View allAll Photos Tagged provocation
this is gabe. He can spout a soliloquy from Shakespeare with the least provocation, and can make wonderful faces, too. I didn't take this picture. A five-year old girl, McKenna, asked me if she could take a picture with my camera. I reluctantly agreed since the camera is worth more than my car. I put the strap around her neck and told her to just press the silver button. She couldn't get the hang of the autofocus at first and I had to stop her from trying to clean the lens on her pants leg because the image was blurry.
Then she took this great shot of Gabe.
(note to Thomas Hawk: No children were tortured in the making of this picture!)
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef AĂ©rosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Oracle Arena next to the McAfee baseball stadium better known as the Oakland Coliseum along I-880, California.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Day 1 of Sonic Acts Academy 2020. Ale Hop at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
NB quest'immagine non ha alcun intento politico o apologetico, ma di semplice provocazione: l'accostamento di due simboli di segno opposto, con l'idea che ogni simbolo, se seguito ciecamente, sia ugualmente pericoloso.
ALL THE UNIFORMS ARE SHIT, ALL IDEALS ARE SHIT
this picture has no political meaning, nor simphaty for totalitarism, no ideology. just provocation. two opposite symbol side by side: every symbol become dangerous if blindly followed...
Day 1 of Sonic Acts Academy 2020. Tomoko Sauvage at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Day 1 of Sonic Acts Academy 2020. Ex Continent at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Cynthia Castillo - Networked fabrication for Urban Provocation - Amorphica Design Research Office
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Ex Continent at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
2010 2 Figueras musée Dali. Portrait de Pablo Picasso au XXI° siècle (parmi une série de portraits de génies : Homère, Dali, Freud, Christophe Colomb, Guillaume tell, etc ...).
Szerszeń europejski (Vespa crabro), zwykle nazywany szerszeniem – gatunek owada z rodziny osowatych (Vespidae), z grupy żądłówek, największy z osowatych występujących w Europie Środkowej, pospolity na terenie całej Polski, zwłaszcza w pobliżu terenów zamieszkiwanych przez ludzi. Żywi się owadami, owocami oraz sokami niektórych drzew. Jego użądlenie może być niebezpieczne dla osób uczulonych na jad owadów błonkoskrzydłych.
Pierwotnie zasiedlał zachodnią i północną Europę oraz północną Azję w strefie klimatu umiarkowanego, po Japonię. Obecnie jest gatunkiem palearktycznym. Został introdukowany do Ameryki Północnej, tam stał się gatunkiem powszechnie występującym w Kanadzie i USA[2].
Typowym siedliskiem szerszeni europejskich są lasy liściaste[3]. Gniazda zakładane są w dziuplach drzew, zwłaszcza dębów[4]. Ze względu na utratę naturalnych siedlisk owad ten przystosował się do życia w pobliżu terenów ludzkiej aktywności (tereny zurbanizowane oraz wykorzystywane rolniczo)[3]. Gniazda buduje najczęściej w dziuplach drzew[4], a także w norach ziemnych, opuszczonych ulach, czasem na wolnym powietrzu, lecz w miejscach osłoniętych (np. pod okapem dachu[5] lub w dziurach i zagłębieniach w ścianach budynków[3]). Na terenach zurbanizowanych szerszenie korzystają również ze skrzynek lęgowych dla ptaków (zwykle opuszczonych, ale zdarza się, że koegzystują w skrzynce lęgowej razem z ptakami)[3].
W Polsce szerszeń europejski jest jedynym przedstawicielem rodzaju Vespa. Pokrewne mu gatunki azjatyckie nie występują na terenie Europy Środkowej.
The European hornet Vespa crabro, commonly known simply as the "hornet", is the largest European eusocial wasp. The queen measures 25 to 50 mm (1–2 in) long; males and workers are smaller. In males, as in most members of the Aculeata, the antennae have 13 segments, while in females there are only 12; also as in other aculeates, the male abdomen has seven visible segments, while the female has six; females possess an ovipositor modified into a sting which is not barbed. See wasp and bee characteristics to help identify similar insects.
This species will sting in response to being stepped on or grabbed. They are also defensive of their hive and rather aggressive around food sources such as lilac bushes. Care should be taken when encountered in these circumstances as they may sting without warning. The pain from the sting may persist for several days with attendant swelling.
Urban legends
A nest under construction
European Hornet
European hornets (Vespa crabro) on nest.
European hornets are often mischaracterised as very aggressive and dangerous, and are greatly feared by some people. Some people believe that "three stings from the European hornet can kill an adult human, and seven can kill a horse". These are common myths - a sting from a European hornet isn't any more dangerous than any other wasp sting, and European hornets are less aggressive than other wasps. In contrast, multiple Asian giant hornets stings are, in fact, more dangerous. While impressive due to their size and loud sound, European hornets are in fact much less aggressive than some of their smaller relatives, such as the German wasp and the common wasp. When approached, European hornets can actually be seen to slowly crawl backwards and eventually flee, rather than attack. This can make it hard to remove hornets from indoors, if they happen to come in through an open window or door. While not aggressive when encountered far from the nest, multiple workers will vigorously defend the nest if provoked. Nests can be approached without provocation (by moving slowly and not breathing towards the nest) to about 50 cm (20 in). Nests are usually not a problem outside buildings, but because they drip faeces, a bad-smelling black liquid, nests inside sheds or walls can be a problem.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Felicity Mangan at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Disclaimer. This is a provocation in sooo many dimensions. Will tell you later in what ways. You who see, see it. Mea Culpa. Hereby, I am obliged and forced to. Härtill är jag nödd och tvungen. #brasklapp #lifemission #revolution #evolution #creativecommons #FTW !
Gabriel Manriquez of Architectums
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]