View allAll Photos Tagged provocation

2010 2 Figueras musée Dali. Composition satirique.

I have yet to find him and claim my £100 though. These signs were posted all around Central Manchester during "In The City" 2005. Myself and a few friends were going to wait around backstage at a Razorlight gig after seeing these to see if any small Chav kids ran up to him and put him in a rather violent headlock.

NWMEDIA 190/290, taught by Jill Miller with support from GSI Adam Hutz, presented their projects at the Jacobs Winter Design Showcase on 12/8/2016!

Excalibur - Mercedes-Benz SSK styled replica

Excalibur @ wikipedia

Youngtimer Mag 02-2009 (German)

 

Oldtimershow Berin 2012

Alfredo carafe, Georg Jensen

Performance art, Concert

Artist: Luiz Simões

A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.

 

This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.

 

performanceinthepub.co.uk

.flying fortress @ public provocations*

.public provocations @ garhartt gallery 2009*

CCSC Riviera de Ensenada -

Ensenada, Baja California

 

Fotografía: Omar Ábrego

 

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

amorphica.com/networked.html

 

www.facebook.com/amorphica

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

Networked Fabrication for Urban Provocation [ Advanced Architecture/Design Course ]

Universidad Iberoamericana - Amorphica/LaN/Architectums - Inagural Conference Cesar Harada [ Protei, TED, Goldsmiths College University of London ]

amorphica.com/networked.html

 

Amorphica, Julia Cerrud 2011

2010 2 Figueras musée Dali. Hall d'entrée.

A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.

 

This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.

 

performanceinthepub.co.uk

2010 2 Figueras musée Dali. Hall d'entrée.

From the museum label: Matisse hired an Italian model known as Lorette or Laurette to pose for him in late 1916. Over the course of the next year, he painted her almost fifty times: standing, sitting, lying down; clothed, nude, or—as here—somewhere in between. Wrapped in a black lace mantilla, the model's body is at once revealed and concealed. Her direct but sightless gaze lends the encounter a peculiar erotic charge. The painter's obsession with Lorette coincided with a transformation in his style, a shift from the abstract approach of his youth to the more concrete and harmonious manner of his maturity. Like many paintings of its model, The Black Shawl perches uneasily between the avant-garde provocations of early Matisse and the sensuous forms of late.

Sarah P Corbett was 'Craftivist in Residence' at Greenbelt Festival in August 2025.

 

Photos by Paul Chambers

Festival capacity 12,000. Kettering UK

 

Inviting festival-goers to slow down, reflect on how to be a loving activist and citizen, and hand-make healthy and strategic responses to injustices harming our world. Expect thoughtful provocation and threads of radical hope woven through every session across the weekend.

 

There were so many opportunities to find out more about – and take part in – Sarah’s gentle, quiet and creative campaigning.

 

A packed weekend for Sarah who wanted to do even more but there was no capacity:

 

1. Sold out and oversubscribed 'Stitchable Changemakers' 90min workshop for 50 participants to learn how they could use their gifts, talents, content and power to be the most effective and compassionate gentle protesters on issues they care about

 

2. 1. Sold out and oversubscribed 'Dream-Making ' 90min workshop for 50 participants to channel their anger and sadness at injustices they see into focusing on what utopian visions they want to see, hear, smell, touch and even taste as their dream

(e.g. save the bees changes to 'I dream of happy bees') which then helps each maker learn ways they can be part of the dream they wish to see - all based on neuroscience.

 

3. "Crafterthoughts' evening session where craftivists brought their own projects to Show and tell us about including the successes, challenges, learnings and answer any questions by others. Some people came with half formed ideas they wanted advice on from the group on how to deliver effectively and strategically. Some people came just to listen and learn. All made new connections and friends and you could feel the solidarity and encouragement in the room!

 

4. Sunday sunset last event was our climate craftivism performance: Craftivist Collective members joined members of Leena Norms’ Gumption Club wearing their upcycled 'Canary Craftivists' outfits to walk silently through the festival and sit as a flock to send photos and a handmade happy lifesized canary to the local MP and the owner of the festival grounds to encourage them to protest Greenbelt festival from the climate crisis and do what they can to act faster and bolder to create a healthier world

 

5. Planned pop-up appearance at The Caravan of Love for passersby to take part in a 10minute drop in craftivism workshop supporting Fashion Revolution to take home and 'shop drop'

 

6. Planned pop-up appearance under a free in the festival's mini forest area for passersby to take part in a 15minute drop in craftivism workshop choosing one of 5 Gentle Nudge messages on woven labels to sew into their clothes or accessories to encourage them as kind citizens and stewards of our planet

 

7. Overflowing tent of hundreds of people for Sarah interviewing Patrick Grant: BBC Great British Sewing Bee judge and fashion designer interviewing him about his work and book 'Less' whilst 3 craftivists sat on stage with us silently make Mini Fashion Statements during the session that Patrick then threw out into the audience encouraging them to 'shop-drop' these handwritten mini scrolls into fast fashion shop pockets or their friends pockets to encourage shoppers to ask 'who made these clothes' and be curious consumers

 

8. Sarah wrote and handstitched a prayer she was asked to read at the Sunday Communion on stage infront of thousands of attendees.

 

9. Throughout the festival Sarah was interviewed for social media teams for Greenbelt, Christian Aid and podcasts and had informal conversations with festival goers

 

paulwchambers.com

greenbelt.org.uk

www.craftivist-collective.com

2010 2 Figueras musée Dali. Baigneuses d'Es Llaner.

2010 2 Figueras musée Dali. Vénus souriante. Détail.

Torture chamber :-). Histamine provocation test.

Sarah P Corbett was 'Craftivist in Residence' at Greenbelt Festival in August 2025.

 

Photos by Paul Chambers

Festival capacity 12,000. Kettering UK

 

Inviting festival-goers to slow down, reflect on how to be a loving activist and citizen, and hand-make healthy and strategic responses to injustices harming our world. Expect thoughtful provocation and threads of radical hope woven through every session across the weekend.

 

There were so many opportunities to find out more about – and take part in – Sarah’s gentle, quiet and creative campaigning.

 

A packed weekend for Sarah who wanted to do even more but there was no capacity:

 

1. Sold out and oversubscribed 'Stitchable Changemakers' 90min workshop for 50 participants to learn how they could use their gifts, talents, content and power to be the most effective and compassionate gentle protesters on issues they care about

 

2. 1. Sold out and oversubscribed 'Dream-Making ' 90min workshop for 50 participants to channel their anger and sadness at injustices they see into focusing on what utopian visions they want to see, hear, smell, touch and even taste as their dream

(e.g. save the bees changes to 'I dream of happy bees') which then helps each maker learn ways they can be part of the dream they wish to see - all based on neuroscience.

 

3. "Crafterthoughts' evening session where craftivists brought their own projects to Show and tell us about including the successes, challenges, learnings and answer any questions by others. Some people came with half formed ideas they wanted advice on from the group on how to deliver effectively and strategically. Some people came just to listen and learn. All made new connections and friends and you could feel the solidarity and encouragement in the room!

 

4. Sunday sunset last event was our climate craftivism performance: Craftivist Collective members joined members of Leena Norms’ Gumption Club wearing their upcycled 'Canary Craftivists' outfits to walk silently through the festival and sit as a flock to send photos and a handmade happy lifesized canary to the local MP and the owner of the festival grounds to encourage them to protest Greenbelt festival from the climate crisis and do what they can to act faster and bolder to create a healthier world

 

5. Planned pop-up appearance at The Caravan of Love for passersby to take part in a 10minute drop in craftivism workshop supporting Fashion Revolution to take home and 'shop drop'

 

6. Planned pop-up appearance under a free in the festival's mini forest area for passersby to take part in a 15minute drop in craftivism workshop choosing one of 5 Gentle Nudge messages on woven labels to sew into their clothes or accessories to encourage them as kind citizens and stewards of our planet

 

7. Overflowing tent of hundreds of people for Sarah interviewing Patrick Grant: BBC Great British Sewing Bee judge and fashion designer interviewing him about his work and book 'Less' whilst 3 craftivists sat on stage with us silently make Mini Fashion Statements during the session that Patrick then threw out into the audience encouraging them to 'shop-drop' these handwritten mini scrolls into fast fashion shop pockets or their friends pockets to encourage shoppers to ask 'who made these clothes' and be curious consumers

 

8. Sarah wrote and handstitched a prayer she was asked to read at the Sunday Communion on stage infront of thousands of attendees.

 

9. Throughout the festival Sarah was interviewed for social media teams for Greenbelt, Christian Aid and podcasts and had informal conversations with festival goers

 

paulwchambers.com

greenbelt.org.uk

www.craftivist-collective.com

Bodyliciouz meets Pure Provocation - @ADAGIO Berlin

.swet @ public provocations*

A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.

 

This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.

 

performanceinthepub.co.uk

Amorphica / Jorge Ayala

Partiendo de la premisa de diseñar un tejido espacial desde el interior mediante la sintetización del material con las infraestructuras de información, este taller explorará resonancias robustas entre campos complejos con un alto grado de información y su capacidad para re-texturizar las formas existentes de conectividad. Dejando atrás las concepciones modernistas del movimiento a través del espacio, esta versión de tejido espacial exhibe sus propias tendencias conductuales resonantes con retos generalizados del ambiente contemporáneo. La capacidad para obtener compostura espacial en el tejido dentro de las enfáticamente complejas condiciones de la programación probabilística es la alternativa a la lógica de los diagramas de burbuja con un bajo nivel de solución. Dentro de un contexto de la práctica curatorial y la evolución del dibujo, una interface polivalente profunda ha surgido a partir de dichos desvaríos en compostura al atravesar umbrales [intersticios] poli-escalares del tejido que albergan una multitud de expresiones gráficas y formas de navegarlas.

Inside the workshop. Maths provocations include tape measures and rulers.

 

Thanks to Rhean at Pine Creek

Not to worry, it said "Blood for oil diplomacy" on the backside of tee shirt.

.public provocations @ carhartt gallery 2009*

A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.

 

This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.

 

performanceinthepub.co.uk

Loves her belly rubs and will roll over at the least provocation!

Model texts (here a poem and labelled diagram) are provided with toys and a clipboard to encourage independent writing related to the focus text types.

Losing a few faces in the process

 

Networked Fabrication for Urban Provocations.

Shifting Paradigms from Mass Production to Mass Customization

Computational architecture and design course

 

amorphica.com/networked.html

 

www.facebook.com/amorphica

 

Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.

 

Instructors:

Monika Wittig [ LaN, IaaC ]

Shane Salisbury [ LaN, IaaC ]

Filippo Moroni [ SOLIDO, Politecnico di Milano ]

MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]

Aaron Gutiérrez Cortes [ Amorphica ]

2010 2 Figueras musée Dali. Gala. Détail.

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