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amicalement
Franck
Despite the problems with the computer,
Have a lot of pictures taken lately.
I have a big backlog with figuring out,
edit, selecting and place!
Go place older and newer photos on Flickr.
Ondanks de problemen met de computer,
heb ik toch veel foto's gemaakt.
heb dus een flinke achterstand met uitzoeken,
bewerken en posten!
Ga wat oudere en nieuwe foto's door elkaar plaatsen op Flickr.
Thanks for your visit and comments, I appreciate that very much!
Please don't use this image on websites, blogs or other media without my explicit written permission.© all rights reserved.
Regards, Bram van Broekhoven (BraCom)
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Thank you in advance for every group recognition, awards and every beautiful comment sprinkled over my page
North Central Service #109 departs Chicago Union Station behind ex-GO F59PH #99 passing the increasingly overgrown runaround track for the now-demolished ADM flour mill. It has now been almost five years since NS made its last rail shipment to the mill...
The problem with BW, for me, is always what should the final product look like?
I think "Lee Friedlander" is always a good answer :-)
The CN train U791 makes their way out of Minntac for Two Harbors with a trio of GEs on the head end and steaming hot pellets in tow.
They wouldn't make it all the way without issues. The 2nd engine developed a problem and they would need to park the train at Skibo so it could be inspected for a smoking axle.
CN 2010
CN 2002
CN 2004
I know I should quit, but it's been proven that smoking makes you cooler and more interesting. Ahem. *Cough*
Un vrai phylactère, ce jeune homme !
(aucun problème avec le bruit du miroir de mon D800 : il avait pour compléter l'uniforme, deux écouteurs blancs dans les oreilles..)
Cuenta la leyenda, ...., que durante la conquista del espacio se tuvieron que resolver múltiples problemas técnicos, entre ellos como hacer anotaciones y escribir en ausencia de gravedad. La NASA encargo la solución a una prestigiosa firma de estilográficas y bolígrafos que gasto un dineral en el desarrollo de un bolígrafo con tinta especial presurizada. Mientras, los rusos,......, repartieron lapices, ..... Cuenta la leyenda.
Tara went exploring with me to a small pond nearby.
Ahem. Tara has asked me to kindly say a word about his weight problem. There is no problem. He is just fine. He is fat just like an NFL linebacker is fat. It's all muscle. Don't believe it? Just stick your hand down there to pet him and watch him rip it off! He says he can run faster, climb higher and catch mice better tha ever and he challenges any cat to challenge him. So there. Enough with the fat comments. (Now maybe he will give me my arm back. It's tough typing with only one hand!)
is they get elected ;-(
Henry Cate, VII
HPPT!!
camellia, 'Glory of Showa', sarah p duke gardens, duke university, durham, north carolina
Rabbits were introduced to New Zealand in the 1840s for food and sport but as there were no predators they soon became a pest, reaching plague proportions in some areas. I was told to look for a huge rabbit in this Wellington garden and sure enough ...
Bowen Falls (or Lady Bowen Falls)
The permanent Bowen Falls is Milford’s highest waterfall at 162m. Not only breathtakingly beautiful, without it Milford Sound couldn’t operate; with it being their sole source of power and water. Occasionally, in heavy rain or dry spells she has a few overflow and underflow problems, leaving them without electricity for periods but her beauty makes up for her occasional flow issues. She quadruples in volume during Milford’s epic storms... one of the best ways to truly enjoy the falls is to stand on the foreshore to feel the spray. The Bowen falls are named after Diamantina Bowen, wife of George Bowen, New Zealand’s fifth Governor although they are sometimes called Lady Elizabeth Bowen Falls for some reason.
In Maori, the falls are known as Hine Te Awa meaning ‘girl on the river’ after the lower third of the falls that resemble the plumage of the Te Kereru bird (NZ Wood Pigeon).
Due to a significant derailment the prior evening in Valley Falls yard the Providence and Worcester's nightly Worcester to Davisville road train never made it to its destination. The power and head 10 cars in front of the six (out of 61 total on the train) that derailed were cut was cut away and pulled up here south of the Blackstone River bridge and north of the Hunt Street crossing at about MP 5.6 on the historic original mainline. The power consists of three units GE B40-8W 4005 and B40-8 4001 bracketing EMD GP38 2006 the lead two still dressed in the classic scheme of the independent pre Genesee and Wyoming P&W.
Central Falls, Rhode Island
Thursday May 29, 2025
Ele é um dos talismãs mais populares no Japão por ser símbolo de sorte e proteção.Nem sempre ele desperta simpatia. O problema é que, no imaginário popular, gato preto não traz boas vibrações.
“Eu não passo perto de gato, também quando eu vejo gato eu fico longe, principalmente quando é preto dá azar, muito azar”, diz uma senhora.
Coisas da cultura ocidental. Lá no oriente é exatamente o contrário.
“Gato, gato gosta. Gato ajuda, né !?”, diz um japonês.
Descendente de japoneses, Lídia adotou um gato preto como bicho de estimação.
“Isso é uma coisa mística do Brasil. Eu acho que as pessoas teriam que se aprofundar um pouquinho mais para ver que isso não é verdade quem disse que uma coisinha dessa dá azar. Não dá azar, ele dá é trabalho porque tem que alimentar, dar carinho”, diz Lídia Kamimura, assistente administrativo.
Os orientais gostam tanto de gatos que transformaram o bichinho em talismã. É o Manekineko, o gato de patinha levantada que não dá trabalho nenhum.
Existem várias lendas que explicam a origem do manekineko. Uma das mais antigas conta a história de um samurai salvo por um gato.
Surpreendido por uma tempestade, o guerreiro se abrigou debaixo de uma árvore. Ao ver o gato com a pata dianteira levantada, como se fosse um chamado, o samurai deixou o refúgio. Naquele mesmo momento, um raio atingiu a árvore.
Desde então, para os japoneses gato com a pata levantada é símbolo de sorte e proteção.
“É como se fosse o nosso saci-pererê, é uma coisa típica do Japão, não vai encontrar em nenhum outro lugar do oriente”, diz Roque Nishida, pesquisador oriental.
O manekineko é um amuleto obrigatório nas lojas do bairro da Liberdade. Há quem diga que a patinha levantada também serve para convidar a freguesia a entrar, mas muita gente compra o talismã para colocar em casa mesmo.
E tem um outro detalhe: nem sempre o gatinho tem a mesma pata levantada. Dizem por aqui que a direita atrai dinheiro, fortuna e a esquerda freguesia, sorte nos negócios. Na dúvida, por que não levar os dois?
Agora, bom mesmo é ganhar um de presente. Desde a inauguração da padaria, um gatinho desses, legítimo, ocupa um lugar estratégico e tem recompensado o esforço de Memi Guo.
“Acho que isso que está dando sorte pra mim e tem que lutar, tem que trabalhar, sem trabalhar sem fazer esforço não vai. Já dei alguns de presente e está dando sucesso pra todo mundo”, diz Memi Guo, dona da padaria.
Cafe Rouge - it just had to be done as a colour pop.
The problem with having a dark red canopy in an area where there are hundreds of seagulls and pigeons circling overhead is clearly visible on the canopy.
The biggest problem with photographing in a location as beautiful as the Banff National Park... is that it is visited by so many tourists every year... that finding unique compositions is almost impossible!
Most of the iconic locations in the park are easily accessible by car and/or a short hike along established trails... but fortunately there are a few lakes that are not very well known... with faint trails that are not marked on any maps or tourist brochures. This is one of those lakes.
Please don't ask me what it's called, where it is, or how to get to it... the peaks that you can see on the left of this image should be enough of a clue to those who know the topography of the Rockies... but for now I'd like to keep this location a secret.
Have a great weekend everyone!
Nikon D800, Nikkor 14-24 at 24mm, ISO 100, aperture of f/11, and a 1/30th second exposure.
This image is the intellectual property of Paul Bruins. It may not be used in any way without my written consent.
You can now also find me on my Website | Facebook | 500px | OutdoorPhoto
Unable to travel to my usual hides for my Kingfisher fix this year I spent time to locate some on my local river Ivel. I eventually found a few and their favourite fishing areas. These photos are from Biggleswade Common. This was often in the middle of trees or bushes so photographs were difficult. No hides or artificial perches and all viewed from public footpaths. Disturbance from walkers was also a problem but persistance paid off
Last summer we had an unexpected weekend in Dinan in France when our classic VW campervan broke down on the way to the ferry home. Burnt out ignition points were the problem but parts for a 44 year old VW take time to arrive so we had a few days of hotel luxury waiting for the part to be delivered from the UK. I carry a couple of spare sets in Katy the Camper now, along with a few other bits and pieces. You have to have a different attitude when living with Katy as she clearly believes, 'La joie est de voyage de ne pas arriver.'
IN ENGLISH BELOW THE LINE
Placa de col·lodió sec, mètode Russell (col·lodió-taní), en format 13x18cm; realitzat amb una reisekamera Konrad Seitz, fabricada cap al 1895; objectiu K. Seitz Rapid Aplanat f8; col·lodió barreja i taní.
Vista de la Mare de Deu del Remei, a les afores de Caldes de Montbui. Un bonic racó per a passejar.
En aquest tercer i més ambiciós lot de plaques de col·lodió sec, vaig albuminar tota la superficie del vidre com a pas previ al col·lodió, eliminant completament els problemes de adhesió del mateix, fins hi tot les reticules de les plaques anteriors. Però també vaig tenir nous problemes, principalment que només varen sortir exposades 3 plaques de sis, i a sobre la intensitat és força debil. Crec que té a veure amb com vaig cobrir amb taní la emulsió.
Es cobreix una placa de vidre amb col·lodió, es sensibilitza amb nitrat de plata i tot seguit, es renta en aigua destilada. Després es cobreix amb una sol·lució de taní (i potser goma arabiga) i es deixa assecar a les fosques. La placa ja està preparada per exposar-se, i aguantarà en aquest estat diverses setmanes o mesos hi tot. Un cop exposada (entorn 4 minuts a f11) es renta amb etanol i aigua destilada, i es pot revelar en una preparat de àcid pirogalic en aigua destilada i acid acetic, al que s'afegeixen diverses gotes de sol·lució de nitrat de plata al 4,4%. Finalment es fixa i vernissa com una placa humida normal i corrent.
Les plaques de col·lodió sec son força desconegudes però es varen fer servir en paral·lel al més famós col·lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats.
ca.wikipedia.org/wiki/Mare_de_D%C3%A9u_del_Remei_de_Calde...
cool.culturalheritage.org/albumen/library/monographs/monc...
www.youtube.com/watch?v=zjxNoTjOZrc&t=2941s
======================
Dry collodion plate, Russell process (tanine-collodion) in 13x18cm format; made with a Konrad Seitz tailboard camera, made c.1895; Konrad Seitz Rapid Aplanat f8 lens; re-used collodion and tannin; developed in pyrogalol.
The baroque church of El Remei, in the outskirts of Caldes de Montbui, Catalonia.
In this third dry collodion batch I've solved the lifting emulsion problems albumenizing the whole surface before covering the plate with collodion. But all my plates showed quite thin negatives, or nothing at all. I presume these problems could be solved changing the way I cover the plates with tannin and the proportions of the developer.
To prepare a plate for the Major Russell process (since 1861), one should cover a glass plate with normal wet plate collodion, and then sensitize it in silver nitrate as usual. But then the plate is completely washed in distilled water, always in the dark. Finally the plate is covered with a solution of tannin, where gum arabic could be added. Once exposed, the plate is washed in ethanol and water, and then developed in a mixture of pyrogallic acid and acetic acid in distilled water, to which a bit of silver nitrate is added. Fix and varnish as a wet plate.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography.
cool.culturalheritage.org/albumen/library/monographs/monc...