View allAll Photos Tagged processor.

At extreme slow speeds, the spin of a record player is reduced to a glacial crawl, the music to seismic rumbling. A beat may last a minute, and the tiny slices of silence between them become ambient voids. On each day of the Festival a different record was played, from Ravel to The Sex Pistols to Ornette Coleman, slowed down to the length of the gallery opening hours. With this work Finer continues his interest in long-durational processes and extremes of scale.

 

Biography

 

Jem Finer is a UK-based artist, musician and composer. Since studying computer science in the 1970s, he has worked in a variety of fields, including photography, film, music and installation. His 1000-year long musical composition, Longplayer, represents a convergence of many of his concerns, particularly those relating to systems, long-durational processes and extremes of scale in both time and space.

 

Among his other works is Score For a Hole In the Ground, a permanent, self-sustaining musical installation in a forest in Kent which relies only on gravity and the elements to be audible. Between 2003 and 2005 he was artist in residence in the Astrophysics Department of Oxford University, making a number of works including two sculptural observatories, Landscope and The Centre of the Universe. Recent work, focusing on his interest in long-term sustainability and the reconfiguring of older technologies, includes Spiegelei, a 360-degree spherical camera obscura.

 

Credit

 

Curated and produced by AV Festival.

 

Ilford HP5 400 push processed to 3200

 

f.22

s. 500

 

Mamiya C330

 

Developed in Ilfotec DDX

Processed with VSCOcam with x3 preset

this will be a ilustration for a book I want write.

Processed with VSCOcam with b5 preset

A previous offering (Not Open) showed the building, this entry shows one of the building’s windows. Two sad lamps tell the story, along with the discarded Styrofoam cup, old telephone, and No Trespassing sign. Could these lamps actually have been for sale, or were they simply used for illumination while the store’s contents was being removed?

 

This print is available on eBay. 50% of the proceeds will go to the Red Cross in the purchasers name (so that they can get the deduction) to help with their efforts in Haiti.

Sacred cow or Fruits and Veges bar, Archfarm, the summer of 2011

Another photo of myself. (well my shadow anyway)

I didn't cause myself any danger as there was a little road with no traffic.

 

Digitally Cross Processed

this ones a bit grainy

Processed with VSCOcam with b2 preset

A happy accident, mixing light painting and flash photography with models... I'm very grateful to my friends Dina and Michelle for giving up their sunday morning to pose for us.

My partners in photographic crimes were Paul wou provided us with wonderful backgrounds creaded with a LED light strip linked to a raspeberry pi processor.... and Dave who today decided to direct the shoots from his chair.... Mind you I worked him hard yesterday evening in a light painting session...

first test process of this shot

 

© tous droits réservés Gérard Lavalette

Sun 25.11.15; Two panel white-light photomosaic of sunspots 12457, 12458 and new sunspot 12459 captured with a 100mm f5 Helios refractor and vesta pro webcam. Motorised EQ1 Mount and Baader solar filter.

Prime focus.

 

Hazy sky, some broken cloud. Sun very low in sky.

 

Cropped, labelled, and contrast processed in MS ICE (planar motion 1) and Paint Shop Pro.

Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto

 

Photo by Sara Collaton

 

Experimental shot combining the Summilux @ f/1.4 with a Raynox 250 macro adapter. Note: These two optics work well together but to employ the Raynox snap-on housing with the Summilux you'll need to fit a 46-52mm step-up ring to the lens.

enbw showroom, led screening, sound reactive visuals, with artcom. 2004.

The explosion of the first frame is an effect in Corel VideoStudio. The five following explosions are programmed in Processing

. With Processing you can write code that manipulates the pixels of an image [among other things]. By varying the code subtle differences can be produced as shown in this video.

Here is my 3D Ghost in the Shell Spider tank.

My goal was to remake the robot vehicle from the 1995 Ghost in the Shell anime movie, and keeping it recognizable.

This remake was made out of love, as an homage to the original.

Please visit my website if you want to know more about this project:

www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...

www.unitveldt.com/portfolio-2-1/ghost-in-the-shell-spider...

 

Check my artstation profile to check out the finished project I did with my teammates!

www.artstation.com/unitveldt

Playing around, I came up with a version of my Seagull shot I like maybe a little better...

a further step from the 1.0version, growthprocess+hanging system, i tried to make things logic,thx for the toxic lib maker Karsten Schmitz. and i would like the have communications with all the guys who have taken a look at my project,hope u enjoy it.

for plying online or opensource of this programm plz go to

www.openprocessing.org/sketch/65086

for clear video from this project plz go to

vimeo.com/45273264

 

@zl_li

Processed with Rookie

Another Processing project revisited. Take a splash of the Toxi inspired pixellate project of yore and add a bit of Paul Smith.

 

Hope to have a video soon.

1 2 ••• 59 60 62 64 65 ••• 79 80