View allAll Photos Tagged relatable
La scène, relatée par trois des quatre Evangiles (Marc, Matthieu et Luc), se déroule juste après le baptême du Christ. Retiré dans le désert après quarante jours de jeûne, Jésus rencontre le diable, dans un épisode que la tradition qualifiera de « tentation du Christ ». Satan multiplie alors les suggestions – transformer des pierres en pain, sauter dans le vide pour voir si Dieu le sauve, obtenir le pouvoir sur tous les royaumes du monde en échange de son allégeance – et Jésus les refuse. « Après l’avoir tenté de toutes ces manières, le diable s’éloigna de lui jusqu’à un moment favorable », conclut Luc, énigmatique.
Mais quel est le sens de cet épisode, central durant la liturgie du carême ? Le diable existe-t-il vraiment, ou n’est-ce qu’un symbole ? Des siècles de controverses théologiques n’ont pas suffi à épuiser cette question. Même au sein de l’Eglise catholique, dont les dogmes sont pourtant fixés et centralisés par Rome, le débat n’a jamais été totalement tranché.
« Nous avons créé des figures symboliques, comme le diable, pour exprimer le mal », déclarait par exemple au quotidien espagnol El Mundo, le 31 mai 2017, le père Arturo Sosa, alors fraîchement nommé supérieur de la Compagnie de Jésus. « Les symboles font partie de la réalité, et le diable existe en tant que réalité symbolique et non en tant que réalité personnelle », réitérait-il en août 2019, dans une interview à l’hebdomadaire catholique italien Tempi.
Le diable, un symbole ?
Les propos du « pape noir » – nom habituellement donné au supérieur des jésuites en raison de son pouvoir ecclésial – ont à chaque fois suscité une levée de boucliers dans les milieux cléricaux. Il faut dire que sa vision s’oppose à celle d’un autre jésuite, et pas des moindres : le pape François.
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Counter-protest against Westboro Baptist Church/Phelps clan protest relating to the recent death of three sailors from HM15 Blackhawks, a mine countermeasures unit.. Their Sea Dragon helicopter crashed near Corpus Christi a couple of weeks ago. Are you in this photo? I'd love it if you left a comment to let me know.
This piece relates to my Historical Influence Francis Bacon because I attempted to capture the tortured expressions in his later paintings. I also attempted to incorporate the gaping mouths that he has in his paintings, and their expression of an almost screaming mouth, as if the person in his portraits are in pain. I also attempted to add symbolism through the different objects in the drawing that are placed where secrecy applies. These are meant to represent the pain inflicted mentally on a person and is seen on the parts of the face that have to do with secrecy. The eye in the mouth represents something one sees that affects their freedom of speech, aka they're being controlled by something they have witnessed. The horns represent the pain that comes from hearing something you weren't supposed to hear, and the heavy chains represent the way secrets weigh you down. Finally the missing eyes represent seeing something you should have seen, and the hand on the scalp also represents being controlled by your demons and secrets. I also tried to create a contrast between the paper through inking, and weighing of lines and shadows, drawing the eyes to the focal point, which was the face.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Acrylic on panel installation (part 2), 25" x 98", 2013. Installed at 516ARTS in Albuquerque, New Mexico.
Credit Bhutan Tiger Centre
Relates to UNDP-supported GEF-funded NAPA III project. See story 'At one with nature: Towards climate-resilient people, forests and wildlife in Bhutan 🍃’, June 2022 undp-climate.exposure.co/at-one-with-naturenbsptowards-cl...
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
KnightPKF is destined to be a household name. The Brooklyn-raised artist has come a long way, earning the respect of rap legend Ice-T, who has become his mentor. With his perseverance and ambition he has not only transformed into a respected hip hop artist, but he has made himself into a versatile brand. He has become multifaceted with an endorsement with Nude Vodka, owning his own phrase “Smoov,” and owning his own clothing line, PKF Apparel.
PKF stands for PlentyKashFlow, which is what KnightPKF motivates everyone to strive for. His own ambition has led him to create a better situation for himself in every aspect, and he wants to share that drive with those around him. KnightPKF constantly reaches out to fans and continues to encourage them to pursue their dreams, to stay humble, and to get as much “PlentyKashFlow” as they need to. PKF Apparel targets anyone who shares the same perseverance as KnightPKF. Anyone who has dreams and life goals can definitely relate to the PlentyKashFlow brand as a whole.
When taking a look at the merchandise hat has been released thus far, it’s evident that PKF Apparel represents KnightPKF’s personality. Fitted hats are being sold with his copyrighted phrase "Smoov" embroidered on the front, which have been seen on KnightPKF himself. There are also t-shirts that have “PlentyKashFlow” written across the chest and a PKF logo in the lower left corner, with its simplicity exemplifying that you don’t have to be flashy to get noticed. Anyone wearing any of the various styles from PKF Apparel are represented the way KnightPKF represents himself -- comfortable in his own style, swag, and sense of being.
Written by Amelia Rampersaud
This selection of images relates to a table I picked up at the weekend. This table differs from the last two that I worked on in that it is a later one, this is highlighted by the full length hinge and leg bosses which are like the ones used on 'Pebble' tables. That aside the table cleaned up with ease to show off its distinctive grain pattern.
Additional notes this table has been finished in Danish Oil.
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
Herculaneum / Pompeii, Italy- The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii during the 20th / 21st century as reported in THE NEW YORK TIMES, THE TIMES (LONDON), and THE WASHINGTON POST (WASHINGTON DC, USA), ca. (1904-2002). [forthcoming].
Ercolano / Pompei, Italia-i problemi relativi alla gestione e scavi degli Scavi Archeologici di Ercolano / Pompei durante il 20 ° / 21 ° secolo come riportato dal New York Times, The Times (London), e il Washington Post (Washington DC, USA), ca. (1904-2002). [Prossima].
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Tips about how to Prevent Sewer Blockages from Fats, Oils and Grease (FOG) in Horace, North Dakota
What exactly is FOG?
FOG relates particularly to fats, oils and grease getting into the sewer system when put down drain pipes in houses, apartments rentals, eating places, market and public venues.
As a end result of cooking, FOG is normally present in:
Baking goods
Butter, lard, shortening
Cooking oil
Fats and oil from cooked meats
Food scraps
Gravy
Mayonnaise
Salad dressings
Sauces
Sour cream
Why is FOG an issue?
Obstruction can cause sewer line overflows in your yard. More often than not, fats, oils and grease are discarded incorrectly in the course of preparing food and kitchen area clean-up. When put down the sink (drain or floors), FOG can accumulate and form up, obstructing clean sewer lines. This build up but not only cuts down on the capability with the wastewater collection system, additionally it changes its usefulness.
In serious instances, obstruction can result in:
Sewage back ups into businesses and homes and
Sewers that flood on to roads and real estate, ultimately pass into nearby rivers, leading to contaminants.
How will you assist?
The simplest way to resolve the grease issue and assist to stop overflows of raw sewage would be to keep this substance out from the sewer system. As a result of education and learning and also by implementing specific behavior, you can easily reduce FOG places in your own home.
In the kitchen area, fats, oils and grease (FOG) will come mainly from pre-rinsing pots and pans or cleaning cookware. When cooking food FOG is permitted to go down the sink, it cools down within the wastewater system and stays with plumbing, making FOG accumulation. The accumulation leads to blockages and backups in businesses and homes, wastewater overflows, and leaks on personal residences, roadways, and local surface areas. FOG accumulation also raises the expense of sustaining Horace wastewater treatment methods, therefore affecting prices and will also generate community health issues.
Suggestions to maintain your drainpipes fat-free:
Put cooled down fats, oils and grease in to a jar and place the jar inside the garbage. If you do not possess a pot, put aluminum foil in to a coffee mug or comparable, add FOG, let it cool and get rid of.
Prior to cleaning, make use of a paper napkin or paper hand towel to clean FOG from pots and pans and dump it inside the garbage.
Use kitchen sink strainers to capture food items waste materials.
Place food leftovers inside the garbage, not over the garbage disposer.
The easiest method to handle grease and fats will be to clean them off of or put them into storage containers and get rid of them in the garbage disposal. By no means place fats or grease down the kitchen sink drain pipes or in to the commode.
There’s a nationwide marketing campaign called “Can the Grease” all through the USA that promotes using correct removal of FOG.
Restaurants along with other business kitchen areas have to have grease traps or interceptors put in. These companies are controlled by inspection regularly by Local personnel. Make sure you call us to learn more.
Exactly what is a grease trap or grease interceptor and just how do you use it?
Grease traps and interceptors are units built to maintain Fats, Oils and Grease (FOG) from getting into public sewage lines. They may be found inside of or outside of the kitchen area, based on the application. Generally, they are created to keep FOG-laden discharge for enough time for grease within the water to cool down, firm up and separate from the rest of the waste materials. When the grease has split up, it may be discarded correctly.
Should i use a grease trap or interceptor inside my eatery or food service business?
Any business that deals with any kind of food really should use a grease trap or interceptor. Even smaller food providers like coffee houses who serve items with dairy products need to use a grease trap or interceptor to help keep FOG from heading down the sink. A business will have to use a grease trap or interceptor if the side sewer line contains a visually apparent build up of fat, oil or grease. Make reference to the most recent Standard Plumbing Code (offered at your public library) for dimensions requirements.
Just how much will a grease trap or interceptor cost and who should I contact to obtain one to get set up?
They range in price, based on dimension and application and will begin as little as a few hundred to thousands. Make sure you speak to a licensed pluming company in your community for costs.
Who decides if I require a grease trap or interceptor?
In the event your food company business deals with food items and washes pots and pans, you probably have to use a grease trap or interceptor. Your decision depends on the kind of use and decided upon from the professional and local staff.
Who is mainly responsible for setting up a grease interceptor?
Each and every business that deals with food items of any type – from your coffee house offering dairy along with milk products to your bistro preparing deep-fried meals – is likely releasing FOG. All food providers are accountable for putting in a unit to help keep FOG from getting into their side sewer line and also the general public sewer range.
What happens if I do not install a grease trap or interceptor?
If your business handles any food items which contains fat, oil and grease, you may ultimately experience a maintenance issue for instance a obstruction within the building sewer line. A obstruction can certainly create sewage back-up circumstance and consequently a possible health issue for your business. If the issue is within the building sewer line, then your business is directly accountable for having to pay for the clean-up fees and damage to property. A business can also be instructed to shut down the business until an examiner certifies all health problems are solved.
When the obstruction is incorporated in the public sewer main and Horace, North Dakota can validate how the methods of the particular business has resulted in the obstruction, then that business might have to pay for any public clean-up expenses, damage to property and public sewer servicing expenses to alleviate the obstruction. The business may also be instructed to put in a grease trap or interceptor or update a current system to intercept food and FOG.
Septic Tank Cleaning Horace ND
How frequently do i need to thoroughly clean my grease trap/grease interceptor?
A grease trap or interceptor needs to be on a regular basis taken care of in order to meet the 25% Rule – no more than 25%, by volume, from the trap or interceptor ought to accumulate of food and FOG. If in excess of 25% of food and FOG build up within the trap or interceptor, it is more probable not to work correctly and releasing food and FOG to your building sewer line as well as the public sewer system. Exclusions to the 25% Rule are suitable for devices that can keep greater than 25% FOG and will also be exclusively produced in the manufacturers specs.
Every business ought to figure out a particular cleaning routine that suits their organization. Some organizations will have to clean their trap or interceptor more frequently than others. It is very important to keep in mind that using kitchen very best management methods, like scraping your dishes, cooking pots, and pans, will decrease the volume of food and FOG that release right into a trap or interceptor, consequently reducing the regularity for cleaning.
Just how do i keep clean and maintain my grease trap/grease interceptor?
Grease trap maintenance is generally done by maintenance employees or any other workers from the business. Grease interceptor (GI) maintenance, that is generally done by authorized haulers or recyclers, includes taking out the total quantity (liquids and solids) from the GI and effectively getting rid of the FOG in compliance with all federal government, state, and/or local laws. When executed correctly and at the correct regularity, grease interceptor and trap maintenance can help reduce the release of FOG in to the wastewater collection system. The necessary routine maintenance frequency for grease interceptors and traps will depend on significantly on the volume of FOG a center yields together with any best management practices (BMPs) that the business utilizes to cut back the FOG released into its sanitary sewer system. In most cases, a business that utilizes BMPs will recognize financial advantage via a decrease in their needed grease interceptor and trap maintenance regularity.
from Portapro Septic Services portaprosepticservices.com/grease-trap-cleaning-horace-nd/ portaprosepticservices.tumblr.com/post/158654019470
Kenneth Adrian Wilson, Kenneth Adrian Wilson photographs relating to Wellington, Alexander Turnbull Library, Reference: 1/2-136016-F
Published in the Wellingtonian 21 October 2010
On a wet and windy winter day in 1901 the Duke and Duchess of Cornwall came to town. It was the first of last century’s grand royal tours. Nearly everyone poured onto the streets to welcome them.
One of the features of the visit were our grand welcoming arches. We excelled. On landing at Queen’s Wharf the royal couple were driven up Jervois Quay, under a tri-coloured "Citizens' Arch" and a Woollen Company arch made of wool bales. In Cuba Street there was a Māori arch and a Marlborough arch featuring sheaves of grain. Manners Street featured a Chinese arch. Along Lambton Quay there was the buttermen's arch "cunningly made of butter boxes and trade brands", and a Westport arch featuring huge lumps of coal.
Almost at the end, outside the Government buildings, was the impressively turreted Government arch shown here, and just out of the picture to the right, at the entrance to Parliament, was the main Māori arch – "the best Māori arch in all New Zealand" according to the official history of the visit.
No other town did so well, although they tried. Christchurch, for example, proudly featured a meat arch showing off carcasses of frozen mutton, and their agricultural arch had penned bullocks at its base, cages of sheep, and clucking poultry on top.
See other images of the 1901 royal visitors in Wellington
Permission of the National Library of New Zealand Te Puna Mātauranga O Aotearoa, must be obtained before any reuse of this image.
Wellingtonians: From the Turnbull Collections contains revised and expanded entries, and some new ones too. This high-quality publication is available for just $29.99. You can pick it up from from good bookshops or get it straight from the publisher, Steele Roberts.
Fairy Tail draws pictures relating to San Valentin anime.saqibsomal.com/2016/02/26/anime/fairy-tail-draws-pi...
Neil Woodall
Grinders Hill, 1994
Grinders Hill
sandblasted and inked stainless steel (31 panels)
One panel removed
Location:
Grinders Hill, running between Brown Street and Shoreham Street.
Description:
Images of activities relating to the Quarter are depicted on steel panels along the passage. The panel size is given, but the grouping varies according to shape and scale of image. There is no overall sequence or narrative; the images were placed where they fit best on the wall. They depict people and equipment, and even a view of the Erechtheum. The unmistakable entrance panel is entitled Grinders Hill and shows a view of Sheffield, closely related to Woodhall's 'The Sheffield Mural' on the Parkway. The view is seen through an arched window based upon an existing window at the Untitled Gallery.
[Update] This panel was removed during the major refurbishment of the Site Gallery and has not been replaced. Its whereabouts are not known to us.
Commission:
Sheffield City Council, sponsored by Avesta (Sheffield).
Comment:
Artist says it was important that the overall set of images be complex without being fussy. There should be something for people to look at. Most of the images are taken from his own photographs. Because of the proximity of the Site Gallery, a photography gallery, the artist thought it would be interesting to have images in black and white and the Grinders Hill view drawn by hand.
public-art.shu.ac.uk/sheffield/wood84.html
-----------------------------------------
Grinders Hill, Sheffield.
Grinders Hill panels.
Grinders Hill is a steep passageway between Shoreham Street and Brown Street.
The walls are decorated with more than thirty stainless steel panels by Neil Woodall (1994), commissioned by Sheffield City Council and sponsored by Avesta (Sheffield).
The panels are based on the artist's photographs of the cultural industries in this part of Sheffield and are displayed on the wall of the nearby Site Gallery at the top of the passageway.
The polished steel panels reflect light and make the passageway less gloomy.
www.cutlers-hallamshire.org.uk/files/pdf/stainless%20trai...
-----------------------------------------
Stainless Steel Panels by Neil Woodall
Grinders Hill is a walkway between the Site Gallery and the Workstation in the Cultural Quarter of Sheffield. I won a competition organised by Sheffield City Council to produce an artwork for one side of the walkway. The tall buildings made the area very dark and threatening so I decided to use polished stainless steel to reflect as much light as possible. From some angles the building looks almost invisible.
The work is made from 31 etched sheets of 2.4m by 1.2m bright annealed stainless steel. The designs reflect the use of the building, depicting the recording studios, video editing and tape copying facilities. Images were dry etched onto the steel which was then sprayed with a thick deposit of the screen printing ink used to make traffic signs. This ensured a very permanent finish to the work.
This project broke new ground in that I developed a cost effective way of getting the ink permanently onto steel, a method which I have not seen used elsewhere. I worked very closely with contractors to ensure that it was installed with the delicate surface of the panels intact. I negotiated with the council, the occupants of the building and the sub contractors.
As most people collect, they end up meeting interesting people that they can relate to. I've certainly met my share of them, and have managed to obtain a few pieces with some assistance from them. As a result, hailing all the4 way from Singapore, we have the Hot Toys Exclusive (whatever that means) Avengers 2: Age of Ultron - Maria Hill figure.
I know they weren't super expensive back in the day (MSRP I mean), but by the time Sideshow got their hands on it, this figure cost $215 USD, which definitely cost more than your run of the mill figure back in the day, all the while being less equipped than they were. I managed to snag one that was opened and resealed in a box for $170 USD shippped.
You get the figure, 3 pairs of hands, walkie talkie, Bluetooth earpiece, and a pistol. Oh, and the usual base/stand.
Now, I learned about Pleather deterioration, but completely forgot about how tropical weather like in Singapore would affect a figure. It's not the worst I've seen, as some of my Widows have similar damage, but they've lived in Canada all their lives.
But it is unfortunate seeing how I didn't exactly score this figure for Garage Sale prices. I'm hoping my coats of leather paint prevents things from getting worse.
What I wasn't expecting was the effect of humidity on paint in contact with plastic. Hot Toys gave the sculpt some lovely blush to accentuate her cheeks. Well, that all turned from pink to yellow, so it looks kinda weird.
Unfortunate, but I treat it as a learning lesson on things to look out for when I finally make my way back to Asia to unleash holy hell on the secondary toy market.
So with the downers out of the way, the rest of the figure is pretty standard. I believe Maria uses a slightly taller version of the Widow body, which is a bit tall and narrow in the torso, but overall is a closer match to Colbie Smulders than Scarlett Johansson.
Maria was made when they still made softer fabric uniforms. I'd describe the feel of what she's wearing as being whatever Jeggings are made from. The upper body generally has full use of its faculties - unfortunately the body doesn't have Butterfly style shoulders, which is unfortunate as Maria could have really used them, especially for her pistol and arm crossed poses. Legs are restricted despite the softer fabric, though isn't as bad as with Winter Soldier Black Widow.
The head sculpt I'm actually quite impressed with. It's not perfect - they never are and if anyone says so, they're probably just not looking hard at the thing... or in some instances, not looking at all. The eyes are off, and the sculpted hair throws things off. But ultimately, it comes down to the jaw being too square, even for Colbie Smulders. On the whole, however, its probably 70 - 80% there, which is a lot more than I can say about any Black Widow up to that point, and Hot Toys accomplished that with one try as well.
Paint, I'm not really in a position to comment on. But, it appears if you can see past the discoloration, you'll see that the usual high quality is there. Build Quality is the usual high level, with nothing falling apart aside from the Pleather.
Overall, despite being a simpler figure I have to say I certainly like this better than I liked AoU Widow, which was just.. weird from a MCU perspective as well as from a Hot Toy perspective. I'll probably have to hunt down a WS Nick Fury to pair with her, but this time I'll be sure to make sure everything is is one piece.
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Description: SH.2009.45.1 artwork confirming Jack Brayley as President of McEwan Society. SH.2009.45.2 film negative of Scotch Lager artwork. SH.2009.45.3 film positive of Scotch Lager artwork writing. SH.2009.45.4 film positive of Scotch Lager artwork border. SH.2009.45.5 film positive of Scotch Lager artwork blue border detail. SH.2009.45.6 film positive of Scotch Lager artwork border green latticework. SH.2009.45.7 film positive of Scotch Lager artwork border and yellow cross detail. SH.2009.45.8 watercolour of Scotch Lager artwork showing the Scott Monument..
Used in Edinburgh
Further Notes: Original artwork created by Smith & Ritchie. Smith and Ritchie were established in Edinburgh in 1853. The firm were multi colour offset printers who were specialist suppliers to the food packaging industry. They were located at Amphion Works in Albert Street. In 1963 Smith & Ritchie became the first printing company in Scotland to use a gravure press and produced reel fed work up to five colours. Smith & Ritchie moved to Livingston in 1986 and in 1991 became the first printing firm in Scotland to use a 10 station gravure press.
Smith & Ritchie have subsequently moved out to Livingston and survive today as Amcor Flexibles S & R. Amcor are originally an Australian company and now have operations in 36 countries around the world specialising in many printed products of which the food packaging that Amcor Flexibles S & R is one.
History: Smith & Ritchie were located at 71 Albert Street, Edinburgh.
Edinburgh City of Print is a joint project between City of Edinburgh Museums and the Scottish Archive of Print and Publishing History Records (SAPPHIRE). The project aims to catalogue and make accessible the wealth of printing collections held by City of Edinburgh Museums. For more information about the project please visit www.edinburghcityofprint.org
EH7 5LL
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!
None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
If you'd like to see more please check out my set, "Vertigo:"
www.flickr.com/photos/motorpsiclist/sets/72157630591282642/
.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
.
My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
Image from 'Historical Collections of the State of New York ... relating to its history and antiquities, with geographical descriptions of every township in the State', 000194809
Author: BARBER, John Warner and HOWE (Henry)
Page: 544
Year: 1846
Place: New-York
Publisher: S. Tuttle
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Description: Copy of newspaper clipping relating activities of UCLA Ski Team, dated February 26, 1935.
Photographer: N/A
Donor: Glen Dawson
Original: Paper holdings of Angeles Chapter Archives
Credit: Glen Dawson Collection, Sierra Club-Angeles Chapter Archives
Photo ID (file name): Dawson G 1399
NO KNOWN COPYRIGHT RESTRICTIONS:
By asserting "no known copyright restrictions," the SIERRA CLUB ANGELES CHAPTER HISTORY COMMITTEE is sharing the benefit of our research without providing an expressed or implied warranty to others who would like to use or reproduce the photograph. This means that we are unaware of any current copyright restrictions on the works so designated, either because the term of copyright may have expired without being renewed, because no evidence has been found that copyright restrictions apply, because the original creator has granted us permission to post the image on the Internet, or because we own the copyright but are not exercising that control. The HISTORY COMMITTEE cannot guarantee that private or commercial use of the images shared herein will not violate the rights of unidentified copyright holders and we cannot be responsible for any liability resulting from the use of these images.
If you make use of a photo from this source, you are reminded to conduct an independent analysis of applicable law before proceeding with a particular new use.
This relates to the broken window theory. One person comes in and bombs an alley, then other hoodrats come in and put their own mark over the first one.
Abou Hurayrah relates that Allah's Messenger (peace be upon him) said:
"Whoever believes in Allah and the Last Day should speak a good word or remain silent. And whoever believes in Allah and the Last Day should show hospitality to his neighbor. And whoever believes in Allah and the Last Day should show hospitality to his guest."
[Sahih Al-Bukhari and Sahih Al Muslim]
.............................................................................................................................................................................................
Daripada Abu Hurairah r.a., bahawa Rasulullah SAW telah bersabda:
Barangsiapa yang beriman dengan Allah dan hari akhirat, maka hendaklah dia berkata baik atau dia diam.
Barangsiapa yang beriman dengan Allah dan hari akhirat, maka hendaklah dia memuliakan jiran tetangganya.
Barangsiapa yang beriman dengan Allah dan hari akhirat, maka hendaklah dia
memuliakan tetamunya.
[Hadis riwayat al-lmam al-Bukhari dan Muslim.]
Another picture relating to the Steed family of Stanton Suffolk. 4th fellow down is A J Steed otherwise known as Jack. Named after his father Arthur John he was known as Jack in the previous photo I uploaded of him and and his sisters. He was born in Stanton in around 1894.
This is a postcard portrait I would imagine pre 1st world war. In the 1911 census jack is shown as living in Stanton but his occupation is that of a Pupil Teacher. If only there was a clue as to where this college /workplace was then we might be able to identity the other named individuals
Part of a a big collection of several hundred photos which were unwanted by any one at an auction sale..Rather than see them go in the bin I rescued them.
"relating to the motion of material bodies and the forces and energy associated therewith"
A creative outing with my photo club - Inland Empire Photo Club - where we played with light and motion and long exposures to create kinetic art. It was a wonderful, creative evening.
This relates to the broken window theory. One person comes in and bombs an alley, then other hoodrats come in and put their own mark over the first one. Then someone writes "eat a dick" on it. This is on the side of Katie Blue Salon in.
PM Dr. Ngirente presented to Parliament in a joint sitting, Government of Rwanda’s actions relating to the promotion of TVETs and Polytechnics | Kigali, 22 July 2021
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
And to see more of my Kinetic Photographs please visit my set, “Flux Velocity:”
www.flickr.com/photos/motorpsiclist/sets/72157622224677487/
.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
.
My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Part of a set of images relating to the Mass Trespass that took place at Pangdean Bottom in the Sussex downs on 24th July 2021.
www.instagram.com/landscapesoffreedom/
Part of a rich english tradition - see: Mass trespass of Kinder Scout
en.wikipedia.org/wiki/Mass_trespass_of_Kinder_Scout
The linoprint illustrations featured are by Nick Hayes:
www.instagram.com/nickhayesillustration/
folioart.co.uk/illustrator/nick-hayes/
The police were outnumbered by film crews and Radio 4!
#right2roam #righttoroam #freeroamers #masstrespass #access2land #accesstoland #linoprint #redkite #birdofprey #meatismurder #streetart #art #satire #landscapesoffreedom
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
The common name (rain daisy) of the species Dimorphotheca pluvialis relates to its reputation as a 'weather prophet', since the flowers tend to close, or remain closed, in the absence of sunshine. It is also sometimes known as Cape marigold, which indicates the area of origin: in common with some other related species, it is often grown in parks and gardens as an ornamental.This plant has small flowers that are white w/ purplish/brown centers. It blooms late winter/early spring. Grows 8" to 12" tall with same spread. Best cultivated in sun with well draining soil. Flowers only open in sun, deadheading helps produce more flowers. Salt tolerant. Propagate from seed in spring.
Il genere Dimorphotheca comprende alcune piante da fiore perenni originarie dell'Africa meridionale, conosciute anche come osteospermum. Costituisce densi cespi di foglie lanceolate, verde chiaro, cerose e cuoiose, da cui si ergono numerosissimi fusti su cui sbocciano fiori simili a margherite, di diametro intorno ai 4-5 cm, di colore rosa, bianco, giallo, rosso o viola. La fioritura è lunghissima e va dall'inizio della primavera fino ai primi freddi; in autunno la pianta ingiallisce e secca e rispunta ogni anno, allargandosi come una tappezzante. Le piante raggiungono i 25-30 cm di altezza, ma la macchia di colore che creano si allarga di anno in anno.Presentano densi cespi di foglie lanceolate, cerose e cuoiose, da cui si ergono numerosissimi fusti su cui sbocciano fiori simili a margherite, di diametro intorno ai 4-5 cm, di colore rosa, bianco, giallo, rosso o viola. La fioritura è lunghissima e va dall'inizio della primavera fino ai primi freddi; in autunno la pianta ingiallisce e secca e rispunta ogni anno, allargandosi.
This selection of images relates to a table I picked up at the weekend. This table differs from the last two that I worked on in that it is a later one, this is highlighted by the full length hinge and leg bosses which are like the ones used on 'Pebble' tables. That aside the table cleaned up with ease to show off its distinctive grain pattern.
Additional notes this table has been finished in Danish Oil.
© 2014 JSB Photography
Managed to get into a Jazz show on the night 'Lord Relator' was performing on stage.
At least some form of success after failing to get through the previous night to get a couple shots of Tessanne Chin on stage performing.
Preparing collages of items relating to the lectures & show & tell, and the 4pm chat session with follow up phone call took a lot of puzzling time out of day three for me. I was able to get back to my jigsaw in the evening and put in about four hours. This was taken about 10.20pm, when most of the pieces with any bright colour had migrated out of the trays and if not into the image at least they were in play. I had a couple of lumps on the tray but the side edge pieces remained unconsidered. Pride was punished; although I would finish this 'tonight' (12.50am) I was clearly not going to start a fourth jigsaw!
David has made good progress on Kilimanjaro Animals - through grit & determination - completing a hippo and half of the next two rows of animals. Line-cutting along unexpected colour changes with devastating effect, Heather has succeeded in creating a very difficult jigsaw yet kept it at least semi-interlocking. He was heard to utter, 'I've only placed one single piece of zebra', and 'It's a good job this wasn't completely push-fit'.