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one of the first photos i took of jen
my wife brings me mucho pleasure.
even though she's a brat and is hitting me because i posted shots of my camera and my dog to the "what's your pleasure" group before her.
Two years ago, I was commissioned by Seed Magazine to create a series of fractal images for an issue which featured an interview with Benoit Mandelbrot. I was told to make color variations of the 'Buddhabrot', which was a fractal having a striking resemblance to a sitting Buddha figure.
The code to create the fractal was recreated from pseudocode posted on many different fractal forums.
Alright..one more then.
I found this one. I didnt know it was on the card. A HDR from 1 RAW shot with a Sigma 10-20 @10mm converted to B&W and wide cropped.
implementing this barnacly thing in processing. right now the pattern is just generated by interaction with the mouse. I think I'll make it more independent though.
next up is more complex surfaces. might test out Jesse's nurb's library.
based on these original sketches I made with a rhinoscript which you can see here
The compartment under the floor of the boot in a Toyota Prius is clearly made to accomodate a brace of BBC Micros. It's exactly the right width and depth.
You must see this On Black
Now this is much better. But there's this nagging feeling in my head that there's something missing in this.
Is it the face (over-exposed)?
Or the pose? Maybe the shadows are distracting?
Help me out guys. Be as harsh as you can
I think I gotta reduce the intensity of the snoots. I did try that, but then the colour filter was totally ineffective. I could have added the hues in CS2, but then again, what's the point?
This is a photo in two parts because I couldn't get back far enough to capture the whole thing in one shot. This is an installation for the Culture Crawl preview show. I'm trying to demonstrate the process of making an altered book.
More about this on my blog.
Me on 11 May 2016 (as seen by my camera program, which didn't exist back then) waiting in the departure lounge to visit Naomi in Japan (and incidentally bring three cats as part of our move there (I brought Bonkers, Argent, and Nobuo)).
Made with Processing.
With these last two stills, I have created concentric spheres which dictate the positioning of relevant generations. The inside gets occluded pretty quick but enjoying the implied depth. Would love to make 3D prints or metal casts of these some day.
Live webcam input gets poked and prodded by the audio input. Essentially, each pixel's brightness responds to different frequencies of the incoming audio. Dark pixels listen to the bass and bright pixels listen to mid-range. In order to get a better frame rate when running fullscreen, I am checking pixels in an alternating grid. Ended up liking the effect.
Video available for your perusal here.
Process by Yonoh
Pleg (aplique para lzflamps), Mosaic (lámparas Artecoon), One (perchero atoproducción), Esence (aparador para Ruarte)
20-09-2011
© Yonoh
This week for 52 Weeks of 2011 the theme was "Processing, before and after"... this is the after, most done in Lightroom. The after is below.
Interurban Trail, south King County, Washington, in false-color infrared. Red & Blue swapped, then white balance set from clouds. (One of a series on post-processing color IR.)
Found an interesting glitch resulting from a strange edge case in a beta version of Processing. Based on this photo by spcbrass, licensed under CC-BY-SA.
Stills from VJ projects performed last night at the Mighty Gallery to Bitshifter's gameboy-driven audio.
All visuals were run as Processing-exported OSX applications controlled live with an M-Audio Trigger Finger. Someone buy me a Lemur so I can do this properly.
Note: Parts of this particular project were HEAVILY influenced by Toxi (Karsten Schmidt). His work puts mine to shame!