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Taking the last two kaleidoscopic pieces a little further. I wanted to make an expandable sheet of the kaleidoscope triangles which I can resize dynamically. These grabs were made with webcam input but after seeing the work of Movax, I tried pointed the camera at the monitor and was very impressed with the result. Thanks for the inspiration!
Continuação da tipografia criada com Processing. faltando pouco para acabar.
dpois irei postando o codigo fonte para cada letra do alfabeto.
=D
Para saber mais sobre processing:
Preparing some final assets for an upcoming talk I'm giving on my process / projects. bit.ly/pAmbyn
In case you were wondering how well Moleskine®s are bound… they are bound well.
My son bought an ebike kit that he is installing on his old Schwinn LeTour. It required a new fork with 10mm dropouts so the axle would fit.
This is a branch of blossom that I photographed 3 times: black & white, slide and cross-processed, this is the cross-processed picture.
Photo 2 of 3
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Taken with Rolleicord Va using Fujifilm Velvia 100 cross-processed in C-41
Bit by bit the evolution of a tattoo. Not finished yet, needs the roses and the background to be done.
All designed and tattooed by Mr. Red Dog
Not sure which one of these i like more. They both give off a different feel, I think. I noticed the neighbors weren't home so I grabbed the gun real quick... it's got loads of shit on it I'm sure the Boy will never need or use, but he's a boy and that's what boys do... put on a lot of stuff to rather simple things to make it look "cool". Anyway... here's the original that I copied, just less texture and more gun. Which version do you like better?
This may be my 365 for today.. Depends on if I have any energy left later tonight.
Henry Avenue Bridge over the Wissahickon Valley.
Fuji Acros 100 Neopan; Nikon N90s; No. 25 Red filter. D-76 Process. Scan from negative.
Wanted to see how well Processing would handle 3000 copies of overlapping pngs. I photoshopped out a set of 7 bird silhouettes and each flocking object grabs a random image from the set and rotates it according to its x/y angle. Voila, Hitchcock!
Next step is to use more controlled silhouettes and a larger variety. If I start to feel ambitious, I might model out the wings and body separately so I can recreate a rudimentary 3D simulation of a flying bird.
I have had some luck in the past with radial graphs, so I changed the code slightly to position the nodes around the centre, in clockwise chronological order. Here we see just 2 years of data. I really liked what started to happen here with the lines - this one has a kind of drunken-spirograph effect.
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These images document progress in my latest attempt to visualize data from the NYTimes API. These images are chronological, and show the evolution of this small project as it progressed over the course of a day.
This project was built in Processing, v. 1.0
You can find out more about these and other newspaper visualizations on my blog: blog.blprnt.com
I wrote some code in Processing that averaged a minute's worth of video frames into one still. The first thing I unleashed it on was Terry Gilliam's "Brazil". These are some of the results.
script em Processing que transforma os pixels de uma imagem em grid de triângulos isósceles.
(proximo passo é fazer o script funcionar com video!)
foto original --> www.flickr.com/photos/capetaparducci/3463061164/
Cyanotype --> Cad Yellow Light --> Rose Madder --> Ultramarine --> Rose Madder --> Alizarine Crimson --> Cad Yellow Light
w1_02 / iteration 05 / screenshot frame 1930
iteration 5 based on code w1_02
see also video on my tumblr page:
void-k.tumblr.com/post/88163555094/future-learn-creative-...