View allAll Photos Tagged process
Doesn't look like a lot stacked up like that, but printing each layer took 2-3 hours...seemed like the damn things never ended! Never screenprinted 200 copies of anything before, esp. without the benefit of a drying rack.
Polaroid CP3 Experimental process
Have you ever seen something you have been imagining for days and never spoken of, suddenly represented by another artist in Flickr?? Has it ever happened to you that the type of art you do suddenly appears in your favourite artist or bands´ artwork without them having possibly known? This sort of coincidence is known as Synchronicity but a group of artists and I have been observing the amount of times these coincidences happen. It has happened at least once to almost every person. This is a glimpse of what the scientific term of Collective Unconscious means and how it permeates reality, as science has shown before. The experiment we are about to embark on is based not on promoting synchronistic phenomena but merely on registering each time this happens until we have a large list of these synchronistic phenomena and can find general common factors. There is a place where all thoughts from everyone come together, the place where we dream things that happen or that dont, the place of beauty and art, our dreams. If this has happened to you, you would be helping an ongoing investigation if either you just mentioned it has happened to you (the mere affirmative has statistical value) or you kindly described your case as a comment on this journal. I will let all those who participate know the final result.
i got the woodgrain part up today and then worked more color into the globes. I have another big but subtle more up my sleve.
Much cuter with an empty mouth. I waited til she was done with her cookies and then got this cute shot of her. Okay I admit it, I helped speed up the process by eating a few of them myself. :)
Photographic series documenting the process of destruction and how creation becomes an inevitable result of it. I created a simple pattern and made the dress myself. The ink acted as a way of showing where the model's hands had altered the dress, becoming a sort of map.
Showing stages of my photo of the day.
1. As it was.
2. Decreased the exposure in the camera (phone)
3. After editing in Snapseed on the phone.
This is a shot of a retro-hex half way completed. I've polished the pavilion, but stone is still on the dop. The black you see is the wax I use for dopping, the brass color is the dop itself. (The completed stone is "79_prasio" in my photostream)
Each square on the screen has its own color. When the right hand is in the square, it sends the color to an RGB LED lamp over DMX. Video: vimeo.com/29691449
File name: 08_06_021495
Title: Parade with marching girls - baton twirlers?
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1934 - 1956 (approximate)
Physical description: 1 negative : film, black & white ; 3 1/8 x 4 1/4 in.
Genre: Film negatives
Subject: Parades & processions
Notes: Title from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.; Date supplied by cataloger.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Please - no awards, photos, group invites or graphics!
Please do not use this image on a website without explicit permission from me. Thanks.
2023-365-098
I spent today at a 1-1 workshop trying out film processing and printing using a seaweed developer made out of local bladderwrack. I processed a 35mm film of images I took, and a 120 film. I learnt how the 120 film is wrapped while I was unwrapping it in the dark to put on the spool.
This was the best print from the day. We did try another image with another batch of developer; but each batch is different and the images were cooked a bit too much.
The workshop was at a local darkroom with an artist who is exploring ways of making photography more sustainable and less reliant on harmful chemicals. We did use commercial stop and fix solutions due to time constraints.