View allAll Photos Tagged processing
created using processing.py.
Based on the chaos game, but cycling through a set of various polygon vertex counts, and using different weights for each cycle.
Pixel brightness represents how often each pixel has been visited.
as seems to happen a lot, this series started out as something else entirely--in fact, it was just going to be a one-off image. my original model had to cancel, but i really wanted to shoot while i had access to this space.
so i set about thinking, and through machinations i can't remember, got to thinking about the creative process, and how we all start with a sort of blank slate (literally and figuratively) and go from there. and as i thought about it some more, i realized this vast, empty space could serve as a visual representation.
only catch was that i had just under a week to find people to actually do this. miraculously, i was able to pull it off, and by thursday of that week, i had all five models lined up and ready to go.
what these pictures won't really convey is just how hot it was--we were in the middle of a run of hot days. i think it topped out at 98 the day we were shooting. and this place, while amazing visually, has no AC or anything. heck, not even a good cross breeze. so we had to work fast, since after about 10 minutes, the sweat started setting in, and making things generally uncomfortable. but we got it all in, and everyone i worked with was a real trooper.
jarel's trumpet sounded really cool reverberating throughout the room. haunting, but in a good way.
Climate controlled storage area in seed shed at the Dane County Seed Shed attached to the William G. Lunney Lake Farm County Park, part of the Capital Springs Recreation Area.
Ektachrome 100 from 1995, Zenith E (1980 Olympics model), Görlitz Lydith 30mm lens. Film acceleration process.
I brought the 'baseline ring' out a bit further in this render, and extended the time to see what it would look like with more data points. Here, we see all 5 presidencies since 1984 on the same graph.
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These images document progress in my latest attempt to visualize data from the NYTimes API. These images are chronological, and show the evolution of this small project as it progressed over the course of a day.
This project was built in Processing, v. 1.0
You can find out more about these and other newspaper visualizations on my blog: blog.blprnt.com
Long Giang Thinh factory.
Credit: ©2015CIAT/GeorginaSmith
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: ciat-comunicaciones@cgiar.org
Hyperconsciousness
Subatomic Nuclei
The Eye is the Human Camera
about the movie Watchmen
flickr today
Yesterday I used a manual HDR process to generate this shot, and commenters noted that I was correct in noticiing probems in detail areas and should possibly have contented myself to an HDR treatment. This is such a treatment (I had plenty of bracketed exposure to work with). I could have toned down the saturation a bit. Note that my manual HDR from yesterday has less detail, but also more texture. I wouldn't have thought this possible, but that's the best way I can describe the effect.
Google Photos auto-created a stylized version of the picture by upping the saturation, which gave it a completely different mood.
I ended up redoing it, though, because I had taken the original photo in Portrait Mode, and once I looked at it on a bigger screen than my phone, I realized it had decided to focus on the rosebud rather than the bloom, so I went back to the unaltered photo to start with.
Social network graph of #slaname tweet replies October 14, 2009 to December 11, 2009. In color.
The more lines you have, the more @replies to different people you sent. If you don't appear on the graph, but know that you sent out @replies, it's because the person you sent your @reply to never sent out an @reply and so that person won't appear on the graph and unfortunately, you can't either!
Based on the code of eskimoblood.
Created using Processing with data from the #slaname Twapper Keeper archive setup by iBraryGuy.
This image illustrates the fact that within the media, people and places go though a drastic change, and that perfection in the media is a manufactured, made. Like the Media industry the food industry sets high standards, not every peace of fruit makes it. Our shelves are full of fruit that have been measured, weighed and categorized, only peaces of fruit which meat there high standers make it. Food that doesn't make it go thought a process where there taste, color and smells are manufactured.
This image tries to show how this orange is not 'perfect' doesn't meet the 'norm' and therefor has to go though a process of change to be excepted. Which I can be related to life and society.