View allAll Photos Tagged processor
Shot from my more natural set that I'm doing in BW really liked the way this came out when I was playing in photo shop so I thought I'd share it! Off to the camera store... Yeek! Hope my camera's isn't super broken.
.... looking down on the water from a rickety wooden bridge, over a small stream. The water was flowing over a log, and the 'figures' were marching across it in constantly changing forms ....
Wool roving, hand dyed, hand spun, hand knit.
My first project ~ wool to finish!
So much fun!
Finished the mitts while knitting outside in some much needed sun.
Processing the Catch Mural in Port Glasgow is the work of local artist Jim Strachan, who was commissioned by Fergus Monk, who owns a garage in West Quay Port Glasgow.
Sony ILCEO ⍺6500 | Sony 20mm 2.8 (upper panel); Beseler TOPCON Super D | RE, Auto-Topcon ƒ1.4 58mm (lower panel)
I'm slowly building my film photo skills. Unhappy with the scan of my negatives I got from the camera store I decided to digitize the negatives a different way. I don't own a macro lens per se any more, but I have 3 macro filters that screw into some of my Lensbaby lenses. The only lens that makes sense to use (I think) is the Lensbaby Twist 60. Set to ƒ8 and considering the virtually flat surface to photograph I won't get the characteristic Petzval twisty background. The center of the lens is reasonably sharp and that's where it counts. The lower image is the result after I'd refined parts of the process. Makeshift with stuff I had around the house, but it works fine. The film was Fujifilm Superia X-tra 400. I feel good about my baby step forward today.