View allAll Photos Tagged provocation
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
DSC03438
Photo prise lors d'un stage dirigé par Patrice Dorizon au seins de l'association API de bain de Bretagne, avec le modèle Mélissa.
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Syrian military forces conducted missile tests in July 2012 in response to provocations from western-backed rebels.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
Kevin Bales at TED2010, Session 5, "Provocation," Thursday, February 11, 2010, in Long Beach, California. Credit: TED / James Duncan Davidson
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Week 6 gave me the wonderful opportunity to the paired with the lovely and talented Juliet Home.
Our theme was "provocation" and we both used a playful and light interpretation of the word. I love how the colors are complimentary and how she used a feather and I used a bird :-) A fun unintentional connection!
Juliet: Right
Me: Left
For more information about the image and the project, please visit The Divine Diptych Project Blog
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
www.rawartists.org/justinemjohnson
So... I've been booked! I always believed that autumn brings good things and this certainly rings true. I've been given the tremendous opportunity to show my work in Raw Boston's, Provocations, on October 11th at The Estate in Boston! Please come support me and the other talented artists in this wonderful occasion! Tickets can be (cheaply) purchased on my digital flier. I hope to see you! ♥
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
There are records you listen to, and there are records that seem to have been listening to you all along. Serge Gainsbourg’s Aux Armes et cætera is one of those records.
It arrived in 1979 like a cigarette burning down in a dark room, full of smoke, danger, wit and beautiful contradictions. Gainsbourg had gone to Kingston, Jamaica, and placed himself in the hands of musicians who understood rhythm not as decoration but as architecture. Sly Dunbar on drums. Robbie Shakespeare on bass. The I-Threes — Rita Marley, Judy Mowatt and Marcia Griffiths — behind him. In a few days, they built a sound that was unmistakably Jamaican, but Gainsbourg brought with him the ghosts of French chanson, poetry, cabaret and European provocation.
And then there was “La Marseillaise”.
Gainsbourg took one of France’s most sacred songs and laid it over a reggae rhythm, turning the revolutionary anthem into something looser, darker, more ironic and, somehow, more dangerous. The title itself — Aux armes et cætera — sounds like someone walking away from history with a crooked smile. It became a scandal in France, provoking furious reactions from veterans, conservatives and parts of the press. Yet the controversy only revealed what the record already knew: that songs belong to the people who keep singing them, and that history is never quite as finished as the monuments would have us believe.
But to remember the album only for the scandal is to miss the music. Listen instead to the bass. That bass is carrying the whole story. Robbie Shakespeare and Sly Dunbar give the album its enormous physical weight, while the guitars, percussion, organ and piano move around Gainsbourg almost like characters in some smoky Kingston novel. The I-Threes bring another dimension altogether: their voices connect Gainsbourg's dry, half-spoken French to the great Jamaican vocal tradition. The result is not simply a Frenchman making a reggae record. It is a meeting between two musical histories — chanson and reggae — neither of which disappears in the encounter.
And perhaps that is why the record travels so well.
My brothers and I grew up with this vinyl — in Switzerland, in Mexico and in Sweden. Three countries, three landscapes, three different places to become yourself, and somehow the same record was there with us.
The sleeve, the grooves, the crackle before the music begins. A record can become a kind of family passport. You carry it without putting it in a suitcase. You don't need to explain why it matters. Someone puts the needle down, and suddenly Switzerland is there, Mexico is there, Sweden is there, and all the years between them disappear. That is one of the strange powers of vinyl. It does not merely preserve music. It preserves rooms.
You remember where the speakers stood. You remember who was listening. You remember being younger than you are now, when a song seemed to contain some secret words with tension that you had not yet learned to speak.
Aux armes et cætera was particularly suited to that kind of education. Gainsbourg was never interested in behaving properly. He was interested in stealing from the past, bending it, dressing it in something new and seeing whether it still had a pulse. On this album, he took his own earlier songs, reworked La “Javanaise”, revisited “Marilou Reggae”, and even reached back to the older French adaptation of “You Rascal You for Vieille Canaille.”
That is the historian's Gainsbourg: a man standing in the middle of a crossroads, borrowing from everywhere.
But there is another Gainsbourg, the one you hear when the record has become part of your own history.
For my family, this was never simply a landmark in French music or an important chapter in the story of reggae's arrival in Europe. It was something much more ordinary and therefore much more precious. It was a record in the house. A record that crossed borders with us. A record that survived changes of country, language and landscape.
Music historians can tell us that the album was recorded at Dynamic Sounds in Kingston in January 1979, that it became a major commercial success, and that it helped bring reggae much further into the French-speaking mainstream.
All of that is true. But history can only tell you what happened. A family tells you what remained. And what remained was that bass, that dry French voice, those Jamaican drums, those three voices behind him, that swing — and the feeling that somewhere between Kingston and Paris, between revolution and romance, Gainsbourg had made a record that did not really belong to any one country. Perhaps that is why it could grow up with us in Switzerland, Mexico and Sweden.
Some records are French.
Some records are Jamaican.
Some records belong to a particular year.
And then there are the records that become part of a family, and once that happens, geography no longer has much to say about them.
Aux armes et cætera became one of ours.
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
earlier it was our police!
Die Privatarmee des Bahnchefs der Deutschen Bahn
früher war es unsere Polizei!
Don't use this image on websites, blogs or other media
without my explicit permission. © All rights reserved.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Day 1 of Sonic Acts Academy 2020. Cõvco at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Knight and the Commons
Provocation: Looking Up and Out
Global leaders in the public space arena share their ideas and questions for the future of public spaces
Christopher Hawthorne, Chief Design Officer, City of Los Angeles
Day 2
Loews Philadelphia Hotel
June 20, 2019
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL