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Built with Processing.
Music to image translation.
More about Vincent Evrard, see his blog :
www.workplace.lescorsaires.be/vince/blog/
More about Erg :
Ever wonder what 15 AMD FX57 processors look like?
No you can't have one these were just passing through.
more playing with geometry...
wrt method described here
// uv given on [0..1), remap to [-pi,pi) to simplify equations below
u = u * 2.0*Math.PI - Math.PI;
v = v * 2.0*Math.PI - Math.PI;
// evaluate
double sqrtTwo = Math.sqrt(2.0);
double twoThirdsPi = Math.PI * 2.0 / 3.0;
double x = Math.sin(u) / (sqrtTwo + Math.cos(v));
double y = Math.sin(u+twoThirdsPi) / (sqrtTwo + Math.cos(v+twoThirdsPi));
double z = Math.cos(u-twoThirdsPi) / (sqrtTwo + Math.cos(v-twoThirdsPi));
return new WB_Point(x,y,z);
Enjoy my art? Visit the Shane Gorski Photography Store and enjoy it in print!
Press "L" to view it large and see the entire Africa slideshow.
During our time in Zimbabwe, we scheduled some time to visit a lion outreach camp called “Lion Encounter”. Their mission isn’t to just raise lions from birth and give them to zoos, but to introduce them back to the wild where they belong. Sara and I were allowed to take an hour walk with a few 18 month old lions. What we found especially funny was that lions usually sleep about 18 hours per day, much like our cat at home. In fact, when we first encountered the lions they were doing just that – sleeping. Things picked up a bit as they awoke from their slumber and we were able to get some great photos and make great memories.
This is the final installment from Lion Encounter with a simply processed photo and a more worked up version. I know this may seem hypocritical that not too long ago I ranted with hundreds of words describing that it’s good to focus on one’s photography roots, but sometimes I think some photos need that extra push off the cliff to be printed large and worthy to be hung over a fireplace. Maybe I should call it, “Shane Gorski – Classic.” HA! This lioness was photographed as our guides were describing various lion behaviors and discussing the various stages to reintroduce a lion to the wild. To me, this lion has no hope. She loved lying on this dead tree near the stream a little too much. As we continued on our walk with the lions, one of our guides had to poke this lioness in the butt to get her movin’. He was met with a cold stare, but with a little verbal persuasion the lioness moved on her way.
Lion Encounter is part of ALERT (African Lion & Environmental Research Trust)
austria can be pretty rural... rural and weird... so - drive fast, lock your car doors and close the windows. don't talk to austrian natives and PLEASE... don't feed them. they may bite when nervous...
just believe it. i'm born here.
It all started when we were cleaning out the photo club's locker. We found an old, expired disposable camera inside and nobody knew where it came from. Instead of throwing it out, I took it home and shot the roll in one weekend, eventually cross-processing it in some leftover E6 chemicals I had from my slide film processing. Since this is C41 (Color Negative) film, processed in E6 (Color Slide) chemicals, I expected some wild colors and strange effects. The result is actually strangely accurate to real life...
Part of the stream coming off of Decew Falls by the Morningstar Grist Mill.
Jordan River bank. Oct. 2006
we were babysitting her for a month and i just fell in love within seconds.
- cross processing
From the forthcoming exhibition Process: The Working Practices of Barney Bubbles
See the Eye events page for more details: blog.eyemagazine.com/?page_id=158
Unused artwork layers for front and back cover, 4000 Weeks Holiday by Ian Dury & The Music Students, 1983.
Had loads of fun working on the latest @telus campaign #PowerToThePicky last month. Been seeing them all out in the wild everywhere in #Vancouver
March - April 2015
I pulled this old photo out of my pile of folders to share another post-process technique I have used to make up for bad backgrounds.
This time I took a previous session's test photo of a blanket and placed it behind the layer of the new photo. I erased the old background to reveal the blanket and used a colorize action to turn the blanket to a blue that matched the blue of the new photo. To help transition between the two layers, I used a blur paintbrush and ran it across the edges of the white blanket where it met the new background. I found this to be much much faster than cloning a new background (see the previous upload in my photostream) although with this technique you have to be careful that the background doesn't look fake and too different from the foreground. (I'm still debating whether this example works or not but I mainly uploaded it for the technique itself, not my first attempt at executing the technique. If you take a photo of your backdrop before the current session, then you have a much better chance of it looking natural when you use this technique.)