View allAll Photos Tagged processing
Taking the last two kaleidoscopic pieces a little further. I wanted to make an expandable sheet of the kaleidoscope triangles which I can resize dynamically. These grabs were made with webcam input but after seeing the work of Movax, I tried pointed the camera at the monitor and was very impressed with the result. Thanks for the inspiration!
Continuação da tipografia criada com Processing. faltando pouco para acabar.
dpois irei postando o codigo fonte para cada letra do alfabeto.
=D
Para saber mais sobre processing:
Preparing some final assets for an upcoming talk I'm giving on my process / projects. bit.ly/pAmbyn
In case you were wondering how well Moleskine®s are bound… they are bound well.
This is a branch of blossom that I photographed 3 times: black & white, slide and cross-processed, this is the cross-processed picture.
Photo 2 of 3
-----
Taken with Rolleicord Va using Fujifilm Velvia 100 cross-processed in C-41
Bit by bit the evolution of a tattoo. Not finished yet, needs the roses and the background to be done.
All designed and tattooed by Mr. Red Dog
Central Processing Plant at a uranium in-situ recovery site.
Our photo usage guidelines can be found here:
Visit the Nuclear Regulatory Commission's website at www.nrc.gov/
For those who wish to leave a comment or feedback please send via email to opa.resource@nrc.gov.
Photo Usage Guidelines: www.flickr.com/people/nrcgov/
Privacy Policy: www.nrc.gov/site-help/privacy.html
Had to zoom in on this as it's quite small in my scope. It's about 15 million light years away from us in the constellation Cannes Venatici.
After finishing superdupershape implementation in surfaceLib, I wrote a small test program. After all there 15 parameters to create 3d shapes. Plus endless colors themes from kuler.
Wanted to see how well Processing would handle 3000 copies of overlapping pngs. I photoshopped out a set of 7 bird silhouettes and each flocking object grabs a random image from the set and rotates it according to its x/y angle. Voila, Hitchcock!
Next step is to use more controlled silhouettes and a larger variety. If I start to feel ambitious, I might model out the wings and body separately so I can recreate a rudimentary 3D simulation of a flying bird.
I have had some luck in the past with radial graphs, so I changed the code slightly to position the nodes around the centre, in clockwise chronological order. Here we see just 2 years of data. I really liked what started to happen here with the lines - this one has a kind of drunken-spirograph effect.
---
These images document progress in my latest attempt to visualize data from the NYTimes API. These images are chronological, and show the evolution of this small project as it progressed over the course of a day.
This project was built in Processing, v. 1.0
You can find out more about these and other newspaper visualizations on my blog: blog.blprnt.com
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
Wishing everyone a splendid 2016 and ever the optimist I'm hoping it will be the year Flickr finally gets its act together :-)
I wrote some code in Processing that averaged a minute's worth of video frames into one still. The first thing I unleashed it on was Terry Gilliam's "Brazil". These are some of the results.
script em Processing que transforma os pixels de uma imagem em grid de triângulos isósceles.
(proximo passo é fazer o script funcionar com video!)
foto original --> www.flickr.com/photos/capetaparducci/3463061164/
Cyanotype --> Cad Yellow Light --> Rose Madder --> Ultramarine --> Rose Madder --> Alizarine Crimson --> Cad Yellow Light
w1_02 / iteration 05 / screenshot frame 1930
iteration 5 based on code w1_02
see also video on my tumblr page:
void-k.tumblr.com/post/88163555094/future-learn-creative-...
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org