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Our coffee farm, Fazenda Nossa Senhora Aparecida. Brasil, 2007.
This set shows pictures of the coffee trees, picking (both mechanical and manual) and processing, as well as the infrastructure used for such. It also shows the social and educational activities we develop in the farm to improve living and working conditions of the farmers and our community.
The farm is located near Pedregrulho, state of São Paulo, in the Alta Mogiana region, highly prized for its coffee quality.
Photos taken by João Guilherme Martins and Marcelo Dantas, among others.
For more information:
Particle system for Flash Developers. Source code will be online soon alongside other chapter code from Processing for Flash Developers.
It's official. I have an unintentional desire to represent the act of conception generatively. Who knew!?
Made in Processing. Thanks to Chris Riebschlager for his brilliant code:
blog.the816.com/post/40438345149/pixelplaid-heres-a-quick...
It all started when we were cleaning out the photo club's locker. We found an old, expired disposable camera inside and nobody knew where it came from. Instead of throwing it out, I took it home and shot the roll in one weekend, eventually cross-processing it in some leftover E6 chemicals I had from my slide film processing. Since this is C41 (Color Negative) film, processed in E6 (Color Slide) chemicals, I expected some wild colors and strange effects. The result is actually strangely accurate to real life...
Taking some pictures by the Morningstar Grist Mill.
photoshopped* version of www.flickr.com/photos/razornl/4357622243
What I did: I took the original drawing, resized it to 10%, blurred a bit, then resized it back to 100%. This is the result. Pretty/scary.
actually this looks more like what I see while I'm drawing. I work at rather dimmed lighting, so that my perception is somewhat like what you see here instead of the actual scribblings I have to make to produce it.
I never expected that stripping all the detail from the original would produce something like this. Surprising for me it shows quite well what was there for me to work with.
best viewed large and from varied distances.
* gimped actually.
Homage to a print that Jared Tarbell sent me a while ago. Thanks for the inspiration JT (though yours is much more elegant... nice trick with the black orb with multiple specular highlights... sublime!). Rendered out at 5000x5000. Check the fullsize to see the detail.
Doesn't look like a lot stacked up like that, but printing each layer took 2-3 hours...seemed like the damn things never ended! Never screenprinted 200 copies of anything before, esp. without the benefit of a drying rack.
Couldn't decide which version to upload so I uploaded both.
The most trying part about this shoot was the lights. The owner of the car and the house refused to let me have an electric connection required for my lights. (No battery packs owned sadly) I really wanted to shoot here so I had to make do with a SB-800 and reflector.
This photograph was a last minute decision. I was shooting an old house close by when I discovered this car. I know it's a Plymouth, I am still trying to figure out what model.
It has the front of 1957 Plymouth Fury but it's a 4 door and also resembles the '58 Savoy. The Savoy however has a twin headlamp assembly.
I did go back and convince the owner to let me plug in my lights and while the power company decided take a break right when the skies were perfect I still have some decent shots.
I'll upload them later if they don't seem too repetitive.