View allAll Photos Tagged process
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)
drawing with code that I am modifying which is available through this site: www.generative-gestaltung.de/code. Connected to the book Generative Design
Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:
First one was FITS Liberator which I used to stretch the image and make faint dust visible.
Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.
Third one was GIMP which I used to change the value of the image.
Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.
Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.
Edited (and heavily processed) ISS043 image of Hokkaido and northern Tohoku at night with lots of bright cities.
A double exposed roll of expired Fuji Velvia 50 slide film. Exposed first at ISO 80, then the second time around at ISO 32. Cross processed in C-41 chemicals. Both exposures taken on a Canon EOS A2E camera.
during the 14+ years of working under the name elbow, i usually just stumble into something for my own identity.
spent some time this week working out something new.
Running a user experience workshop for a client helps us understand the touch points that customers and staff experience. It's low tech - postitnotes, markers, sweets - and it's the conversation that counts
Experimental program done with processing.
All screenshots have been captured live in real time.
More info and videos here: blog.goodthink.biz/particles-typography-3d/
Video: vimeo.com/51206202
This is a rather ugly tree to most but it is a favorite for me. Looks like it has had some struggles in it's lifetime, like most of us. I believe it lost it's top in a lightning strike. I just played with some Elements tools until I got something that pleased me.
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
that one was loooooong to export.
also, i like to share code. so here it is:
import hipstersinc.sunflow.*;
import hipstersinc.sunflow.shader.*;
import hipstersinc.*;
void setup() {
size(800, 600, "hipstersinc.P5Sunflow");
noLoop();
colorMode(HSB,100,100,100,100);
}
void draw() {
background(255);
int hf=int(random(100)); // colors for fill
int sf=int(random(100));
int bf=int(random(100));
int af=int(random(50)); // alpha :)
noStroke();
int numSpheres = 50;
float yStep = width/20;
float y = 40;
for(int i=0; i<numSpheres; i++) {
pushMatrix();
translate(10, -height/8,-100);
rotate(PI/6);
//fill( i*(255/numSpheres), random(100, 200), random(0, 100) );
fill(i*random(hf),sf,bf,af/(i+1));
beginShape(QUADS);
vertex(random(width/2),random(200),-random(300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height),random(-600));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(200),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
vertex(random(width),random(height/2),random(-300));
endShape();
popMatrix();
y += yStep;
}
translate(0,0,-100);
}
Throughout my honours year, I photographed all my processes and elements which I worked at.
These are a selection of these images
Tumblr | Facebook | Twitter | Personal Website | Model Mayhem
For small businesses in the processing sector, getting international orders is a big win. In Ethiopia, as part of EIF's partnership with the government, select businesses were sent to international trade fairs like Gulfood in Dubai - the world's largest food trade exhibition.
Tewodros Yilma's Alpha Trading Partners was one of them, and there he secured orders that have helped his business grow. Alpha Trading's processing facility is outside Addis Ababa in Adama, where he employs approximately 40 people.
www.enhancedif.org/en/country-profile/ethiopia
©Fernando Castro/EIF
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at EIFCommunications@wto.org
To learn more, visit our website www.enhancedif.org
Cross processed Poundland Color Film using Ilford Black and White HC Developer. Scan of the enlargement, not the film. Added some contrast post-scan. Taken on a Nikon F60 with 50mm lens. Enlarged at Norwich Arts Centre Darkroom.
Took a picture of a picture...processed a little bit. The original color image was bland...I like the B&W and the grain.