View allAll Photos Tagged provocation
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. Felicity Mangan at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Disclaimer. This is a provocation in sooo many dimensions. Will tell you later in what ways. You who see, see it. Mea Culpa. Hereby, I am obliged and forced to. Härtill är jag nödd och tvungen. #brasklapp #lifemission #revolution #evolution #creativecommons #FTW !
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Image: Opening Provocation - Creative Disruption Being human in the digital age Credit: Muhamad_Asyraf_Rezali
Julia Cerrud - Networked fabrication for Urban Provocation - Amorphica Design Research Office
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
A series presented by @performancepub on Twitter and Facebook; provocations, poems and presentations delivered on post its, from various theatre artists, every Thursday throughout August and September.
This first one was a gentle prod at the 'myspace angle' generation. Andy delivered a series of post its he invited Hannah Nicklin (who runs PitP) to respond to. Others are invited to post their own series too.
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Provocation
Design for Equity or Perpetuate Inequity
Olufemi Ogundele
Associate Vice Chancellor of Admissions & Enrollment
University of California at Berkeley
Day 1 of Sonic Acts Academy 2020. xin at Sounding Provocations, Stedelijk Museum Amsterdam on 21 February. Photo by Pieter Kers.
Modelo: Maria
Idea original: Maria
Vestuario, maquillaje y peluquería: Maria
Fotografía y edición: JM Brea
Model: Maria
Original Idea: Maria
Costumes, makeup and hairdressing: Maria
Photography and editing: JM Brea