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A migrant bamboo farmer stacks bamboo shoots in the steam vat. After steaming the shoots are fermented for one month then dried in the open air, Tianlin County, Guangxi Zhuang Autonomous Region, China.
Photo by Nick Hogarth/CIFOR
For more information on the Poverty Environment Network cifor.org/pen
www.blog.cifor.org/13956/understanding-role-of-forest-inc...
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org
AGFA CT Precisa 100 slide film, cross processed in C-41 chemicals.
Zeiss Ikon Contina iii.
(Albert Goes West, Nick Cave & The Bad Seeds) www.youtube.com/watch?v=w2r1u-Bz9ws
Trying out Ponoko for fabrication. PDF from Processing to Illustrator, then EPS to Ponoko, laser cut in 4mm ply. More over on my blog
Interaktives Gestalten/Konzeptuelles Gestalten
WS 2007/2008
Im Garten der Information
Gestalten mit „processing“
Florian Jenett (processing)
Prof. Philipp Pape
Prof. Anna-Lisa Schönecker
Informationen aus Datenquellen werden mit Hilfe von processing in lebendige Visualisierung umgesetzt, die dem Betrachter einen erlebbaren Zugang zu diesen Daten bietet bzw. neue Verknüpfungen erkennbar macht.
Studienarbeiten von:
Gernot Baars
Alex Balzien
Daniel Becker
Helena Fischer
Marcel Fleischmann
Nils Holland-Cunz
Stefanie Jellen
Susanne Kehrer
Sabrina Koehler
Nora Korn
Martha Richter
Kristina Klinkmüller
Christopher Adjei
hoje fiz hot process.....vou colocar fotos de todo o processo lá no blog www.santosabao.com.br/blog
Entre 2015 y 2017 se desarrolló el Programa Regional de Investigación e Innovación por Cadenas de Valor AgrÃcola (Priica) en cinco paÃses de Centroamérica y Panamá y en el cual se trabajó bajo el concepto de redes regionales por cultivo: aguacate, papa, tomate y yuca. Con esta iniciativa se buscó que los agricultores tuvieran acceso facilitado a materiales genéticos de alta calidad como los suministrados por el CIAT, en el caso de la yuca. De allà el esfuerzo de varias instituciones para llevar a cada paÃs variedades de alto potencial de rendimiento y mayor calidad nutricional de raÃces. Leer más: blog.ciat.cgiar.org/es/la-yuca-una-alternativa-economica-...
Crédito: ©2017CIAT
Favor de poner el crédito correspondiente y dejar un comentario cuando se use una fotografÃa de CIAT.
Para más información: ciat-comunicaciones@cgiar.org
large view: flickr.com/photo_zoom.gne?id=2060132701&size=o
This facility is also located on the 138 heading east from 15 N. It was a processing plant of some sort. With pipes above that lead al the way from the head to the end of the building. this facility had several of these. I was super careful to not break any laws and enter hazardous areas as i was traveling alone. the only pictures I could get were those from opened windows. The outside of this place was truely movie like.. complete with cranking old tin roofs and doors banging back and forth against the wind. it was magical to me... very other worldly..
Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org
Mauritians love Kraft processed cheese. Many bus shelters and shop fronts painted up like this.
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I was playing with my particle system and the attractor class I created. This hapened with a very strong attractor
With thanks to Rupert Smith for providing a sample video file to experiment with. No pixels were intentionally harmed during this exercise.
exploring repeating patterns of bz reaction [code by Alasdair Turner: www.openprocessing.org/visuals/?visualID=1263 ]
using app similar to www.openprocessing.org/visuals/?visualID=14437
careful observation of stability of various formations becomes an alternative for typologist approach
more shape/memory research: echoechonoisenoise.wordpress.com/
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.