View allAll Photos Tagged provocation
Disclaimer. This is a provocation in sooo many dimensions. Will tell you later in what ways. You who see, see it. Mea Culpa. Hereby, I am obliged and forced to. Härtill är jag nödd och tvungen. #brasklapp #lifemission #revolution #evolution #creativecommons #FTW !
Gabriel Manriquez of Architectums
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Image: Opening Provocation - Creative Disruption Being human in the digital age Credit: Muhamad_Asyraf_Rezali
Julia Cerrud - Networked fabrication for Urban Provocation - Amorphica Design Research Office
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.
This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Modelo: Maria
Idea original: Maria
Vestuario, maquillaje y peluquería: Maria
Fotografía y edición: JM Brea
Model: Maria
Original Idea: Maria
Costumes, makeup and hairdressing: Maria
Photography and editing: JM Brea
Confrontation over whether to riot, proposed by suspected provocateur--or to be non-violent. Non-violence overcame the provocation.
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.
This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.
"Patience is the ability to endure waiting, delay, or provocation without becoming annoyed or upset, or to persevere calmly when faced with difficulties." (Wikidpedia)
In spiritual and symbolic meanings geckos don't stray too far in their meanings from one culture to another. Though superstitions can be fairly varied, geckos often have very profound, mystical and important meanings and rolls to play in various indigenous societies. As a twilight and night creature they are among the dream keepers and shapeshifters. Also because of their molting, color changes and generally mating in the spring months, they represent transitions and change such as transformation, death and rebirth, metamorphosis and letting go of old things for the new.
Geckos also represent overcoming, cope, the under ground as in emerging, transportation as in emerging from a transition, dream guidance, beauty, mystery, communication - song/tone and dance, mysticism and awakenings.
Medium: Colored pencil/Oil Pastel
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Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
John Patrick Shanley's button-pushing provocation is set at a 1964 Catholic school in the Bronx, where an older nun suspects a younger priest of sexually abusing a student, and becomes hell-bent on ruining him despite having no empirical evidence against him. She's a harsh, bitter personification of the pre-Vatican II Catholic church; he's a symbol of the more compassionate post-V2. Whom you believe will no doubt be informed by whatever personal experience has informed your opinion of the sex-abuse scandal that has dogged the church for decades. This is one theatergoing experience where the real fireworks begin among arguing audience members after the show. This play takes place at the Shaver Ramsey Showroom, where St. Francis of Assisi, the patron saint of animals, is surrounded by expensive hanging rugs that frame the playing space. Starring Erik Tieze, Anne Oberbroeckling and Rachel D. Graham. Directed by Richard Pegg. Through March 31 at 2414 E. 3rd Ave. Thanks Pat Payne, Charity Dorrace, Mark and Maxine Rossman, cast and crew.