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Jim Leighton, President swears in (L to R) Dan Zunker, Dir. of Sponsorships; Jennifer Schak, Dir. of Administration; Jodi Collen, CSEP, Dir. of the Minnesota Star Awards; Matthew Trettel, Dir. of Programs & Education; Craig Oliver, Dir. of Membership; Pete Nelson, VP of Programs & Education; Meghan Greeley, VP of Membership; Chrissy Mages, Dir. of Communications - PR & Marketing; Cara Schulz, Dir. of Communications - Newsletter & Website; Ryan Hanson, VP of Communications; Lisa Marie Borchert, President-Elect; and Kate Touhey, CSEP, Immediate Past President.
www.stvincent.edu | Specifically designed for advanced high school and first-year college students, the Faith and Reason Catholic College Summer Program offers participants a unique opportunity to come to a richer, deeper understanding of the Catholic faith.
Como sesión incluida dentro del Programa Grupal a cargo de la interna Fernanda Mardones.
El CCR hace variar las sesiones del Programa Grupal según las experticias de las personas a cargo. Ademas de esta se han realizado actividades como Acondicionamiento fÃsico, Aerobox, Baile Entretenido y otros
The Twenty-Ninth of WIPO’s Program and Budget Committee (PBC) took place in Geneva from May 6 to May 10, 2019.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Sacred Heart University’s Theatre Arts Program performs Jesus Christ Superstar on April 5, 2017, at the Edgerton Center for the Performing Arts. Photo by Tracy Deer-Mirek
On April 22, 14 girls and two coaches from Brazil who are a part of "Las Estrellas," a sports, leadership and English program, came to Knoxville, TN as part of the U.S. Department of State Empowering Women and Girls through Sports Initiative. After the first day, they had already experienced University culture by participating in Dr. Ashleigh Huffman's Service-Learning class and eating in the cafeteria.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Thirty-Third Session of WIPO’s Program and Budget Committee (PBC) took place in Geneva from September 13 to September 17, 2021 in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
UWO Graphic arts students present their final self directed projects for critique in the art department in the Arts and Communications building. Tuesday, December 11, 2018.
Stencil for the graphic representation of Computer Programs
1960s or 1970s
Scanned with Canon LIDE110
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
UWO Graphic arts students present their final self directed projects for critique in the art department in the Arts and Communications building. Tuesday, December 11, 2018.
This is Stu's last concert with the Albuquerque Philharmonic Orchestra. What a fabulous program they had. We will miss the orchestra and I will miss being their photographer! I enjoyed Michael Bowen's piece "The Land Of Enchantment" the most. Micheal Bowen also conducted the orchestra tonight. What a fabulously talented man!
It wasn't until just recently that I saw Tron Legacy and finally understood what the costumes these dancers wear in Electronica were supposed to be. Now that I know, I don't really care either way. I do like photographing them though.