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For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
The world faces a problem: recession and a spiraling fall in trade. The Economist puts it like this, “Trade is contracting again, at a rate unmatched in the post-war period. This week the World Trade Organisation (WTO) predicted that the volume of global merchandise trade would shrink by 9% this year. This will be the first fall in trade flows since 1982. Between 1990 and 2006 trade volumes grew by more than 6% a year, easily outstripping the growth rate of world output, which was about 3% (see chart 1). Now the global economic machine has gone into reverse: output is declining and trade is tumbling at a faster pace. The turmoil has shaken commerce in goods of all sorts, bought and sold by rich and poor countries alike.” According to the Economist, “The immediate cause of shrinking trade is plain: global recession means a collapse in demand. The credit crunch adds an additional squeeze, thanks to an estimated shortfall of $100 billion in trade finance, which lubricates 90% of world trade.”
According to the Guardian, “On Thursday 2 April Gordon Brown is going to host the G20 summit in London. Leaders from 22 countries will be at the summit. The G20 is an organisation for finance ministers and central bankers, who in the past met once a year to discuss international cooperation in finance. There are 19 countries who are members: Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, Mexico, Russia, Saudi Arabia, South Africa, South Korea, Turkey, the United Kingdom and the United States. The 20th member is the European Union, which is represented by whichever country holds the EU presidency (currently, it's the Czech Republic). These countries represent 90% of global GDP, 80% of world trade and two thirds of the world's population. The IMF and the World Bank also attend G20 meetings, although technically the London event isn't a normal G20 meeting.”
This G20 meeting will be for the leaders of all G20 countries. According to the Guardian the policy agenda developed by the last G20 meeting “did not in fact go much beyond pre-existing international initiatives that had recently been developed in more technocratic international bodies.” According to the Guardian, “On the London summit website, the British government has explained what it hopes to achieve. At the summit, countries need to come together to enhance global coordination in order to help restore global economic growth. World leaders must make three commitments:
• First, to take whatever action is necessary to stabilise financial markets and enable families and businesses to get through the recession.
• Second, to reform and strengthen the global financial and economic system to restore confidence and trust.
• Third, to put the global economy on track for sustainable growth.
Gordon Brown has argued that the world must avoid protectionism. According to the Economist, “The World Bank says that, since the G20 leaders last met in November in Washington, DC, 17 of their countries have restricted trade. Some have raised tariffs, as Russia did on second-hand cars and India did on steel. Citing safety, China has banned imports of Irish pork and Italian brandy. Across the world, there has been a surge in actions against “dumping”—the sale of exports, supposedly at a loss, in order to undermine the competition. Governments everywhere are favouring locally made goods.” The Economist also says, “Kei-Mu Yi, an economist at the Federal Reserve Bank of Philadelphia, argues that trade has fallen so fast and so uniformly around the world largely because of the rise of “vertical specialisation”, or global supply chains. This contributed to trade’s rapid expansion in recent decades. Now it is adding to the rate of shrinkage. When David Ricardo argued in the early 19th century that comparative advantage was the basis of trade, he conceived of countries specialising in products, like wine or cloth. But Mr Yi points out that countries now specialise not so much in final products as in steps in the process of production.”
Protectionism in itself sounds bad – but it is a policy option available and used in all political economies – including the most liberal. Protectionism can also lead to a more self-sustainable economy, and can lead to the internal development of an economy, which means the economy is less reliant and dependent on external sources of finance. Development will be slower, but it can be more secure and sustainable. It is likely that if countries do operate protectionist policies it will be a short-term opportunist and populist response to workers and unions, but it could be seen as an alternative economic model of development. It worked in Brazil and Argentina during the 1960s and 1970s for a while, until a more neo-liberal and external finance model was preferred.
The Brazilian President Luiz Inacio Lula da Silva was reported on Channel 4 News to have told Mr Brown the crisis was caused by "white blue eyed people". This overtly racist remark has been noted, but there has been no visible backlash. It is interesting how the whole agenda about racism never applies to the dominant one, i.e. you can racially slur white people, and white people with blue eyes without anyone batting an eye lid, whereas if you racially slur other ethnic groups you can find yourself battered. I find this state of affairs deeply offensive to the human race in general, and very patronizing to those groups who don’t come from the dominant ethnic group (i.e. its almost to say the whole anti-racist thing is a way of patting you on the head and saying there, there – because when it comes to racism we don’t really give a shit – see the way we couldn’t give a f*** if you slur our own dominant white ethnic group).
The reality is that the summit will represent a reshuffling of position, support and dependencies between the world’s twenty richest countries. Spectators are expecting China to come out feeling puffed up and proud, given that China has faired relatively in recent years, or so we are led to believe. Meanwhile national demonstrations seem to be focusing our attention to the fact that a different way of working is needed. In fact it will be work as usual – the question is who will come out on top.
In anticipation of the G20 summit a demonstration was held in London. 10,000 were predicted to attend the demonstrations. The police reported 35,000. I was there at the demonstration and I don’t believe I saw 35,000 people walk past Big Ben – and I saw it from start to finish. As one commentator, on the Guardian observed, “Apart from the small contingent of student SWP calling 'One solution, Revolution' and about 20 anarchists making noise the spirit was generally depressed and lacking any anger or sense of direction.” Cognitator joked, “Perhaps the police were adding their number to the protesters. As opposed to taking them away as per usual.”
According to the Guardian, “The Put People First march yesterday was organised by a collaboration of more than 100 trade unions, church groups and charities including ActionAid, Save the Children and Friends of the Earth. The theme was "jobs, justice and climate" and the message was aimed at the world leaders who will be gathering for the G20 summit here this week.”
The march started on the Embankment. When I arrived there I walked around desperately finding somewhere where I could have a piss for free. I tried Starbucks and Costa Cofee, but they seemed to have no toilets, I even tried the stamp collectors fayre a subterranean culture of badly dressed old people, with poor eyesight and even worse posture, which was momentary distraction from my full bladder, but which did not provide the answer to my pressing problem as the toilet door was locked and for staff only. Stephen Moss writing for the Guardian said, “Westminster is not a great place for someone like me, who has a weak bladder, to go on a march. The public loos there cost an outrageous 50p a go. The Socialist Worker magazine-seller next to Embankment tube station is on to this in a flash. "50p to have a piss – a lesson in capitalism," he is soon shouting. Later, I'm pleased to see someone has punched a hole in the wooden sign advertising the price.” In the end I walked all the way to the National Portrait Gallery where you can always be assured a good quality toilet seat.
The Guardian continued, “The marchers, estimated at 35,000 by police, accompanied by brass bands and drummers and a colourful assortment of banners and flags, walked the four miles from Embankment to Hyde Park, where speeches from comedian Mark Thomas and environmental campaigner Tony Juniper, and music from the Kooks, made for a party-like atmosphere.”
The Guardian reported, “A group of fewer than 200 anarchists joined the march and were kept isolated and surrounded by police. Chants of "Burn the bankers!" were the closest anyone came to any show of aggression.’ Yes I witnessed this, it was clear that the anarchists, dressed in black, some of them with scarves covering their faces, generally looked cool as fuck, like some post-nuclear vigilante gang, their black signifying the dark depressing reality from which humanity starts, and the point from which they wish to depart. Whether the police presence was heavy is debatable but they certainly had a line of police accompanying them, whereas no other group were honored with such a presence. Of the anarchists Stephen Moss says, “I fall in with some anarchists halfway through the march – a delightful young Greek called Alex and an Italian, who is happy to talk about Bakunin, but is, I sense, a little suspicious of me. The anarchists march together – with the police flanking them in a way they don't with the rest of the march – and I am intrigued that they never shout slogans or bang drums. Their mission is a serious one.” Moss goes on, “Alex tells me a reporter from the Sunday Times has already approached him to ask why anarchists wear masks. "Work it out for yourself – you're a journalist," he'd told him. "People always ask why we wear masks; they never ask about our ideology," he complains. In essence, that ideology is: power corrupts; all elites will be corrupt; so government should be by the people, for the people – a mass movement of the type they claim is emerging in South America. Hezbollah is also mentioned favourably, a movement they see as developing organically. "Organic" is a key word for anarchists, and it would save a lot of aggro and bad press if they were called organicists rather than anarchists.” Good point. But who wants to be called an organicist? And in any case everything is organic really – its just that some organisms develop in a way we or anarchists done like and some do. To call anarchists, organic is to miss the point, anarachists are like Christian, they dream of a reality which transcends human nature as it is and known. Structure, corruption, self-interest and greed underpin all human activity – the question is not how we can do away with it, but how can we manage it in a fair way.
Stephen Moss wrote about the variety of organizations on the march. He said, “Socialist Worker has a three-point strategy: "Seize their wealth," "Stamp out poverty," "End all wars." Sounds good, but I can't work out exactly who "their" refers to. The Socialist party is hot on slogans, colder on the mechanism by which they are put into practice. The likely outcome to the current crisis still appears to be government by Etonians.” Most of these movements are nothing to do with instituting political change. The people involved in them do not want to genuinely change things. Instead what these groups function as is self-help groups for people, for whatever reason, feel that they have been wronged in life, probably at a personal level, and feeling quite hopeless about their personal wrongs, they want to transpose their personal woe on to a faceless, unintelligible other – the government, the state, the capitalist, the rich and the greedy. Its not so much that socialist workers and anarchists want to change things, they know they are completely ineffectual, and too screwed up and traumatized, too aggressive, unintelligent and incapable of engaging people into a different way of organizing; they just want to shout out to people ‘we hurt’. Fair enough.
The TUC don’t seem to be turning up to do anything more than saying ‘there there’ to threatened workers, and stating the downright bloody obvious to the government. Their message is “The importance of this summit cannot be underestimated. Unemployment and deprivation will grow massively over the next two years unless governments work together. People need to know that there is an international solution to this crisis. If the summit suggests that there is not, many will turn to nationalist and protectionist politics with all that implies for the global economy and world peace.” Mind you they do go on to say that, “But while the immediate response to the crisis will be at the forefront of the leaders' minds, the unprecedented Put People First coalition shows there is a huge appetite for a new economic direction. Thirty years of the increasing dominance of the neo-liberal agenda has got us into this mess. The summit must show that the next 30 years need to be about a renewed era of economic growth based on a much fairer share of the proceeds. One that is environmentally sustainable and one that does not end in the burst of yet another financial bubble.” But what are they really saying? Nothing much.
There is of course something about how all of this is just about having a laugh, getting a kick, getting an emotional fix. There’s something very similar to the way that some of the more violent groups get ready for a rumble with the police and football hooliganism. Football hooligans are much more honest about the emotional kick they get from fighting. The protestors pretend that they are doing it for the people. Whatever the so called reasons, it is clear that a lot of protestors enjoy confrontation. They are much more focused on the enemy and combating the enemy than they are on creating peaceful societies. So Stephen Moss makes the interesting observation, “When the march eventually gets to Hyde Park, the anarchists refuse to join the "TUC bureaucrats" for the official rally and hold their own open-platform meeting at Speakers' Corner, dominated by elderly men in hats who talk less about Bakunin than about beating up the BNP and confronting the police on the streets of Whitechapel. It's all a bit depressing (and expletive-filled – I take serious exception to the denunciation of "Oxbridge cunts"), though I like the fact that the elderly men refuse even to use a megaphone – only the ordinary human voice is organic enough.” The media and police have both hyped the April 2009 marches as like the possible end of the British way of life, of democracy, of capitalism. Nothing could be further from the truth, but its like we all want to will it to happen – we all are looking for excitement – war may be bad but peace is fucking boring – I once read.
The Guardian also reported, “Thomas told the Observer he believed the protest marked "the start of a grassroots movement". He added: "This is a moment. This is the first time people have had a chance to come out on to the streets in a big way." But this is nonsense. This was just an opportunity for a plethora of groups, amongst whom there are more differences, and the only thing that can unite them is a general concern for jobs, justice and climate, which incidentally are three themes that unite most of the country, and all the main political parties, to catch the government at a weak moment, and hope to build up support for whatever cause they have, on the back of the anger and desperation amongst people at this time.
The protest ended up in Hyde Park. I didn’t go, it was too cold and rainy, and although I did aim to walk there via a short-cut through Victoria, I ended up taking refuge in Westminster Cathedral, where I saw another procession, of Catholic priests and altar boys, who were holding a service for the Union of Catholic Mothers. I listened to the Catholic priests, they sounded much more happy and at peace with themselves and their surroundings, than the rankerous socialist bile spitting leaders.
People are blaming the bankers, but there is in actual fact no-one to blame for this. The this needs to be qualified too. The ‘this’ is the fact that people are loosing their jobs, consumption will have to be reduced. It is ironic that it is precisely that people are facing the prospect of lower consumption that they are out on the streets protesting against greedy bankers, it is not so much the greed of the bankers that people resent, so much as the increased consuming power of the bankers that they are envious of. The bankers are not to blame for working within a system, which promoted risky investments, a system which was encouraged and deregulated by politicians who realized that whilst the bubble was growing there were huge financial gains to be made from encouraging bankers to reap the rewards both for themselves but through the state through taxation, and politicians who were encouraged by the people who voted them in, who probably formed the majority of people marching in demonstration and protest today, who voted in the governments believing the deregulation of banks not to be a serious enough issue to vote against a government for, and realizing that even if it was a risk, whilst the bubble was growing, they were happy enough to see their elected government ensuring that the country got a share of the pie. We all contributed to this fucking mess – if you can call it a mess – its only a mess for those who no longer have jobs and cannot consume so much – by voting in the government, who deregulated the banks and encouraged the lending of our money several times over to riskier and riskier ventures which in actual fact were not producing anything of material benefit, but were instead relying on house prices going up and up, as more people poured their money into it. Now we are in deep shit, because Gordon Brown has poured what little remaining money we have, and we have on credit into the black hole – it has simply disappeared.
There are some people who are saying the bankers should pay for the crisis they created. It doesn’t work like that – it works by people putting their money into a bank – and entrusting the bank to invest it wisely. Where the bank looses the money – the original investor looses the money. This creates a motivation on behalf of the investor to invest wisely, e.g. on the basis of what we know right now investing in Barclays rather than Lloyds TSB or the Royal Bank of Scotland. However reality begins to change once one’s livelihood is threatened – now it is solely the banker’s responsibility to have invested the money wisely, the public who invest their money into the banks are seen to be helpless, powerless twits, whose securities should have been looked after by a paternalistic and caring banking sector. So for example, according to Fox New, “Berlin police estimated that around 10,000 people gathered in front of the capital's city hall and more than 1,000 in Frankfurt, Germany's banking capital, for similar demonstrations under the slogan: "We won't pay for your crisis." Its not a crisis – its just that there are now lots of personal crises – the public didn’t bother to check whether their banks were investing their money properly or wisely and now they are paying for it. But the banks aren’t responsible for this – they really aren’t.
We have two problems. The first was created by the fact that banks lent out our money several times over – so we thought the country was several times as wealthy as it actually was. This led to inflationary pressures especially in the housing market – where the same money was lent to several different people – all investing in housing leading to unrealistic housing prices. We now realize we have a fraction of the wealth we thought we had. This creates deflationary pressures – i.e. where everyone has less money prices are reduced. This problem can be solved by creating a soft deflationary landing to a level where the price of labor and goods reflects the value of the money we have not the value of the money we have and we loaned. This means everyone has to accept lower wages – we can either do this peacefully based around a consensus and agreement between corporations, banks, trade unions or governments – or we can do it aggressively – letting perfectly good companies whose workers refuse to take pay cuts go to the wall – and then watch as millions of unemployed people try to reform and reorganize new companies and enterprises.
The second problem is that banks are no longer making such risky investments – so they are not looking to lend their money on to others – which means there is less money to be lent to people – which means less activity and less economy. We have to get used to less activity – but at least the activity will be invested in activities which are genuinely producing material benefit for people – not leading to an apparent generation of wealth – which is the artificial effect of lending x amount of money to people ten times, making it seem that we are ten times as rich as previously – when actual fact we are equally as wealthy – but with prices ten times as high. We should have also let the banks go to the wall – and started again with a heavily regulated banking sector – which was not allowed to lend out peoples’ money irresponsibly. No-one wants to have to feel the pain from this – i.e. the rich bankers who keep their pensions and bonuses, the people who have banked with them who want to keep their savings, and the businesses who are funded by the banks who want to hang on to their business and jobs. So what Gordon Brown is doing, is in the name of the people, funneling money into the banking system, paying for the debts, and thus, keeping the bankers sweet, keeping the investors sweet, keeping the businesses sweet. Who looses out? All of us – the poor! They never really had anything to loose in the first place, however whilst Gordon Brown borrows money to give to the banks so they can lend to businesses and pay bankers bonuses and salaries, we move a step closer to becoming bankrupt – i.e. not being able to borrow any more money because no-one believes we can pay it back. Once we become bankrupt, social services and welfare will be cut.
According to Gaby Hinsliff, “Many economists believe a recovery now requires bursting that artificial bubble and rebalancing the economy so that Chinese consumers are encouraged spend a little more - reducing America's trade deficit - and Americans a little less. Malloch Brown suggests Britons, too, will need to relearn the art of saving.”
According to the Guardian, “But Scotland Yard is expecting a greater challenge on Wednesday 1 April, dubbed "Financial Fools Day", with a series of protests aiming to cause disruption in the Square Mile and elsewhere.” The Guardian says, “On 1 April an alliance of anti-capitalist groups called G20 Meltdown is organising a carnival headed by "Four Horsefolk of the Apocalypse", which will converge in front of the Bank of England. Anarchists are planning to target the second day of the summit at ExCel. Other groups mounting demonstrations include Climate Camp, the Stop the War Coalition, and Government of the Dead. An alternative summit will be held a few hundred yards from the ExCel centre at the University of East London.”
The alternative G20 summit website provides the following manifesto: Can we oust the bankers from power? Can we get rid of the corrupt politicians in their pay? Can we guarantee everyone a job, a home, a future? Can we establish government by the people, for the people, of the people? Can we abolish all borders and be patriots for our planet? Can we all live sustainably and stop climate chaos? Can we make capitalism history? YES WE CAN!
According to the Daily Telegraph, “The G20 conference will lead to a London "lockdown" next week, with parks, roads and businesses closed to keep world leaders safe, Government officials are warning.” The media are really building this up, as an attempt to build readership and sell advertising. Its interesting how a force created by the desire to advertise and promote consumption causes papers to distort and promote a threat and confrontation to the very system upon which it is built. The Daily Telegraph article continues, “Protesters with armed with buckets and spades are among several thousand people who are planning to bring chaos to the heart of central London.Last night it emerged that City workers were being advised to "dress down" next week to avoid drawing attention to themselves.”
To anyone really wanting revolution bear in mind these words from Stephen Moss, “Changing society is hard, and usually starts with a split in the elite. The English civil war and the French revolution both began with a fissure in the governing classes; their falling-out created the space for populist movements to develop. For a grassroots movement to effect change is enormously difficult. It was only possible in Russia in 1917 because of the devastation wrought by war.”
The reality of the demo was perhaps best summer up by ‘one789’ who said, “My experience of the demo, in talking to people and observing, is that no one had any real clue of why they were there. They recognise 'blame the bankers' to be futile and a distraction, think capitalism 'is rubbish' and 'want change', but say nothing beyond that.I at least expected a high degree of frustration and anger, but more than anything what came across was disillusionment and confusion. But then, that's what you get I suppose from such a middle-class yummy-mummy bleeding-heart rally.”
As rabbit95 said, “Be glad we live in a society free enough to protest and where, apart from the police possibly taping your presence at such a demo, there will be no comeback.”
www.londonsummit.gov.uk/en/summit-aims/summit-progress/
www.economist.com/opinion/displayStory.cfm?story_id=13362...
www.economist.com/opinion/displaystory.cfm?story_id=13362027
www.guardian.co.uk/world/2009/mar/29/g20-protests-london
www.guardian.co.uk/world/gallery/2009/mar/28/g20-protest-...
www.guardian.co.uk/commentisfree/video/2009/mar/28/g20-su...
www.guardian.co.uk/commentisfree/2009/mar/28/g20-protest
www.guardian.co.uk/world/2009/mar/29/g20-summit-globalisa...
www.guardian.co.uk/politics/2009/mar/25/g20-q-a
news.google.co.uk/news?q=G20+summit+London+2009&oe=ut...
www.telegraph.co.uk/finance/financetopics/g20-summit/5050...
www.guardian.co.uk/world/2009/mar/29/g20-summit
www.londonsummit.gov.uk/en/global-update/cp-china/active-...
www.londonsummit.gov.uk/en/summit-aims/summit-progress/qu...
www.channel4.com/news/articles/politics/domestic_politics...
www.channel4.com/news/articles/politics/international_pol...
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
As requested, here is my original and three fixes kindly supplied by viewers. They're in the following sequence - best seen LARGE on black or ORIGINAL size:
AB
CD
A - My original with green cast
B - Washed out and slightly pink
C - Saturated and slightly blue
D - Just about perfect!
These observations are relative and how I am seeing them on my system: you may differ and as already mentioned, the key points are that it was a difficult image (a Perutz film) and I should have left my version overnight to see with fresh eyes; and that most monitors are set differently and we see each other's pictures differently. I think that, by and large, we are happy with what we see, until a rogue turns up! Your Comments welcome.
Like sea pollution, plastic waste seems to appear everywhere. This is used to protect or mulch plants. Here it appears to have been ploughed in and would be difficult to separate out. Maybe it is biodegradable in which case what sort of residue does it leave?
articles.extension.org/pages/67951/current-and-future-pro...
Problem Evaluation & Prioritization
Problem areas are evaluated and ranked for each mission. Prioritization uses a needs-based approach which addresses worst problems first.
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Another cantenna project. A friend of mine is the director of a local non-profit organization in Ashtabula County, and they had permission to share Wi-Fi from a nearby church but couldn't get a signal. I built a cantenna which solved the problem. This one is mine which I built for fun, but they'll be borrowing it for a few weeks while they have an intern working for them. Building these has been a lot of fun and it's nice to see them used for a good cause.
This one is mounted to a $2 camera tripod I picked up at Micro Center. An ALFA Network AWUS036EH 802.11b/g USB adapter (which has an SMA connector) drives the whole thing. I haven't had a chance to test it to any great extent, but Kismac does seem to pick up on more activity with this adapter than with my customized Linksys WUSB11 2.5. The ALFA adapter uses an RTL8187 chipset which is supported in Kismac 0.21a revision 319.
I used this website as my guide for building the cantenna:
www.turnpoint.net/wireless/cantennahowto.html
I've uploaded my cantenna photos at a larger size than I normally do for the benefit of anyone who is thinking of building one. It's pretty easy, but you'll need a soldering iron and drill, and if you want to clean up the edges of the can a Dremel is handy too. Have fun if you try this!
A brief history of railways in New South Wales.
It all began with the calling of a public meeting to consider the issue of building railways in 1846. Lines were being considered to Windsor, Bathurst and Goulburn. It proposed the American solution to railway building – government grants of land along the proposed line but with an added bonus of a government guarantee of 6% per annum on the first £100,000 of capital and a government grant of cash. In 1848 the Sydney Tramroad and Railway Company was formed. After some delays work began in 1850 but by 1851 not much had happened and the company wanted a further £150,000 which was granted for a line only from Sydney to Parramatta. In 1855 the line was finally completed with the first train to Parramatta in September 1855. The line was only completed with substantial government investment and in 1856 the government decided to take over the railway and have it run by three government Commissioners. In 1861 parliament authorised lines to Campbelltown and Goulbourn, another to Bathurst across the Blue Mountains and a third from Newcastle to Murrurundi in the Hunter Valley. The line from Newcastle to Maitland opened in 1857.
Westwards to Bathurst.
At the end of 1860, with the royalties from gold mining the government had completed lines from Sydney to Penrith and Richmond; to Picton in the south; and from Maitland to Morpeth. The biggest engineering challenges were still ahead of the railways department – crossing the Blue Mountains to Bathurst and climbing into the Southern Highlands to reach Goulburn. The problems of crossing the Blue Mountain ridges were immense and two zig zag railway sections near Lithgow were eventually approved and several major viaducts. They line was completed to Wentworth Falls in 1867 and it was 1875 before the railway line reached Kelso across the Macquarie River from Bathurst. The official opening into Bathurst was in April 1876. The 1870s were a decade of significant railway expansion and new lines. At one stage there was even a proposal to have a direct rai link to South Australia from Cootamundra westwards to Pooncarie on the River Darling and then across the SA border near Renmark. That never eventuated. But a link to Queensland was pursued more vigorously and completed as was a line to Albury with a link to Melbourne.
Southwards to Goulburn and Albury.
A main truck railway line to the South was important to peon up the Western Slopes of NSW in the 1870s. The rail head was settled at Picton in 1863 and with tunnels it was extended into the Highlands to Mittagong in 1867. It was quickly pushed on to Goulburn reaching there in 1869. It was important to extend this line south to Albury to prevent the Victorian railways taking more trade from the Riverina Districts. The Goulburn to Yass section was finished in 1876. It was extended to Wagga Wagga in 1878 but the line did not cross the Murrumbidgee River into Wagga Wagga until 1879. From here the line pushed onwards to Albury where the railway opened in February 1881. It was June 1883 before the River Murray was bridged and a connection was made with the line to Melbourne.
Northwards to Newcastle and beyond.
Newcastle was a rail terminal like Sydney with the first line to Maitland completed in 1857.This line was eventually extended to Muswellbrook in 1869 and on to Aberdeen in 1870 and Scone in 1871. Murrurundi was reached in 1872. Work began on pushing the line north through Quirindi to Tamworth in 1874 with it being completed in 1878. From here the railway was extended towards the Queensland border and the northern tablelands. The first section with steep gradients reached Uralla in 1882 and Armidale in 1883. In 1884 the railway reached Glen Innes and then Tenterfield. The Queensland border was reached in January 1888 linking up with the Queensland railway system. Queensland railways had extended their lines to Wallangarra which is across the border from Jennings in NSW. But there was no connection to Brisbane from Sydney as there was no connection between Sydney and Newcastle.
Linking Sydney and Newcastle.
It was Premier Sir Henry Parkes who appropriate funds for a railway northwards from Sydney with the first stage to the Hawkesbury River and a section southwards from Hamilton just outside of Newcastle to Gosford. The line to the Hawksbury River was completed in 1887 and that to Gosford in 1888. The 3,000 feet wide (914 metres) stretch of the Hawkesbury River were still to be spanned by a railway. A competition called for engineering designs and the contract was let to an American company. Despite difficulties the bridge was completed in May 1889 with piers deeper than those of any other bridge and it was largest bridge of its kind in Australia and the third largest in the world at that time. It was a milestone in Australian railway history as it provided a rail link from Sydney to Brisbane via Wallangarra and this service was already linked with the line from Sydney to Albury and Melbourne and Adelaide and Melbourne had been the first colonial capital cities linked by rail in January 1887. So now there was railway link from Adelaide to Brisbane (1,789 miles or2, 8880 kilometres) albeit with many changes of gauge along the way and with no coordinated railway timetable for such a service. But this 1889 bridge was not stable enough for bigger and heavier trains and a new bridge was constructed across the Hawkesbury River between 1939 and 1946.
The North Coast line.
A new coastal line from Newcastle/Maitland to Taree and Gloucester opened in 1913 before reaching Wauchope in 1915. This lien was extended to Coffs Harbour and South Grafton in 1915. Earlier a railway line had headed south from Murwillumbah to Lismore. It was constructed in 1894 but extended to Lismore and Casino in 1903 and northwards to Tweed Heads at the same time. The section from Casino to Grafton opened in 1905 but it did not cross the Clarence River. This was not bridged until 1932. A branch line was built to Kyogle from Casino in 1910 and this was linked to a new line to Brisbane in 1930 which necessitated a rail spiral and a long tunnel across the border between the two rail systems to get the rail tracks up into the Great Dividing Range. A through train service was not possible until the Clarence River was bridged by rail in 1932. The introduction of the Brisbane Limited train via Casino and Kyogle reduced the train travel time from Sydney to Brisbane via Wallangarra by six hours. The service ended at South Brisbane until 1986 when it was rerouted to Brisbane Roma Street railway station. The Brisbane Limited train between Sydney and Brisbane ceased in 1990 when it was replaced with an XPT service. The line from Casino to Murwillumbah closed in 2004.
Extensions to the main truck lines.
By 1900 most major towns and cities of New South Wales had a railway service. The 1880s and the 1890s were decades of considerable railway expansion.
•The urge to get a railway to the Darling River at Bourke branched out from Bathurst firstly to Orange and then on to Dubbo in 1881. The north western line reached Bourke in 1885. From Nyngan a line was built to Cobar.
• The discovery of silver, lead and zinc in the Barrier Ranges near the South Australian border spurred the growth of Broken Hill but it was not linked to Sydney by train until 1927. Earlier a railway had been built from Broken Hill to Menindee in 1919. Then the links were made between Parkes and Condobolin and Roto to Menindee in 1927. The air conditioned Silver City Comet train began the service between Sydney and Broken Hill in 1937.
•New lines in the Riverina were designed to stop the leakage of trade across the River Murray to the Victorian railways. A line from Wagga wagga reached Narrandera in 1881 and Hay on the banks of the Murrumbidgee River in 1882.
•A branch line from Cootamundra to Gundagai was completed in 1886 and later extended to Tumut in 1903. Another line which stretched from Cootamundra to Temora opened in 1893. The Temora line was extended to Lake Cargelligo in 1917. Also from Temora the line went west to Griffith in 1916 and on to Hillston in 1923. It was then joined with the Broken Hill line at Roto in 1926 to provide alternative routes to the west.
•A new southern coast line opened to Wollongong and North Kiama in 1887. The section from Kiama to Bomaderry on the outskirts of Nowra opened in 1893.
•Over a few years a north western railway branched from the New England railway at Werris Creek. The first section to Gunnedah opened in 1879 and the second section to Narrabri opened in 1884. The line reached Moree in 1897. The line extended to the Queensland border at Mungindi in 1914.
Cantaloupe are responsible for nearly 30 outbreaks and recalls since 1990, killing two people and sickening more than 1,200. The fruit's netted rind hides harmful pathogens like salmonella and E. coli, which can eventually penetrate the shell and infect the fleshy, nutrient-rich core. (Photo by Brandon Quester/News21)
Cantaloupe are responsible for nearly 30 outbreaks and recalls since 1990, killing two people and sickening more than 1,200. The fruit's netted rind hides harmful pathogens like salmonella and E. coli, which can eventually penetrate the shell and infect the fleshy, nutrient-rich core. (Photo by Brandon Quester/News21)
I am not sure what's wrong with this flounder, but 3/4 of his body was whitish and semi-translucent. A growing issue or a pigment/skin problem?
Size: about 5cm in length
The problem with identifying cowboys in the postcard era is that photographer studios all over the United States had cowboy type props available for their customers creating many a faux cowboy for collectors.This image was from the western part of the U.S. so he might be a real cowboy.
February 2007 Update
Pre-launch of the official website!
Check it out here:
Many users with different information processing styles - 1 website presented in one style.
What to do with all of these orange brick separators? What inventive creations have you guys already made using these? Let me know, as I want to try my hand at using them for something.
The León´s Cathedral probably has been the most modified gothic building in the world, since the problems in the foundations started centuries ago, lot of arquitect in Spain have tried to repair them and evolve the building with the style of the time, finally, in the XVI and XVII centuries, architects evolved the cathedral to plateresque and baroque style, with a main facade, south facade and finally a cupole, getting worse the solutions than the main problem, finally in XIX century, the Real Academia de Bellas Artes de San Fernando proclaimed the León,s Cathedral, the first monument of the spanish heritage. trying to save it of the ruin.
Ruby Wax was born 19th April, 1953, Ruby Wachs in Evanston, Illinois, the daughter of Jewish parents who left Austria in 1939 because of the Nazi threat. She later majored in psychology at the University of California, Berkeley.
Ruby Wax said I couldn't stand being a nobody. America put too much value on being tall and blonde. So I used laughter to make people take notice.
Ruby Wax came to England in 1977 and Ive been grateful ever since. (OK so I wasnt even born then but I make up for it now!)
Ruby always wanted to be famous, so decided to become an actress. She didn't get in to RADA but was awarded a place at the Scottish equivalent, before later joining the Royal Shakespeare Company alongside Helen Mirren, getting all the wench parts.
I really could never find my niche. I was a terrible actress, I couldn't sing, I couldn't do characters, I couldn't do an English accent and I lived in England, so I was narrowing it down'
She started off writing for Not the Nine O Clock News.
She met French and Saunders at a party and worked alongside them a number of times, on television in Happy Families, at charity events such as Hysteria and notably the sitcom Girls on Top. Apparently meant to be a kind of female Young Ones, French, Saunders and Wax all co-starred and co-wrote this ITV series. Ruby played Shelley Dupont, a stereotypically loud American dying for a career in show business. Not a huge hit, Girls on Top nevertheless gave the trio the chance to find their feet in comedy.
Ruby eventually got a chat show after drunkenly interviewing Michael Grade (who was head of Channel 4 at the time) in a tent at the Edinburgh festival. She subsequently made a range of programmes (most featuring her name in the title!) but as I have only seen a selection I can only write about the ones I know
In the 1988 show Ruby's Celebrity Bash, Ruby 'interviewed' stars including Joanna Lumley, Patricia Hodge and Felicity Kendall. More staged and rehearsed than Rubys more recent interviews, they included acted bits and prepared one-liners to the cameras. But although the interviews are set up they are still hilarious. Ruby breaks into Joanna Lumley's house - smashing windows and then hiding behind her sofas!! She gets thrown out but returns later with a ladder and calls up into the window, before climbing up and breaking in again. Joanna Lumley's character is very much a premonition of Patsy, who ends up in a mental institution and has cupboards filled with alcohol! The show was very much pre-Abfab, and an early and unusual role for Joanna in comedy at the time. Ruby Wax later became the script editor for Absolutely Fabulous, coming up with many of the one-liners.
In 1992 Ruby did a stand-up comedy show at the Wimbledon Theatre, now available on video as Wax Acts. Written by Ruby, it consists of amusing monologue and observational comedy. Her description of childbirth is almost enough to put you off for life, pain-wise she says, 'it's like sitting on the Eiffel tower and spinning' - ouch indeed!
Ruby's Health Quest (1995) followed Ruby as she went in search of alternative medicines, advice and treatments in aid of seeking perfect health. Several years ago she took a BBC director's course, people will get sick of me and my ego will have to be removed, but I'd still like to express my view of the world.
Ruby Wax has experienced episodes of depression for most of her life, but it wasn't until she finally checked into a clinic, that she realised how widespread mental health problems are: "It's so common, it could be anyone. The trouble is, nobody wants to talk about it. And that makes everything worse."
Divorce twice and is currently married to television producer and director Ed Bye, who produces some of the series of her long time friends and working partners, Dawn French and Jennifer Saunders. Wax and Bye have three children together, daughters Marina and Madeline, and one son, Max.
Astronauts from five space agencies around the world take part in ESA’s CAVES training course– Cooperative Adventure for Valuing and Exercising human behaviour and performance Skills.
The three-week course prepares astronauts to work safely and effectively in multicultural teams in an environment where safety is critical.
As they explore caves they encounter caverns, underground lakes and strange microscopic life. They test new technology and conduct science – just as if they were living on the International Space Station.
The six astronauts have to rely on their own skills, teamwork and ground control to achieve their mission goals – the course is designed to foster effective communication, decision-making, problem-solving, leadership and team dynamics.
The six cavenauts of this edition of CAVES are ESA astronaut Alexander Gerst, NASA astronauts Joe Acaba and Jeanette Epps, Roscosmos’ cosmonaut Nikolai Chub, Canadian Space Agency astronaut Josh Kutryk and Japan’s space agency Takuya Onishi.
Credits: ESA – A. Romeo
200 capsules van Nespresso die niet bol staan van de druk. Regelmatig een slap bakje koffie. Ook koffie met te veel schuim erop.
I have never quite had a doll withhold his name from me for so long>~< Its so frustrating just calling him the new kid lol XD
If you are troubled by family problems and are looking for solutions. Then you should consult with the family problem solution expert Pandit Vijay Shastri Ji. All the family members have different personalities, but they have to work together. In today's world, the families are getting smaller but their problems are increasing. This is because family members spend less time with each other because of their busy schedules, and so the family members have less understanding. Astrology has all kinds of solutions that can change your unwanted condition in your favor. If there is a difference between family members that can not be resolved through discussion. Then family problem solution specialist Pandit Vijay Shastri Ji can resolve by receiving the guidance of astrology.Call now for more queries +91-9928422866
With a huge red lei around his neck and a wide grin that could have stretched across Oahu, Larry Fitzgerald held up the gleaming, silver MVP trophy. It sparkled in the sunshine as much as his game.
The only problem: It wasn't the Lombardi Trophy.
Fitzgerald caught five passes for 81 yards and two touchdowns, 44-year-old John Carney kicked two fourth-quarter field goals, and the NFC rallied to a 30-21 victory over the AFC. The Arizona Cardinals' All-Pro receiver, coming off a record-breaking postseason and a spectacular Super Bowl in a loss to the Pittsburgh Steelers, earned MVP honors.
But he said the victory over the AFC, which featured three members of the Steelers' defense, didn't ease the pain from the Super Bowl.
"No, not one bit," he said.
Fitzgerald also took home keys to a new Cadillac.
"I'm just glad we won, that's the most important thing," he said.
On a sweltering day, with 60 percent humidity, Kurt Warner started for the NFC and played just one series before making way for Brees. Warner was just 1-of-2 for 8 yards.
"I would've liked to have won last week and not this week, if I could switch them out," he said.
Fitzgerald caught a 46-yard scoring pass from Drew Brees before the half and a 2-yard TD pass from Eli Manning for the go-ahead score with 4:07 to play.
The NFC defense took care of the rest.
Manning, making his Pro Bowl debut, was 8-of-14 for 111 yards. While big brother Peyton had better stats, 12-of-17 for 151 yards and a TD, Eli got the win.
"He didn't play the whole second half, so it's not about beating my brother, it's just about having fun," Eli Manning said.
The Manning brothers were the first quarterback brothers in Pro Bowl history. And Carney, who was a perfect 3-for-3, became the oldest player in the game's history. He booted a 48-yarder with 2:06 remaining to make it 27-21 and sealed the win with a 26-yarder with 32 seconds to go.
Sunday's all-star game ended a successful 30-year run at Aloha Stadium, with a sellout every year. The Pro Bowl will be played in Miami next year, a week before the Super Bowl. The NFL, which has been looking to increase the profile of the game, hopes to bring the game back to Hawaii.
The players, who spent most of the week by the beach and sipping umbrella-adorned mai tais, were pretty unanimous in wanting the game to return.
For Warner, the question now is whether this was his final game in the NFL or, as a free agent, will he opt to continue playing at age 38?
"I don't know right now," Warner said. "Again, when I have a feeling one way or the other, I'll let everyone else know. I don't have a time frame. This is the first time right now that I am done having to think about football for a while, and I'm going to enjoy that part of it, enjoy my wife, enjoy my kids and then we'll make a decision as soon as we can."
The AFC was looking to hula dance into halftime with a comfortable 14-3 cushion after Kerry Collins connected with Owen Daniels on a 9-yard scoring pass with 28 seconds left in the half.
However, that was more than enough the time for the NFC, with all its weapons.
The NFC took over at its 45 with 19 seconds left after a nice kickoff return by Clifton Smith. They ran two plays before Larry Fitzgerald hauled in Brees' 46-yard bomb with fellow All-Pro Cortland Finnegan on his back as time expired to pull the NFC to 14-10.
It made for two huge end-of-the-half plays in consecutive weeks for Fitzgerald. But this time, rather than trying -- and failing -- to chase down James Harrison on his 100-yard interception returned for a TD, Fitzgerald was the one celebrating.
Fitzgerald also beat Finnegan on his second score.
"These guys are such elite players, it doesn't take much time to get in the groove with these players," Fitzgerald said. "These guys were great."
The usual high-scoring affair surprisingly also featured plenty of defense. Despite rules such as no blitzing linebackers and safeties, the quarterbacks were feeling the heat, at times buried by the defensive line. None of the passes had any room for error on throws against the speedy defensive backs.
The AFC had a chance to take the lead late, but Julius Peppers got in the way. Down by six, the AFC started its drive on its 20 with 4:03 remaining and got to midfield. Peppers then swatted a pass by Jay Cutler with his left hand and came up with the interception that led to Carney's 48-yard field goal.
There were three straight drives ending with a turnover in a span of about 2 minutes in the third quarter alone, including two by Collins.
The second led to the NFC's first lead of the game, 17-14, late in the third quarter. Jared Allen stripped Collins from behind and scooped up the bouncing ball at the AFC 10. All-Pro Adrian Peterson, last year's Pro Bowl MVP, finished it off with a 10-yard run.
Pinned on its 4, the AFC came out firing behind the league MVP. Peyton Manning completed passes of 20, 18, 22, 4, and 6 yards to five players before hitting Tony Gonzalez for the score on a high-arcing, 19-yard pass.
Gonzalez easily outmaneuvered Seattle linebacker Julian Peterson before hauling in the pass and tiptoeing into the end zone. Gonzalez, also an All-Pro, finished with six catches for 98 yards.
On the ensuing series, Robert Mathis stripped Brees and gave possession back to the AFC.
Manning then completed a 22-yarder to Colts teammate Reggie Wayne before the NFC finally started playing some defense.
After the AFC reached the NFC's 31, Peppers squashed Manning -- and gave him a hand to get back up. It is, after all, the Pro Bowl.
With a huge red lei around his neck and a wide grin that could have stretched across Oahu, Larry Fitzgerald held up the gleaming, silver MVP trophy. It sparkled in the sunshine as much as his game.
The only problem: It wasn't the Lombardi Trophy.
Fitzgerald caught five passes for 81 yards and two touchdowns, 44-year-old John Carney kicked two fourth-quarter field goals, and the NFC rallied to a 30-21 victory over the AFC. The Arizona Cardinals' All-Pro receiver, coming off a record-breaking postseason and a spectacular Super Bowl in a loss to the Pittsburgh Steelers, earned MVP honors.
But he said the victory over the AFC, which featured three members of the Steelers' defense, didn't ease the pain from the Super Bowl.
"No, not one bit," he said.
Fitzgerald also took home keys to a new Cadillac.
"I'm just glad we won, that's the most important thing," he said.
On a sweltering day, with 60 percent humidity, Kurt Warner started for the NFC and played just one series before making way for Brees. Warner was just 1-of-2 for 8 yards.
"I would've liked to have won last week and not this week, if I could switch them out," he said.
Fitzgerald caught a 46-yard scoring pass from Drew Brees before the half and a 2-yard TD pass from Eli Manning for the go-ahead score with 4:07 to play.
The NFC defense took care of the rest.
Manning, making his Pro Bowl debut, was 8-of-14 for 111 yards. While big brother Peyton had better stats, 12-of-17 for 151 yards and a TD, Eli got the win.
"He didn't play the whole second half, so it's not about beating my brother, it's just about having fun," Eli Manning said.
The Manning brothers were the first quarterback brothers in Pro Bowl history. And Carney, who was a perfect 3-for-3, became the oldest player in the game's history. He booted a 48-yarder with 2:06 remaining to make it 27-21 and sealed the win with a 26-yarder with 32 seconds to go.
Sunday's all-star game ended a successful 30-year run at Aloha Stadium, with a sellout every year. The Pro Bowl will be played in Miami next year, a week before the Super Bowl. The NFL, which has been looking to increase the profile of the game, hopes to bring the game back to Hawaii.
The players, who spent most of the week by the beach and sipping umbrella-adorned mai tais, were pretty unanimous in wanting the game to return.
For Warner, the question now is whether this was his final game in the NFL or, as a free agent, will he opt to continue playing at age 38?
"I don't know right now," Warner said. "Again, when I have a feeling one way or the other, I'll let everyone else know. I don't have a time frame. This is the first time right now that I am done having to think about football for a while, and I'm going to enjoy that part of it, enjoy my wife, enjoy my kids and then we'll make a decision as soon as we can."
The AFC was looking to hula dance into halftime with a comfortable 14-3 cushion after Kerry Collins connected with Owen Daniels on a 9-yard scoring pass with 28 seconds left in the half.
However, that was more than enough the time for the NFC, with all its weapons.
The NFC took over at its 45 with 19 seconds left after a nice kickoff return by Clifton Smith. They ran two plays before Larry Fitzgerald hauled in Brees' 46-yard bomb with fellow All-Pro Cortland Finnegan on his back as time expired to pull the NFC to 14-10.
It made for two huge end-of-the-half plays in consecutive weeks for Fitzgerald. But this time, rather than trying -- and failing -- to chase down James Harrison on his 100-yard interception returned for a TD, Fitzgerald was the one celebrating.
Fitzgerald also beat Finnegan on his second score.
"These guys are such elite players, it doesn't take much time to get in the groove with these players," Fitzgerald said. "These guys were great."
The usual high-scoring affair surprisingly also featured plenty of defense. Despite rules such as no blitzing linebackers and safeties, the quarterbacks were feeling the heat, at times buried by the defensive line. None of the passes had any room for error on throws against the speedy defensive backs.
The AFC had a chance to take the lead late, but Julius Peppers got in the way. Down by six, the AFC started its drive on its 20 with 4:03 remaining and got to midfield. Peppers then swatted a pass by Jay Cutler with his left hand and came up with the interception that led to Carney's 48-yard field goal.
There were three straight drives ending with a turnover in a span of about 2 minutes in the third quarter alone, including two by Collins.
The second led to the NFC's first lead of the game, 17-14, late in the third quarter. Jared Allen stripped Collins from behind and scooped up the bouncing ball at the AFC 10. All-Pro Adrian Peterson, last year's Pro Bowl MVP, finished it off with a 10-yard run.
Pinned on its 4, the AFC came out firing behind the league MVP. Peyton Manning completed passes of 20, 18, 22, 4, and 6 yards to five players before hitting Tony Gonzalez for the score on a high-arcing, 19-yard pass.
Gonzalez easily outmaneuvered Seattle linebacker Julian Peterson before hauling in the pass and tiptoeing into the end zone. Gonzalez, also an All-Pro, finished with six catches for 98 yards.
On the ensuing series, Robert Mathis stripped Brees and gave possession back to the AFC.
Manning then completed a 22-yarder to Colts teammate Reggie Wayne before the NFC finally started playing some defense.
After the AFC reached the NFC's 31, Peppers squashed Manning -- and gave him a hand to get back up. It is, after all, the Pro Bowl.
Benburb Street [originally Barrack Street] was the location for the first Dublin Corporation housing scheme in the late nineteenth century. Because of a desire to keep public housing as low cost as possible the Corporation constructed homes in areas with long standing social problems and as they did not address the ongoing anti-social issues problems remain today in many city centre locations. Way back in the 1830’s the area around Royal Barracks [now Collins Barracks] in Dublin had a very bad reputation as was described in local newspapers as follows “scenes of riot, drunkenness and gross indecency” were common place, and that the area was home to many prostitutes but lacking in “persons of decent and moral habits”.
Up until recently the area was a very active red-light district area but the prostitutes now appear to have been replaced by drug addicts and the homeless and the current anti-social problems are now so bad that the historic “Croppies Acre” park is now closed to the public.
The Office of Public Works (OPW), which is charged with maintaining the park, said in a public statement that they had been forced to permanently padlock the gates because of public health fears. "Specialist cleaners are employed to remove hazardous material such as used syringes," said an OPW spokeswoman. "However, as resources are not sufficient to keep the park clear of dangerous materials at all times and thus safe for public access, the park has had to be closed to the public." Anti-social behaviour was also threatening public safety, according to the OPW, which said it doesn't have the manpower or money to put security at the site. Drug-users and street drinkers continue to scale the walls of the park, near Heuston Station, which is strewn with dirty hypodermic needles, broken glass, beer cans, wine cartons and old clothes.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some Background:
The Hawker Typhoon was a British single-seat fighter-bomber, produced by Hawker Aircraft. It was intended to be a medium-high altitude interceptor, as a replacement for the Hawker Hurricane, but several design problems were encountered and it never completely satisfied this requirement.
Even before Hurricane production began in March 1937, Sydney Camm had embarked on designing its successor. Two preliminary designs were similar and were larger than the Hurricane. These later became known as the "N" and "R" (from the initial of the engine manufacturers), because they were designed for the newly developed Napier Sabre and Rolls-Royce Vulture engines respectively. Both engines used 24 cylinders and were designed for over 2,000 hp (1,500 kW); the difference between the two was primarily in the arrangement of the cylinders – an H-block in the Sabre and an X-block in the Vulture. Hawker submitted these preliminary designs in July 1937 but were advised to wait until a formal specification for a new fighter was issued.
In March 1938, Hawker received from the Air Ministry, Specification F.18/37 for a fighter which would be able to achieve at least 400 mph (640 km/h) at 15,000 feet (4,600 m) and specified a British engine with a two-speed supercharger. The armament fitted was to be twelve 0.303” Browning machine guns with 500 rounds per gun, with a provision for alternative combinations of weaponry. The basic design of the Typhoon was a combination of traditional Hawker construction, as used in the earlier Hawker Hurricane, and more modern construction techniques; the front fuselage structure, from the engine mountings to the rear of the cockpit, was made up of bolted and welded duralumin or steel tubes covered with skin panels, while the rear fuselage was a flush-riveted, semi-monocoque structure. The forward fuselage and cockpit skinning was made up of large, removable duralumin panels, allowing easy external access to the engine and engine accessories and most of the important hydraulic and electrical equipment.
The Typhoon’s service introduction in mid-1941 was plagued with problems and for several months the aircraft faced a doubtful future. When the Luftwaffe brought the new Focke-Wulf Fw 190 into service in 1941, the Typhoon was the only RAF fighter capable of catching it at low altitudes; as a result it secured a new role as a low-altitude interceptor.
By 1943, the RAF needed a ground attack fighter more than a "pure" fighter and the Typhoon was suited to the role (and less-suited to the pure fighter role than competing aircraft such as the Spitfire Mk IX). The powerful engine allowed the aircraft to carry a load of up to two 1,000 pounds (450 kg) bombs, equal to the light bombers of only a few years earlier. Furthermore, from early 1943 the wings were plumbed and adapted to carry cylindrical 45 imp gal (200 l; 54 US gal) drop tanks increasing the Typhoon's range from 690 miles (1,110 km) to up to 1,090 miles (1,750 km). This enabled Typhoons to range deep into France, the Netherlands and Belgium.
From September 1943, Typhoons were also armed with four "60 lb" RP-3 rockets under each wing. Although the rocket projectiles were inaccurate and took considerable skill to aim and allow for ballistic drop after firing, "the sheer firepower of just one Typhoon was equivalent to a destroyer's broadside".
By the end of 1943, eighteen rocket-equipped Typhoon squadrons formed the basis of the RAF Second Tactical Air Force (2nd TAF) ground attack arm in Europe. In theory, the rocket rails and bomb-racks were interchangeable; in practice, to simplify supply, some used the rockets only, while other squadrons were armed exclusively with bombs, what also allowed individual units to more finely hone their skills with their assigned weapons.
The Typhoon was initially exclusively operated in the European theatre of operations, but in 1944 it was clear that a dedicated variant might become useful for the RAF’s operations in South-East Asia. In the meantime, Hawker had also developed what was originally an improved Typhoon II, but the differences between it and the Mk I were so great that it was effectively a different aircraft, and it was renamed the Hawker Tempest. However, as a fallback option and as a stopgap filler for the SEAC, Hawker also developed the Typhoon Mk. IV, a tropicalized late Mk. I with a bubble canopy and powered by the new Bristol Centaurus radial engine that could better cope with high ambient temperatures than the original liquid-cooled Sabre engine. The Centaurus IV chosen for the Typhoon Mk. IV also offered slightly more power than the Sabre and the benefit of reduced vulnerability to small arms fire at low altitude, since the large and vulnerable chin cooler could be dispensed with.
3,518 Typhoons of all variants were eventually built, 201 of them late Mk. IVs, almost all by Gloster. Once the war in Europe was over Typhoons were quickly removed from front-line squadrons; by October 1945 the Typhoon was no longer in operational use, with many of the wartime Typhoon units such as 198 Squadron being either disbanded or renumbered.
The SEAC’s few operational Mk IVs soldiered on, however, were partly mothballed after 1945 and eventually in 1947 handed over or donated to regional nascent air forces after their countries’ independence like India, Pakistan or Burma, where they served as fighters and fighter bombers well into the Sixties.
The Burmese Air Force; initially only called “The military”, since there was no differentiation between the army’s nascent servies, was founded on 16 January 1947, while Burma (as Myanmar was known until 1989) was still under British rule. By 1948, the fleet of the new air force included 40 Airspeed Oxfords, 16 de Havilland Tiger Moths, four Austers, and eight Typhoon Mk. IVs as well as three Supermarine Spitfires transferred from the Royal Air Force and had a few hundred personnel.
The Mingaladon Air Base HQ, the main air base in the country, was formed on 16 June 1950. No.1 Squadron, Equipment Holding Unit and Air High Command - Burma Air Force, and the Flying Training School, were placed under the jurisdiction of the base. A few months later, on 18 December 1950, No. 2 Squadron was formed with nine Douglas Dakotas as a transport squadron. In 1953, the Advanced Flying Unit was formed under the Mingaladon Air Base with de Havilland Vampire T55s, and by the end of 1953 the Burmese Air Force had three main airbases, at Mingaladon, Hmawbi, and Meiktila, in central Burma.
In 1953, the Burmese Air Force bought 30 Supermarine Spitfires from Israel and 20 Supermarine Seafires as well as 22 more Typhoon Mk. IVs from the United Kingdom. In 1954 it bought 40 Percival Provost T-53s and 8 de Havilland Vampire Mark T55s from the United Kingdom and two years later, in 1956, the Burmese Air Force bought 10 Cessna 180 aircraft from the United States. The same year, 6 Kawasaki Bell 47Gs formed its first helicopter unit. The following year, the Burmese Air Force procured 21 Hawker Sea Fury aircraft from the United Kingdom and 9 de Havilland Canada DHC-3 Otters from Canada. In 1958, it procured 7 additional Kawasaki Bell 47Gs and 12 Vertol H-21 Shawnees from the United States. Five years later, No. 503 Squadron Group was formed with No. 51 Squadron (de Havilland Canada DHC-3 Otters and Cessna 180s) and No. 53 Squadron (Bell 47Gs, Kaman HH-43 Huskies, and Aérospatiale Alouettes) in Meiktila.
When the non-Burman ethnic groups pushed for autonomy or federalism, alongside having a weak civilian government at the center, the military leadership staged a coup d'état in 1962, and this was the only conflict in which the aging Burmese Typhoons became involved. On 2 March 1962, the military led by General Ne Win took control of Burma through a coup d'état, and the government had been under direct or indirect control by the military since then. Between 1962 and 1974, Myanmar was ruled by a revolutionary council headed by the general. Almost all aspects of society (business, media, production) were nationalized or brought under government control under the Burmese Way to Socialism, which combined Soviet-style nationalization and central planning, and also meant the end of operation of many aircraft of Western origin, including the last surviving Burmese Typhoons, which were probably retired by 1964. The last piston engine fighters in Burmese service, the Hawker Sea Furies, are believed to have been phased out in 1968.
General characteristics:
Crew: One
Length: 32 ft 6 in (9.93 m)
Wingspan: 41 ft 7 in (12.67 m)
Height: 15 ft 4 in (4.67 m)
Wing area: 279 sq ft (25.9 m²)
Airfoil: root: NACA 2219; tip: NACA 2213
Empty weight: 8,840 lb (4,010 kg)
Gross weight: 11,400 lb (5,171 kg)
Max takeoff weight: 13,250 lb (6,010 kg) with two 1,000 lb (450 kg) bombs
Powerplant:
1× Bristol Centaurus IV 18-cylinder air-cooled radial engine with 2,210 hp (1,648 kW) take-off
power, driving a 4-bladed Rotol constant-speed propeller
Performance:
Maximum speed: 412 mph (663 km/h, 358 kn) at 19,000 ft (5,800 m)
Stall speed: 88 mph (142 km/h, 76 kn)
Range: 510 mi (820 km, 440 nmi) with two 500 lb (230 kg) bombs;
690 mi (1,110 km) "clean";
1,090 mi (1,750 km) with two 45 imp gal (200 l; 54 US gal) drop tanks.[65]
Service ceiling: 35,200 ft (10,700 m)
Rate of climb: 2,740 ft/min (13.9 m/s)
Wing loading: 40.9 lb/sq ft (200 kg/m²)
Power/mass: 0.20 hp/lb (0.33 kW/kg)
Armament:
4× 20 mm (0.787 in) Hispano Mk II cannon in the outer wings with 200 rpg
Underwing hardpoints for 8× RP-3 unguided air-to-ground rockets,
or 2× 500 lb (230 kg) or 2× 1,000 lb (450 kg) bombs or a pair of drop tanks
The kit and its assembly:
The Hawker Typhoon is IMHO an overlooked WWII aircraft, and it’s also “underwiffed”. I have actually built no single Typhoon in my 45 years of model kit building - time to change that!
Inspiration was a lot of buzz in the model kit builder community after KP’s launch of several Hawker Tempest kits, with all major variants including the Sabre- and Centaurus-powered types. While the Tempest quickly outpaced the Typhoon in real life and took the glory, I wondered about a Centaurus-powered version for the SEA theatre of operations – similar to the Tempest Mk. II, which just came too late to become involved in the conflict against the Japanese forces. A similar Typhoon variant could have arrived a couple of months earlier, though.
Technically, this conversion is just an Academy Hawker Typhoon Mk Ib (a late variant without the “car door”, a strutless bubble canopy and a four-blade propeller) mated with the optional Centaurus front end from a Matchbox Hawker Tempest. Sounds simple, but there are subtle dimensional differences between the types/kits, and the wing roots of the Matchbox kit differ from the Academy kit, so that the engine/fuselage intersection as well as the wing roots called for some tailoring and PSR. However, the result of this transplantation stunt looked better and more natural than expected! Since I did not want to add extra fairings for air carburetor and oil cooler to the Wings (as on the Tempest), I gave the new creation a generous single fairing for both under the nose – the space between the wide landing gear wells offered a perfect location, and I used a former Spitfire radiator as donor part. The rest, including the unguided missiles under the wings was ordnance, was taken OOB, and the propeller (from the Academy kit) received an adapter consisting of styrene tubes to match it with the Matchbox kit’s engine and its opening for the propeller axis.
Painting and markings:
This was initially a challenge since the early Burmese aircraft were apparently kept in bare metal or painted in silver overall. This would certainly have looked interesting on a Typhoon, too – but then I found a picture of a Spitfire (UB 421) at Myanmar's Air Force Museum at Naypyidaw, which carries camouflage – I doubt that it is authentic, though, at least the colors, which markedly differ from RAF Dark Green/Dark Earth and the bright blue undersides also look rather fishy. But it was this paint scheme that I adapted for my Burmese Typhoon with Modelmaster 2027 (FS 34096, B-52 Dark Green, a rather greyish and light tone) and 2107 (French WWII Chestnut, a reddish, rich chocolate brown tone) from above and Humbrol 145 (FS 35237, USN Gray Blue) below – a less garish tone.
As usual, the model received a black ink washing and post-panel-shading for dramatic effect; the cockpit interior became very dark grey (Revell 06 Anthracite) while the landing gear became Medium Sea Grey (Humbrol 165), as a reminder of the former operator of the aircraft and its painting standards. The red spinner as well as the red-and-white-checkered rudder were inspired by Burmese Hawker Sea Furies, a nice contrast to the camouflage. It's also a decal, from a tabletop miniatures accessory sheet. This contrast was furthermore underlined through the bright and colorful national markings, which come from a Carpena decal sheet for exotic Spitfires, just the tactical code was changed.
After some signs of wear with dry-brushed silver and some graphite soot stains around the exhausts and the guns the model was sealed with matt acrylic varnish.
Voilà, a whiffy Hawker Typhoon – and it looks better than expected. Not only does the brawny Centaurus look good on the rather burly Typhoon, the transplantation worked out better than expected, too. However, with the radial engine the Typhoon looks even more like an Fw 190 on steroids?
A moment of stillness in a universe of chaos. The Three-Body Problem tells us that stability is an illusion—every system is one small perturbation away from unpredictability.
So I stripped her down: a messy job, but not difficult, providing you take out the centre seat and the panel underneath (which is designed to come out in 10 seconds flat), to get a bit of light on an otherwise dark subject.
Simply (don't you hate it when people say that? but this time it really is simple) undo the six nuts which hold the drum onto the output flange, then slacken off the hand-brake adjuster until the drum can be persuaded to come off (which may need a hide hammer), and slide the drum back to sit on the propshaft, out of our way.
And here's the nub of the problem (though that missing spring didn't help). The operating mechanism was well and truly clagged up with the gunge of ages. Several squirts with brake cleaner got the mess off, then Mrs W sat inside, gently operating the hand-brake, while I was underneath getting everything free, then applying a good coat of CopperSlip to the moving parts. Reassemble, making sure that all the six nuts are torqued up evenly so the drum is truly square to the flange; then adjust the shoes in the normal way.
The missing spring was an interesting problem, as it's very, very tight, and almost impossible to stretch up to engage, when you're lying underneath the vehicle. If you slip, you'll hit the underside very hard, probably losing a knuckle or two's worth of flesh in the process.
As JY used to say: this is what you do.
First, get a couple of pairs of safety goggles, one for you, one for your assistant: if this goes wrong, there'll be bits of broken spring flying around, which you don't want in anybody's eye. Next, take out the driver's seat cushion, and the plate underneath it. This exposes the fuel tank, but there's enough space inboard of that to drop through a loop of baler twine. (If you have a Land-Rover, it almost goes without saying that you should have yards of baler twine readily to hand.) Use about four feet, knotted securely into a loop. Engage the bottom end of the spring in its hole, then hook the top end with your dangling loop, and get an assistant standing by to haul up steadily, but really pretty hard, on the loop: stout gloves are recommended to prevent cutting the hands. This seems to be about the only reliable way to stretch the spring enough that you, underneath the vehicle, will then be able to steer the end over its upper locating hole. Your assistant above relaxes the mighty pull, and everything slips into place. Cut away the baler twine, because it's not coming out any other way.
Collective Memories
“A better kind of medicine for a better kind of world….” – Dr. C. F. Menninger
At the turn of the century, psychiatric hospitals were asylums, places for long-term care. The Topeka State Hospital, regarded as state-of-the-art in its day, was built in 1872 to provide “rest cure”. 70% of state hospital patients would remain hospitalized for life. Many patients had no further contact with their families. Problems ranging from patient neglect, abuse, forced sterilizations of patients, and the murder of a therapist by a patient plagued the Topeka State Hospital through its history. It lost its accreditation in 1988, and closed in 1997. The main building was demolished in 2010.
The Menninger Diagnostic Clinic opened in 1919, much to the chagrin of concerned citizens who feared a “maniac ward.” Because of the stigma of mental illness, the doctors had to bring patients in under erroneous diagnoses.
In 1925, Dr. C.F. Menninger, with sons Karl and Will, opened a 13-bed Sanitarium and Psychopathic Hospital in Topeka. They believed that mental illness could not only be treated, but cured. By 1935, Fortune magazine praised the Menninger Clinic as the “best private hospital west of the Alleghenies”. The Menningers worked collaboratively with other physicians to develop cooperative diagnosis and treatments for patients. Moods, emotions, and anxieties were treated as scientifically as temperatures and infections.
The doctors of the Menninger Clinic developed milieu therapy. All aspects of the patients’ experiences were to be therapeutic. Everyone from housekeepers to psychiatrists was involved in patient care. The Menningers hired artists to lead drawing, painting and sculpture classes. Patients worked in gardens, in the shops, and other activities that would increase their skills and confidence.
Dr. Will served in the U.S. Surgeon General’s Office, and helped develop mental health care for the military’s 2.5 million World War II veterans in need of mental health treatment. One hundred doctors joined the clinic to work with the Veterans Administration. Dr. Karl and Dr. Will wrote books, lectured, toured, and advocated for mental health. Dr. Will’s Diagnostic and Statistical Manual of Mental Disorders is still used in psychiatric training and practice. Topeka became the largest psychiatric training center in America.
"...Our conception of psychiatric hospitals here is not confinement; we think they are places in which to be treated, places in which to learn to understand one's self, to learn how to live." – Dr. Karl Menninger
In the 1940s – 1950s, the Menningers worked to reform state hospitals, including the Topeka State Hospital. After 5 years, the Menningers’ reform led to 80% of patients returning home after one year.
Dr. Will was on the cover of Time magazine in 1948, and Dr. Karl was awarded the Presidential Medal of Freedom in 1981, the only psychiatrists to be so honored. The Menninger Clinic in Topeka closed in 2003. The Menninger Clinic and Foundation is now affiliated with Baylor University and the Methodist Hospital System in Houston, Texas, and is a world leader in psychiatric treatment, research, and education.
Info from: www.menningerclinic.com/about/Menninger-history.htm
MEDIJSKI DIJALOZI № 10, Vol. 4, 384.
Apstract: Problems that are trying to be solved today concerning
young people are: (1) suppression of Internet and ʺonlineʺ gaming
dependence, (2) reducing the number of stolen identities, and the problem
(3) of protection against possible online abuse. Internet addiction
among young people does exist, as it has been proven in numerous
national and international research analyses. This paper presents
ways of combating internet addiction of young people. One way of
combating internet and gaming addiction, which is described in detail,
is setting up parental control in the operating system (used by
young people) by IT professionals. In addition to the method mentioned
above, a number of interesting actions, projects and lectures are
being implemented today to protect young people on the Internet.
When it comes to protecting user accounts on e‐social networks,
young people should frequently change their password, and set a
strong one. To prevent computer exploits of young people over the
internet, a managing local computer network and control system is
often introduced, and thus controlling the online data flow, which is
also described in more detail.
Key words: Internet, Young People, E‐Social Network, Internet
Dependence, Antivirus Software, Open DNS.
Zaključak
Nije teško zaključiti da će se ispitanici najčešće lažno predstavljati na
onim internetskim servisima koje najviše koriste. U organizacijama gdje je
provedeno istraživanje (Međimurska županija) nastojati će se pozitivno djelo‐vati na mlade u cilju smanjenja lažnog predstavljanja na internetu. Radom i
primjerom je dokazano postojanje nasilja među mladima na internetu i u
stvarnosti, te (na temelju rezultata istraživanja) postojanje ovisnosti o internetu
u Republici Hrvatskoj i inozemstvu. Slijedeći problem koji se danas nastoji
riješiti je suzbijanje ovisnosti mladih o internetu i online igricama. Jedan od
načina koji se navodi u radu za suzbijanje ovisnosti mladih o internetu je postavljanjem
roditeljskog nadzora od strane informatičkih stručnjaka pomoću
opcija operacijskog sustava i OpenDNS‐om. Osim toga za zaštitu mladih od
ovisnosti o internetu nastoje se provoditi zanimljive akcije, projekti i predavanja
kao što su: „Deset dana bez ekrana22“, objavljivanje prezentacija o opasnostima
na internetu od strane mup‐a23, učestalo objavljivanje članaka o ovisnosti
djece na internetu, održavanje predavanja za mlade u školama na temu „Opasnosti
na internetu“. U tjednu kada je dan sigurnosti djece na internetu (8.2.),
nastavnike informatike u školama navode ravnatelji, voditelji aktiva i predstavnici
Agencije za odgoj i obrazovanje na izdvajanje jednog nastavnog sata
za tumačenje teme: „Sigurnost djece i mladih na internetu“ mladima, kako
mladi ne bi doživjeli jedan od brojnih oblika zlostavljanja koja su navedena u
samom radu. Kada je riječ o zaštiti korisničkih računa na e‐društvenim mrežama
mladih, mladi bi trebali učestalo mijenjati lozinku, te postaviti optimalnu
lozinku jake snage. Kako bi se spriječio pokušaj napada preko računala
nerijetko se uvode sustavi za upravljanje lokalnom mrežom računala, te se na
taj način kontrolira tijek podataka mladih na internetu.
Problem solving with RCECC - Red clowns enter caves carefully - Read Choose Estimate Calculate Check
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
We decided to go for a city break rather than sun in Tenerife again this September. Other than a few days in the North East we haven’t been away since last March and wanted a change and hopefully some sun. The problem is getting flights from the north of England to the places we want to go to. We chose Valencia as we could fly from East Midlands – which was still a pain to get to as it involved the most notorious stretch of the M1 at five in the morning. In the end we had a fairly good journey, the new Ryanair business class pre-booked scheme worked quite well and bang on time as usual. It was dull when we landed with storms forecast all week, the sky was bright grey – the kiss of death to the photography I had in mind. I was full of cold and wishing I was at work. It did rain but it was overnight on our first night and didn't affect us. There has been a drought for eleven months apparently and it rained on our first day there! The forecast storms didn't materialise in Valencia but they got it elsewhere.
You May notice discrepancies in the spelling of some Spanish words or names, this is because Valencian is used on signs, in some guide books and maps. There are two languages in common use with distinct differences. There may also be genuine mistakes - it has been known!
Over the course of a Monday to Sunday week we covered 75 miles on foot and saw most of the best of Valencia – The City of Bell Towers. The Old City covers a pretty large area in a very confusing layout. There was a lot of referring to maps – even compass readings! – a first in a city for us. The problem with photography in Valencia is that most of the famous and attractive building are closely built around, some have poor quality housing built on to them. Most photographs have to be taken from an extreme angle looking up. There are no high points as it is pan flat, there are a small number of buildings where you can pay to go up on to the roof for a better view and we went up them – more than once!
The modern buildings of The City of Arts and Sciences – ( Ciutat de Las Arts I de les Ciencies ) are what the city has more recently become famous for, with tourists arriving by the coachload all day until late at night. They must be photographed millions of times a month. We went during the day and stayed till dark one evening, I gave it my best shot but a first time visit is always a compromise between ambition and realism, time dictates that we have to move on to the next destination. I travelled with a full size tripod – another first – I forgot to take it with me to TCoAaS! so It was time to wind up the ISO, again! Needless to say I never used the tripod.
On a day when rain was forecast but it stayed fine, albeit a bit dull, we went to the Bioparc north west of the city, a zoo by another name. There are many claims made for this place, were you can appear to walk alongside some very large animals, including, elephants, lions, giraffe, rhino, gorillas and many types of monkey to name a few. It is laid out in different geographical regions and there is very little between you and the animals, in some cases there is nothing, you enter the enclosure through a double door arrangement and the monkeys are around you. It gets rave reviews and we stayed for most of the day. The animals it has to be said gave the appearance of extreme boredom and frustration and I felt quite sorry for them.
The course of The River Turia was altered after a major flood in the 50’s. The new river runs west of the city flanked by a motorway. The old river, which is massive, deep and very wide between ancient walls, I can’t imagine how it flooded, has been turned into a park that is five miles long. There is an athletics track, football pitches, cycle paths, restaurants, numerous kids parks, ponds, fountains, loads of bridges, historic and modern. At the western end closest to the sea sits The City of Arts and Sciences – in the river bed. Where it meets the sea there is Valencia’s urban Formula One racetrack finishing in the massive marina built for The Americas Cup. The race track is in use as roadways complete with fully removable street furniture, kerbs, bollards, lights, islands and crossings, everything is just sat on the surface ready to be moved.
We found the beach almost by accident, we were desperate for food after putting in a lot of miles and the afternoon was ticking by. What a beach, 100’s of metres wide and stretching as far as the eye could see with a massive promenade. The hard thing was choosing, out of the dozens of restaurants, all next door to each other, all serving traditional Paella – rabbit and chicken – as well as seafood, we don’t eat seafood and it constituted 90% of the menu in most places. Every restaurant does a fixed price dish of the day, with a few choices, three courses and a drink. Some times this was our only meal besides making the most of the continental breakfast at the hotel. We had a fair few bar stops with the local wine being cheap and pleasant it would have been a shame not to, there would have been a one woman riot – or strike!
On our final day, a Sunday, we were out of bed and down for breakfast at 7.45 as usual, the place was deserted barring a waiter. We walked out of the door at 8.30 – in to the middle of a mass road race with many thousands of runners, one of a series that take place in Valencia – apparently! We struggled to find out the distance, possibly 10km. The finish was just around the corner so off we went with the camera gear, taking photos of random runners and groups. There was a TV crew filming it and some local celebrity (I think) commentating. Next we came across some sort of wandering religious and musical event. Some sort of ritual was played out over the course of Sunday morning in various locations, it involved catholic priests and religious buildings and another film crew. The Catholic tourists and locals were filling the (many) churches for Sunday mass. Amongst all of this we had seen men walking around in Arab style dress – the ones in black looked like the ones from ISIS currently beheading people – all carrying guns. A bit disconcerting. We assumed that there had been some sort of battle enactment. We were wrong, it hadn’t happened yet. A while later, about 11.30 we could hear banging, fireworks? No it was our friends with the guns. We were caught up in total mayhem, around 60 men randomly firing muskets with some sort of blank rounds, the noise, smoke and flames from the muzzles were incredible. We were about to climb the Torres de Serranos which is where, unbeknown to us, the grand, and deafening, finale was going to be. We could feel the blast in our faces on top of the tower. Yet again there was a film camera in attendance. I couldn’t get close ups but I got a good overview and shot my first video with the 5D, my first in 5 years of owning a DLSR with the capability. I usually use my phone ( I used my phone as well). Later in the day there was a bullfight taking place, the ring was almost next to our hotel, in the end we had other things to do and gave it a miss, it was certainly a busy Sunday in the city centre, whether it’s the norm or not I don’t know.
There is a tram system in Valencia but it goes from the port area into the newer part of the city on the north side, it wouldn’t be feasible to serve the historic old city really. A quick internet search told me that there are 55,000 university students in the city, a pretty big number. I think a lot of the campus is on the north side and served by the tram although there is a massive fleet of buses as well. There is a massive, very impressive market building , with 100’s of stalls that would make a photo project on its own, beautiful on the inside and out but very difficult to get decent photos of the exterior other than detail shots owing to the closeness of other buildings and the sheer size of it. Across town, another market has been beautifully renovated and is full of bars and restaurants and a bit of a destination in its own right.
A downside was the all too typical shafting by the taxi drivers who use every trick in the book to side step the official tariffs and rob you. The taxi from the airport had a “broken” meter and on the way home we were driven 22 km instead of the nine that is the actual distance. Some of them seem to view tourists as cash cows to be robbed at all costs. I emailed the Marriot hotel as they ordered the taxi, needless to say no answer from Marriot – they’ve had their money. We didn’t get the rip off treatment in the bars etc. that we experienced in Rome, prices are very fair on most things, certainly considering the city location.
All in all we had a good trip and can highly recommend Valencia.