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立法會研究公眾街市事宜小組委員會參觀公眾街市
立法会研究公众街市事宜小组委员会参观公众街市
LegCo Subcommittee on Issues Relating to Public Markets visits public markets (2018.07.03)
HB811 (Relating to Energy Information Reporting) simplifies the registration and reporting process for fuel distributors. Part of the Governor's legislative package, the bill also amends Public Utilities Commission (PUC) responsibilities and powers in relation to energy industry information reporting and allows the state Department of Business, Economic Development, and Tourism to receive energy industry information.
HB1405 (Relating to the Public Utilities Commission) requires the PUC to include a summary of the power purchase agreements in effect during the fiscal year in its annual report to the Governor. It also expands the use of the public benefits fee to support clean energy technology, demand response technology, energy use reduction, and demand-side management infrastructure.
SB19 (Relating to Renewable Energy) removes barriers for landlords to invest in renewable energy and allows renters/tenants to benefit from lower energy costs. The bill also exempts landlords and lessors who install renewable energy systems on their property and provide, sell or transmit electricity generated from those systems to tenants or lessees.
HB1149 (Relating to Wind Energy Facilities) requires a wind energy facility owner to be responsible for facility decommissioning and provide evidence of financial security unless the owner has an existing lease or other agreement that provides for decommissioning. It also establishes standards and assurances of adequate financial resources to avoid abandoned or neglected wind energy facilities.
Trinidadian calypsonian Lord Realtor watches as renowned composer and steel pan specialist Andy Narell performs a card trick on the stage of the Bennett Auditorium after the two performed together at the University of Southern Mississippi in Hattiesburg, Miss., on April 19, 2013.
A Council General Information Notice from Wisbech Town Council from 1929 relating to Parking in the Town.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows image of the surface of the moon with details of Theophilus, Cyrillus, and Catharina craters near Mare Nectaris at sunset. Stamped in black ink on top ridge of plate, " 79. Moon (Theophilus, andc). Yerkes Observatory". Stamped in black ink on white paper at top of plate, "79. Moon (Theophilus, andc). Yerkes Observatory".
Inscription Details: Handwritten in black ink on white tape on the right side of the plate 'Deepest crater; 64m [m] dia Ring 14000 to 18000 ft above chasm central peak 5200 ft. F 106'. Handwritten in black ink on white tape at bottom of plate, 'Sunset on Sea of Nectar'. Handwritten in black ink on white tape on left side of plate, 'S W E N Sunset Catharina 70m. long Cyrrillus wrecked walls Theophilus 64m in diameter.'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235717|PH-1984-1-LS78-2-43|106
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033495
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 7 March 1905.
The slide shows an image depicting a circular yellow tinted shape with a black piece of paper in centre of plate.
Inscription Details: Handwritten in black ink at the top of the plate, 'Total Eclipse 1893'. Handwritten in black ink on white sticker placed in upper left and right corners of image, '9'. Handwritten in black ink on left side of plate, '..on 'blank' of 1889 [illegible]. Handwritten in blue ink on white sticker in lower left corner of plate, 'G 85'. Handwritten in black ink at bottom of plate, '...shed Hobart'. Handwritten in black ink on right side of plate, 'Lick [Sat?]'. Handwritten in black ink on the left , right, top and bottom ridges of plate, 'ECLIPSE 1893 (NEW C.L.W).
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235977|PH-1984-1-LS78-3-48|85|9
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033238
Relates to UNDP-supported GCF-funded project 'Strengthening the Resilience of Smallholder Farmers in the Dry Zone to Climate Variability and Extreme Events' (known locally as CRIWMP)
Resident Representative's field visit, Feb 2023. Credit: UNDP Sri Lanka
Every aging home has a relatable past, that old familiar face of history we all found ourselves in. Some kind of happy holidays for someone, sometime – if not the last generation to live here, then some other through the years. It's hard for most folks to value now over then, when looking back seems so warm and sheltering. I think of memories like hiding from the wind chill, the break is our skull and body heat keeps us safe from storms of the moment. Why embrace our very modern senses when recollection is such a comforting place? Nostalgia over presence is a familiar choice, one that worries more how we're perceived than what we've done to be seen that way. In her later years, my grandmother described warzone memories of Holland with more fondness than a peacetime present. But those were years of starvation, and crippling worries when her father was sent off in shackles, interned by the Nazis – and still, she felt better looking back. What's the explanation? It's not times that change, it's us. So with bright eyes trained to an ever-shifting passage, I believe this Christmas is as happy as any other already good and gone. Hold fast.
December 16, 2021
Annapolis County, Nova Scotia
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立法會研究公眾街市事宜小組委員會參觀公眾街市
立法会研究公众街市事宜小组委员会参观公众街市
LegCo Subcommittee on Issues Relating to Public Markets visits public markets (2018.07.03)
I am most proud of how my artwork turned out. This art relates to my
I Am Poem because I used words from my poem and my picture and poem
are both about art.
Part of a set of images relating to the Mass Trespass that took place at Pangdean Bottom in the Sussex downs on 24th July 2021.
www.instagram.com/landscapesoffreedom/
Part of a rich english tradition - see: Mass trespass of Kinder Scout
en.wikipedia.org/wiki/Mass_trespass_of_Kinder_Scout
The linoprint illustrations featured are by Nick Hayes:
www.instagram.com/nickhayesillustration/
folioart.co.uk/illustrator/nick-hayes/
The police were outnumbered by film crews and Radio 4!
#right2roam #righttoroam #freeroamers #masstrespass #access2land #accesstoland #linoprint #redkite #birdofprey #meatismurder #streetart #art #satire #landscapesoffreedom
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between 1890-1922.
The slide shows a cluster of electrical energy with radiating lighting strikes against a black background.
Inscription Details: Handwritten in blue ink in lower left corner of plate, 'G17'. VERSO: Printed text (in reverse) above and below image.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235964|PH-1984-1-LS78-3-35|17
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033251
HB811 (Relating to Energy Information Reporting) simplifies the registration and reporting process for fuel distributors. Part of the Governor's legislative package, the bill also amends Public Utilities Commission (PUC) responsibilities and powers in relation to energy industry information reporting and allows the state Department of Business, Economic Development, and Tourism to receive energy industry information.
HB1405 (Relating to the Public Utilities Commission) requires the PUC to include a summary of the power purchase agreements in effect during the fiscal year in its annual report to the Governor. It also expands the use of the public benefits fee to support clean energy technology, demand response technology, energy use reduction, and demand-side management infrastructure.
SB19 (Relating to Renewable Energy) removes barriers for landlords to invest in renewable energy and allows renters/tenants to benefit from lower energy costs. The bill also exempts landlords and lessors who install renewable energy systems on their property and provide, sell or transmit electricity generated from those systems to tenants or lessees.
HB1149 (Relating to Wind Energy Facilities) requires a wind energy facility owner to be responsible for facility decommissioning and provide evidence of financial security unless the owner has an existing lease or other agreement that provides for decommissioning. It also establishes standards and assurances of adequate financial resources to avoid abandoned or neglected wind energy facilities.
Trinidadian calypsonian Lord Realtor (right) performs alongside acclaimed composer and steel pan specialist Andy Narell, in a steel pan orchestra and jazz band show held by the University of Southern Mississippi School of Music in the Bennett Auditorium on the school's Hattiesburg campus on April 19, 2013.
Relator-geral do Orçamento de 2023, senador Marcelo Castro (MDB-PI), concede entrevista.
Foto: Roque de Sá/Agência Senado
While visiting San Francisco I was invited to attend a panel discussion on a poster series relating to the Summer of Love. The posters were created by artists to commemorate the event and its 50th anniversary. I was actually surprised to find that this discussion was about some of the posters that I had seen while riding the streetcars along Market Street and craning to get a better look at them.
During the discussion the artists talked about things like their processes, ideals, history, and collective memory. Two ideas that stood out were those of "collective memory" and feminism. Collective memory is a topic that seems a little bit odd, and controversial at times - as it tends to be about what everyone remembers, and can sometimes be mistaken for groupthink.
The second idea was more about feminism. The first in this series of posters was designed and created by Kate Haug who seemed be a bit of a feminist, but in a good way. Typically feminism (from a male point of view) is about destroying all the men, and allowing women to control everything and raise a bunch of ignorant, loveless children. And somehow men and women are supposed to coexist. But I'm not a supporter of "Destroy the Men" feminism, while there are lots of men/fetishists who are. But I did gain a new perspective on feminism from Haug, as maybe there are different...chapters? Instead of "Destroy the Men", she tends to be more of a "Button Your Blouse" feminist, which probably could coexist in a modern society. Although Haug's posters were not so much about feminism, but about the people in a society and how they shape and contribute to it.
All-in-all, the discussion was very informative about much of the history of The Summer of Love, as well as the people and personalities back then. And I came away with some new perspective of ideas.
110
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Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
This image relates to my research question "Can you tell a person's sexuality by their clothes?" because this is a man dressed for a special occasion, by he would be viewed as gay because he has a lot of bright colored patterns on at the same time and a floral print bow tie. Speaking from personal experience, I have worn a similar outfit to my high school once and I over heard someone say how gay I looked, even though I thought I was just dressed up I someone looked the part of being gay without even knowing it apparently. Something as simple as the pattern on your tie can label you as gay or straight and that does not sit well with me.
this one relates to an art term , where the eye is lead to a central point ( though the eye goes to a point just above the car - a white square - )
Every year, Realtors® Care Day offers a helping hand to homeowners in need by providing exterior home repairs and adaptive safety modifications. Regional Habitat for Humanity chapters, the City of Charlotte, and other housing partners identify homeowners who qualify for the program.
Last month, realtors and City of Charlotte Code Enforcement volunteers joined forces to make a meaningful difference in Charlotte neighborhoods. They performed various tasks such as cleaning gutters, landscaping, repairing stairs, and enhancing exterior areas. We express our gratitude for their hard work and dedication.
This is a Portfolio relate to DC Comic and movie , Restore a role of Batman: Arkaham Asylum.
Harley Quinn/
I created this group of photos in China, an abandoned hospital building, to restore the role of a business works.
The creative process used in the camera, flash, soft umbrella, color film, reflectors, tripods and other props. Thank model Asa, and to help this group of photos I took several support staff.
This group of photos to show the audience a great reduction in the original crazy clown female offenders, if you know cosplay, understand Batman, then this will not be unfamiliar. I think this group of photos into a lot of photography after shooting, restore the role of a work that conveys the role of personality and the whole atmosphere of the original, is a group of the more successful works.
Besides me, there are many creative combinations, of course, I also plan and prepare some of the more impact work. In the future I plan to shoot some surreal landscape and travel photography work
HB 178 Relating to Continuing Education
Requires licensed social workers to complete a minimum of 15 credit hours of continuing education courses for the licensing renewal period beginning July 1, 2013, through June 30, 2016, and 45 credit hours of continuing education courses during each licensing renewal period, for the period beginning July 1, 2016, and thereafter.
HB 1207 Relating to Human Services
Requires Department of Human Services to submit to the Legislature interim reports on program integrity prior to 2015 and 2016 Regular Sessions and a final report prior to 2017 Regular Session on its compliance with the federal Patient Protection and Affordable Care Act of 2010 as it relates to Medicaid. Effective July 1, 2014.
This is a Portfolio relate to DC Comic and movie , Restore a role of Batman: Arkaham Asylum.
Harley Quinn/
I created this group of photos in China, an abandoned hospital building, to restore the role of a business works.
The creative process used in the camera, flash, soft umbrella, color film, reflectors, tripods and other props. Thank model Asa, and to help this group of photos I took several support staff.
This group of photos to show the audience a great reduction in the original crazy clown female offenders, if you know cosplay, understand Batman, then this will not be unfamiliar. I think this group of photos into a lot of photography after shooting, restore the role of a work that conveys the role of personality and the whole atmosphere of the original, is a group of the more successful works.
Relates to the fix on Firestorm 4.7.4 UNRELEASED with OpenSimulator support.
Result:
Posting a snapshot to Flickr at current /but not set in advanced/ window size /in my case 1920x1032/ does not reproduce this bug.
VERIFYING: The bug assigned to Ansariel Hiller and testedy by Whirly Fizzle is FIXED
Taken: OSGrid, Crown Land estates, Wolflandia sims using Firestom Fizzlefire 4.7.4.47531 to test direct Flickr uploads /fixed issue/ - 1920 x 1032, keeping aspect ratio
===============================================
SCREENSHOTS 14-15 in this album
The screenshots document that the problem described bellow was solved.
18) Current (not set in advanced) windows size - 1920 x 1032
17) A snapshot set at any of the preset sizes (here we set 1600 x 1200)
16) Custom, manualy set size 1920 x 1032 for the snapshot, the same setting is for the window size in the menu Advanced
15) Posting a snapshot to Flickr at size 320 x 240
14) Current window was 1920 x 1032 and the window size was set to 2560 x 1440
================================================
SCREENSHOTS 1-10 in this album (the original post):
The screenshots document that the similar settings, when used in Second Life and Opensim generate different results. This behavior persists since the latest beta release and it is present also in the final version. Firestom 64 bit for Second Life and Opensim was used to create these snapshots. First the clean reinstall of beta version was performed and no settings were automatically restored from the previous installation.
Uploads taken at the Opensim grid are not being uploaded for me with the best possible quality. To get them online I must save them first to disk. This way the procedure is longer, not so comfortable and the result does not contain data about the place where it was taken.
That includes kidnapping, few bruises, injuries, sex every night, threesomes, do things she never do, etc. #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Adult #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #beyonce #nickiminaj #nofuckingchill - _relate.quotess
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri, Herculaneum & Pompeii Lost Beauties Restored." The Times, Oct. 30, 1934. p. 13 [1/2].
PM Dr Ngirente presented before Rwanda parliament, Government of Rwanda achievements relating to ICT in the knowledge-based economy | Kigali, 2 December 2019
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri, Herculaneum & Pompeii Lost Beauties Restored." The Times, Oct. 30, 1934. p. 13 [2/2].
HB632 (Relating to Open Data) requires state departments to make electronic data sets available to the public. The bill also requires the chief information officer (CIO) to develop policies and procedures to implement the Open Data Initiative, and appropriates $100,000 each fiscal year of the biennium to Office of Information Practices (OIP).
HB635 (Relating to Broadband) requires the state and counties to take action in advancing the Hawaii Broadband Initiative within 60 days (for conservation districts, the state must take action within 145 days). The initiative's goal is to provide ultra high-speed Internet access by 2018, and this clear and decisive timeline will reduce uncertainty for broadband companies and serve as an incentive to invest in increased bandwidth.
SB1003 (Relating to Information Technology), another of the administration's bills, authorizes the CIO to conduct security audits and direct remedial actions, as necessary, in the management of the state's cyber security.
The Pacific golden plover (Pluvialis fulva) is a medium-sized plover. The genus name is Latin and means relating to rain, from pluvia, "rain". It was believed that golden plovers flocked when rain was imminent. The species name fulva is Latin and refers to a tawny colour.[2]
The 23–26 cm long breeding adult is spotted gold and black on the crown, and back on the wings. Its face and neck are black with a white border, and it has a black breast and a dark rump. The legs are black. In winter, the black is lost and the plover then has a yellowish face and breast, and white underparts.
It is similar to two other golden plovers: the Eurasian and American plovers. The Pacific golden plover is smaller, slimmer and relatively longer-legged than the European golden plover, Pluvialis apricaria, which also has white axillary (armpit) feathers. Overall, the Pacific golden plover is found to be more similar to the American golden plover, Pluvialis dominica, with which it was once considered conspecific as "lesser golden plover".[3] The Pacific golden plover is slimmer than the American species, has a shorter primary projection, longer legs, and is usually found to have more yellow on the back.
This wader forages for food on tundra, fields, beaches and tidal flats, usually by sight. It eats insects and crustaceans and some berries.
The breeding habitat of Pacific golden plover is the Arctic tundra from northernmost Eurosiberia into western Alaska. It nests on the ground in a dry open area.
It is migratory and winters in south Asia and Australasia. A few winter in California and Hawaii, USA. In Hawaii, the bird is known as the kōlea, and in New Zealand it is known to Māori as kuriri. It is very rare vagrant to western Europe. They return to the same wintering territory each year, which allowed scientists in Hawaii to attach tiny light level geolocator devices to the birds and then retrieve them the following year in the same location. This research revealed that these birds make the 4800 km non-stop flight between Alaska and Hawaii in 3–4 days.[4]
ムナグロ（胸黒、英名Pacific Golden Plover、学名：Pluvialis fulva）は、チドリ目チドリ科に分類される鳥類の一種である。
分布
シベリアとアラスカ西部のツンドラで繁殖し、冬季は東南アジアやオーストラリア、インド、アフリカ東部などへの渡りをおこない越冬する[3]。
日本へは旅鳥として春と秋の渡りの時期に全国に飛来する。本州の中部以南の地域では、越冬する個体もある。南西諸島や小笠原諸島では、普通に越冬している。
形態
全長は約24 cm[3]、翼開長は約60 cm[4]。雌雄同色[4]。成鳥夏羽は、顔から腹までの下部分が黒く、その上部に白い縁取りがある。背面は黄褐色と黒褐色の斑模様になっている。成鳥冬羽は、体下面が淡黄褐色で腹部が褐色がかった白色である。嘴は黒色。足は灰色みをおびた黒色である。
幼鳥は成鳥の冬羽と似ているが、全体に黄褐色みが強く翼の下面が白っぽい。
生態
繁殖期は極地のツンドラに生息し、6-8月に繁殖する。つがいで生活し、縄張りを持つ。巣は地上に作り、産卵数は普通4卵である。
食性は主に動物食で、昆虫類や甲殻類などを捕食する。草原や田圃で植物の種子をついばむこともある。
渡りの時期や越冬時には、水田や草原、干潟や河原、河口などに生息する[3]。体型の似ているダイゼンと比べると、やや乾いた環境を好む傾向がある。特に、越冬地では干潟や河原よりも、畑や公園の芝生などの方でよく観察されている。
飛翔しながら「ピョピョー」「キビョー」などの声で鳴く。
(From Wikipedia)
Scenes from some of the work sessions of the 2016 International Association of Commercial Administrators (IACA) Conference held in Columbus, Ohio. These breakout sessions relate to specific topic of interest to subgroups of attendees. The sessions are held on Wednesday of the conference (June 8 this year)
There is some confusion relating to this photograph? Researching for details of this lady kept bringing me back to Betty White, hence the details below but I make no claims the photo is an early shot of Betty White?
Betty White, is an American actress, comedian, singer, author, producer and television personality. In 2013, the Guinness World Records awarded White with having the longest television career for a female entertainer. To contemporary audiences, White is best known for her television roles as Sue Ann Niven's on 'The Mary Tyler Moore Show' (1973–77) and Rose Nylund on 'The Golden Girls' (1985–92).
White is regarded as a pioneer of American television for being one of the first women to have creative control in front of and behind the camera, she is also noted for being the first woman to produce a sitcom which contributed to her receiving the honorary title as the Mayor of Hollywood in 1955. In a career that has spanned over 70 years, Betty has gone on to win seven Emmy Awards (six for acting), receiving 21 Emmy nominations over her career, including being the first woman to receive an Emmy for game show hosting (for the short-lived Just Men!) and is the only woman to have won an Emmy in all performing comedic categories.
Wikipedia.
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 327
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Relator-geral do Orçamento de 2023, senador Marcelo Castro (MDB-PI), concede entrevista.
Foto: Roque de Sá/Agência Senado
Urban (ɜːʳbən) adjective [usually ADJECTIVE noun]
Urban means belonging to, or relating to, a town or city.
Arborist (ˈɑːrbərɪst)
noun
A specialist in the cultivation and care of trees and shrubs, including tree surgery, the diagnosis, treatment, and prevention of tree diseases, and the control of pests
collinsdictionary.com
How do you manage trees that were planted in the 1960s as part of post-war housing development in the third decade of the 21st Millennium? With great care, dinosaur smoke and mankind’s great pursuit in conquest over nature.
The process being undertaken in these photos is what's called pollarding, where a trees limbs are removed entirely to encourage later dense growth within 1 to 2 years. Only certain species of trees can handle this brutal operation, like these London Plane trees here. Once a tree is pollarded, it has to be regularly maintained in 5-10 year operations.
Historically, wood harvested from this method would be used to feed livestock or for light timber, but these days, thanks to the infernal combustion engine, two operatives can pollard five trees in as many hours, with the tree limbs being quite violently mechanically separated and carted off to be used either as mulch or biofuel.
I find arboriculture rather fascinating; living amongst the trees in an urban environment, arborists have been a regular sight over the years, performing everything from whole tree clearings to dead wood pruning, I’ve seen them do a lot.
It’s a highly skilled profession with some of the most dangerous and violent tools possible in the workplace – Darwin Award nominees are quickly weeded out.
There is a strange beauty to the brutality of efficiency, especially towards articles of nature.