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It all started when we were cleaning out the photo club's locker. We found an old, expired disposable camera inside and nobody knew where it came from. Instead of throwing it out, I took it home and shot the roll in one weekend, eventually cross-processing it in some leftover E6 chemicals I had from my slide film processing. Since this is C41 (Color Negative) film, processed in E6 (Color Slide) chemicals, I expected some wild colors and strange effects. The result is actually strangely accurate to real life...
Taking some pictures by the Morningstar Grist Mill.
photoshopped* version of www.flickr.com/photos/razornl/4357622243
What I did: I took the original drawing, resized it to 10%, blurred a bit, then resized it back to 100%. This is the result. Pretty/scary.
actually this looks more like what I see while I'm drawing. I work at rather dimmed lighting, so that my perception is somewhat like what you see here instead of the actual scribblings I have to make to produce it.
I never expected that stripping all the detail from the original would produce something like this. Surprising for me it shows quite well what was there for me to work with.
best viewed large and from varied distances.
* gimped actually.
From 1999-2001, Reas was a graduate student and researcher at the Massachusetts Institute of Technology's Media Lab. After twenty-eight years of drawing, playing video games, drumming, and designing information systems, his nascent talent for writing software forged these disparate interests into a new path. Building on his professional experience and undergraduate studies in design at the University of Cincinnati, he spent the next two years developing software and electronics as an artistic exploration. After graduating, Reas began to exhibit his software and installations internationally in galleries and festivals.
In August 2001, Reas moved to Italy. As one of the founding professors at the Interaction Design Institute Ivrea, Reas worked with an international student body to develop a new arts pedagogy for the present cultural and technical environment. Simultaneously, Reas initiated Processing with Ben Fry. Processing is a programming language and environment for people who want to program images, animation, and sound. It is used by students, artists, designers, architects, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool.
After two years in Italy, Reas moved to Los Angeles. As an assistant professor in the department of Design | Media Arts at UCLA, Reas interacts with undergraduate and graduate students to push the boundaries of art and design. His classes provide a foundation for thinking about computers and the Internet as a medium for exploration and set a structure for advanced inquiry into synthesis of culture, technology, and aesthetics.
Couldn't decide which version to upload so I uploaded both.
The most trying part about this shoot was the lights. The owner of the car and the house refused to let me have an electric connection required for my lights. (No battery packs owned sadly) I really wanted to shoot here so I had to make do with a SB-800 and reflector.
This photograph was a last minute decision. I was shooting an old house close by when I discovered this car. I know it's a Plymouth, I am still trying to figure out what model.
It has the front of 1957 Plymouth Fury but it's a 4 door and also resembles the '58 Savoy. The Savoy however has a twin headlamp assembly.
I did go back and convince the owner to let me plug in my lights and while the power company decided take a break right when the skies were perfect I still have some decent shots.
I'll upload them later if they don't seem too repetitive.
Picture of Assam from probably ten years ago or so when we lived in California, processed by my camera program.
A few photos of select pages of my process book for my honours project.
The book serves as the 'glue' of my project, describing the processes I went through throughout the year, as well as illustrating them with photos
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Step 3: Stack your photos
I followed this tutorial -
www.lonelyspeck.com/milky-way-exposure-stacking-with-manu...
Previous step - www.flickr.com/photos/trismi/30935548464/in/album-7215767...
Full write-up: trisha-smith.photography/post/154750049274/milky-way-phot...