View allAll Photos Tagged processor
I took a stroll yesterday about a half mile from where I live and took this on my phone - heavily processed but an image nevertheless.
Strange, heavily processed picture of Nobuo. The first processing was turning the original image into a half-tone image (a rather heavy-handed conversion because, why not?) then I ran that result through one of the dreamscape-like filters on-line and this is the result.
Experimented with some cross processing in Aperture.
If you want to try it, go here for a good how-to article.
Vignette added.
Image transfer on watercolor paper done using Citrasolv cleaner. It's very addictive making these little transfers.
Tutorial: www.youtube.com/watch?v=-Nedq-m7KO0
Sample renders for sculpture. What do you think I should cut it from - wood or plastic? Or maybe cardboard?
The Business Process Outsourcing (BPO) is a rapidly growing industry and a key sector in the Philippines. Majority of workers are in back office and voice services like call centres.
© ILO/R. dela Cruz
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Another one from the Blind Wino 618 camera, this time more of a straight scan for a true cross-processed look.
Ektachrome 100 film.
Finally i am finished with this painting. the heat had me movin slow so it took longer then expected to finished this piece but here it is, hot off the easel. Now its waiting to dry so that i can sign it and apply varnish to it. Once i am all done with that i will take up-close, high quality detail pictures of it.
...with this painting i documented my creation process step by step and put it into a set.
I wrote a blog chronicalling the creative process with this painting from the first rough sketch to the last brush stroke. read about it here: lucidrose.blogspot.com/
New camera...new software...new birds for spring! So many ways to work with a picture to try capturing the emotion of the moment. Challenging with trying to learn everything at once. I have yet to be satisfied with my results....but practice makes perfect and I have no problem with practicing :)
this is my first successful kallitype print. it was my third or fourth attempt, and i was getting frustrated. but i've switched printers, switched paper, switched developer and processing formulas, and finally got it working!
at first i thought this was going to be another bust, because my test strips were turning out wrong. i'd been using the sun for my cyanotype and previous kallitype experiments, but the sun wasn't cooperating yesterday...even in southern california, we sometimes get clouds. but i'd bought a blacklight at a garage sale a few weeks ago, for the purpose of processing prints at night. well it works...but it took over two hours to expose this print properly! by the time i'd gotten it down, it was late last night...i set my alarm for 1am, woke up and developed the print, then back to bed.
print is 7.25 x 7.25 inches (18.4 cm), on Rising Stonehenge paper. Ilford FP4+ film (120 format), taken with Zeiss Ikon Nettar camera. since this was basically a test, i didn't tone the print.
prints available here.
Arches Aquarelle cotton paper.
4g potassium bromide
4g sodium chloride
240ml water
Immersed for 3 minutes then dried.
Sensitizer
16g silver
8g citric acid
240ml water
Brushed on one coat then dried. Defiantly needs two or three coats next time.
Exposed in shade for about 7 minutes than bright sun for 1 minute. A nice dark image was observed on the paper prior to salt bath.
Salt bath
10g citric acid
30g salt
1000ml water
Image faded considerably in salt bath wash for about 2 minutes. Then washed in water for 1 hour. Image became dark again during dry down.
Working on a new music video project. It is probably going to change a bit over the next couple weeks so I want to keep an eye on the screen grabs that I like. I plan on showing it at FiTC on April 22nd. I will write a post about it after the project gets a little closer to completion.
Again, the main point of interest is that there will be no post-production. The entire thing is code driven. Every beat is manually input like in the Solar (Goldfrapp) video I posted a couple weeks back. Every single high-hat hit, every snare, every bass, the vocals, the guitar arpeggio... all of it was manually input. Took about 6 hours to input the data for the whole 5 minutes and 15 seconds of song. Maybe when musicians start releasing multiple tracks per song with isolated instruments, things will get a lot easier.