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Cooper Arms is a twelve-story steel-reinforced concrete building[2] with exterior walls of brick finished with stucco. Located on Ocean Boulevard (at the corner of Linden Avenue) in the East Village near downtown Long Beach, the structure was designed by Los Angeles architects Curlett & Beelman.[3] The design of the L-shaped apartment building has been described as Renaissance Revival and "Adam Revival" with neo-classical and neo-Egyptian ornamentation.[2]
Cooper Arms was originally developed as a housing cooperative with 159 apartments (and 406 rooms) which were offered for sale on "the own-your-own apartment plan,"[3][2] an idea that was promoted by Canadian born real estate developer Lionel Vincent Mayell (who also served as secretary of the Cooper Arms Building Company).
With a construction budget of $1,350,000, the Cooper Arms was the most expensive development in Long Beach history to that time. The construction was handled by Scofield Engineering and Construction Company,[4] the same company that built the Los Angeles Biltmore.[3] Demand for the new apartments was brisk, and in the six months before construction began, more than $1,250,000 in apartments had already been sold.[3]
The building's 12th floor solarium and ballroom, occupying a major portion of the top floor, were among its most notable features. The ballroom included a domed ceiling and ornate moldings and lanterns.[2] Another popular feature was the ground-level garden along Ocean Boulevard which opened onto a Spanish loggia extending through the structure to Linden Avenue.[5]
A promotional brochure published in 1922 noted that the Cooper Arms would have the latest amenities, including steam heating, high-speed elevators, "instantaneous hot water at all times," "Iceless Frigidors," "Disappearing beds," and "Dustless roller screens."[5] The Cooper Arms property was developed by Larkin Cooper. It was built on a portion of Ocean Boulevard that had previously been "given over to fine homes."[3] There were originally eight houses on the site, all owned by Cooper. Cooper came to Long Beach from Emporia, Kansas, where he had been in the feed and grain business.[6]
In April 1922, the Long Beach Daily Telegram announced the plan to build a luxury apartment building on the site. The planned development was billed as follows: "Long Beach to Have Finest Apartments in Whole Southland."[2]
The building was constructed from 1923-1924 when Long Beach was undergoing a building and population boom. When construction started in March 1923, the Los Angeles Times published a drawing of the Cooper Arms and described it as "an apartment-house which when completed, will be one of the most imposing structures of its kind west of Chicago."[3] At the time, Long Beach's skyline lacked other skyscrapers, and the Times predicted that "this magnificent building will become a landmark that may be seen from ocean vessels miles away."[3] In 1933, the Cooper Arms survived the Long Beach earthquake without major damage. One long-time resident recalled standing on the roof of the building when the earthquake struck:
I was tinkering with an old radio when the earthquake hit. It knocked me flat on my face. I watched the old Edgewater Building topple down. This building [Cooper Arms] is built out of steel and concrete. It just swayed from east to west — but it held together. We heard there was going to be a tidal wave after the earthquake, so I gathered my camping gear and fishing pole, got into my Franklin automobile and drove to Lake Henshaw to do a little fishing until the excitement died down.[6]
In 1974, the building celebrated its 50th anniversary with three of the original occupants still in residence. At the time, the Long Beach Independent Press-Telegram wrote that some of the excitement and luster had faded: "Party days at the Cooper Arms, along with the festive zest which once was the order of the day, have waned with the passage of years. The downtown lounge, with its plush oriental carpeting and ornate baroque ceilings, is now quiet and empty . The building is currently operated as condominiums by the Cooper Arms Homeowners Association. In 1980, the Long Beach Cultural Heritage Committee designated Cooper Arms a Long Beach Historic Landmark. It was among the first group of seven structures to receive the designation. The other structures included in the first group were Villa Riviera, First Congregational Church, Rancho Los Cerritos, Rancho Los Alamitos, Jergins Trust Building and the Pacific Coast Club.[8]
Cooper Arms was also listed on the National Register of Historic Places in October 2000.
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My photo of a full moon was licensed by Ask.com for a recent article on moon landings. The photo was taken in June 2013.
My 4th published book of photography celebrates the community work I started back in 2007 when I was homeless. Over 6 years of grass roots community service to homeless individuals, seniors, children, ow income families and people living with HIV or AIDS
Order your copy: www.blurb.com/books/4453377-project-kengikat-do-something...
This is the first photo that has been published in a legit magazine. Pretty Stoked, check it out in 2020 bmx magazine issue 43.
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Dopo la conferma della data estiva a Merano, i Morcheeba aggiungono tre nuovi appuntamenti nella penisola a novembre: lunedì 5 novembre sono all’Alcatraz di Milano.
Il successo globale dei Morcheeba non è una sorpresa. Il sound della band londinese ha scavalcato ogni confine da quando è emersa dalla scenda trip hop di metà anni Novanta. Dopo alcuni cambiamenti nella line-up e la dipartita del DJ e producer Paul Godfrey nel 2014, i Morcheeba non sono mai stati impegnati e al passo coi tempi.
Blaze Away (2018), il loro nono album, segna un ritorno al loro gioioso miscuglio di generi dei primi giorni. Non c’era un modello predefinito per i dieci straordinari pezzi che compongono il lavoro, né delle limitazioni auto-imposte, temi ai quali aderire o regole da infrangere. «Essere sempre in tour in giro per il mondo e capire cosa funziona meglio su un palco ci ha dato la sicurezza necessaria per sperimentare», dichiara il polistrumentista Ross Godfrey, attualmente anche producer della musica del duo.
«Abbiamo attinto molto alle influenze dei primi album dei Morcheeba, dal blues anni Cinquanta all’hip hop anni Novanta, passando attraverso rock psichedelico, dub reggae ed elettronica. Abbiamo preso ispirazione da tutto ciò che ci sembrava al posto giusto. Allo stesso tempo, avevamo voglia di catturare l’energia e l’amore dei nostri concerti, vere e proprie colonne portanti della band. Un sacco di parti vocali di Skye sono stati registrati dal vivo, spesso in un unico take. Due canzoni sono in francese. Nessuno degli ospiti e dei collaboratori era pianificato a tavolino: se incrociavamo qualcuno con cui sarebbe stato divertente lavorare, lo coinvolgevamo nel progetto.».
Il termine "Morcheeba" vuole significare "La via della cannabis" è infatti composto da "MOR" espressione inglese che indica un genere musicale affine allo smooth jazz nonché, letteralmente, la parte centrale della strada (Middle of the Road), e "cheeba", nome gergale della cannabis.
Skye Edwards – voce
Ross Godfrey – chitarra elettrica, tastiere
Steve Gordon - Bass
Jaega Mckenna-Gordon - Drums
Ben Cowen - Keyboards
GusGus
Highline Ballroom
New York City
Oktober 6th, 2014
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BrumNotes published my Tempting Rosie and Troumaca photos, February 2013 edition.
| Publication | Event photos |
© 2013 www.waynefoxphotography.com Strictly All Rights Reserved.
Downloading, reproducing, blogging, copying or using my images in any way without my prior permission is illegal.
You must email me at info [AT] waynefoxphotography [DOT] com Thank you.
Although the city still has a beautiful sign advising travelers that downtown shopping, the city park, and zoo, are all to the left from Broad Street, the DOT has a new sign that says you can't turn left on Laurel Street. Hopefully, this is coming down after the paving is finished. If not, we need to launch a local effort to correct this situation. There has been a left turn lane from Broad Street onto Laurel Street for as long as most people can remember.
Camera: Nikon D300
Exposure: 0.004 sec (1/250)
Lens: Nikkor 18-200 VR
Aperture: f/8.0
Focal Length: 95 mm
ISO Speed: 200
Photograph published 31st August 1918.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognize anyone in the images and have any stories and information to add please comment below
Big Ant TV Media LLC ©
published freelance photographer
PAID SHOOTS ARE PRIORITY
“LIMITED” Basis TFP
“PORTFOLIO BUILDING” SHOOTS
“INQUIRE WITHIN”
#fffweek #sbfw #nyfw
#fashionphotographers
#canon5DMarkIV
#Canon5DMarkIII
#UrbanModeling
#plussizemodeling
#sportsphotographers
#BigAntTVMedia #editorialphotographers
#ModelsCasting #fashionblogger #biganttv
#BiggsthePhotographer
© sergione infuso - all rights reserved
follow me on www.sergione.info
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this page without written permission and consent.
-----------------------------
Continua il successo de LA BLANCHE ALCHIMIE, dopo un incredibile tour sia in Italia che all’estero la band milanese sarà il supporto ufficiale alle date italiane dei Blonde Redhead!
Il loro nuovo disco si chiama Galactic Boredom, un “progetto di fuga” attraverso la musica, questa la filosofia dietro i 10 brani, tutti in inglese, che compongono il secondo album della band milanese.
L’album è stato pensato e composto tra Milano, Berlino e le Langhe, ed è stato inciso in un casolare in soli cinque intensissimi giorni i primi di giugno del 2010.
A presiedere le registrazioni Ludovico Einaudi, alla sua “prima volta” nelle vesti di produttore artistico.
This photograph was published in the Illustrated Chronicle on the 11th of May 1917.
During the Great War the Illustrated Chronicle published photographs of soldiers and sailors from Newcastle and the North East of England, which had been in the news. The photographs were sent in by relatives and give us a glimpse into the past.
The physical collection held by Newcastle Libraries comprises bound volumes of the newspaper from 1910 to 1925. We are keen to find out more about the people in the photographs. If you recognise anyone in the images and have any stories and information to add please comment below.
My contributors copy of the 9th edition of Photography arrived this morning. The new edition has been extended to cover new digital techniques, including HDR.
So, how does this HDR stuff work, then? Hmmm. Let's see,
ירושלים היכל שלמה רחוב קינג ג'ורג'
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Heichal Shlomo, Jerusalem Twelve Tribes
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Published: judaism.stackexchange.com/questions/47818/tribe-plates-on...