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Collagraph Mixed Media
3/5VE printed on full sheet 22" x 30"
Image size 9" x 27"
Reserved for July 2024 Exhibit the Press Room Gallery
AVAILABLE DURING OR AFTER EXHIBIT
A different medium for me. This is a conceptual piece regarding the trinity (Father, Son, Holy Spirit) and the intercession of Mother Mary, being symbolized by the roses intertwined around the triangle. Fall, 2014.
4" x 11" monotype of about ten impressions of waterbased ink on a woodblock, then pulled onto damp handmade paper with a baren
fun stuff!
This is a 16x20 woodcut print that was printed on my handmade cotton paper. it was seriously one of the hardest things I have carved to date.
Facsimile datebook. Giftwrap (Marcel Shurman Co.?) Opaque drawing inks on dark blue index paper, with linen finish.
Here is some evidence that I've been doing more than just sleeping and working.
I've been printing!
I'm very proud of these. I haven't played with linocuts for 15 years!
I cut myself. And I loved the entire process, from sketching the concept, cutting, bleeding, cutting some more to printing.
I think that the clouds on the pink card are my favourite so far as they have printed the clearest.
Eventually, sometime towards the end of January you may get one of these in your mailbox.
Want some mail? Let me know!
13" x 8" monotype based on the previous ones
Akua Kolor on Kitakata
I've made 3 of these by reworking the ghost image
started to make some backgrounds for the reduction print but ended up making this while thinking about the colors...found some things I want to change
about 15 baren pulled impressions, Akua Kolor ink on Sekishu
Ghost prints (3?) used as base for the Exquisite Corpse - holiday edition postcard. Acrylic paints on Canson mixed media paper. Gingko leaves and autumn clematis as some of the printing elements.
8 Likes on Instagram
3 Comments on Instagram:
thomaskeane: Awesome
rypat: love it Caitlin
chylnd: @rypat thank you Ryan! I'm making plates for my thesis doc and will be using the graphics lab to make a good amount of them. I'm enjoying the limits of the process and working with my hands for a change...
Tree No. 30
6 block woodblock print
moku hanga style with waterbased ink and hand-pulled with a baren
4" x 6" edition of 35
12" x 5" 4 block print
Well the carving is done for the most part. Now to fix a slight registration problem with the background block and then decide on some colors. I almost like the bottom image the best, which is the reverse of the one above it.
The Takach Press is set up in my studio and is ready to use. What an incredible press! A super thumbs up to the guys at Takach in Albuquerque for making me such a beautiful press.
13" x 6" monotype based on the previous monotype studies
Akua Kolor on Kitakata
I've made about 6 of these and now I'm carving the 4th block on a 4 block moku hanga-ish version, but I'm finding it a little difficult to carve the shapes that arent what you actually see when your brain thinks "trees" if that makes sense.