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"A thousand plastic flowers don't make a desert bloom. A thousand empty faces don't fill an empty room"."
— Fritz Perls
Jim Leighton, President swears in (L to R) Dan Zunker, Dir. of Sponsorships; Jennifer Schak, Dir. of Administration; Jodi Collen, CSEP, Dir. of the Minnesota Star Awards; Matthew Trettel, Dir. of Programs & Education; Craig Oliver, Dir. of Membership; Pete Nelson, VP of Programs & Education; Meghan Greeley, VP of Membership; Chrissy Mages, Dir. of Communications - PR & Marketing; Cara Schulz, Dir. of Communications - Newsletter & Website; Ryan Hanson, VP of Communications; Lisa Marie Borchert, President-Elect; and Kate Touhey, CSEP, Immediate Past President.
Emerging VCAD fashion designers were talking about their collections before the big show “ONWARD”. They shared their experience with the Fashion Design program, VCAD instructors and curriculum as well as inspiration behind their fashion collections, life experience and future goals.
Here is what one of the students said: “My instructors are always there for me and happy to answer my questions. My instructors are very experienced in the industry which helps a lot. The classrooms are small and personal, making it easier to ask questions from my instructor. My overall experience on campus is good. The staff is very helpful, especially in student services and financial services. Financial services helped me to understand my student loads a lot better. At VCAD I feel like I am learning a lot! My instructors push me and I obtaining many skills from them and the rest of the program.”
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Visual College of Art and Design
500 - 626 West Pender Street
Vancouver, BC
V6B 1V9
5km north of KSC at around 500m Captain Jeb begins to get the aircraft ready to land on the dirt runway
My gratitude list and poetry, appreciated by a stuffed pig? And yes, that is my foot... and Anne Morrow Lindbergh's "Gift from the Sea"....
Como sesión incluida dentro del Programa Grupal a cargo de la interna Fernanda Mardones.
El CCR hace variar las sesiones del Programa Grupal según las experticias de las personas a cargo. Ademas de esta se han realizado actividades como Acondicionamiento físico, Aerobox, Baile Entretenido y otros
On April 22, 14 girls and two coaches from Brazil who are a part of "Las Estrellas," a sports, leadership and English program, came to Knoxville, TN as part of the U.S. Department of State Empowering Women and Girls through Sports Initiative. After the first day, they had already experienced University culture by participating in Dr. Ashleigh Huffman's Service-Learning class and eating in the cafeteria.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
The Revera and Reel Youth Age is More Film Project is an intergenerational partnership between Revera, a Canadian leader in seniors' accommodation, care and services, and Reel Youth, a charitable project that empowers youth to create engaging films about important social issues. The partnership was launched in 2013.
With 80 films to date, the program celebrates older Canadians through story-telling and film, with the added benefit of fostering new intergenerational relationships. The project aims to shed light on ageism, challenge the assumptions of aging and recognize the valuable contributions of older adults to society.
UWO Graphic arts students present their final self directed projects for critique in the art department in the Arts and Communications building. Tuesday, December 11, 2018.
Buttons and program designed for a wedding in North Carolina.
The couple requested tattoo designs and silhouettes in their wedding colors – orange, red and hot pink.
The mic button is actually an altered version of a tattoo the bride has on her shoulder. The real life version says "Rockin' since '82"... which is pretty rockin.
Stencil for the graphic representation of Computer Programs
1960s or 1970s
Scanned with Canon LIDE110
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
Agentes do Sebrae com Você fazem atendimento no comércio da região do bairro Liberdade, São Paulo, SP. O Sebrae com Você é uma ação de atendimento presencial voltada para as micro e pequenas empresas do Estado de São Paulo, e se propõe a iniciar um relacionamento mútuo e indicar oportunidades para o empresário melhorar cada vez mais o seu negócio.
Data: 14/03/17. Local: São Paulo, SP. Foto: Patrícia Cruz/Sebrae-SP.
UWO Graphic arts students present their final self directed projects for critique in the art department in the Arts and Communications building. Tuesday, December 11, 2018.
It wasn't until just recently that I saw Tron Legacy and finally understood what the costumes these dancers wear in Electronica were supposed to be. Now that I know, I don't really care either way. I do like photographing them though.
It seemed the years of aimless wandering and hard work had come to fruitition. This was to become a year of rest. Of bliss.