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Well hello my fair niece, so glad you could join us in such short notice. Everyone, let me introduce you to Maleficent, better know as the Wicked Witch of the East. She is the one responsible for putting a curse on Snow White and prince Charming´s first born daughter. Maleficent, let me introduce you to these finely selected elite of so called bad guys. The lovely lady on my left is Ursula the sea witch. She once traded a mermaid her voice for a pair of legs. Triton the mermaid king locked her away for doing so. She is also the one who managed to get me a strain of Alice’s and Aurora’s hair . Which I used to create two dark haired clones.
The pale faced man to my left is called Gaston. He was once a possible love interest for Belle, we all know her as Scarlet Witch. He even tried to keep her away from beast. Unfortunately his attempts to win Bell’s heart over failed and managed to brake the curse I placed upon Beast. Gaston fell of a balcony and died. I managed to fix him up a little bit.
The man on my far right is captain Hook. He has been a close friend for years, always helping me when I need to get stuff done on sea. He has been kind enough to lend me his vessel multiple times.
And last but not least is this tall gentleman on my right. He is the Royal Vizier of Agrabah. He fell head over heels in love with the daughter of the Sultan, princess Jasmine. Unfortunately her heart belonged to a street rat. He tried to make her love him but all his efforts failed miserably. He eventually killed the Sultan and put a voodoo curse on his corpse. Now he rules the country using the dead Sultan as a puppet. Princess Jasmine fled the castle and has been roaming the country ever since.
Now that the introductions are done I will tell you all about our plan to bring back balance to the fairy tale universe. But first I’ll give you a minute to freshen up and to rid yourself of your travel outfit.
January 14, 1944: SISTER ACT: Every shor has its swing trio and Miss Wiest's is no exception. To the accompaniment of Andrews Sisters' tunes, these attractive mannequins go through a sing-and-dance routine.
this is how i feel 95% of the time. i am constantly being pulled left and right by others choices and can never make my own. i have to constantly think of how every action and decision will effect everyone else but i feel as though i can never do anything to make myself happy. for once, i'd like to be selfish and do what i wish.
Friends and their children stop to watch a streetside one-man puppet show in a makeshift theatre, just down the street from one of Chicago's most famous entertainment venues.
Olympus OM-D E-M1 with M. Zuiko 12-40 f/2.8
Modelo: Puppet
Produção e maquiagem: Puppet inclusive conheçam o canal dela que é incrível!
www.youtube.com/user/puppetmissing
fotografia e edição: Lua Morales
These marionettes are some of the first toys I made back in 1996 or 97. I was heavily into the Tim Burton style.. unlike the cute and cuddly style I prefer now. It was time to archive them before the rest of them fell apart. Sadly they sit in storage waiting to take there place on the puppet stage.
Queen Zia and King Leonardo were created with paperclay , paper, wood during the 2019 Artful Gathering Workshop.
www.facebook.com/10secondsphoto
Nikon D700, Tamron SP 24-70mm F/2.8 Di VC USD
Lighting / strobist info:
Jinbei DC-600 + BeautyDish
no rules, no limitations, no boundaries it's like an art™
© All Rights Reserved by ajpscs
Where there is much light, the shadow is deep
Johann Wolfgang von Goethe
handmade felt finger puppets by me :} hand sewn and some has fabric details on the ears. each one is unique!
Puppets Museum, Ljubljana, Slovenia.
CROSSVIEW
To view 3D pics cross your eyes focusing between at the pictures until both images overlap one another in the middle.
Per vedere le foto in 3D incrociare (strabuzzare leggermente) gli occhi fino a che le due immagini si sovrappongono formandone una sola centrale
This delightful Chinese puppet resides in the collection of the Pitt Rivers Museum. The museum's curators have assembled an enormous and mind-bending collection featuring thousands of cultural objects gathered from around the world, actively accumulating artifacts since the mid-nineteenth century. Browsing this collection is truly fascinating.
These charming puppets are made by a family from Acapulco Guerrero, Mexico. Seen in the city of Oaxaca
Macnas Puppets parading down 6th Street, SXSW 2016, Austin, Texas, March 12, 2016. The “Wild Hunt and the Sleepwalker” during SXSW was the US premier of a unique Irish street theatrical spectacle performed by Macnas and supported by IDA Ireland and Culture Ireland.
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of Alfred Jarry’s surreal plays at the turn of the last century. In this show, Ubu is constantly dreaming, interacting with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, street lamps, umbrellas trees and graveyards, to name but a few.
We will then attach our puppets on thin vertical sticks, and wave them across the stage to bring them to life, with a projector over our heads projecting them onto the screen.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):
Mark ‘Spoonman’ Petrakis and I are developing a shadow puppet show we call ‘Ubu’s Dreams’.
This short series of sketches stars Père Ubu, the hero of Alfred Jarry’s surreal plays at the turn of the last century. In this show, Ubu is constantly dreaming, interacting with archetypal characters from our collective unconscious.
For this project, we are creating a variety of wooden figures with a laser cutter: big faces, music notes, dancers, street lamps, umbrellas trees and graveyards, to name but a few.
We will then attach our puppets on thin vertical sticks, and wave them across the stage to bring them to life, with a projector over our heads projecting them onto the screen.
We plan to continue this experiment through the summer and perform a first puppet show during our Dada exhibit at the Canessa Gallery in North Beach, from Nov. 3 to 12, 2016.
I also plan to use some of these techniques with our lower and middle school students, for the Maker Art courses I will be teaching this fall.
From shadow puppets to poetic robots, these interactive storytelling experiments have the potential to engage us at a deeper level and help us learn about ourselves.
View more pictures of this Magic Theater project on Flickr:
www.flickr.com/photos/fabola/albums/72157664637863884
Learn more about Ubu’s Dreams:
Learn more about the Magic Theater project (originally called Théâtre Mécanique):