View allAll Photos Tagged process
Today I tried to re-process Pillars of creation by using the raw data that I found on MAST. I've processed the RAW data using 5 different softwares:
First one was FITS Liberator which I used to stretch the image and make faint dust visible.
Second one was SiriL which I used to compose RGB channels and calibrate the colors on the image.
Third one was GIMP which I used to change the value of the image.
Fourth one was Topaz Studio 2 which I used to clear, denoise and sharpen the image.
Last one was Snapseed which I used to clear big artifacts on the image by using healing tool.
Module 2 in the ETH Master of Advanced Studies program in Computer Aided Architectural Design.
See web site for more information:
wiki.caad.arch.ethz.ch/Education/MAS
This pic is of my recently built bio diesel processor. With this set up I can process 150 lts. of high quality bio diesel from waste cooking oil which will run in any diesel engine without any modification whatsoever. I can also use it in my central heating boiler.
during the 14+ years of working under the name elbow, i usually just stumble into something for my own identity.
spent some time this week working out something new.
2019-05-01: Audu Ogbeh, Minister of Agriculture and Rural Development addressing the attendees during an investment forum on special agro-industrial processing zones hosted by AfDB in Abuja. In frame, Prof. Banji Oyelaran-Oyeyinka, Special Adviser on Industrialisation to the President of African Development Bank and Mansur Ahmed, President, Manufacturers Association of Nigeria.
Wyatt was originally scheduled to come down with the flower girls, but he had a change of heart and decided on a solo entrance with his father, Richard. Wyatt picked the color of his vest...his favorite color.
This is a rather ugly tree to most but it is a favorite for me. Looks like it has had some struggles in it's lifetime, like most of us. I believe it lost it's top in a lightning strike. I just played with some Elements tools until I got something that pleased me.
the original image, and the dots generated by processing which get cut on the laser
source code is here: pelletron.org/shared/halftone_generator.pde
Processing Paris_Edition_02 22/23 April 2011.
Processing Paris is a series of workshops catering for artists, designers or curious creative minds who want to develop and share their understanding of code based creation. Each year, we invite the best professionals and teachers to share their knowledge in the area of the visual arts and code. We propose a number of workshops both for beginners and most experienced.
More info.
//////////////////////
Processing Paris est une série de workshops pour artistes, designers et créatifs visuels souhaitant développer et partager leur connaissance de la programmation dans le processus de création. Chaque année nous invitons des meilleures professionels et professeurs dans le domaine des arts visuels et du code pour partager leurs savoir-faire. Nous proposons des workshops pour les intitiés et les plus expérimentés.
Plus d'info.
//////////////////////
Photos taken at La Fonderie de L'Image, a cultural space in Paris dedicated to new media arts & design.
More Info.
Experimental program done with processing.
All screenshots have been captured live in real time.
More info and videos here: blog.goodthink.biz/particles-typography-3d/
Video: vimeo.com/51206202
My friend Angel being tattooed by my friend / tattoo artist Stacey Sharp at the Lehigh Valley Skindustry tattoo convention. www.sharptattoos.com
Cross processed Poundland Color Film using Ilford Black and White HC Developer. Scan of the enlargement, not the film. Added some contrast post-scan. Taken on a Nikon F60 with 50mm lens. Enlarged at Norwich Arts Centre Darkroom.
A designed publication that documents the creative process of a year long design project centering on the idea of developing emotion as a communicative medium.
This book follows the development of the project from initial brainstorming stage right till the final execution of different experimental approaches.
374 pages, laser-prints on off white munken print cream paper, perfect bind.
Fruit packing equipment at the BC Orchard Industry Museum. The manufacturer is the F.B. Pease Co. of Rochester N.Y. This business was started in 1876 by Franklin Beech Pease, forefather of Warren S. Pease, who still designs equipment on a day to day basis, while his son Dudley has taken over the reins of business leadership in the company. Franklin Pease was an inventor who grew up in the apple country town of Ontario, in Western New York State, close to Lake Ontario. The business, carried on by Franklin and his three sons, evolved into the making of apple processing equipment including the apple parer, corer and slicer. Today Dudley Pease carries on the traditional manufacture of the Pease line while also expanding the company's' capability to produce custom equipment in conjunction with the existing line of machines.
I drilled holes in the base of the antlers and the pedicles, cut the pipe down to the right length and fitted them with some apoxy sculpt. The finished product allows the antlers to stay in place whilst up on the wall however the antlers easily slide on and off for easier transport, or if I wanted to display a different pair of antlers.
Heavily (or overly) processed (via an on-line filter) ukiyo-e print of a sumo wrestler, who probably would be more than willing to "demonstrate" some moves on me for mangling his picture.
Proof of concept experiment. I had this idea that I could paint or draw different elements on separate pieces of paper, scan them, and combine them on the iPad in separate layers. I’d have the look of analog and the editing capabilities of digital.
Bee Paper Co-Mo Heavyweight Sketch Paper 9x12 inches (22.9x30.5 cm), Turner Acryl Gouache, and Crayola Black crayon.
iPad Pro
Apps: Superimpose X and Sketch Club.