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I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their mainstage production of Puccini’s Tosca. The next slides in the album feature every spread in the 36-page program. the program was set up in Adobe InDesign and features elements from Photoshop and Illustrator. I worked hard to infuse the show's branding wherever possible.
Tosca was the most challenging of the seven productions to create artwork for because I had so much to work with. The artwork for Susannah leapt fully formed from my mind onto the computer canvas, while the artwork for Tosca had many rounds of revisions and went back to the drawing board on several occasions.
I worked on the artwork for the two mainstage shows first and in tandem because this branding would be carried through the entire season. The result of their marriage is dark and brooding artwork that combines the themes and iconography from the two seemingly unrelated operas. Lust, loss of innocence and faith – strong women are torn down by their corrupt and supposedly religious leaders in both shows.
Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, as opposed to the traditional year 1800 Napoleonic setting. This new World War II setting added yet another layer of meaning to an already emotionally complex show. Because I had plenty to work with, it was at first hard to narrow down what I wanted the focus of the artwork to be.
The artwork for Tosca relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. Besides the hand-lettered title lockup, the other fonts used for the show are Rhodes for subheadings and Gotham for all body copy.
The end result has the title of Tosca larger than life, hand-lettered in a way that is reminiscent of World War II propaganda posters. The “T” in Tosca is the dagger that is used to kill Scarpia, and it drips blood onto a cross designed to resemble the German Iron Cross. The dagger itself is modeled after one owned by Benito Mussolini. In this production Mussolini is represented in the ruthless Scarpia. I wanted to include the figures of Tosca and Scarpia in the artwork but ended up choosing to exclude them so as to keep the messaging clear and uncluttered.
The School of Science, Engineering, and Technology at Penn State Harrisburg hosted a STEM Program for high school juniors and seniors.
Dr. Vânio Cardoso Lisboa - Tesoureiro do SIMESC e Diretor Jurídico da FENAM
Foto: Juliana Stadnik / Agência AL
124 manipuladoras de alimentos del programa de alimentación escolar de la empresa Hendaya reciben sus certificados.
19-12-2018
Fotos: Mabel Maldonado
"I Can" Campaign: Mint Hill Science Program Candids
September 25, 2013
Photos by Robert Christopher Photography
Uploaded by Forest Featherston
On February 20, 2016, members of the Young Southeast Asian Leaders Initiative (YSEALI) have the opportunity to meet the Los Angeles-based band Dengue Fever at one of their concerts in Phnom Penh.
Mouse on The keys : www.myspace.com/mouseonthekeys
Party Program : www.party-program.com/blog/
La Malterie, Lille : www.lamalterie.com/
Uploaded with the Flock Browser
Florida International University (FIU) Chapman Graduate School of Business Chapmanville Leadership Development Program consisting of seminars developed for thirty senior leaders from Miami-Dade Government. The program, sponsored by the Knight Foundation, The Miami Foundation and Chapman Foundation Inc., features experts and faculty from a range of leadership and supporting disciplines.
Miami, Florida | March 23, 2017 – May 4, 2017
To learn more about the FIU College of Business please visit: business.fiu.edu
In the lab, resources are being developed to enhance the resilience of the emerging bioenergy seed oil crop, penny cress, to climate change. Specifically, Alyssa Carrell is focused on utilizing microbes to increase penny cress's ability to withstand higher temperatures. This ties into other work to employ microbiomes to extend plant phenotypes to enhance their resilience to climate change.
On December 9, 2016, the Arboretum and Public Garden had the opportunity to welcome a group of students from a journalism program in Visalia CA. The aspiring young journalists had the opportunity to interview our Museum Education & Interpretive Manager- Maya Makker, GATEways Outreach Students- Vivian Le and Rachel Le and our Outreach and Leadership Program Coordinator- Melissa Cruz.