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I wouldn't do this for their book, but I was playing with making the background less central. Voila, my artificial snoot. Eh.
I wanted to upload something too to thank my friend Zoe for writing me such a wonderful testimonial. I haven't been able to really produced much of what I've wanted lately, and it's really meant a lot to have everyone's kind words lately, I still don't feel like they're merited, especially from such esteemed photographers...seriously, each of the people who've taken the time to write on my behalf have skills I look up to. So, thank you Zoe! Seriously people, check out her masks, they're awesome.
3 Light setup: (all Alien Bees B800's): left right and slight right. Two at 45-degrees through umbrellas at 1/2 power, one center through softbox at 1/4, all fired with PW.
Sycamore maple tree in the hills near my hometown. DIgital picture, analoguely printed as a saltprint.
AGENCY: Banjo Sydney
Agency Producer: Richard Frost
Creative Director: Georgia Arnott
Agency Creatives: Sean Larkin, Les Sharpe
Type & 3D : Luca Ionescu | Like Minded Studio
.... looking down on the water from a rickety wooden bridge, over a small stream. The water was flowing over a log, and the 'figures' were marching across it in constantly changing forms ....
A high key shot!
Credited to the learning's at 'Prem Muthu portrait workshop' I was at, sometime back.
Please - no awards, photos, group invites or graphics!
Please do not use this image on a website without explicit permission from me. Thanks.
Church in Bad Griesbach, Bavaria, Germany.
Unfortunately the new lens hood for the Mir also causes very minor vignetting. Strangely only at the top corners. Does that indicate that the center of the lens is not in line with the center of the frame?
Pentacon Six TL
Mir 26B 45 mm
Kodak Ektachrome Panther 100 exp. 1997 @ 100 ISO
Cross processed
Tetenal C-41 Kit