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This is a work response to www.flickr.com/photos/60228070@N04/5533099453/in/photostr...
The sentence is "Its all up to you".
'It's all up to' use Katy Berry font from www.1001freefonts.com/kfonts.php
'U' uses Stencil font
For my project i am using this piece by Alan Fletcher. There is going to be a lot of movement as well as laughing audio. I am moving slowly with this project because I have never done anything like this before, but I think it will turn out very well.
Intention: For this photo I wanted to showcase a fundamental concept used in dynamic tension, as well as solidify the framing for the subject.
Text Reference: When reading The Photographer’s Eye, Freeman summarizes the foundation and key components of introducing dynamic tension by stating, “…the ideal combination is a variety of diagonals in different directions, opposed lines, and any structural device that leads the eye outward, preferably in competing directions.” (Ch.2 Design Basics; Dynamic Tension)
Outcome: I feel it does justice by demonstrating a fundamental example of dynamic tension. It is simple yet striking.
Edits: Minimal cropping, Contrast boost, Black and White, slight sharpening and grain boost, minimal vignetting, basic color mixing.
I used the Spot healing brush tool to get rid of the ropes that were in the water, was distracting to the image of my happy dog.
When exploring a little town in Ohio called Yellow Springs, I stumbled upon this piece of graffiti. If there was ever a photo that could sum up the spirit of the entire town, this is the photo.
The goal was to demonstrate shallow depth of field. Freeman mentions how varying the size in the frame can give different context shots, so I did a nice close crop of the flower to showcase the ant and how it interacts with the flower. I think this made the image more interesting, and I really like how the different textures really shine here. I adjusted levels, vibrance, and saturation, removed a flower petal that was taking some of the focus, and cropped the picture.
Full details of this project and why I'm knitting it can be found here:
ufoadministration.blogspot.com/2009/05/red-canadian-guern...
I’m working on this for Rachael’s UFO project.
It is a Gansey that was one of Carolyn Rawlinson’s WIPs when she sadly died. As I understand it, Carolyn was a knitting genius and one of the driving forces behind Woolfest. Her knitting shoes are pretty big to fill and I can’t help feeling that she was more advanced in her knowledge of The Yarn, than I. I lie awake in dread of the steeking that has to happen when I sort out the arms.
I have traced the origins of the pattern and yarn to the philosopher’s wool website.
I dyed the spare yarn very slightly with tea, a gesture which I hope somehow expresses the sharing of said beverage with a person I would very much like to have met in real life. I hope the tea-colouration will subtly mark the borders between where Carolyn’s knitting ends and mine begins, as well as being a sort of respectful libation.
version 2: edited to improve composition/ saturation
transformation of nature (different stages of blooming)
Canon Rebel T6
aperture: f/8
shutter speed: 1/160
ISO: 100
Exterior photo with bright direct natural light.
This photo shows the contrast between rough and smooth. The red-orange color emphasizes the energy of the sporadic lines created by the rust and mud.
Sony DSC-H70
4.2mm 1/100 @f3.5
ISO 800
Flash off
9/5/2018
I thought the rusted nails with the beer cap in the center looked really neat.
This series, "COVID & Cocktails" is a dramatization of using alcohol as a coping method for dealing with the increased levels of stress experienced during these challenging times. These images are not meant to endorse or glamorize alcohol abuse.
The goal was to demonstrate the panning technique. Freeman mentions how varying the size in the frame can give different context shots, so, having shot far away with a large amount of the yard showing up in the frame, I cropped the photo a bit to give enough context that the subject is driving through a yard with the intention of giving more focus on the subject. I like how it came out, considering that panning is difficult, but I do wish the lawn mower had spit out more grass to give more of a dramatic flair to the photo. I adjusted the vibrance, levels, and saturation, and cropped the photo.