steelcase.
Ligne Roset has rendered a couple of very nice pictures in pCon.planner. They show some of their new products.
This image was created in the 3D design software pCon.planner 6 and is kindly provided by Steelcase.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
Ligne Roset Bratislava kindly provides this image for our gallery. The planning as well as the rendered picture were created in pCon.planner.
Ligne Roset Bratislava kindly provides this image for our gallery. The planning as well as the rendered picture were created in pCon.planner.
Ligne Roset Bratislava kindly provides this image for our gallery. The planning as well as the rendered picture were created in pCon.planner.
This rendering was kindly provided by one of our users.
Carmen Lala says:
'This are my first renders with pCon.planner. The theme: 10 dressings for PROFILO. I used PROFILO's database for drawing the wardrobes, and 3D Warehouse for the decoration. The named database was created by me using pCon.creator.'
This rendering was kindly provided by one of our users.
Carmen Lala says:
'This are my first renders with pCon.planner. The theme: 10 dressings for PROFILO. I used PROFILO's database for drawing the wardrobes, and 3D Warehouse for the decoration. The named database was created by me using pCon.creator.'
This rendering was kindly provided by one of our users.
Carmen Lala says:
'This are my first renders with pCon.planner. The theme: 10 dressings for PROFILO. I used PROFILO's database for drawing the wardrobes, and 3D Warehouse for the decoration. The named database was created by me using pCon.creator.'
A rendering of the Lockheed Martin-built Lunar Trailblazer, a NASA Small Innovative Missions for Planetary Exploration (SIMPLEx) mission to map water deposits on the Moon. Credit: Lockheed Martin.
Battery C, 1st Battalion, 9th Field Artillery Regiment fires a salute Dec. 21, 2019 in honor of the 48th Infantry Brigade Combat Team which held a casing ceremony at Fort Stewart Ga. This is the fourth combat deployment of the 48th IBCT since Sept. 11, 2001. Georgia National Guard photo by Maj. William Carraway
You can see the real model here: www.flickr.com/photos/konajra/sets/72157627494173605/
Unfortunately no rigging visible in the model. The rendering took a good 4 hours to complete.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which now offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
3D Interior Rendering Studio offering services Residential and 3D Commercial Interior Rendering Company For All India In Ahmedabad, Mumbai, Delhi, Bangalore.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which now offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which now offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
LENS TEST: ASAHI OPT. CO. SMC PENTAX-M 150mm f3.5
Details: park entrance. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2023. K1ii + smc Pentax-M 150mm f3.5
I have found the 150/3.5 most undeservingly labelled as ‘oddbal’ in a number of reviews, blogs or lens commentaries - possibly together with the two 120/2.8 models - for its closeness to the 135mm focal length, while apparently not being expected to offer much more in terms of performance than the 135. Thing that could hold true in some contexts; yet, if you look at the history of SLR cameras, focal lengths included in the 135 -200 gap were never missing - sometimes also with illustrious representatives (Sonnar 180mm f2.8); and if you look into the medium format, you will notice that most of its basic standards happened to migrate into 35mm world as they were, temporarily or permanently (perhaps also as a result of an easier customizability in a field not yet blessed by computer calculations): so 50, 80, 105, 150, etc. were all typical in that environment.
The SMC PENTAX-M 150mm f3.5 was listed into Asahi Pentax catalog from from 1977 until 1986. A relatively long time for the comparatively modest number of copies you happen to stumble upon on the used market - some make of it even a ‘rarity’. Something that could, indeed, point to a lack of appeal or quality in the eyes of past photographers - whose reasons and tastes are beyond interest and possible scrutiny here. But it certainly wasn’t for the lack of quality, as can easily be demonstrated. The original catalogs described it as “21mm shorter and 50g lighter than its highly popular predecessor [probably the Super-Multi-Coated Takumar 150mm f4]” and again “the 150mm lens offers a larger image than the 135mm f/2.5 lens, yet, due to its M-type compact design it is almost 40% lighter”. So, together with image quality, others were the concern s of makers & customers back at the time.
The lens is indeed mechanically solid and esthetically essential; completely consistent with the other ‘M’ models. Same reliable feel when you put it at work. It is made up of 5 lenses in 5 sparate groups, exactly like the 135/3.5 and the following ‘K’ generation 120/2.8 (not the earlier ‘M’ one, with inherited Takumar formula); and it has only 6 blades (probably in order to help the speed of the automatic movement). As a matter of fact it looks like a slightly larger version of the 135. The min. focus distance is aprox. 150cm - several blogs perpetuates a 180cm, relaying probably on the lens scale, but when you use it, you can actually go closer than that.
It is a very nice and inconspicuous tool when mounted on K1. I used it quite regularly since I acquired it and I like very much its compact size/reach, the easy focusing, its performance, last but not least the built-in retractable hood. The rendering is very pleasant to the eye, despite nothing groundbreaking, with a surprising - even if logic - ability to separate the subject from its background. It provides almost a 3D pop effect, if you like, without swirls. I wouldn’t call it is soft wide open, as some reviews do: it is pretty sharp for a lens of its time, even if modern glass pixel-peeper could find something to say. For portrait it is very good, right thanks to its relatively ‘dark’ f3.5 nature: head-shots, upper torso and even full figure. You can shot it even wide open, without being too concerned about leaving much out of focus. The subject hardly need any attention or pprocessing. The foreground and background blur get a lovely retrò touch: soft transitions, yet without loosing completely the bubbles and the light spots. Contrast is gentle, but not lacking, in most situations (also against lights); colors are well saturated.
If I have to find a defect, I do not hesitate in pointing at quite some CA wide open in strong contrast light situations. You do have to be aware of the position of the light in relation to subject and the amount of it in the frame - differently your image might acquire quite some ’golden hour’ levels of orange/purple casts, and not just in limited lines. I was quite surprised in a couple of instances when I unsuspectingly shot it as I often do modern lenses: none of the standard 135/2.5 135/2.8 135/3.5 is known for that, even if they do produce some CA too. Evidently there are some limitations in enlarging a specific design (particularly the 135/3.5) beyond the original purpose, making more evident previously irrelevant issues. You can live with the not perfectly round bokeh of the 6 blades, I figure.
Despite I've found myself enjoying more working with this lens, in general I miss a a bit the colors/depiction and particularly the bokeh of the earlier classic Takumar 150mm f4 (particularly the first version) - let aside its long thing shape, resembling a stick protruding from your camera.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which now offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which now offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.
Rendering made by 3Diamonds (me) with cinema4D & Photoshop
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The YafaRay-Raytracing-Engine has been integrated into pCon.planner 6.3 which offers high-quality picture renderings for every user.
The rendering shown here was created in pCon.planner 6.