View allAll Photos Tagged provocation

public provocations @ carhartt gallery

This small Salticid raised its abdomen without provocation. It was alone on the huge leaf and I noted this posture from far away, out of its line of sight.

Public Provocations IV.

expo collective / group show

 

June 2012 – October 2012

Vernissage: 09.06.2012 / 19:00 h

 

www.carhartt-gallery.com

 

A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.

 

Artists in exhibition :

A1one / IR

Bezt / PL

Czarnobyl / PL

Dave the Chimp / GB

EME / ES

Honet / FR

Jef Aérosol / FR

Klaas Van der Linden / BE

Maoma / NL

Marco Zamora / US

SatOne / D

Tasso / D

The London Police / NL

  

Provocation ou humour, j'adore lancer des debats sur des sujets Ă  double tranchant ... ;)

www.flickr.com/photos/bfoujols

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Camera: Canon EOS 40D + EF50mm f/1.8

Exposure: 1/400

Aperture: f/2

Focal Length: 50 mm

ISO : 100

.zedz @ public provocations*

Public Provocations IV.

expo collective / group show

 

June 2012 – October 2012

Vernissage: 09.06.2012 / 19:00 h

 

www.carhartt-gallery.com

 

A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.

 

Artists in exhibition :

A1one / IR

Bezt / PL

Czarnobyl / PL

Dave the Chimp / GB

EME / ES

Honet / FR

Jef Aérosol / FR

Klaas Van der Linden / BE

Maoma / NL

Marco Zamora / US

SatOne / D

Tasso / D

The London Police / NL

  

Model: Isabel Gnecco

Photographer: Pablo Muñoz

 

©Pablo Hernán Muñoz Guzmán 2013

Day 1 of Sonic Acts Academy 2020. Maika Garnica at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Malibu and Judith Hamann at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

All the artists, entrepreneurs, and activists who are asking the questions and making the provocations that we believe will shape the future of culture. At the 2016 YBCA 100 Summit, Nov 5, 2016. The YBCA 100 is an annual compilation of the creative minds, makers, and pioneers that inspire our work at Yerba Buena Center for the Arts. Each year, our staff convenes to debate: “Who do we believe is asking the questions and making the provocations that will shape the future of American culture?” The result of this inquiry is a diverse list of artists, entrepreneurs, activists, and creative citizens from around the world that have one thing in common: They are all generating culture that moves people. See more at ybca.org/100. Event photography by Drew Altizer Photography

Public Provocations IV.

expo collective / group show

 

June 2012 – October 2012

Vernissage: 09.06.2012 / 19:00 h

 

www.carhartt-gallery.com

 

A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.

 

Artists in exhibition :

A1one / IR

Bezt / PL

Czarnobyl / PL

Dave the Chimp / GB

EME / ES

Honet / FR

Jef Aérosol / FR

Klaas Van der Linden / BE

Maoma / NL

Marco Zamora / US

SatOne / D

Tasso / D

The London Police / NL

  

.zedz @ public provocations*

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

My dad's cat Lucy is trying to annoy dad's 16yo dog to no avail.

Knight and the Commons

Provocation: Looking Up and Out

Global leaders in the public space arena share their ideas and questions for the future of public spaces

Karina Ricks, Director of Mobility and Infrastructure, City of Pittsburgh

Day 2

Loews Philadelphia Hotel

June 20, 2019

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

amorphica.com/networked.html

 

www.facebook.com/amorphica

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Maika Garnica at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Tomoko Sauvage at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Model: Isabel Gnecco

Photographer: Pablo Muñoz

 

©Pablo Hernán Muñoz Guzmán 2013

Day 1 of Sonic Acts Academy 2020. Ex Continent at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

11-Month Windgate Artists-in-Residence Betsy Birkner and Austin Ballard

1 coat Orly Bonder

2 coats Chanel Provocation

1 coat KBShimmer Clearly on top

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

this is gabe. He can spout a soliloquy from Shakespeare with the least provocation, and can make wonderful faces, too. I didn't take this picture. A five-year old girl, McKenna, asked me if she could take a picture with my camera. I reluctantly agreed since the camera is worth more than my car. I put the strap around her neck and told her to just press the silver button. She couldn't get the hang of the autofocus at first and I had to stop her from trying to clean the lens on her pants leg because the image was blurry.

Then she took this great shot of Gabe.

 

(note to Thomas Hawk: No children were tortured in the making of this picture!)

Public Provocations IV.

expo collective / group show

 

June 2012 – October 2012

Vernissage: 09.06.2012 / 19:00 h

 

www.carhartt-gallery.com

 

A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.

 

Artists in exhibition :

A1one / IR

Bezt / PL

Czarnobyl / PL

Dave the Chimp / GB

EME / ES

Honet / FR

Jef Aérosol / FR

Klaas Van der Linden / BE

Maoma / NL

Marco Zamora / US

SatOne / D

Tasso / D

The London Police / NL

  

amorphica.com/networked.html

 

Group 1_

Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade

 

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

Oracle Arena next to the McAfee baseball stadium better known as the Oakland Coliseum along I-880, California.

Day 1 of Sonic Acts Academy 2020. Maika Garnica at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

.flying fortress @ public provocations*

amorphica.com/networked.html

 

Group 3_

Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez

 

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

NB quest'immagine non ha alcun intento politico o apologetico, ma di semplice provocazione: l'accostamento di due simboli di segno opposto, con l'idea che ogni simbolo, se seguito ciecamente, sia ugualmente pericoloso.

 

ALL THE UNIFORMS ARE SHIT, ALL IDEALS ARE SHIT

 

this picture has no political meaning, nor simphaty for totalitarism, no ideology. just provocation. two opposite symbol side by side: every symbol become dangerous if blindly followed...

Day 1 of Sonic Acts Academy 2020. Maika Garnica at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Model: Isabel Gnecco

Photographer: Pablo Muñoz

 

©Pablo Hernán Muñoz Guzmán 2013

France - Marseille - 2 juillet 2008 - Reportage avec Djenny Love

feature with Djenny Love

Day 1 of Sonic Acts Academy 2020. Tomoko Sauvage at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Day 1 of Sonic Acts Academy 2020. Ex Continent at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.

Provocation

Design for Equity or Perpetuate Inequity

Olufemi Ogundele

Associate Vice Chancellor of Admissions & Enrollment

University of California at Berkeley

Cynthia Castillo - Networked fabrication for Urban Provocation - Amorphica Design Research Office

 

amorphica.com/networked

 

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

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