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Only three news items were found relating to S C Adams, Art Studio of Marysville, OH. No genealogy could be assembled. There were no Marysville city directories available for that time period.
It appears from the news items that in October of 1887, S C Adams sold out his Art Studio in Marysville, OH, and moved to California for health issues. No trace of him was found after that.
A line by line search of the 1880 US census for Marysville, OH, found no one named Adams. There were three people who gave professions in photography. They were Oscar Barbour, 21, photographer, LeonidasTurner, 15, photograph, Thomas Cherrington, 35, photographic artist and Guy Cadwaller, 22, portrait painter.
From this scant information, the cabinet card here of Sally Yount, was probably done after 1880 and before November of 1887. Of course, Adams might have been living in a nearby city while keeping a studio in Marysville, OH, for a couple decades up to 1887. There is no way to be certain at this time.
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Another picture relating to the Steed family of Stanton Suffolk. Named after his father Arthur John he was known as Jack He was born in Stanton in around 1894. .His records show that he married an Ethel Denney in Diss in Aug 1918 and was a Wesleyan. 5ft 9 inch tall.
The back of the card lists Christmas wishes from jack Steed and his wife Ethel (Denny) and his 1st daughter Peggy born in 1923 but not the 2nd Cynthia born 1929 . So this must date to between these dates.
Photograph taken by Mr & Mrs G Swain of Norwich 1867-1933. George Edwin Swain was based at 2a Davey Place and Mrs G Swain at 25 St Giles St.
Part of a a big collection of several hundred photos which were unwanted by any one at an auction sale.Rather than see them go in the bin I rescued them.
立法會動物權益事宜小組委員會視察位於西貢的流浪牛遷移地
立法会动物权益事宜小组委员会视察位于西贡的流浪牛迁移地
LegCo Subcommittee to Study Issues Relating to Animal Rights visits a site in Sai Kung for relocated stray cattle (2017.11.14)
Vitality relates to our sensation of power or aliveness. It correlates highly with satisfaction with life, happiness, and health. It indicates optimum human functioning. Discover the factors that help in higher degrees and how to boost your vitality. Have you ever before considered what vitality implies to you? Lots of people are familiar with the concept of "vitality", but extremely few recognize exactly how it is. This short article reveals you a method of examining your vitality and invites you to make a commitment to obtain your personal ideal.Visit our site www.z-factor.com/ for more information on Vitality
rockin the boom bap on a buried entrance ramp, well there stairs i think but so badly worn away its more or lass a ramp
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Pompeii - The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - "Pompeii - The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster museums.cnd.org/CND-Global/CND-Global.01-01-25.html
Links to US Embassy website mentioned at the end of the report above are archived on the Internet Archive web.archive.org/web/20010809150226fw_/http://www.usembass...
See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754
This picture was taken in the Distillery District located in Down Town Toronto. Not only does this image relate to visual culture in our society but it also makes a connection to the various topics discussed in recent Modules.
The first image establishes a clear image on propaganda. It relates to the usual sign of a store that claims "Come in, We're Open" but instead states that the store is closed. This can confuse the viewer, as they are unsure if it is actually closed, or if the place they wish to enter is actually open.
In the second sign, it associates the text to the idea of public sphere, as examined in module 7. It provides a drastic solution to a problem that we are all faced with. In our world today, the quality of our environment has become a major dilemma and creates many controversies that have yet to be solved. It also shows how greenwashing is essential because we are the ones who are destroying our planet.
This relates to the visual culture in our society because it allows room for interpretation and also provides connections to the issues that we face in our world today.
Golden Earrings Swissbacks - As in all industries, in jewelry as well, a technological progressis being made. The innovation we present, relates to earring locks and is currently the only one in the world. The survey results have shown that a lot of women lose their earrings or the earring locks. According to statistical data 8 of 10 women have met such problem. As a result, some people have come with an idea of solving this problem. From 2005 to 2012 a lot of efforts to solve the problem were undertaken. As a result, a Swiss «Assimeka » company has created a micro technical innovation, called «Swiss Backs». The goal of this product is to help women avoid losing earrings and locks and create opportunity of comfortable and safe use. According to the surveys, the newly created lock is the second revolution in jewelry industry after cat/cam. GK company is the exclusive distributor of SwissBacksused in jewelry. The Swissback offered by our company is the latest Swiss design, which already is in high demand in Europe and North America. Our company is specialized in selling the product in 18 countries, particularly in Armenia, Georgia, Azerbaijan, Russia, Ukraine, Iran, Iraq, Syria, Jordan, Lebanon, Kuwait, UAE, Saudi Arabia, Kazakhstan, Turkmenistan, Uzbekistan, Tajikistan, Kyrgyzstan. Advantages: • Safety • Comfortable and easy to use • Easy to use for jewelers • Light weight and small size Technical specifications: • The weight of one pair - 0.2g • Thickness -1mm • Material- consists of 80% gold (white and yellow 10K, 14K, 18K) and 20% medical stainless steel.
Mentor with young person playing pool at Heavy Sound
Mentors with relatable life experience help young people build positive relationships.
Background info:
Heavy Sound is a social enterprise aiming to transform the lives of vulnerable and disengaged young people and adults across East Lothian.
Its mission is to improve their health, wellbeing and capability by teaching them new skills in music, biking, sports and mentoring, leading them to become contributing citizens with positive pathways to future destinations.
It runs a range of innovative projects which include music (hip hop, rapping, song writing, being a DJ, electronic music production and sound recording) as well as Muay Thai. Getting involved in the Thai boxing art teaches them skills in sport, fitness, nutrition, keeping safe and conflict resolution. They can also learn about cycle maintenance and take part in activities. Mentors with relatable life experience help them build positive relationships.
The projects teach people new skills in the creative arts and sports, whilst addressing issues around self-confidence, self-esteem, improving general health, mental health and wellbeing.
Those who take part complete skills development courses which can help improve their life chances by receiving recognised qualifications and they’re also supported with individual routes to further education, training and employment.
Heavy Sound helps with prevention and early intervention by directing people away from the justice system by trying to address risky behaviour and giving people the chance of more positive outcomes in life.
Schedule of Deeds and Documents relating to the Reverend Hugh and Mrs, Humphreys Marriage Settlement. Dated 29th March 1899 received from Pomeroy and Son on behalf of the new Trustees.
Correspondence re new Trustees to marriage settlement of Hugh Humphreys and Louisa Charlotte Catherine Evans-Lombe and a dispute by Reverend Hugh Humphreys about who should pay the Death Duty due on £15000 to be paid into the marriage Trust of himself and his wife Louisa covering the period 1898-9
The Reverend Hugh Humphreys was the son of William Humphreys of Ballyhaise House, Co. Cavan born 10th November 1838 at Cavan. Formerly a Captain in the Royal Irish Fusiliers and a Major of Cavan Infantry Militia. He was Ordained as a Deacon (Ossory) in 1885 and a priest in 1886.
He married Louisa Charlotte Catherine Evans-Lombe on 27th April 1875 at St Peter Eaton Square, Middlesex.
Louisa Charlotte Catherine Evans-Lombe born 1854 at Eriswell, Suffolk was the daughter of the Reverend Henry Evans Lombe and Louisa Evans
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster museums.cnd.org/CND-Global/CND-Global.01-01-25.html
Links to US Embassy website mentioned at the end of the report above are archived on the Internet Archive web.archive.org/web/20010809150226fw_/http://www.usembass...
See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Relating the growing discord of today's America into a historical context. These quotes closely relate to the feelings of the modern political climate in our country, and the growing anger and discord our nation as a whole must confront head on if we are to avoid the mistakes of the past. This is the only political photograph i have ever done.
History is more then where we have been, It's how we got to be who we are.
Preparing collages of items relating to the lectures & show & tell, and the 4pm chat session with follow up phone call took a lot of puzzling time out of day three for me. I was able to get back to my jigsaw in the evening and put in about four hours. This was taken about 10.20pm, when most of the pieces with any bright colour had migrated out of the trays and if not into the image at least they were in play. I had a couple of lumps on the tray but the side edge pieces remained unconsidered. Pride was punished; although I would finish this 'tonight' (12.50am) I was clearly not going to start a fourth jigsaw!
David has made good progress on Kilimanjaro Animals - through grit & determination - completing a hippo and half of the next two rows of animals. Line-cutting along unexpected colour changes with devastating effect, Heather has succeeded in creating a very difficult jigsaw yet kept it at least semi-interlocking. He was heard to utter, 'I've only placed one single piece of zebra', and 'It's a good job this wasn't completely push-fit'.
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
Ancient Art Week! Black-Figure Vase with The Departure of Memnon for Troy Greek, circa 550-525 BC. Royal Museums of Art and History, Brussels, Belgium. Modern scholars all relate this simple scene to one of the last moments of the Trojan War. The black man is Memnon, the great warrior said to be from “Aethiopia,” who is briefly mentioned by Homer in the Iliad, the epic account of the struggle between Greece and Troy. The story of Memnon was greatly enlarged upon by subsequent writers, who relate his arrival at Troy with innumerable troops. Although Achilles slays him in battle, in the manner of the Greek epic, Memnon’s fame only increases, and he is made immortal by the gods. Read More at TheRoot.com This work is an example of something that I’ve had to explain to people who thought they were being extremely clever. A lot of people, including art history teachers, will tell you that “Black figure technique” has nothing to do with depicting race. And it doesn’t necessarily, except for when…you know…it does. Memnon is a canonically Black character from Greek literature, depicted above on a vase in which he is shown to be Black, with this technique, and obviously contrasted with two figures who aren’t Black. And yet, even given the evidence of their own eyes, people will still argue that Memnon is fictional, and that somehow “doesn’t count” towards *ahem* “proving” whatever they have decided my point is supposed to be. Expect, well, you also have the surviving portrait bust of a real man who was also called “Memnon” (he was a student of philosopher Herodes Atticus) specifically because of his Ethiopian ancestry and his perceived resemblance to the Memnon of legend. Too much of what we conceptualize around the aesthetics of Ancient Greece and Rome is actually from the European Renaissance, with its focus on “Classical” virtues, values, and aesthetics. Then, you have the Enlightenment, with its scientific racism, racial-cultural claim-making, and philosophical justifications for enslavement, genocide, and colonialism. The imposition of whiteness onto the past, and “cleaning it up” (I’m talking dunking the Elgin Marbles in acid) to better fit a misconception of the past, can be related to Western chromophobia. What we think of as our own personal, “aesthetic” choices are actually shaped by these massive social and historical forces. And that doesn’t even begin to go into how Greco-Roman cultural achievements are perceived in the United States as belonging to whiteness and as evidence to support white supremacy, as opposed to being culturally-specific to the people descended from Greek and Roman cultures in antiquity. And before you start to think, “oh, well, not ME, I haven’t been affected by these ideas” take a look at Augusta Prima Portia’s original color scheme and let me know whether it bothers you: It’s a source of aggravation for me that we lie so much to ourselves and others when it comes to just how much we project OUR ideals onto the past, and then throw up our hands and say, “it’s not ME, it’s history!” Too much of art history writing approaches its subjects with the assumption that we can somehow know the intricacies of the society and culture, much less the individual(s), that produced the art we see before us today. And even so, this massive cultural arrogance would be less destructive if it didn’t also cut off other lines of speculation and research. So, how many exceptions does it take to show that the rule is wrong? How many things can be “the only”, or “an anomaly” or “just an artistic convention” or other terms that mean the same thing, in essence? How much “cherry picking” can I truly be doing if I am pretty much buried in flipping cherries? But that doesn’t matter when you come to the research table with the preconceived notion that whiteness is the default, and every human figure you’re going to see “from history!” is white until “proven” otherwise, in a field where “proof” is irrelevant to actual evidence. Anyhow, I’m going to be posting more black-figure works I think are relevant to the topic at hand. And as always, it is up to you to decide what you see.
"It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well." - Henri-Frédéric Amiel
If you enjoy my work, please consider becoming a fan on www.facebook.com/VincentIannone or give me a watch. Thanks for viewing.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster museums.cnd.org/CND-Global/CND-Global.01-01-25.html
Links to US Embassy website mentioned at the end of the report above are archived on the Internet Archive web.archive.org/web/20010809150226fw_/http://www.usembass...
See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754
El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
Small relates to the size of the original well and not this present day panel which is large sized and better quality and far better presented than the Main welldressing back along the road from the village centre.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Pompeii - Directors: The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - "Directors: Pompeii - The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
www.pompeiviva.it/pv/en/responsabiliattivitascavo_1860191...
An Art Installation relating to the Cusp Conference which is a Conference relating to people with good ideas, and art. www.cuspconference.com
Posted by Second Life Resident Torley Olmstead. Visit Connected.
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii. Foreign Press (1904-2002). "Treasure Found At Pompeii: A Silver Table-Service," The Times (Jan 07, 1931): 16.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Italy 1943 -] "Damage At Pompeii British Officer's Account." The Times, Nov. 9, 1943, p. 3.
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
STATEMENT OF INTENT
SECTION 1 – Final Major Project Guide What is the title of this project? What will you work towards producing and what is your proposed end point? Explain how this relates to your work and ideas from Pathway and how it extends your knowledge, understanding and creative ability.
For my Final Major Project I want to explore social and personal themes such as violence and what can lead to it, such as a misunderstanding of mental health, equality for women and differences in political/religious beliefs. I would like to do this in the form of an animated music video. In pathway I animated a digital collage, perhaps I could do something like this again or at least draw some inspiration from it, this time I could include abstract and freeflow drawings, like the ones I practised in exploratory and lay them over the top of a collage background? That is just one of my ideas.
SECTION 2 – Influences, Research, Sources and Ideas What are the influences, starting points and contextual references and why are they relevant to your ideas? Indicate the subject areas you intend to research and the likely sources of information e.g. performances, galleries, specific locations you plan to visit.
Music is a massive influence in my life so one of my goals is to use a song that I feel like I can be expressive with and/or that means something to me. The significance of representation is something that I have always found interesting, for example I see everything in black and white with the positive things in bright colour so that they stand out – this is something I want to try and capture in my animation, however colours also have opposing meanings, such as red meaning ‘love’ or ‘anger’ which can be applied to the themes I want to explore. I am planning on looking at various places for my research such as contemporary art in public areas, animated music videos for research and gigs to understand how music connects people to one another and the band performing.
SECTION 3 – Techniques, Processes and Timescale Refer to any techniques and processes you intend to use, such as the range of media and materials relevant to your project and how you may use them to explore and develop your ideas. Include studio practice and/or use of particular equipment/software. Provide a timescale which indicates the manner in which you intend to divide your time.
I am aware that my time management in Pathway was not the best and I need to improve on that for this final project. I have a breakdown of the basic things I need to get done in the following months and I will put together a week by week plan in my year planner. I taught myself how to use Adobe Animate for my Pathway project and intend to use it again for this final, and potentially explore more of its features such as drawing directly into the software, making it entirely digitally based.
SECTION 4 – Method of Evaluation How will you critically review/analyse your work and determine if it is successful? How will you identify directions for ongoing development? Do you have a method to record the critical response to your ideas? How do you propose to assess the success of your Final Major Project and what will be your methods of evaluation?
I will record any errors and setbacks that I encounter as well as how I worked around and fixed them in my reflective journal. I am going to make a weekly plan of what I will be doing in college and after it ends as I usually stay late to get more work done, I will also make check lists daily about what I specifically have to do each day. I will also do my best to regularly ask for feedback on my work and ideas from my teachers and peers and try to take their words on board as best as possible. These will also be recorded as notes in my reflective journal. Due to the outbreak of COVID-19, peer feedback will be done via skype or zoom and I will maintain in contact with my tutors via email and upload my work to moodle.
REVIEW OF EXPLORATORY AND PATHWAY
What I learnt from exploratory
The exploratory stage taught me to let go and relax a bit. Before this course I never realised how strict and stressed I got over my art because I wanted it to be perfect and it actually made me not enjoy it as much. Exploratory taught me that art can be anything and that perfection isn’t something you achieve, it’s when you make something you are most proud of and you believe it is your best. The exercises such as drawing a stick with a stick were so simple but it really helped to open my eyes to this. This freedom and abstract is something I want to try and bring into my Final Major Project.
What I learnt from pathway
I became a lot more independent during pathway which I really value as it also made me more confident in talking to teachers about my ideas and getting their advice on various things regarding what I wanted to do, such as getting Judy’s opinion on whether she thought using my plaster mouths in my animation was a good idea or not, and going through Alexa’s collage booklet to find inspiration which actually lead to my final idea for the piece. I also taught myself how to use the Adobe Animate software, which not only gave me confidence in myself but also gave me access to a tool that I can now use in my Final Major Project.
Strengths
- My experimental/test animations were fun to make and as a result they turned out well
- I think I was able to incorporate a lot of my tests (plaster mouths) and research (collages) into my final piece
- I was not too fixed on an idea, I just had a message that I wanted to attempt to deliver and it wasn’t what I had originally planned it to be but I am happy with the result
Weaknesses
- I did not annotate as I went along and had to recall my thoughts at some points
- A lot of my work I tend to not write down and I keep it all in my head, so when the teachers looked through my book they saw inconsistency in my developmental stages where I thought it was perfectly fine (I corrected it)
- I tended to get flustered and would go through highs lows with my work, sometimes getting artists block for a few days to a week, to overcome this I will engage regularly with my peers and tutors via zoom and check in on moodle to read any comments left for me
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Pompeii - Excavations and Restorations 1910 - 1961." POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - "Pompeii - Excavations and Restorations 1910 - 1961." POMPEIVIVA - SSBANeP 2010.
Informational signage relating the history of the Irving Power Plant.
The Flume Trail starts at the old Irving Power Plant site. The five mile long trail follows the old flume access road along the canyon wall above Fossil Creek, providing beautiful, wide-open views of the wilderness. There is an easy low-water crossing across flat, solid rock at the trailhead on Forest Road 708. From the trailhead, the trail heads up towards the cliff wall where informational signs can be found. The steep hillside offers little shade to the gently rolling trail. The trail ends at the Old Fossil Springs Dam, where it meets up with Fossil Springs Trail.
All I know about the Horse and Jockey pub is that there is a reference to it in court transcripts relating to a case involving Solomon Head, aka Solomon Troke, a local poacher and rogue, held at the Christchurch Town Hall in 1864.
Redhill at that time was a small hamlet and remained so into the early 1900s when Pascoe Marshall was a young lad growing up there, a time he recalls in his memoir 'My Story', where he also refers to the Horse and Jockey, stating that it was rebuilt, presumably as the above structure, in the 1890s.
It is likely the original building was a modest affair, probably a thatched cottage, a business run from somebody's home prior to modern licencing laws.
Confusingly, an advert in the Daily Echo, when the pub was taken over by new management in 2012, says the pub was built in the 1920s, yet the web site states 'Dating back to 1926' at the top of the home page but underneath refers to it as 'an attractive Victorian pub...'
Another avenue of research indicates that the current building dates from 1906
It is often implied that the pub got it's name in relation to the Ensbury Racecourse that opened nearby in 1925 but it would appear not to be the case.
Obviously i'm no expert on the history of the Horse and Jockey and I don't have time to research it in any depth, but if anyone does know anymore please feel free to comment below, I for one would be extremely interested to know more.