View allAll Photos Tagged puppet
Even the shadow in this picture shows how gorgeous the new Asha hair from eXxEsS is – quite some achievement! Each colour option of the beautiful dress from Blueberry is available in three styles, transparent (this one), opaque, and somewhere in between, but don’t worry ladies – they all preseve your modesty. Both the dress and the hair are available now from their respective mainstores.
Read a blog post about making my giant puppet for last year's Beltane.
It's designed to foreshorten a little - the head and shoulders are to a noticeably smaller scale than the buttocks and legs, to give an overall effect of towering even more than it really does.
Eventually I attached a human-scale mask to it, which was really a bit too small for the head; I decided to make it explicitly a mask, hung on by string, so it didn't need to be to scale, but I still rather wish I'd made it a little bigger.
When I took it out later for the Leith Festival, I did in fact make a bigger mask for it.
"Welcome to my world, that's painted with sadness
There's no light of sun, there you can't hear any sound at all
Here I'm waiting silently for you, father
Why were you so cruel, why'd you leave mary alone?"
[Puppet - Ib]
Hello my dear, unfortunately the Halloween 2019 ended and the ghosts hid in the shadows again. It was a honor to scare you all! :3
However this was not the end of our meeting. Keep up following us to see more pics soon!
Fallen Puppeteer Model - Kuroda Yue
Photoshoot and edition by Kuroda Kiba.
✿ 黒田
Bedford Bears hand puppet designed by me many years ago.
Crazy Tuesday Theme: Soft Toys
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated. 😊
Time for Beany was a children's television series, with puppets for characters, which was broadcast locally in Los Angeles starting on February 28, 1949. It aired nationally (by kinescope) on the
Paramount Television Network from 1950 to 1955.
"Engineers like to solve problems. If there are no problems handily available, they will create their own problems." -Scott Adams
I walked into the dark forgotten child's room, and steadily moved towards the center of the room to my surprise I came upon a curious puppet show already in progress. I was amused as the two puppets played tricks and made jokes at each others expense...and then what appeared to be a shocking end to the little production...they slit each others throats...it was a quick and bloody end...curiously amused I applauded and walked toward the little stage to congratulate the puppeteer, as I peered around the back I found there to be no puppeteer, only the two lifeless puppets lay in a small pool of fresh blood...I gasped and stepped back confused...the room then suddenly filled with the laughter of children, but I could not see them, it was sinister and playful laughing, and was all around me echoing from every corner and then it stopped as suddenly as it had started...As I was about to turn and leave a bright flash of light like a spark of electricity flashed once like a lightening strike behind the little stage but made no sound...and the puppet show began again...
@Second Life, @Woodbury falls ; maps.secondlife.com/secondlife/Crystal%20Rock/243/182/22
*#MOTION *#LiGHTPAINTING *#COLORS *#PHOTOPLUS
_____Lightpainted rotation (x6) + focus change made in one single photographic frame in La Roche-sur-Yon, hôtel formule 1 : street art expo_____
___ "Kigam si gnitniapthgiL" // "Lightpainting is magiK" ___
impressions @ disaster area
Every war is the senseless destruction of lives
in the interests of the arms industry and a few deranged fanatics!
* * *
Bronze sculpture "Helter"
by Thomas Virnich, 2015
(180° turned)
buehnen-halle.de/puppentheater
**********************************************************************
Buecherkoenig on 500px: 500px.com/buecherkoenig
Buecherkoenig on facebook: www.facebook.com/buecherkoenigphotography/
**********************************************************************
Although this art has been declared "Masterpiece of the oral and intangible heritage of humanity" by UNESCO, it now arouses more tourist interest than traditional interest and is almost in danger of extinction. The shows today are performed in Italian to the advantage of the few tourists who watch, fascinated by passionate struggles. Sicilians, on the other hand, prefer TV, internet and social media. It's a shame because the charm of puppetry should be kept alive. Being globalized is a better way to lose our identity. That sadness! Mr. Argento, master puppeteer and who you see in the background of the photo published yesterday, has his workshop in C.so V. Emanuele 443 in Palermo, a few steps from the Cathedral. Entering inside this treasure chest is like a journey through time, like being a child again. You wear shiny armor, full of colored feathers and live exciting adventures in mythical places rich in history. Faces, heads, hands, come to life in what remains of our childhood imagination. And if you ever enter I wish you a wonderful journey as eternal children.
For Video please visit: at Youtube : Teh Han Lin
Mbah Brambang, a figure who has been making paper puppets since 1965.
Water puppetry – known in Vietnam as Múa rối nước, meaning ‘making puppets dance on water’ – is a Vietnamese tradition steeped in history, folklore and mystery. To this day, when visitors to Hanoi flock to the main theatre to experience the unusual art, it isn’t known how the little figures are mastered so seamlessly by hidden puppeteers.
The art dates back to the 11th century on the Red River Delta in northern Vietnam, when rice farmers began to craft their puppets and create shows to entertain their family and locals once the difficult harvest season had finished. They also believed the shows kept the naughty spirits distracted from any mischief making, which could harm their crops.
The farmers built pagodas above their rice paddies and held community festival shows there to show off their creations and well-practised puppeteering skills. It’s thought that the water aspect came in when large floods hit the rice paddies at Red River Delta and farmers adapted their conventional puppetry, operating the wooden figures from waist-deep water. Thus, the liquid stage – which hides the puppeteers, helps with acoustics and gives the show a mystical shimmer – was born.
These people in their colourful outfits played the music that accompanied the show