View allAll Photos Tagged processor
One more test of the Topaz AI tools, this time with the superb C905, whose 8Mp camera is probably the best I've had, even after all smart(er) generations.
Same workflow as in previous examples, final enlargement to 32 Mp (not a huge jump starting form 8). Some overprocessing was done to prove the TIFF withstands abuse without degradation, otherwise the original is better and I wouldn't do this to it :)
Hey, it's me and super pal James Jankiewicz in the FPP Store Warehouse inspecting the new line of home photo chemistry!
The original image looked rather bland, although I liked the mosaic tiled background. Thought I would try a cross processing technique I read about a few months ago.
I thought I'd post a "before and after". This is Kodak Ektachrome Tungsten 160, expired in 1978, cross processed. I've used a couple of rolls of this in various cameras and under different lighting conditions. I like these results best so far. In daylight it skewed purple: www.flickr.com/photos/graustark/2499607920/
If you look at the just-scanned version, you can see it started out very red.
This is my second test roll of Kodak Vericolor II film that expired back in April of 1981.
The "Open 1 Stop Per Decade Old" rule works quite well.
1981 - asa 100
1991 - asa 50
2001 - asa 25
2014 - asa 10
Asa 10 works well however the film was victim (this time) of my sloppy washing skills. This was the first roll ever that I hand-processed in C-41 (courtesy of Mark Dalzell's chemistry at the Smoove-Tech Darkroom)
Image by Michael Raso
Canon EOS Rebel Xs 35mm SLR Camera
Kodak Vericolor II 5025 Type S color film (expired '81)
Canon EF 50mm f/1.4 USM lens
Home-Processed in the Unicolor C-41 Kit
Unicolor C-41 Home Processing Kits available from Freestyle
Hand-Rolled 35mm films available at The FPP
This is the same photo as the previous post but processed in Topaz's Black & White Effects. After that, I added a texture from ifdezelle. Having seen others use textures such as this, I thought I'd give it a try. I think it works, at least to some degree, as I like it better than the original, below. What are your thoughts?
AGENCY: Banjo Sydney
Agency Producer: Richard Frost
Creative Director: Georgia Arnott
Agency Creatives: Sean Larkin, Les Sharpe
Type & 3D : Luca Ionescu | Like Minded Studio
Sycamore maple tree in the hills near my hometown. DIgital picture, analoguely printed as a saltprint.
this is my grandfather's home a hundred years ago. they're my great-grandfather and his son and daughter. my grandfather wasn't born yet.
I'm going to restore this photo with photoshop in the near future.
same place